Paintings

Oil on panel Panel size: 14 x 10 inches Initialled and dated '1906' lower left to the bench

Oil on canvas Canvas size: 18 x 30 inches Framed size: 25.25 x 37.5 inches Signed lower left

SAPERE AUDE. Dare to be wise. Immanuel Kant’s directive is embodied in the work of David Ligare. For thirty-five years, Ligare has dedicated his work to ...

A verdant green path cuts through a field of red poppies, blue cornflower and white wild carrot in this summertime landscape by Ciba Karisik. The painting is a reminder that after a ...

Untitled 15 and Untitled 16, 2019 by Francisco Larios Lacquer, Acrylic, oil, and gold leaf on MDF Deep Individual Image Size: 11.5 in. H x 9.5 in. W Individual Frame Size: 14 in. H x...

Medium: Acrylic on Board Signature: Signed Book Cover for 'The Finding of Jasper Holt' Written by Grave Livingston Hill, 1993

Untitled 27, 2019 by Francisco Larios Lacquer, Acrylic, oil, and gold leaf on MDF Deep Image Size: 23.6 in. H x 19.75 in. W Frame Size: 25.6 in. H x 21.75 in. W x 1.5 in. D One of a ...

Untitled 26, 2019 by Francisco Larios Lacquer, Acrylic, oil, and gold leaf on MDF Deep Image Size: 23.6 in. H x 19.75 in. W Frame Size: 25.6 in. H x 21.75 in. W x 1.5 in. D One of a ...

Date: 2000 Medium: Oil on Canvas Dimensions: 30.00" x 20.00" Signature: Signed Lower Right Zebra Books Robert Berran has been a prolific romance and historical book cover illustrato...

Dated, signed, and inscribed lower left: 1876 WILL. • H • LOW MONTIGNY sur Loing

Medium: Oil on Canvas Signature: Signed Lower Left Portrait of woman is painted on the backside of this piece

Composition by Aika Brown (1937-1964) Mixed media on canvas 130 x 89cm (51 ¹/₈ x 35 inches) Signed and dated on the reverse, B. AIKA Paris 1961 Executed in ...

Signed lower right in arrowhead: RA Blakelock

Untitled 27 and Untitled 26, 2019 by Francisco Larios Lacquer, Acrylic, oil, and gold leaf on MDF Deep Individual Image Size: 23.6 in. H x 19.75 in. W Individual Frame Size: 25.6 in....

James Austin Murray’s paintings are made using the most basic of means: ivory black oil paint, a canvas and wood-panel support, and wallpaper brushes—up to nine affixed to a long han...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Medium: Oil Painting Signature: Unsigned Contact for exact dimensions.

Oil on canvas, 36 x 42 in. Signed, dated, and inscribed (at lower right): WILLIAM S. SCHWARTZ 1926; (on the back): “OLD COUNTRY BAZAAR” / BY / WILLIAM S. SCHWARTZ / 1926 RECORDED: C. H. Bonte, “122nd Annual opens at Pennsylvania Academy,” in The Philadelphia Inquirer, Jan. 30, 1927 EXHIBITED: The Art Institute of Chicago, 1926, The Thirty-Ninth Annual Exhibition of American Paintings and Sculpture, no. 174 // The Pennsylvania Academy of the Fine Arts, Philadelphia, 1927, The One-Hundred-and-Twenty Second Annual Exhibition, p. 37 no. 181 // The Chicago Culture Club...

Medium: Oil on Canvas Signature: Signed Lower Left

Medium: Oil Painting Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 36.00" x 34.00; Framed 43.75" x 41.75" "The Great Things of Life—Travel, Edison Mazda Lamps/General Electric advertisement" Signed and dated lower left: Dean / Cornwell / 21 Dean Cornwell's advertisements for companies like Coca-Cola, Palmolive Soap, and Philadelphia Blended Whiskey are as chock full of atmosphere and narrative drama as his magazine story illustrations. The present work graced one of eleven advertisements in ""The Great Things of Life"" series, commissioned by General Electric, which ran in monthly 1921 editions of The Saturday Evening Post. Each of these ads, designed by a different artist - among them, Arthur I. Keller, Elizabeth Shippen Green, Clarence F. Underwood, and Sarah Stillwell Weber -- suggested that the warmth of the Edison Mazda Lamp, or incandescent light bulb, went hand in hand with middle-class virtues and opportunities, including ""Reverence,"" ""Contentment,"" ""Gratitude,"" and ""Chums."" For ""Travel,"" Cornwell imaged a honeymooning couple disembarking from a car, about to enter a brightly illuminated inn: ""The Honeymoon Trail is a trail of Light -- Soft lights, orange blossoms, and solemn vows - A handful of confetti, laughing goodbyes and a porch--light smiling its happy farewell -- Bright headlights throwing their radiance over the road; and the lights of welcome in an old-fashioned inn -- So another couple sets forth on the honeymoon trail -- a trail that lingers in memory as long as life lasts, indelibly etched by the magic of light. We speak of life as a journey; have you ever stopped to think how much Edison Mazda Lamps contribute to the pleasure of the journey?"" (General Electric advertisement, The Saturday Evening Post, 1921). The present work is accompanied by three copies of the advertisement as featured in The Saturday Evening Post. " Dean Cornwell, born in 1862, was an American artist who was best known as a muralist and for his famous illustrations in national magazines including Harper's Bazaar, Redbook, and Cosmopolitan. He was born in Louisville, Kentucky and as a child observed his civil engineer father do industrial drawings, which led to his interest in art. Cornwell studied at the Art Institute of Chicago and built his career as a cartoonist for the Lousiville Herald and the Chicago Tribune. Cornwell illustrated the works of some of the most famous names in the literary world, including Edna Ferber, Ernest Hemingway, Pearl S. Buck, and Somerset Maugham. He also created murals for the 1939 World's Fair, Bethlehem Steel, and the General Motors Building in New York City. Cornwell's spectacular murals grace buildings...

Signed Lower Center

Medium: Gouache on Board Signature: Signed Lower Right Sight Size 19.00" x 19.00;" Framed 27.50" x 27.50" Featured in The Saturday Evening Post June 24, 1961 “Too Many Masterpieces”...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies...

Like a moment of inspired creativity when the juices are flowing and everything starts coming together, this painting is on fire. The field of orange metamorphizes into hot salmon pi...

A painting by Hans Hofmann. "Yellow Vase" is still-life abstract painting, oil on panel executed in the primary colors by Post-War Abstract Expressionist H...

Romona Youngquist was born on January 11, 1960 in Yuba City, California, but grew up in Eastern Oklahoma. Youngquist essentially started out in life as a child of nature, spending he...

A brilliant mauve opening framed in charcoal burns through the sky in this luminous painting by Jay Hodgins. The artist creates depth and light in the work using multiple layers of a...

Oil on linen Linen size: 16 x 24 inches Framed size: 22 x 30.5 inches Monogrammed lower left

Medium: Mixed Media Signature: Signed Lower Center Published May 1973 by Pyramid Books

Medium: Oil on Canvas Signature: Signed Upper Left Image of two men, one seated and one standing. From the book Head Tide by Joseph C. Lincoln

James Austin Murray’s paintings are made using the most basic of means: ivory black oil paint, a canvas and wood-panel support, and wallpaper brushes—up to nine affixed to a long han...

Medium: Oil on Canvas Signature: Signed Lower Right

Signed and dated (on verso): Louisa Chase 1982

Medium: Oil on Paper Laid Down to Board Signature: Signed Lower Left This is an illustration for the book by Samual McChord Crothers, The Children of Dickens, originally published in 1925. Bob Cratchit first appeared in Charles Dickens' A Christmas Carol as the victimized clerk of cold-hearted Ebenezer Scrooge. Timothy Cratchit, also known as Tiny Tim...

Joseph Piccillo was born in 1941 in Buffalo, New York. He received both his Bachelors and Masters degrees at State University College at Buffalo. Piccillo’s graphite and charcoal drawings...

In our quick paced culture, we are hyper-stimulated with visual media, which has caused our sense of vision to become blind to many things of incredible loveliness and consequence, s...

Medium: Oil on Canvas Signature: Signed Lower Right A close friend of Norman Rockwell, Mead Schaeffer focused his early career on illustrations for classic, historical, and adventure novels, including Moby Dick, The Count of Monte Christo, and King Arthur and His Knights. The featured lot, a masterpiece of political intrigue, was published as a story illustration for Joseph C...

Ivan Fedorovitch Choultsé 1874-1939 Russian "Derniers Rayons de Soleil", 1920 Oil on panel Signed and dated lower right Canvas: 9 1/2" high x 12 5/8" wide Frame : 16 1/2" high x 1...

Untitled 7, 2019 by Francisco Larios Size: 50 cm H x 50 cm W x 1.5 cm D One of a kind. From Mexican Ryōan-ji Series Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that g...

Medium: Oil on Canvas Signature: Signed Lower Right Cover of Liberty magazine, January 26, 1929

Medium: Oil on Canvas Signature: Signed Lower Left Grandmom with grandson and dog

Medium: Painting Signature: Signed Lower Center, Inscribed at Bottom of Image Contact for dimensions.

Alfred Henry Maurer has been called the First American Modern because of his role in bringing modern methods of working to the United States

Stanley Twardowicz (1917–2008), a one-time orphan, Golden Gloves boxer, professional baseball player and auto worker, emerged from a hardscrabble upbringing in Detroit to become a po...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In stunning detail, Ciba Karisik has captured the delicate and serene beauty of pink coneflower and white Queen Anne’s lace flowers lining the edge of a grassy field. For Karisik, na...

A painting by Tadasky (Tadasuke) Kuwayama. "B-139" is an abstract painting executed in circles of red, blue and yellow by Op Artist Tadasky (Tadasuke) Kuwayama. Signed, verso, "Tadas...

Medium: Oil on Board Signature: Signed Upper Right Illustration for "Da Strit Pianna" by Wallace Irwin, Collier's Magazine April 25th, 1905

Oil on canvas Canvas size: 24 x 18 inches Signed lower right

An abstract painter who has been an active member of the New York art scene since the early 1980s, James Walsh follows in the modernist tradition of Pollock in using art to reveal it...

Medium: Oil on Board Signature: Signed Lower Right This illustration was the paperback cover of Dark Streets of Paris (Lucifer's Dream) by Jean Louis Curt...

Signature: Signed Upper Right Framed to 29.5 x 34 in.

Medium: Acrylic on Illustration Board Signature: Unsigned

Medium: Oil on Canvas The oil on canvas illustration is bearing a Saturday Evening Post label verso, used to illustrate the short story There Is No Love, in the October 18th, 1941 i...

Floral still life of pink roses in a red vase with two figures, set against a dark background. Oil on canvas measures 15 3/4 x 11 7/8; frame dimensions measure 20 1/2 x 16 1/2 x 2 3/...

Gestural shapes in olive and orange are framed by passages of rich sienna and indigo in this emotive landscape by Jennifer Hornyak. Framed dimensions are 9.5 x 13.5 inches. Hornyak ...

Oil on canvas Canvas size: 27 x 24 inches Framed size: 33 x 30.5 inches Signed and date '87 lower left