Paintings

Mixed media on canvas 120 x 120 cm - frame thickness 10 cm Signed on the back

Modfellows Art Gallery presents Lovescapes, an exhibition of works by Martin Kahnle that explores the nature and humanity of the southern Blue Ridge Moun...

Mixed media on canvas 160 x 130 cm - frame thickness 9 cm Signed on the back

Tony Khawam is an established contemporary artist known for his semi-abstracted work of the New York urban and industrial landscape and recently of South F...

Classic mid century still-life of a green drape with vase, by W. Gray (American, 20th Century). Dated and signed by the artist lower right, "57 W. Gray." ...

An original acrylic on linen canvas by American artist Martica Miguens. The artist's estate was recently unearthed and acquired by Benjaman Gallery. ...

Ride or Die (Abstract painting) Oil on panel Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion. Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work. Her use of reds and pinks link to flesh and blood...

Sandra Cohen’s “I’m not here (2)” is a 10 x 10 x 1 inch acrylic painting on cradled wood, in green, blue, and yellow. An experiment in abstraction based o...

Oil on canvas 70.80 x 70 .80 in unstretched

The themes visited in this show stem from a desire to extend the vocabulary of my painting while forming a metaphor for the chaos of contemporary life. The title, Escalade, has differing and complimentary functions in English and French. Continuing to paint, over a lengthening career, the medium poses more questions than answers. The title is a reference to my attempt to overcome these difficulties through the expansion of my painting language. The title also refers to the escalation of crises in the world at large. It is the larger picture in which I am a small person trying to make my way. In a concrete sense, the title also refers to a strategy I have taken in a number of these paintings. That is, to re-examine very small paintings...

READY TO HANG, GALLERY QUALITY A beautiful modern floral painting, made with professional varnished acrylics and Amsterdam acrylic sprays on stretched heavy canvas. I ship this marvellous artwork ready to hang with the edges painted. Dimensions: 120X100X4 cm, 47.3x39.4x1.6 inches. It is signed and dated on the front by the artist: Soos Roxana Gabriela...

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop c...

Oil on canvas

Pinky , 2022, 120x100cm

This work is part of a two panel installation sold individually or together. There are 2 interlocking panels each listed separately for the price above. The words written on the canv...

Yana Beylinson's (US based) "Four Peonies" is an oil painting that depicts impressionistic pink flowers with vivid green leaves. Artist Bio: Yana is driven by a deep r...

Roger Smith (British, 1932 – 2004) “Eight” 1b Signed and titled ‘Roger Smith “Eight” 1b’ Mixed media on board 17.3/4 x 23.7/8 in. (45.5 x 61 cm.)

This 24" x 30" acrylic on canvas painting by artist Dragana Milovic features a fantastical landscape of houses, florals, and other whimsical elements. ...

Ride or Die (Abstract painting) Oil on panel Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion. Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work. Her use of reds and pinks link to flesh and blood...

Remembering Plains no.50 by Alyson Kinkade 8" x 8" oil on linen ©2011 gallery wrapped, black sides The allure of the horizon of the Great Plains, where waves of colors meet sky. AB...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2021 Style: Impressionism, Subject: Yellow Valley, Size: 18.5" x 17...

New wings, 180x120cm

A very beautiful large colorful abstract painting with many neon nuances, heavy relief textured with palette knife, vibrant and emotional. READY TO HANG - GALLERY QUALITY It's all ...

A representational abstract painting of a lily pond. Airy washes of alizarin paint, built up more opaquely in areas, creates the background of this piece. Epoxy resin covers the aliz...

Mother Nature is an original acrylic painting realized by the Italian artist Salvatore Petrucino in 2016. Hand-signed on the lower right. Technique, dimensions, and date are writt...

This is a contemporary geometric abstract landscape oil painting on canvas with green water and blue sky. It is reminiscent of the Modernist color field tradition of Mark Rothko.. It is signed on the back. All hanging hardware is attached, no need for additional framing. Every purchase comes with a free, hardcover copy of the beautiful illustrated new book, "Joseph McAleer...

Maggie LaPorte Banks. Seagulls have yellow eyes [2022] original and hand signed by the artist Acrylic on canvas, gold leaf, and raw pigment from Kerala Image size: H:76 cm x W:76 ...

Unframed this painting measures 24 x 36. We were immediately drawn to the thoughtfully painted work, the clever titles and the rich, deep hues. And when we got to know the artist, w...

This artwork is an emotional exploration of green changing into aqua, while being accompanied by red and other colours. The work is in the style of abstract expressionism. This artw...

Silk Road 261 is an aqua green and pale yellow encaustic (pigmented beeswax) painting on birch panel with an aqua edge. Signed, dated and titled on verso. Joanne Mattera’s paintings...

Series of paintings “Ultraviolet” glow at night. There are two worlds - during the day, you get stroked by color and at night you enter another world of darkness. But light shines in the darkness and the darkness has not overcome it. Hope is being able to see that there is light despite all of the darkness of this world. I am finding light within the darkness is where miracles arise. In the midst of darkness light persists. Though my...

This new series aims to raise awareness about the interaction between people, social networks and technology in general. The main idea of this series is to capture the characters wit...

"Utah Horses" is a dynamic oil that captures the energy and movement of a pastoral scene with free ranging horses in Utah, and is an excellent example of Pil Ho Lee's modern approach...

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instag...

Finding My Way 3 Cheryl D. McClure oil on wood panel 30 x 30 x 2 Inv #: 821 Price $3,300 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Signed lower right, 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Cen...

SALE ONE WEEK ONLY "Red Harmony" is an abstract painting that does have a sculptural presence in the shapes of the red areas. The lush greens blend various shades into a background that while it does contrast sharply with the reds, it is not in conflict. The overall effect of this work is dynamic in its energy while at the same time harmonious. One of the original Cass Corridor artists from the 1960s William Antonow studied at the School of the Detroit Society of Arts and Crafts (now the College for Creative Studies) and at Wayne State University, where he received his BFA (1967) and MA (1970.) Antonow’s first one-person show at the Willis Gallery in 1971, represented a radical departure from his early work – abstract bronzes shown at the Michigan Artists exhibitions at the Detroit Institute of Arts in 1969 and 1970. A founding member of the Willis, Antonow publicized his exhibition with a cryptic invitation stating, “art isn’t anything.” Echoing the challenge implicit in the exhibition announcement, the works in the show consisted of precariously balanced piles of such non-art materials as wood crates and barrels, corrugated paper or cardboard, cellophane and beer cans. These brash, paint-slathered juxtapositions of salvaged objects were perhaps the first example of the nascent “tough art” aesthetic of the Cass Corridor. (Both Gordon Newton’s wood constructions and Bob Sestok’s crude “radio wheels” first appeared in 1972.) In 1975, in the inaugural group exhibition of the Willis at its new location in the Fisher Building...

David Ackerson 24" x 48" Acrylic on Canvas

”Nautical and maritime themes have often resurfaced in my work mainly because of associations with my childhood, being brought up on the River Hamble within a stones throw from the busy international shipping port of Southampton. The Solent and Cowes as seen from Warsash were formative landscape memories and the regular passage of tankers, passenger ships...

Colour Me Happy #4 – By Lucy [2022] original Acrylic on canvas Image size: H:76 cm x W:76 cm Complete Size of Unframed Work: H:76 cm x W:76 cm x D:1.5cm Sold Unframed Please not...

Named "Cotton Flower", this abstract artwork by artist Françoise Duprat depicts a marine landscape. It is not framed. In her early artist carrier, Franç...

Abstract Landscape, Dreamy, Expressionist, Colourful art. Deep stretched canvas, edges painted white (no need for framing) Signed and Dated on reverse.

This is a vibrant pink encaustic (pigmented beeswax) painting on birch panel accented with a darker shade of reddish pink along the edge. Signed and titled on verso. Joanne Mattera’...

This painting the emotional essence of Springtime, the feeling and the sense of what Spring is about. In an abstract sense, I use the constrast between yellow and black on white to g...

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instag...

Charming mid-century pastoral landscape of a farm flanked by tall trees under an expansive sky, reflecting softly in a nearby river by Alice Egge (American, 1931 - 2000). Signed "A...

Rosie Murnku Marnku Tasman (c.1935 - 2018) was a Warlpiri woman, who grew up in the Tanami Desert and walked along her story lines. She was full of dynamic knowledge about her storie...

Artist Commentary: Red abstract joy inspired by fall in New England. Keywords: Happy, Colorful, colorfield Artist Biography: Melissa lives in a world where everyday is a creative and magical adventure full of color. Art came into Melissa's world full time after being laid off from her corporate sales job in January 2012. After her father’s death is 2013, Melissa started painting, art journaling, and playing with mixed media as a way of healing. As a creative artist, her work has been featured at the Newburyport Art Association, Chelmsford Art Association, SOWA Art Market in Boston, MA, Greenway Open Market in Boston, MA, Boston Arts Festival, Central Flea in Cambridge, MA, Squam Art Fair in Holderness NH, and the Providence Flea in Providence, RI. When Melissa is not creating some sort of magical art...

Bruno Fael begins as a figurative painter and is recognized today as the key figure of a renewed Abstract Expressionism based on color and as one of the most gifted and effective co...

US Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is strongly influenced by his exper...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and...

Developed in London in 2019 and 2020, this project focuses on the idea of dreaming and although the emerging compositions are closed and defined they are also very dynamic and vibran...