Paintings

Artist: Jack Graves III (American, 1988-) Title: "Alexander the Great Icon VI" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2023 Me...

Is a captivating masterpiece that embodies the essence of the action painting movement. With its vibrant display of colors against a pristine white backdrop, this artwork emanates an...

French Quarter Courtyard

Title: «La Bruja» Collection: Muses Description: Acrylic on canvas, figurative, Vibrant, modern "Who is the witch of the big city today? How does she stand out from everyone else? She wants to break the rules and obeys her inner voice, she is not afraid to be herself, she chooses her own path, she lets magic enter her life every day, because living her life and loving herself is true magic." The artwork in question may celebrate the power and freedom of self-expression. The focus is on a woman who defies convention and chooses to live life on her own terms. She is described as a "witch," which suggests that she is seen as someone who is in touch with the mystical and the spiritual. The artwork may depict this woman as a bold and confident figure, with an unapologetic attitude and a strong sense of personal style. The imagery may be colorful and fantastical, with elements of nature and magic woven into the composition. The artwork may also convey a sense of joy and empowerment, with the message that being true to oneself is the ultimate form of magic. Overall, the artwork celebrates individuality, creativity, and the courage to pursue one's own path in life. Victoria Tsemka...

After a long, successful career with the Eastman Kodak Company as a photojournalist and editorial photographer, Emile Dillon returned to painting in 1998. As a photographer he traveled the United States, Mexico, the Caribbean, and Europe. While he’d chosen the camera for his profession, he’d grown up with oil on canvas. His grandfather was the Harlem Renaissance painter Frank Joseph Dillon and a favorite uncle was the Latin American artist Felix Vargas. Dillon’s years behind the camera and days in Soho galleries inspired him to pursue Photorealism as a style. But instead of the landscape of the exotic which he’d experienced in his Kodak travels, he was fascinated by the humble diners, motels, and vintage signs which were vanishing from American towns and cities. To perfect his craft, he studied at the School of Visual Arts and the Art Students League in New York. In an article on his work in the July 2019 issue of American Art Collector magazine, Dillon comments on his subject matter. “Somebody’s got to save these things…These places may not exist anymore in the next 100 years.” Dillon’s favorite painting in this exhibition is Dunkin Donuts...

Uwe Müller-Fabian Am Meer, 1998 Acrylic on canvas Unsigned

Composition is a beautiful original painting in tempera applied on cream-colored paper, realized at the beginning of XX century by the Greek-French artist Mathéos Alkis, Signed on lo...

Dazzling Orange by Susanne Winter [2021] original and hand signed by the artist acrylic on canvas Image size: H:32 cm x W:32 cm Complete Size of Unframed Work: H:32 cm x W:32 cm x D:3.75cm Frame Size: H:38.5 cm x W:38.5 cm x D:4.5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look A dazzling sunset on the North Downs. Susanne Winter - Artist - Painter - I did my foundation course in Hastings School of Art followed by a Fashion & Textiles degree in Leicester then moved to London and worked in Interior design companies producing one off hand-painted pieces. I have exhibited in many London galleries over the years taking part in and being very involved in a large thriving artistic community. I now work from my studio in Guildford, Surrey. I take my paints everywhere with me so I have a huge collection of sketches...

This abstract painting from new Series “Power of Colors” is inspired by minimalism, modern art and hard edge. This work is signed, dated and tilted by Artist on the back. This work w...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Chantal Jentien is a contemporary Swiss artist who want to make colors and fun in her life. Completely self-taught, she paints according to her inspiration almost with closed eyes. S...

Timothy by Lucie Sheridan [2022] A colourful painting of a cat Additional information: Original Acrylic on canvas Image size: H:50.8 cm x W:40.6 cm Complete Size of Unframed Work: H:50.8 cm x W:40.6 cm x D:6 cm Frame Size: H:53.8 cm x W:43.6 cm x D:3.5 cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Lucie Sheridan is an illustrator and print maker. She creates her work within her studio at Centrespace located in central Bristol, England, which is a long standing co-operative studio and gallery space...

This blue and yellow minimalist abstract by Cora Van measures 47.5" x 39" and is executed in acrylic on canvas. Hanging mounts are installed for both vertical and horizontal orientat...

About L' Atlas - Street Art and Optical Art Movement: One of the most promising artists of his generation, L' ATLAS overturns codes, bringing the street into galleries and museums. A...

Thomas Easley’s mastery of the female form is evident in this reclining nude. Painted with smooth and precise strokes of the palette knife in tonal shade...

Oil on canvas Keti Shapatava is a Georgian artist born in 1995 who lives and works in Tbilisi, Georgia. She was introduced to the world of art at Anastasia Virseladze Art Gymnasium ...

Khanim (b. 1994) is a native of Western Kazakhstan. She graduated from The UNESCO Art School in Astana in 2012 and received her BFA from Parsons The New School for Design in New York...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Vintage American School cat portrait painting. Cubist / Precisionist style Oil on canvas. Unsigned. Framed. Image size, 29.25 by 23.25H.

Intuitive composition, fantasy, oil on canvas, I love Gaudi :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to ...

BC artist Pat Service is well known for her beautiful landscapes. In the last few years she has interpreted those images in minimalist form rendered in vivid colours. Four Hills is a...

Look At Me #8 Contemporary Original Abstract Acrylic Painting on Wood Panel The Look At Me series references society’s hunger for attention. Social media, news outlets, and the pres...

Kelly Brumfield-Woods (b. 1966, Los Angeles) received an acceptance to Otis College of Art and Design in mid-1980s, the same time she was asked to be Studio Assistant for Mary Corse....

Javier Calleja El Pan De Cada Día (Everyday Bread), 2013 is a stunning work that exemplifies the artists interests and influences in cartoons and comics that are imbued with creative...

Christ, the Great High Priest. Greek-Italian style Icon with silver filigreed oklad. Egg tempera, over gesso on wood with a silver cover, "oklad", with pol...

Paul Wadsworth is one of the UK’s leading exponents of Expressionist paintings. His pieces are heavily worked with layers of richly applied paint, the result is paintings that sing w...

Gold powder and acrylic on paper Byun Kyung-Sup is a Korean artist born in 1957 who lives and works in Gwangju, Korea. She studied painting at the College of Fine Arts, Hongik Univ...

Paul Wadsworth is one of the UK’s leading exponents of Expressionist paintings. His pieces are heavily worked with layers of richly applied paint, the result is paintings that sing w...

Tangerine Dream #6 By Lucy Moore [2022] original Acrylic on canvas Image size: H:61 cm x W:76 cm Complete Size of Unframed Work: H:61 cm x W:76 cm x D...

Silver powder and acrylic on paper Byun Kyung-Sup is a Korean artist born in 1957 who lives and works in Gwangju, Korea. She studied painting at the College of Fine Arts, Hongik Un...

Gold powder, acrylic and watercolor pencil on paper Byun Kyung-Sup is a Korean artist born in 1957 who lives and works in Gwangju, Korea. She studied painting at the College of Fi...

Intuitive composition, a way of interconnecting between two complementary colors. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by t...

Small format realist still life by well-known Ukrainian painter, Victoria Kalaichi.

British born artist Jennifer Hornyak has re-imagined the traditional still life in a series of abstract, richly coloured florals. Her palette—this oil on canvas in fuchsia, pink, pur...

Oil on canvas Doïna Vieru is an Ecuadorian-Moldavian artist born in 1978 who lives & works in France, Paris. She always preferred pas/pas/passionately the image to the word and all ...

Pink evening. Ocean. sunset, warm water, ocean, sea, small waves, sun reflection, clear sky, create an atmosphere of relaxation and romance. Made in the style of realism, impression...

Stephen Sacklarian 1899-1983 Sacklarian studied art at the Pennsylvania Academy of Fine Art, the T- Square Club-School for Architects, The Philadelphia College of Art, the Fleisher ...

Spray Paint,Water Based Colors and Acrylic Markers on canvas

Through this series I try to show one of my recurrent thoughts: how memories transform reality. Sometimes memories appear as a simple deformation of reality; in other occasions, just...

This painting expresses the reflections and emotions of fire on a lake. These reflections can be beautiful, and could be the reflection of a colourful sunset or something more sinist...

Brightly colored landscape of a cabin in the woods by Karen Druker (American, 1945). Signed "Druker" in the lower right corner. Presented in a cream mat. No frame. Image size: 30"H x...

Contemporary Art, Abstract Painting Acrylic on canvas 190x190cm Signed FREE SHIPPING ROLLED UP IN TUBE About the artist Enrique Pichardo (Mexico...

"Mas Rojo", as hte name implies, is "More Red" in an Oil on Canvas painting. Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of o...

ABOUT THE ARTWORK The painting "Driada - I feel the Earth" is a contemporary piece that merges the allure of mythology with the raw essence of nature. It portrays a nude female figur...

Artist: Vahe Yeremyan Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Year: 2023 Style: Contemporary art Title: Vibrant Fall, Size: 30" x 56" x...

This 18 x 18 inch oil painting on canvas is stretched on heavy-duty stretcher bars. The sides are white. This piece is not framed. Please inquire if you have any questions at all.

Vivacity

"Big Little #144" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and white palette acrylic, ...

'Woman with Blue Eyes', oil on board, by Peter Robert Keil (1985). A topless redhead gazes out to the viewer with her intense blue eyes. A mysterious blue hand sneaks into view from ...

Pastel, acrylic and pencil on wood panel

Paul Wadsworth is one of the UK’s leading exponents of Expressionist paintings. His pieces are heavily worked with layers of richly applied paint, the result is paintings that sing w...

Portrait Of Frederick Henry, Prince of Orange (1584-1647) At The Siege Of Maastricht 1632, 17th century circle of Palamedes I PALAMEDESZ (1607-1638) 17th Century Dutch portrait...

Pink Dawn is an original abstract painting by Janet Keith. The painting is warm and full of life - a dance of flickering brush strokes in a harmony of pinks, oranges and yellow - evo...

Françoise Juvin - Venice, Piazza San Marco Reference number FJ142 Framed with a black wood floated frame. 24 x 30 cm frame included (19 x 23 cm without...

"Sunset Bottle Collection" is a contemporary still-life painting that features a chic display of classy bottles and glasses in orange tones. The bo...

Represented by George Billis Gallery. Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Rep...

Title: Untitled - Yellow Medium: Oil on canvas Size: 24 x 30 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Artist: Chong...

LARRY KANTNER The New Dog 2022 Acrylic and collage 8.5 x 10.5 inches