Paintings

signed "A. Lepère" at lower left

Oil Painting by Maurice Levis "Le Moulin de Jarcy" S.F.A 1860 - 1940 French painter of landscapes and town views, pupil of Harpignies and member of the French Artists where he was a...

Work on panel Golden wooden frame 41 x 51.5 x 4.5 cm

This sophisticated British portrait oil painting is by female artist Hedwig Pillitz and painted circa 1930. Her parents emigrated from Hungary to England and Hedwig and her actor sis...

Leonid Frechkop (1897–1982), painter and art critic, is a significant figure in Russian and Belgian art. Born on November 6, 1897, in Moscow, he trained under renowned masters at the...

'The Yellow Pitcher', oil on canvas, by Charles Kvapil (1939). A prolific painter of bouquets, the artist created dozens of tableaux with flowers as sub...

Charming impressionistic painting with allegorical theme of pale horse coming to shore by Cash Arthur Bond (American, 1876 - 1952), circa 1900. Signed "C.A. Bond" lower left corner. ...

Louis Bosa (American, 1905–1981) Bucks County, 1934 Oil on canvas Signed and dated lower right 17.5 x 21.5 inches 25.5 x 29 inches, framed Born in Codroipo, a small village only a f...

Gaston CORNIL French 1883 - 1960 A beautiful painting by Gaston Cornil of the coast of France. The texture within his palette works beautifully with his talent in creating a 3 dimensional effect with the waves and sand. An outstanding example, unique from his traditional landscapes. Oil on panel Picture Size: 15 x 18" (38 x 46cm) Outside Frame Size: 21 x 24" (53 x 61cm) He was born on May 15th 1883 in St Mande...

Adam Lehr (American, 1853–1924) Still life with green apples and copper vessels, 1908 Oil on canvas Signed lower right 16 x 24 inches 27 x 35 inches, framed Exhibited: WOLFS Gallery...

6021 Antique oil of an abandoned Arizona mining town Framed Signed verso Image size 17.5x23.5

Spring landscape, green, 19th century Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to technical and expressive...

The Belle Epoque Lady French School, signed and dated 1907 oil painting on canvas: 24 x 19.5 inches antique original gilt frame: 29 x 24 inches condition:...

This large and arresting oil on canvas is what I believe must have been one of a pair, with a male nude of exactly the same size and style by the artist that sold at Coletti Gallery ...

The painting we have for sale, executed by Swedish artist Erik Tryggelin on May 3rd, 1907, presents an atmospheric and dynamic view of Sankt Matteus Church in Stockholm. This piece i...

This superb British Edwardian Impressionist portrait oil painting is by noted portrait artist James Jebusa Shannon. Painted circa 1906, oil on panel and part of a family collection, it is a half length portrait of a blond lady in lace which is depicted with bold, free brushwork. This is a stunning Edwardian portrait by a much sought after artist, housed in a superb period gilded oak frame. Provenance. Family collection. Condition. Large oil on panel, 30 inches by 20 inches unframed and in fine gallery condition. Housed in a stunning gilded oak frame of the period, 40 inches by 30 inches framed and in good condition. Sir James Jebusa Shannon RA (1862–1923) was an Anglo-American artist. Shannon was born in Auburn, New York...

NYC EL American Scene Social Realism Mid 20th Century Modern WPA Era Figurative Cecil Bell (1906 – 1970) Street Life Under the EL 22 x 30 inches Oil on canvas, c. 1930s Signed upper...

Robertson K. Mygatt (American, 1862-1919) Trees by a Small Pond Oil on panel, 5 1/8 x 6 3/4 inches Framed: 9 1/2 x 11 1/2 inches (approx.) The landscape painter and etcher Robertson...

Rare and finely painted early American impressionist oil painting by Joe (Joseph) Franklin De Yong (1894 - 1975). Framed. Oil on canvas. Signed. Image size, 13H by 15L.

" Sunlit Mountains" Majestic Mount Jefferson And Mount Hood Oregon 1930s A well executed oil on linen of two mountain peaks by California and Illinois artist Andrew Dobos (American/P...

Wonderful watercolor depicting a plant/flower. These were used at a Belgium University to teach the students about botany. Dating from the early 20th century. They are watercolor on ...

Early 20th Century Redwood Forest Sunset Reflections Landscape Beautiful early 20th century landscape of sunset over redwood forest stream by William Lemos (American, 1861-1942). A ...

Wayman Elbridge Adams (1883-1959). From a Balcony, New Orleans, French Quarter, ca.1930. Oil on masonite panel, 12 x 16 inches; 17.5 x 21.5 inches framed. Excellent condition. ...

Walpi Hopi Village, Arizona First Mesa Landscape by Marion Kavanaugh Wachtel. Significant southwestern painting of Hopi at Walpi Mesa in Arizona...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Tête de Femme Blonde by Pierre-Auguste Renoir (1841-1919) Oil on canvas 26.1 x 19 cm (10 ¹/₄ x 7 ¹/₂ inches) Signed upp...

Wonderful double sided oil on heavy fiber board paintings done by the well known North Fork Peconic Bay artist Caroline Bell. The coastal sailing painting is signed lower left. The haystack painting verso is signed in pencil lower right. The sailing painting is in good condition; the haystack painting is in good condition. Both done circa 1930. In a period but not original gold leaf over wood frame. Framed measurements are 19 by 23.75 inches. Provenance: A Long Island, New York estate. (1874-1970) Caroline Bell was the leader of a group of artists known as the Peconic Bay Impressionists...

Joy Carrington Nude Model with Art Students (1907 - 1999) San Antonio Artist Image Size: 35 x 18.5 Frame Size: Unframed Medium: Oil Circa 1940 Nud...

Portrait of Woman with Black Hair and Fringe styling by Anton Sailer (French 1903-1987) Signed & dated 1930 oil on canvas, framed Framed: 23.5 x 18 inches Canvas: 18.5 x 13.5 inches ...

Oscar Jansson, Arvika, Sweden Sunburst, 1906 (Swedish original title: Solbrytning) oil on canvas signed and dated OSCAR JANSON 1906 unframed: 99.5 x 120 cm (39 1/4 x 47 1/4 inches...

Lionel Birch was a landscape and animal painter from the turn of the 19th to 20th century. He traveled throughout Europe painting and for a while lived in Florence Italy. Most of his...

6023 Antique English seascape .Signed Image size 7.5x9.5" Set in a period frame

Presenting the ultimate wine painting! This is a monumental oil painting by French artist Maurice Georges Poncelet. "Le Vin Nouveau", (The New WIne), is an original oil on canvas, s...

Large and amazing Colorado landscape painting by Eleanor Dow Green . Oil on canvas. Framed. Signed. Image size, 30 by 36 inches.

A fine impressionist landscape along the Seine River in France by American artist Chauncey Foster Ryder (1868-1949). Ryder grew up in New Haven, Connec...

A mysterious blond young woman is standing by the window in a plush drawing room which has a velvety feel. With her back turned to us, she is looking out over the spires and roofs of...

A wonderful view of the heartbreakingly beautiful Fontainebleau/Barbizon region, which was home to some of the greatest painters of the 19th and early 20th Century. The particular spot presented here is the river Loing at Montigny-sur-Loing, where Cezanne and Sisley loved to paint. The village is just a short walk away from Grez-sur-Loing, where John Singer Sargent, Francis Brooks Chadwick, Robert Vonnoh, Edward Simmons...

Josep Ventosa Domenech (1897-1982) - Navarcles - Oil on panel Oil measurements 16x22 cm. Frame measurements 31x37 cm.

We are pleased to offer for sale an exquisite landscape by the Swedish artist, Nils Kreuger (1858–1930), titled "Landscape View from Öland, Sweden" executed around 1905. This work is...

Presented here is a distinctive landscape by the Swiss artist Ernst Suter, a creator primarily known for his sculptural works, making this painting a noteworthy and rare acquisition....

A gorgeous American impressionist painting of Gloucester Harbor. Unsigned but by a very skilled hand. The canvas is 20" x 16" housed in a period frame.

Oil on board painting by Aloysius O’Kelly of Concarneau, Brittany. Signed bottom right and titled verso. Condition: Good. Provenance: Sarasota estate. Overall sized framed in o...

'Boats on a Pond', oil on canvas, by Charles Kvapil (circa 1930s). This tranquil artwork depicts people fishing from their small boats. The motionless pond is surrounded by lush foliage with some homes as backdrop. The painting is spattered with light. With hardly any air moving in the scene, the still water plays...

Early 20th-century English oil painting with the subject taken from one of Robert Bloomfield's poems, The Farmers Boy. "E'en Sober Dobbin lifts his clumsy heel, and kicks, disdainful of the dirty wheel Edward Algernon Stuart Douglas...

The painting we are selling is a breathtaking mountain view from Hålland in Jämtland, Sweden, created by Ante Karlsson-Stig in 1932. Ante Karlsson-Stig (1885-1967) was a Swedish pain...

JOAQUÍN SOROLLA Y BASTIDA Spanish, 1863 - 1923 PUERTO DE JÁVEA signed and dated "J. Sorolla B. / 1905" (lower right) oil on canvas on cardboard 7 x 8 inches (18 x 20.5 cm.) framed: 1...

William Robert Shulgold (1897-1989), studied under Arthur Watson Sparks, head of Carnegie?€™s art department. He specialized in figurative genre subjects, displaying within his paintings a quality and understanding akin to 19th century impressionism...

George Picken Playground, Carl Schurz Park, 1938 Signed and dated lower left Oil on canvas 28 x 36 inches Provenance: Estate of the artist A native New Yorker, George Picken was born in 1898. His father, an artist and photographer, emigrated from Scotland; his mother came from Wales. They joined other European immigrants settling in New York City’s Hell’s Kitchen. Picken enlisted in the army during World War I and saw action at Verdun. After the war, he stayed in France and like many Americans returning from the vibrant Paris art scene, was inspired by the radical movement known as Impressionism. Upon his return Picken decided to follow in his father’s footsteps and become an artist. George began his studies in 1919 at the Art Students League during Robert Henri, Max Weber, and John Sloan’s tenure. There he took classes in studio art, illustration, and etching through 1923 studying extensively with George Bridgman. The writings of French philosopher Henri Bergson were widely circulated among the artistic community and looking at Picken’s early paintings one cannot help but wonder if as a young artist he was influenced by Bergson’s ideas. Bergson said, "[There are] two profoundly different ways of knowing a thing. The first implies that we move round the object; the second that we enter into it. The first depends on the point of view at which we are placed and on the symbols by which we express ourselves. The second neither depends on a point of view nor relies on any symbol. The first kind of knowledge may be said to stop at the relative; the second, in those cases where it is possible, to attain the absolute.” Picken’s recognition came early with showings of his work while he was a student. His drawings were published in the New Masses, a significant left-wing publication. The New York Public Library honored him with one-man shows in 1924 and 1928 and his work was included in group exhibitions at the Louis Comfort Tiffany Foundation, the Whitney Studio Club, Montross Gallery, and the Art Students League. During this time Picken married Viola Carton, one of Reginald Marsh’s models, and they lived in Westchester. Later they moved to Yorkville in Manhattan between 82nd street and East End Avenue where they began their family. Picken’s grandson Niles Jaeger recalled that, “Grandpa’s home and studio were in a five-story walk-up apartment, heated only by a coal stove. But there were wonderful views of the East River and the Queensborough Bridge...

Original cover for The Saturday Evening Post, published November 22, 1930 A sweet scene of a child ill in bed and getting checked by a doctor as his concerned mother and dog look on...

Rikard Lindström (1882–1942) Silent Interior oil on canvas mounted on board signed lower right framed: 50 x 58 cm (19.69 x 22.83 inches) unframed: 39 x 47 cm (visible image) (15.35...

Julian Onderdonk "Summer Evening S. W. Texas" Texas Hill Country (1882 - 1922) San Antonio Artist Image Size: 9 x 12 Frame Size: 15 x 18 Medium: Oil on panel Dated 1909 "Summer Evening S. W. Texas" "A Texas Painter Worked Under the Radar in New York," By Eve M. Kahn, March 6, 2014, The New York Times Onderdonk, a San Antonio native who died of an intestinal ailment in 1922, at 40, is best known for painting swaths of Texas bluebonnets. Those canvases can bring more than $500,000 each, while his New York scenes usually end up in the five-figure range. Onderdonk’s parents were painters in San Antonio, and in 1901, when he was a teenager, they sent him to New York for training. Through 1909, he lived in various Manhattan apartments and Staten Island houses. He then returned to Texas, but continued to spend months at a time in New York. In 1902 he had married a Manhattan teenage neighbor, Gertrude Shipman. While she focused on raising their daughter, Adrienne, and worrying about their strained finances, “he created more than 600 works of art, often producing a painting or two a day,” Eyewitnesses recorded his prolific pace in New York, but Onderdonk works bearing those dates rarely turn up. The puzzling gap in his productivity is explained in family correspondence that the Bakers uncovered: The artist admits that he was signing pieces with pseudonyms. He mostly used Chas. Turner and Chase Turner and occasionally resorted to Elbert H. Turner and Roberto Vasquez. Julian Onderdonk was the son of the important Texas landscapist, Robert Onderdonk. He was the father's pupil at age 16. Sponsored by a Texas patron, he studied at the Art Students League in New York when he was 19, the pupil of Kenyon Cox, Frank DuMond, and Robert Henri. He also studied with William Merritt Chase on Long Island. In 1902, having lost his Texas patron because he married, he asked $18 for 12 paintings at a Fifth Avenue dealer in New...

Antique Dog Painting "Collies in Horse Stable with Saddle and Blanket" Auguste Vimar (French 1851-1916) Circa 1900 21 x 17 1/2 (29 x 25 1/2 frame) inches An excellent depiction of collies in the barn awaiting their master. The color and textures are very evocative of an actual stable right down to the hay scattered about. With its original frame, this is quite the statement piece. Auguste Vimar was a French painter, sculptor, designer and illustrator though he is best known for his talents as an illustrator. He illustrated great classics like La Fontaine's Fables or books by his friends, such as L'Arche de Noé by Paul Guigou...

Day at the Beach - Realistic Figurative Illustration in Gouache Original figurative illustration of people at the beach by Charles Ross Kinghan (American, 1895-1984). Several women are looking at someone's foot, as if there is a splinter being removed. Three of the women are closer, with their heads in the frame. Two of them have are standing with their backs to the viewer. Between the women, the viewer can catch glimpses of other activities on the beach. Possibly a sketch for Good Housekeeping Magazine. Signed "Charles Ross" in the lower right corner. (Charles Ross Kinghan) Acquired with other signed estate works by the artist. Presented in a new cream mat. Mat size: 16"H x 13"W Board size: 14"H x 11.75"W Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign Works. He studied at the Chicago Academy of Fine Art in 1916, the American Academy of Art in Chicago, the Audubon School of Art and the Art Institute of Chicago. He was a pupil of Carl Scheffler, J. Wellington Reynolds, and H.A. Oberteuffer. He taught at the Art Institute of Chicago and at the American Academy of Art in Chicago. He was an illustrator for McCalls, Good Housekeeping, Saturday Evening Post, Colliers, and many others, including American Artist magazine. He was author and illustrator of Rendering Techniques for Commercial Art and Advertising (1956) and of Ted Kautzky...

'Parc des Buttes-Chaumont' in Paris, gouache on art paper, by Lucien Génin (circa 1930s). A charming depiction of well turned out Parisians enjoying a day at the park. Boaters, strollers and swans all co-mingle around the peaceful lake. The reflection of the rocky bluff in the water is superbly treated by Génin. It's a cheerful and uplifting image of days-gone-by in 1930s Paris. The park takes its name from the 'bare hill' (chauve-mont) that once occupied the site. It became a place where gypsum was mined, and where the limestone was quarried to be used in buildings in Paris and the United States. Worse, though, it was a site that also became a dumping ground. Luckily, during the 19th-century renovation of Paris under Napoleon III, chauve-mont was chosen as a place for a large park, as part of the emperor's fascination with endowing Paris with green spaces. The artificial lake created at that time wraps around a hilly central island. The lake attracts waterfowl and other birds and is stocked with fish. The 19th-century planners cleaned up the site and added tons of soil to fill the pits left by a limestone mining operation. Then dynamite was used to "sculpt" the site into the craggy shapes seen today, including the 50-metre-high central hill with cliffs, an interior grotto, pinnacles, and arches. Up on top, overlooking the rest of the park - and depicted in this artwork - is a small, round belvedere, based on the Roman Temple of Vesta in Italy. From that spot you can see a lovely view of Montmartre and the white cupolas of the Sacre-Coeur. The painting is in very good condition. It has been newly framed and glazed with museum-quality glass (anti-reflective and UV protection) to preserve this significant artwork for decades to come. Dimensions with frame: H 62 cm / 24.4" W 76 cm / 29.9" Dimensions without frame: H 48.5 cm / 19.1" W 63 cm / 24.8" About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

Outstanding Scottish landscape from the late 19th to early 20th century oil on canvas. Born in Scone, Frazer would participate in the growth and development of Scottish landscape painting during the late 19th and early 20th centuries. Long desiring to compete with the artistic endeavors of England, Scotland was making sure to make its mark, investing heavily in its artists. Indeed, Frazer would attend the acclaimed Royal Scottish Academy to receive his art education, intended to compete with English schools such as the Royal Academy in London. When his studies were complete, he would then base himself out of Edinburgh as he pursued a professional career. Edinburgh was and remains, the art capital of Scotland, and there was no place better for budding artist to plant their roots. Frazer’s work is a prime example of the growing influence of impressionism on Scottish landscape art...

A strong modernist oil painting depicted in 1936 by Russian-American painter Ben Benn. With a highly recognizable modern style, fast brush stroke and expressive use of color, shape, ...

'Nude Viewed from the Back', oil on canvas, by Charles Kvapil (1937). The world of art has for centuries depicted nudes in one form or another. Kvapil's wonderfully alluring versions may likely be inspired by Courbet and Cézanne. This nude appears on a chair with her back to the artist and viewer. There are plush reds, sensuous pinks and darker, patterned curtains...

Signed and dated impressionist landscape oil on canvas by French painter Jean Baptiste Armand Guillaumin. This simply stunning piece de...

Important and historical painting titled, "Cornish Harbor With Boats" by Royal Academy of British Artists member Adolph M. Brougier (German, 1870-1926). Brougier exhibited at the 100th anniversary of the Reign of Queen Victoria Exhibition of 1911. Signed lower left corner "Brougier." Label on verso: "No 278, Adolph Brougier, RBA. Sold by Mrs. John Diehl, Daughter of the Artist." Born in Germany, Brougier studied art in France and spent his later years painting in Santa Barbara,California. Image, 15"H x 22"W. Displayed in vintage wood frame. BROUGIER, Adolph was born on September 23, 1870 in Stuttgart. Son of a German merchant whose family was of French origin. Education Stuttgart; Munich; Studied art for three years at Munich, and later spent a year in Paris, where he studied under Benjamin Constant and Bougereau. Career From there he went to Rome, where he also took up sculpture. Settling down in Munich he became a member of the Ktinster Genossenschaft and Luitpoldgruppe. Paid frequent visits to Italy, Spain, and the Tyrol. Has lived in England since 1901. Exhibits at Munich, Berlin, Salon at Paris, and Royal Academy. Figure and landscape painter. Membership Royal Society of British Artists. Clubs: Alpine, German Athenaeum. Royal Society of British Artists. Clubs: Alpine, German Athenaeum. Interests Other Interests Fishing, bicycling, and mountain climbing...