Paintings

European painter (18th-19th century) - The arrival of the merchants by ship. 48 x 66 cm without frame, 53 x 71 cm with frame. Oil on canvas, in carved and gilded wooden frame. Con...

JEAN -HONORÉ FRAGONARD (GRASSE, 1732 – PARIS, 1806) La Petite Jardinière Vers 1750 – 1760 Huile sur toile 98 x 85 cm. Signée et monogrammée à droite Certificat René Millet Expertise.

Oil painting on canvas. Italian school of the eighteenth century. Within a rather barren landscape, with architectural ruins on the left and snow-capped peaks in the background on the right, some shepherds pass along the path, leading their flocks of cows, sheep and goats. In the Nordic landscape...

stamped 'Renoir' (Lugt 2137b; lower right)

Signed post impressionist figurative oil on panel circa 1910 by sought after French painter Henri Le Sidaner. This absolutely stunning piece depicts elegant people taking an evening ...

The Opium Smoker; The Opium Eater by N.C. Wyeth was created in 1913. The painting is signed upper right. Dedication lower left that reads "To Swayne / Fro...

This recently rediscovered expressionist drawing by László Moholy-Nagy is part of a small group of drawings made by the artist early in his career, in Vienna and Berlin. The use of interlaced curves, typical of the artist's technique, gives this hieratic portrait a magnetic radiance, while the absence of any connection with the rest of the body evokes a profane Holy Face. 1. From Hungary to Chicago, the ardent life of László Moholy-Nagy Moholy-Nagy was born in Borsod, now known as Bácsborsód in Southern Hungary, in July 1895. He studied law in Budapest in 1913, when he was drafted into the Austro-Hungarian army to serve as an artillery officer on the Italian and Russian fronts. While serving at artillery observation posts, Moholy-Nagy was able to execute numerous drawings, recording his traumatic war experience, on the reverse of military-issued postcards which he could easily carry with him. In 1917, he was seriously wounded and hospitalized. The following year (around 1918 at the age of 23), he abandoned his plans to become a lawyer in favour of a career as an artist, with the encouragement of his friend, the art critic Iván Hevesy. The drawings executed in those early years reveal Moholy-Nagy's powerful Expressionist lines. In his autobiography of 1944, Abstract of an Artist, Moholy-Nagy explained his early figurative style, writing that contemporary art in those days was too chaotic and that and all the '-isms' were incomprehensible and puzzling to him. He was, however, experimenting with Dadaist compositions already in 1919 and then moved to Vienna and later to Berlin, where he would soon make his first works in his Constructivist style of the early 1920s. In Berlin he met photograph and writer Lucia Schultz who became his wife the next year. In 1922 he met Walter Gropius. During a vacation on the Rhome with Lucia, she introduced him to making photograms on light-sensitized paper. Walter Gropius invited him to teach at the Bauhaus in Weimar in 1923 where he replaced Paul Klee as Head of the Metal Workshop. The Bauhaus became known for the versatility of its artists and Moholy-Nagy was no exception: throughout his career, he became proficient in the fiels of photography, typography, sculpture, painting, printmaking, film-making and industrial design. In 1928 Moholy-Nagy left the Bauhaus and established his own design studio in Berlin. He separated from his first wide Lucia in 1929. In 1931 he met actress and scriptwriter Sibylle Pietzsch. They married in 1932 and has two daughters, Hattula (born 1933) and Claudia. After the Nazis came to power in Germany in 1933, he was no longer allowed to work there. He moved his family to London in 1935. In 1937, on the recommendation of Walter Gropius, Moholy-Nagy moved to Chicago to become the director of the New Bauhaus, but the school closed in 1938. Moholy-Nagy resumed doing commercial design work, which he continued for the rest of his life. In 1939 Moholy-Nagy opened the School of Design in Chicago, which became in 1944 the Institute of Design, becoming part of the Illinois Institute of Technology in 1949. Diagnosed with leukemia in 1945, Moholy-Nagy died of the disease in Chicago in 1946. 2. Description of the artwork This drawing presents us with a frontal representation of a man in his thirties, whose penetrating gaze seems to stare at us. The face is highly symmetrical and is modelled by curved black lines. The very high forehead and the slightly dilated left pupil reinforce the very expressive character of the face. Like the Holy Face which appeared on the cloth stretched out to wipe Christ's face by Saint Veronica, only the model's face is represented on the cardboard piece. The curved lines that define the face, hollowing out the temples, the eyelids, the cheeks and the area around the mouth, create a kind of magnetic radiation around a median point located between the eyebrows. In some respects, this face may evoke one of the most famous representations of the Holy Face: the extraordinary engraving by Claude Mellan...

Artist/ School: Italian School, 18th century Title: Figures/ Travellers walking through a Baroque landscape admiring the ancient classical, Roman ru...

The painting–thin oil on canvas, in some parts unfinished−can be referred to the hand of the German painter Johann Heinrich Wilhelm Tischbein. It should be dated in the years between...

Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...

A fine oval portrait of George Granville, PC, 1st Baron Lansdowne and "Duke of Albemarle" in the Jacobite peerage (1666-1735) Studio of Sir Godfrey ...

Oil on canvas. In the large scene set outside, the laboratory of a blacksmith stands out on the left side, who is intent to work on horseshoes with his helpers while the owner of the...

Oil on canvas. The large scene is set at the entrance of a village near a stop for horses: numerous horsemen are standing with their animals, which are looked after by the servants...

Mixed technique on paper, applied on cardboard. Italian school. The name of Londonio is proposed on the back: the delicate piece certainly recalls the subject and manner of the work ...

A fine impressionist painting of a Venetian canal by American artist Aldro Thompson Hibbard (1886-1972). Hibbard was born in Falmouth, MA and later beca...

English early 20th century, Impressionist river landscape with fisherman. Ernest Charles Walbourn was born on 16 February 1872 at Dalston, Middlesex. The second of five children, he...

""Liber Veritatis"", c1777. One of the most accomplished engravers of the 18th century, Richard Earlom was born in London in 1742 and in his early years studied under the Italian painter and engraver Giovanni Battista Cipriani. His skill as a draughtsman was recognised by publisher John Boydell, who in 1765 commissioned him to make a series of mezzotint engravings after the paintings at Houghton Hall, a Palladian country house in Norfolk, England, built for the first British Prime Minister, Sir Robert Walpole...

Ramsay Richard Reinagle, RA (British, 1775 – 1862) Spaniel and Pointers, a Pair Circa 1790 Oil on Panel 19 3/4 X 23 1/4 inches, Framed Provenance: Captain Gilbey and by decent Son...

Roger de la Fresnaye (1885-1925) Nature morte à l’oeuf 1910 oil on board mounted on panel 66.2 x 50.9 cm signed and dated ‘R de la Fresnaye.10’ (upper right) Price: $157,500 USD (in...

Artist Unknown Medium: Oil on Canvas Dimensions: 16" x 13" (canvas) 22" x 19" (frame) Framed

Follower of Jean-Baptiste Monnoyer (12 January 1636 – 20 February 1699) Still Life Oil on Canvas in Later Giltwood Frame Dimensions refer to size of frame. Jean-Baptiste Monnoyer ...

Oil on canvas; held in an ebonsied period style frame Dimensions refer to size of frame. Charles II’s propagandists cast Cromwell as a brutal despot whereas critics now tend to foc...

A fine oil by James Paterson (1854-1932) circa 1910's. oil on canvas 51cmx64cm Antique oak frame with giltwood slip frame 73cmx 83cm An interesting still life compostion consisting essentially of momento mori objects with sprigs of flower blossom. All relate to the life of Joan of Arc. Good original condition having craquelure to the paint surface, small areas of blistering which is stable. James Paterson's oil paintings make up to 10,000USD at auction alone. Viewing welcome. Higher resolution images available. Worldwide shipping arrangeable. James Paterson PRSW RSA RWS (21 August 1854 – 25 January 1932), was a Scottish landscape and portrait painter associated with The Glasgow Boys movement of artists. He is best known for his landscape paintings of Dumfriesshire, where he lived, at Moniaive from 1885 to 1905. ames Paterson was born at Blantyre, near Glasgow on 21 August 1854, the eldest son of Andrew Paterson (1819-1907) and his wife Margaret Hunter (1817-1901). The Hunter family were sewed muslin manufacturers in Glasgow. When his father was orphaned at nineteen his uncle James Hunter appointed him a foreman in his warehouse and took him into partnership two years later at the early age of twenty-one. His father was a good watercolourist as well as one of the earliest amateur photographers in Scotland and most of his family developed artistic interests. James' brother William, born 1859, later became the owner of a gallery in Bond Street, London and his youngest brother Alexander, born 1862, became an architect.James studied at the Glasgow School of Art under Robert Greenlees and subsequently in Paris under Louis Jacquesson de La Chevreuse (1839-1903) and Jean-Paul Laurens (1838-1921). A couple of years after returning to Scotland he married, in 1884, Eliza Grier Ferguson, daughter of an engineer, William Ferguson...

British Landscape and Marine Artist Robert Willoughby was a late 18th early 19th century British marine painter who specialized in large marine genre...

After Richard Westall, early 19th century ‘The Fishing Party’ Oil on panel; held in a period Empire style frame. Dimensions listed refer to framed size. Provenance: Private Colle...

Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1961) and dated 1913. An early twentieth-century, oil still-life of pink dog-roses shown loosely arranged in a cobalt blue glass vase, set beside two Breton tin-glazed earthenware plates, resting on an azure-turquoise tablecloth and contrasted against a coral-ochre background. An elegant, early work by this foundational Danish Modernist. Born in Denmark, Jais Nielsen initially studied at Kunstnernes Frie Studieskoler under Kristian Zahrtmann and exhibited for the first time at the 1907 Autumn Salon at the Charlottenborg Palace. Nielsen participated in the early and groundbreaking, “Group of Thirteen" Modernist show, where his focus on dynamic figural painting and his bold use of color set him dramatically apart from his contemporaries. From 1907-11, Nielsen's use of 'primitive' Fauve colors would continue to reinforce his break with traditional Danish painting. During this period, he made study excursions to important art centres, including, in 1909, to Berlin. In 1911, he moved to Paris where he settled in the Latin Quarter near the Musée Cluny. His first formal Paris exhibition was at the Salon d’Automne of 1912. During this first Paris period, Nielsen attended meetings of the Section d’Or at the studio of Jacques Villon and, as a result, began to incorporate subtle, yet distinct, Cubist elements into his work.   With the outbreak of World War One, Nielsen returned to Copenhagen, taking with him both his increasing compositional sophistication and a thorough understanding of the principles of Modernism. During this period, ports, dance and circus life became subjects of interest and he painted many canvases in the style of Analytic Cubism, of which he became the earliest and, arguably, the finest Danish exponent. From 1915 onwards, Nielsen also created Cubist sculptures and, from 1922-28, was employed as a sculptor by the Royal Copenhagen porcelain factory. Here, he produced a series of ceramic sculptures on Biblical themes which included the Good Samaritan and several versions of Jacob Wrestling with the Angel...

Antique impressionist cherry blossom tree landscape painting. Oil on board, circa 1914. Signed lower right illegibly. Displayed in a wood frame. Image size, 18"L x 21.5"H.

Medium: Oil on Board Signature: Signed Lower Right 19.875" x 14.00" Each Panel 1 of a 4 Part Illustration used as a promotional poster Poster for The Red Cross—Watching...

Signed lower left, 'Vantore' for Erik Mogens Christian Vantore (Danish, 1895-1977) and dated 1914. A lyrical early twentieth-century, Post-Impressionist landscape showing a panorami...

Follower of Sir Joshua Reynolds (1723 - 1792) A double portrait of a married couple Sir Thomas Tancred (d.1784) and his wife Penelope (d.1837) daughter of Thomas Ashton (or Assheto...

Dutch School End Of 18th Century Lively Marine on the bank of Estuary Oil on wood Panel recently consolidated on the back (see picture) No crack or filure on the wood panel Framed by...

"Marquis of Sourches and his family at the Country Concert" After Hubert DROUAIS (1699-1767) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stamped verso canvas: 61 x 50 cm (24 x 19.75 inches) unframed. provenance: the atelier Dagher, Paris Very fine quality large scale oil painting after the 17th century Renaissance painting by Hubert DROUAIS (1699-1767), "Marquis of Sourches and family at the Country Concert". The painting itself dates to the late 20th century and is an original work by the world famous studio in Paris, the "Atelier Dagher". The Atelier Dagher have for 35 years been faithfully painting Old Masters copies and are one of the few artists to be authorised by the Louvre and Orsay Museums in Paris to paint in situ. Mr Amal Dagher...

Paul Cornoyer “Central Park Autumn” c. 1910 Oil on Canvas Framed Size: approx 29 x 35 inches Canvas Size: approx 22 x 26.5 inches Provenance: The Artist to Private Collection, St. Louis thence by Descent Conservation report: Excellent condition. On original canvas, not relined. No in-painting. Paul Cornoyer was born in 1864 in St. Louis, Missouri. He studied there at the School of Fine Arts in 1881. His first works were in a Barbizon mode, and his first exhibit was in 1887. In 1889, he went to Paris for further training, studying at the Academie Julien, and returned to St. Louis in 1894. By the early 1890s, his work was more lyrical and Tonal, and he applied this style to subjects such as cityscapes and landscapes. In 1894, he painted a mural depicting the birth of St. Louis for the Planters Hotel in that city. His activities during the next six years were not particularly profitable, however, and the whereabouts of his St. Louis paintings are scarcely known. One exception is the triptych, A View of Saint Louis, with its strong urban realism. It shows the Eads Bridge...

Oil on canvas painting by the American artist William Reuben Clark Wood. Signed lower left and dated 1913. The painting is it’s original wood, gesso and gold leaf frame 33.5 by 39.5 inches. WILLIAM REUBEN CLARK WOOD American, 1875–1915 A noted scenic landscape painterOil pastel on paper by the American artist Leon Dolice. Signed lower right. Condition is excellent. The painting appears from my research to be the Banker’s Trust building completed in 1917 in New York City. The building still stands today with landmark status. In original Art Deco frame. Overall 18.75 by 14 inches. Condition of frame is very good to excellent. W.R.C. Wood - as he signed his name - was born in Washington, D. C. in 1875. He was a pupil of Samuel E. Whiteman (1860 - 1922), an earlier Baltimore artist...

Medium: Oil on Panel Sight Size 31.00" x 21.25", Framed 36.00" x 22.00" Signature: Signed Lower Left Maxfield Parrish began his career at age 25 as an illustrator, painting magazin...

Medium: Oil on Canvas Dimensions: 28.00" x 21.00;" Framed 36.00" x 29.00" Signature: Signed Lower Right Saturday Evening Post Cover, June 29, 1918 Exhibitions: It's a Man's World,...

Beautifully romantic and diminutive landscape of Central Park Bridge c.1915, by Claude Buck (American, 1890-1974). Signed indistinctly, mid-lower...

Edward Emerson Simmons was a key member of the group known as The Ten American Painters (or more commonly “The Ten”), an important association of artists who came together in 1897. T...

Belgian Symbolist artist Jan Frans DeBoever (1872 – 1949), created symbolist/allegorical paintings throughout his lifetime. He centralized on allegorical and literary subjects, ge...

An original oil on canvas by Hungarian artist Gertrude Klaris. Klaris worked in oils but pramrily in mixed media works on paper, much of her style is akin to her love of stained glas...

Soricieres, depicts a covenant of witches as they convene at the top of a fabled mountain in Germany, the Broeken. The legend states that on a single night of the year, St. Walpurgis...

Belgian Symbolist artist Jan Frans DeBoever (1872 - 1948), created symbolist/allegorical paintings throughout his lifetime. He centralized on allegorical and literary subjects, generally depicting the constant struggle of good vs. evil. This is consistently reflected by images of beautiful women interacting with skeletons, gargoyles and demons. An original oil on panel, Gehenne depicts two cowering skeletons as they languish at the gates of hell...