Paintings

Hanz Zatzka (Austrian, 1859-1945) Still life of a vase of flowers and bugs Oil on canvas Signed lower middle  Canvas: 30" h x 24.75" w Framed: 35.25" h x 30.5" w.

An exquisite example of Walter Bonner Gash’s mastery, The Music Lesson (c. 1890) captures the quiet elegance and nostalgia that define his work. This beautifully preserved oil painting, measuring 49 1/2 x 33 inches, remains in its original, period gold leaf frame, adding to its historical significance and charm. Gash, a British artist celebrated for his evocative depictions of domestic life, beach scenes, and childhood innocence, developed his distinctive soft luminescence while studying at the Lincoln School of Art and the Académie des Beaux-Arts in Antwerp. His works reflect an international influence, blending technical precision with an intimate, almost dreamlike atmosphere. Exhibited at the Royal Academy three times, Gash gained recognition for pieces such as Studying the New Woman...

Flowers. Canvas, cardboard, oil, 69x50 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Sa...

Charles Jones British, (1836-1892) Cattle & Sheep in the Scottish Highlands Oil on panel, signed with monogram & dated (18)75, further inscribed verso Image size: 19.75 inches x 15.75 inches Size including frame: 26.75 inches x 22.75 inches A dramatic Scottish landscape painting of Highland Cattle and Sheep by Charles ‘Sheep’ Jones...

Signed lower right, 'C. Sideman' for Carol Joy Sideman (1925-2021) and painted circa 1975; titled, verso, on old artist's tape, 'Surf and Rocks'. Carol Sideman received her Bachelor of Arts degree from the University of California at Berkeley and, subsequently, attended the Oaklands College of Arts and Crafts. Sideman specialized in architectural illustration...

Vincent COURDOUAN (Attributed to) Toulon, 1810 - Toulon, 1893 Oil on canvas 92 x 62 cm (98 x 68 cm with the frame) Good condition (a few restorations (tears) very well done) Vincent...

A stunning, showpiece example of William Henry Mander's painted in Rhys, North Wales. The size is unusual and perfect for a mantlepiece as a statement piece. Picture Size: 22 x 36" ...

A fine study of the original 1846 painting by Thomas Brooks titled 'Dawn of Love'. The original is currently part of the Victoria & Albert collection. The...

The Artists Model Nude Lady Model French School, circa 1970's oil painting on card, unframed double sided size: 18 x 25 inches condition: overall very good, a very few light markings...

This beautiful late 19th century portrait oil painting is attributed to circle of Walter Langley. It has the hallmarks of the Newlyn School of artists such as the subject matter, com...

Delphin Enjorlas 1857-1945 French La Lecture Oil on canvas Signed lower left Canvas: 18 1/8" high x 24" wide Frame: 27 1/8" high x 33 1/8" wide Delphin Enjolras was a French g...

Portrait Of A Maltese Terrier, 19th Century circle of George EARL (1824-1908) Large 19th Century portrait of a Maltese Terrier dog on a red cushion, oil on canvas. Excellent qualit...

Reclining Nude "Dawn" Fauvist Colors Original Abstract Expressionist on Canvas Abstract expressionist figurative composition of a woman by California artist Harald "Harry" Dry Schm...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Parkland Medium: signed gouache on paper, loosely laid over card, ...

Charleston Wilson (1919-?) Untitled (Modernist Portrait), 1970 Oil on board 19 1/4 x 14 3/4 in. Framed: 25 1/4 x 21 1/4 in. Signed lower left: Charleston Wilson '70 Charleston Wilson was born 1919. Death date and place are unknown. He was a portrait sketch artist...

Signed lower right: G. Inness

Laura Woodward Gloucester Harbor, circa 1880 Signed lower left Oil on canvas 18 x 24 inches Provenance: Private Collection, United Kingdom Priory Fine ...

This spellbinding late 19th-century oil painting by Scottish artist Robert Walker Macbeth RA ROI RWS (1848-1910) depicts a young woman wearing...

Beautiful mountain landscape painting with river by notable Scottish artist John D. Taylor Oil on canvas board 9.5" x 13.5" unframed, 15" x 19.5" ...

This stunning circular 19th century oil painting is by noted prolific Royal Academy exhibited artist Rudolf Lehmann. A portrait artist, German born Lehmann moved to England in 1866 w...

Marie Madeleine Amélie LOISEAU, born DUMONT (Paris, 1860 - ?) Portrait of a worldly woman Oil on canvas Signed and dated lower left 117 x 89 cm 1881 Exhibition: Salon de Pontoise of 1881 or 1882 under number 292 Marie Madeleine Amélie Dumont was born in Paris on January 23, 1860. She married on June 10, 1883 in Paris Mr. François Paul Raoul Loiseau, lawyer at the Paris Court of Appeal. Three children were born from this union, two girls and a boy. Marie Loiseau was a student of Mademoiselle Espérance Langlois (active between 1860 and 1890) and Pierre Dupuis...

Clarence Holbrook Carter (American, 1904-2000) Night Garden, 1972 Acrylic on scintilla Signed and dated lower right 21.5 x 21.5 inches 24.25 x 24.25 inches, framed Clarence Holbroo...

"The Winning Yacht," painted by Edward Moran in 1883, stands as a striking example of maritime art, capturing the exhilaration and beauty of yacht racing in the late 19th century. Mo...

Signed lower right, 'Jasper Jackson' (American, 20th century) and painted circa 1975. Titled, verso, 'Opus 8'. A substantial and period, American mid-c...

John Brandon Smith, John Brandon Smith is an English landscape artist of some renown. He concentrated on the waterways of England, Scotland and Wales. He was particularly interested in the effects of cascading water. This led to his being given the moniker 'Waterfall Smith'. He was fascinated by the spectacle of rivers in spate. Many of his paintings concentrated on the rivers Conway, Llugwy and Lledr in North Wales but he also painted the rivers of England and Scotland. Some of his more celebrated works show The Swallow Falls and Aysgarth Falls in North Yorkshire. He used many shades of green and blue on his small, jewel-like canvases. He would occasionally introduce the figure of a fisherman to provide perspective. His themes are characteristic of the Renaissance of the European Romantic Movement. He exhibited twenty-two works at The Royal Academy between 1860 and 1874. He also exhibited at Suffolk Street. This is a very rare large example of the painters work. It is framed in an Antique English frame

Lynne Drexler Twilight Imagery, 1976 Signed and dated on the reverse Oil on canvas 30 1/2 x 22 1/2 inches Southern-born Lynne Mapp Drexler found her ar...

Jean Pierre Haag French, (1842-1921) The Students’ Recital Oil on canvas, signed & dated 1891 Image size: 26.75 inches x 38.75 inches Size including frame: 34.75 inches x 46.75 inch...

Richard Ball Spencer British, (1812-1897) The Perthshire off Ailsa Craig Oil on canvas, signed Image size: 22.25 inches x 36.25 inches Size including frame: 31 inches x 45 inches This painting by Richard Ball Spencer is of the Perthshire, a three-masted barque sailing off Ailsa Craig. The Perthshire was built in Dundee in 1874 and was owned by Thomas Law of 123 Hope Street, Glasgow. The red ensign flying on the mizzenmast indicates it was a British merchant or passenger ship. The owner may well have commissioned the painting to commemorate its maiden voyage. Ailsa Craig, pictured to the far left, is a small uninhabited island off the west mainland of Scotland in the outer Firth of Clyde. The island is made up of volcanic rock which was quarried in the past and is now only used as a source of microgranite to make curling stones. The island is known by a number of different names including A' Chreag (the rock) and Creag Alasdair (Alasdair's rock). It was also sometimes referred to in the past as ‘Paddy’s Milestone’ as it marked the halfway of the sea journey Belfast to Glasgow made by Irish Emigrants seeking work. Richard Ball Spencer was born in London’s East End on 11 November, 1812 to John and Elizabeth Ball. His father was a grocer and the family lived at 106 York Road in Mile End. Both Richard and his brother Thomas were given their mother’s maiden name as their middle names. By 1841, he had established himself as a marine painter specialising in ship portraits and was influenced by artists such as Joseph Heard (1799-1859), William John Huggins (1781-1845) and Robert Salmon (c1775-1845). He spent his time travelling to trading ports around the British coast as well as the nearby London docks of Brunswick Wharf and the Isle of...

A charming oil painting after Stanhope Alexander Forbes (1857-1947) depicting two fishermen leaving the dock with the Newlyn Lighthouse in the distance. Signed and dated by Birmingha...

Well painted and very decorative oil on panel Painted on a mahogany panel and monogrammed L.B Well framed in a new English handmade gold leaf frame. The...

Signed and dated. Inscriber to paper verso (William King, Grandfather (Maternal) of Leonard George Wallace Blise). Presented in a gilt frame. On board.

Artist: George Clarkson Stanfield, English (1828 - 1878) Title: View of the Campo di Marte, Venice Year: circa 1864 Medium: Oil on Canvas, signed l.r. Size: 14.5 in. x 23.5 in. (36.8...

The Artists Model Nude Lady Model French School, circa 1970's signed oil painting on card, unframed size: 24.5 x 17 inches condition: overall very good, a very few light markings to...

This portrait depicts an elderly gentleman with white hair and a beard, gazing thoughtfully to the side against a rich, dark background. The ornate gold frame surrounding the paintin...

Ivan Schwebel, Israeli American (1932-2011) Oil on canvas. Painting of Winter Landscape. Signed Schwebel, 1985. Sight- L-27" x W-31.5", Frame- L-28.5" x W-32". Ivan Schwebel, Painter. Was born 1932, U.S.A. and immigrated to Israel 1963 after living in Spain, France and Greece. Studies: 1953-55 with Kimura Kyoen whilst serving with the U.S.Army in Japan; 1955-61 Institute of Fine Arts, with Philip Guston; New York University. Larry Abramson, who is very much in the mainstream of Israeli art, curated an exhibition of Schwebel’s work at the Jerusalem Print Workshop in the early 1980s; in the accompanying text, he described him as “an artist from the New York School ship-wrecked on a hill near Jerusalem.” IN SCHWEBEL’S BEST WORK, THE paint speaks for itself: the pools and explosions of rich color, achieved with pigment that he would grind and mix himself, the luminous figures emerging out of dark shadows, the quirky, dramatic compositions. Schwebel was erudite, with a passion for the bible and Jewish and Israeli history. He delved into all of it for his subject matter, bringing together characters and narratives regardless of time, and setting them in modern- day Tel Aviv or Jerusalem, the Judean hills, or New York City. He liked to play with ideas, and thoroughly mixed his visual metaphors. He showed David and Bat-Sheva next to a Nazi deportation train, and Job despairing over his relationship with the Palestinians. He based his characters on photographs of himself, friends and family, or movie stars. On his website, he describes a series of paintings about anti-Semitism in which the Holocaust is merged with the Spanish Inquisition: “Abarbanel who tried to negotiate with Ferdinand and Isabella is reincarnated in Rumkowski – the German appointed Head of the Lodz Ghetto. The bridge connecting two parts of the Ghetto is spanned over a present-day Tel Aviv cityscape. He was included in a portfolio that included Ivan Schwebel, Michael Gross, Liliane Klapisch and Moshe Kupferman, five of Israel's leading contemporary artists who were each approached in May 1977 with a request to contribute a hand-printed screenprint for a portfolio to be titled "Jerusalem". The sole term of reference was the name "Jerusalem", with no qualifications at all. The five artists then spent time working completely independently and individually on the project at the Jerusalem Print Workshop. Each screenprint was hand-signed by their respective artist and numbered from the edition of 200, hand-printed on BFK Rives paper Published by Whartman and Sacks Art Publications His “Tel Aviv” series, in contrast, is fun: “Chen Cinema” shows a couple of actors who seem to have stepped out of an old romantic movie to cuddle in the shabby street outside the cinema. In his final “Safe Place” series of paintings, he goes beyond self-conscious narrative to create his own Garden of Eden. Select Group Exhibitions: Landscape and Nature: Contemporary Israeli Prints...

Alexis Pierre MILON (Rouen, 1784 - After 1858) View of one of the aisles of the apse of Saint-Germain-des-Prés Oil on canvas Signed and dated lower left 50.5 x 34.5 cm 1838 Exhibi...

Antique American impressionist beach dune oil painting by Franklin B. De Haven (1856 - 1934). Oil on canvas, circa 1889. Signed. Displayed in a period gil...

Sunrise in the Scottish Highlands by Clarence Roe (1850-1920) signed & dated 1880's oil painting on canvas, framed framed: 28 x 40 inches canvas: 24 x 36 inches condition: very good ...

The Highland Family by Clarence Roe (1850-1920) signed oil painting on canvas with board backing, framed framed: 28 x 40 inches canvas: 24 x 36 inches condition: very good provenanc...

A spectacular 19th century oil painting depicting figures outside a stone and thatched dwelling, washing clothes with a mangle. The attractive landscape scene has been well presented in a large ornate...

Abstract Expressionist Original Watercolor on Paper style of de Kooning Abstract Watercolor titled "Lands End" by Harold Winer (American, 1913-2006). Bright and bold colors of a Fl...

French shepherdess at twilight by Jean Beauduin (1851-1916). Oil on canvas mounted on board. Original Barbizon frame. I believe the dog is a bergere Pic...

Modern unfinished portrait of handsome man in dress uniform by American painter, Patricia Gren Hayes (b. 1932), circa 1970. Unsigned. Provenance: Purchased as part of larger collection of artist's work from the estate of Larry Miller Unframed. Canvas size: 30"H x 36"W. Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkel...

Portrait of an Elderly Lady, mirror behind French Impressionist artist, late 19th/ early 20th century extensively inscribed verso with details oil on canvas canvas: 22 x 18.5 inches ...

John Atkinson Grimshaw 1836 - 1893 Looking across Buttermere Oil on canvas, signed & dated '1868' lower right Image size: 13 ½ x 20 ½ inches (34.2 x 50.5 cm) Hand made gilt frame This work is dated 1868 making it one of his early works, painted during the same period as Grimshaw's other Lake District paintings...

John White was a Cornish painter from the 19th century. He exhibited at the Royal Academy in London and also at the British Institute, in London. His work is Victorian in its com...

Clarence Holbrook Carter (American, 1904-2000) The Mayor, 1979 Acrylic and collage on scintilla Signed lower right 30 x 22 inches A surrealist mid-century figural abstract painting....

Morris or Morius, an unknown painter who has a flair for the extravagant cavalier manner of brushwork, clearly a very experienced and confident artist, who remains anonymous to our ...

Valentine Thomas Garland British, (1845-1914) After the Show Oil on canvas, signed Image size: 28.5 inches x 18.5 inches Size including frame: 40.75 inches x 30.75 inches A wonderf...

Work on canvas

Alfred Arthur Brunel de Neuville French, (1852-1941) Still Life of Fruit in a Basket Oil on canvas, signed Image size: 14.5 inches x 17.5 inches Size including frame: 23.25 inches x ...

A charming continental oil scene depicting two men and a donkey crossing a wooden bridge to a coastal town up on the cliffs. The scene is finely painted capturing smaller, intricate ...

The chicken farm is an original old master artwork realized by Artist of 19th Century. Mixed colored oil on wooden panel. Don't miss this old master art...

Exquisite Quality French Art Nouveau oil on canvas painting of an elegant lady and pup, titled "The Little Prince" / "Le Dauphin no. 51" (on exhibition labe...

Mid 20th Century French Expressionist oil on canvas of a lake in its frozen landscape by Jacques Pinon. The painting is signed bottom right and is titled on the stretcher and signed to the back of the canvas. Pinon was noted as an artist in various mediums as well as painting, including tapestry and stained glass. His appreciation of colours and forms are very evident in this painting where he has captured a winter landscape but with subtle colours and forms giving movement and a jewel like feeling to the composition. The cold frosty light of the day animating a rural landscape, his use of layers of colour against raw canvas giving the feeling of the glassy lake. Jacques Pinon was a 'Renaissance Man', accomplished in many aspects of art and literature. he painted, worked in stained glass as well as sculpture and tapestry - he studied and worked at the National School of Decorative Art of Aubusson. He was also a poet and published writer. “All the forms of expression of the artist Jacques Pinon are brought together. A journey of fabulous encounters for this artist, his work is impressive, not to mention his work in collaboration with very great artists." Pinon exhibited extensively and internationally including a major exhibition in PARIS in 1954. “JAZZ.HOT” alongside Dali – Courtaud – (les) Delaunays – Dubuffet – Duffy – Leger and Mondrian. He also an exhibited at the Museum of Modern Art – Sacred Art Salon in 1960 in PARIS, at the Salomon Guggenheim Museum in New York and the Foundation Royaumont. His tapestries were exhibited in France in 1969 in the city of Lyon at the Galerie Verrières with GilioliI and Lurcat. His painting and sculpture are at the crossroads of several universes. Lively and luminous like a Corrida afternoon, the light reminds us of the work the artist did for the stained glass windows, he plays with both using different techniques and styles and his thirst for discovering new forms of expression. He came from a noted family of artist and artisans. His great-uncle was Alfred de Musset; his great-grandfather and his grandfather both Courtots from the Gobelins factory in Paris, and his family were all friends of Rodin. In 1952, his meeting with the architect Le Corbusier was a close collaboration around projects carried out with Lucien Herve...

A beautiful oil on canvas by French impressionist painter Jean Baptiste Antoine Guillemet. The piece depicts a view of a man fishing in a stream by t...

Oil Painting by Cornelius Jansen Walter Winter "A Favourite Hunter" 1817- 1891. Born in Bungay the son of a stained glass painter. Pupil of Edwin Cooper of Beccles. Painted Norfolk A...

Joséphine Henriette, known as Jenny des ROYS d’ESCHANDELYS, born HOCHE (Thionville, 1796 – Paris, 1867) Neoclassical landscape Oil on canvas Signed lower left 20 x 30.5 cm 1821 Th...