Paintings

A Lebanese born, Italian artist ,Masri has developed a style that captures mideastern mood with A Lucien Freud brush touch. His work is varied and known e...

Mural Study 1933 Depression Era Mid-Century WPA Modern American Scene Drawing. Study to Scale Mural Sketch for “Evolution of Textile Production” East. All,...

Modernist beach scene; signed lower right; image size is 11.5 x 8.5 inches, framed it measures Ruth Gikow (January 6, 1915 Ukraine - 1982 New York City) was an Important American Jewish woman...

Loose, expressionist homage to a baroque equestrian painting by Van Dyke. Oil over board, earth colors with primary color pops.

This painting of a lush, wooden landscape with a house by a lake was painted by New Mexico, female artist Mabel Dodge Lujan in the 1940's. It signed "M...

Paris. 2009, canvas on cardboard, oil, 30x40 cm Sunny day in Paris with people and cars

Frank Marsdon London (1876 - 1945) Sunflowers Oil on canvas 31 x 22 inches Signed lower right Exhibited: Pittsburgh, Carnegie Museum of Art. Frank Marsden London was born in the small Southern town of Pittsboro in central North Carolina in 1876. When he reached adulthood, London attended the University of North Carolina...

'Landscape with House in the Cote d'Or', oil on board, by André Maire (1960). Semur-en-Auxois was the town in which Maire lived in the 1960s in the Cote d'...

"Shovel Handles" is an original vintage 1953 modernist oil painting by mid 20th century Denver artist, Paul K. Smith (1893-1977). Signed dated by the artist in the lower margin, titl...

The painting is an oil on canvas, measuring 45" x 33". There is a lot of texture on this painting created by cigarette butts and ash mixed with oil paint, smeared on the canvas to highlight the hair. The painting shows a character inspired by Bollywood, in the market, reflecting on all the patterns and designs she sees in a South Asian jewelry...

Sweeping Peach Skies and Bright Estuary diptych Overall size cm : H27 x W110 Sweeping Peach Skies by Jacqui Bassett [2021] original Oil and Cold Wax on Arches Archival Oil Paper Im...

Artist/ School: French School, mid 20th century, signed Title: Interior Scene with wood burner stove. Medium: signed oil painting on board, framed. Si...

The 14th of July is the National Day in France. That night every high school in Paris have an orchestra playing in the streets. This painting is depicting musicians students expres...

Alexei Borisov (1965) The Road Home II

Artist Commentary: I planted a cherry tree to remind me of the one I had outside my window as a child. It was a Japanese Keanza and very beautiful. About the artist: Lynne's work ...

Artist/ School: French School, indistinctly signed and dated Title: Large group of figures travelling through desert - possibly Biblical, Moses? Medium: signed oil painting on canvas, framed and inscribed verso. framed: 24.25 x 20 inches...

Watercolor, mixed media, using resists and metalic paints and old pastels. For Octopus and cephalopod fans. Janet Morgan’s explosive art captures the exu...

Original mixed media painting on canvas. Hand signed on front; signed, dated and titled on verso by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate o...

A painting by Gregory Sumida. “Tree with Bare Branches” is a landscape painting, watercolor on paper in an earth-tone palette by American artist Gregory Sumida. The artwork is signed...

Zion Mor's 12" x 16" masterpiece delves deep into the abstract mysteries of urban landscapes. The canvas, dominated by brooding dark tones, intricately captures the silent tales whis...

A painting by Gregory Sumida. “Immutable Torso” is a landscape painting, watercolor on watercolor board in an earth-tone palette by American artist Gregory Sumida. The artwork is sig...

Joseph Stella (1877 - 1946) Tree, Trunk, and Roots, Bronx, New York, circa 1924 Oil on canvas 12 x 16 inches inscribed in another hand Joseph Stella/Estate and bears Joseph Stella Estate stamp (on the reverse) Provenance: The Estate of the Artist Rabin & Kreuger, New Jersey Parke Bernet Galleries, New York, March 14, 1968, Lot 147 ACA Galleries, New York Thence by descent Stella was born June 13, 1877 at Muro Lucano, Italy, a mountain village not far from Naples. He became painter laureate of Muro Lucano when he was in his teens with a representation of the local saint in the village church. Stella immigrated to America in 1896 and studied medicine and pharmacology, but upon the advice of artist friend Carlo de Fornaro, who recognized his undeveloped talent, he enrolled at the Art Students League in 1897. Stella objected to the rule forbidding the painting of flowers, an indication of his lifelong devotion to flower painting. He also studied under William Merritt Chase in the New York School of Art and at Shinnecock Hills, Long Island in 1901-1902, displaying the bravura brushwork and dark Impressionist influence of Chase. Stella liked to paint the raw street life of immigrant society, rendering this element more emotionally than the city realists, the Aschcan School headed by Robert Henri. Stella went through a progression of styles--from realism to abstraction--mixing media and painting simultaneously in different manners, reviving styles and subjects years later. The "Survey" sent Stella to illustrate the mining disaster of 1907 in Monongah, West Virginia, and in 1908 commissioned him to execute drawings of the Pittsburgh industrial scene. Steel and electricity became a major experience in shaping his responses to the modern world, and Stella succeeded in portraying the pathos of the steelworkers and the Pittsburgh landscape. Stella went abroad in 1909 at the age of thirty-two, lonely for his native land. He returned to Italy, traveling to Venice, Florence and Rome. He took up the glazing technique of the old Venetian masters to get warmth, transparency, and depth of color. One of Stella's paintings was shown in the International Exhibition in Rome in 1910 and was acquired by the city of Rome. The influence of the French Modernists awakened his dormant individuality. His friendship with Antonio Mancini, a Futurist, also played a role in his new style. At the urging of Walter Pach...

Mid-Century acrylic on board of Venetian gondolas in harbour signed L Mariani, bottom right. This is a jewel of a painting. Its bright, joyful and intense c...

Frae measures 47 X 27 Image is 39 X 19. Henri Maurice D'Anty, listed French artist,Henry d'Anty 1910-1998 Born 1910 in Belleville France. Died in December 4 1998. Educated at the Aca...

A veritable symphony on canvas, the organic arrangement of blackbirds and impossibly flowering trees bending with the demands of the natural elements is the mere essence of Apple Blossoms Opus 3. The expressionist landscape with foundation in fauvism and impressionism, is a poetic story about comprehending overwhelming abundance. The deep gem tones find you reaching into your soul as you seek the betterment of understanding being communicated with such passion by Connecticut artist Dmitri Wright. Wright, having been born and raised on an island now has the distinct privilege of being the Director of the Weir Farm National Historic Site Art Academy in Greenwich, Connecticut, where he also teaches art in addition to teaching at the venerable Florence Griswold...

This painting is in a series called the Wild Woman which is also printed in a pocket sized book. Watercolor, mixed media, using resists. Janet Morgan’s...

A Lebanese born, Italian artist ,Masri has developed a style that captures mideastern mood with A Lucien Freud brush touch. His work is varied and known e...

Shana’s portraits adorned two covers of Time Magazine. Shana’s work is about the face and eyes. Young face, old face, black or white. Her subjects are confused, lonely, ragged and ...

Clarence Holbrook Carter (American, 1904-2000) Torso No. 5, 1967 Acrylic on paper Signed and dated upper right 25 x 20 inches A mid-century figural abstract painting. Clarence Hol...

Apricity [2022] original Oil on Canvas Image size: H:76 cm x W:122 cm Complete Size of Unframed Work: H:76 cm x W:122 cm x D:3.5cm Sold Unframed Please note that insitu images are p...

This is a one of a kind original expressionist seascape by San Diego artist Anna Cardoso. Its dimensions are 24x48x2. It comes in a silver frame. A certif...

'Still Life with Pineapple', oil on panel, by Lucien Martial (circa 1960s). Like human life, fruit is perishable and ephemeral, and thus many believe th...

SantaFe Bird is by Anne Embree who is known for her whimsical animal paintings . Santa Fe Bird focuses on the Bird and the surrounding objects Perched is...

Artist: Gabriel Portoles Ascaso, Spanish (1930 - ) Title: Cabeza Medium: Acrylic on Wood, signed l.r. Size: 16 x 11.5 in. (40.64 x 29.21 cm) Frame Size: 22.5 x 18 inches

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Late 20th century expressionist oil/acrylic on paper by French artist Armand Avril. Signed and dated bottom right. The painting depicts the view through the metal structure of a bri...

Watercolor, mixed media, using resists. Janet Morgan’s explosive art captures the exuberance and deep wisdom we humans yearn to experience. Her sense of...

Vintage Modernist WPA era painting by Arnold Blanch (1896-1968) of a Colorado Landscape, likely near Colorado Springs, Colorado, with green fields, red rocks and mountains in the background under a moody sky. Dominant colors include, green, yellow, red/brown, gray, white and blue. Painting is clean and in good vintage condition - please contact us for a detailed condition report. About the Artist: Arnold Blanch was an illustrator, printmaker, teacher and painter. He was primarily known for his landscape, genre, figurative, realist, and surrealist paintings. Born in Manterville, Minnesota, he was encouraged to study art by his mother, an amateur artist. He began studying at the Minneapolis Art Institute in 1914. In 1916, he received a scholarship to study in New York at the Art Students League. In New York, he studied under Robert Henri, Francis Luis Mora, Boardman Robinson, John Sloan, and Kenneth Hayes Miller. In 1919, Blanch arrived in Woodstock, New York to study at the Art Students League summer school. He married his fellow student Lucile Lundquist, and they settled in Woodstock in 1922 after traveling to France for a year. Blanch remained in Woodstock for more than forty years, until his death. He was an important figure in the Woodstock Artists Association, as he devoted much of his time to maintaining financial and moral support for the Association. Throughout his life, Blanch had more than sixty solo and group exhibits. He was awarded the Guggenheim Foundation Fellowship in 1940. In 1962, he had a retrospective at the Krasner Gallery in New York. Blanch's artistic style changed frequently throughout his career. After the 1930's, Blanch's palette became lighter and his subjects became less serious. In the 1930s, after he and his first wife separated, Blanch became romantically involved with artist Doris Lee, and both were influenced by each other's artistic styles for the next thirty years. Blanch was also influenced by the Abstract Expressionists; however, he primarily remained a figurative painter. His last artistic style consisted of shallow pictoral space and tightly arranged structures. ©David Cook Galleries...

This painting is in a series called the Wild Woman which is also printed in a pocket sized book. Watercolor, mixed media, using resists. Janet Morgan’s...

Frank Bramley RA (British, 1857 – 1915) Portrait of an elegant lady Signed and dated ‘FRANK BRAMLEY / 11’ Oil on canvas 21 x 15.1/2 in. (53.4 x 37.2 cm.)

Wyona Diskin, American (1915 - 1991) Girl In A Blue Chair Acrylic on canvas partially painted over wire mesh, Unsigned. Framed. Measurements: H 70.5 x W 49.5 x D 1.25 inches Wyona ...

Herbert Katzman 1923-2004 (American artist active in New york, Illinois and Italy) Oil Painting Dated 1946. Signed. Dimensions; Sight-16" x 20", Frame-23.5" x 27". Provenance: this bears an old stamp verso from Christie's auction house. Herbert Katzman was born in Chicago on Jan. 8, 1923, His father believing that discipline was a good teacher, sent Herbert and Bob to St. John's military academy for their elementary education but it wasn't long before Herbert found his way to the Art Institute of Chicago where he wanted to study sculpting. His Father vehemently objected and refused to finance his studies, but that wasn't enough to discourage the young artist. He put himself through school working as a student janitor and a few other odd jobs. At 17 he entered the Advanced School of the Art Institute, his interest having turned to painting. His study there was briefly interrupted by a short stint in the navy (1942-44). After receiving a medical discharge, he returned to Chicago to work with Boris Anisfeld, who introduced him to German and French Expressionism...

Signed lower right: SLOANE; inscribed lower left: SPRING IN / CAMBRIDGE VERMONT; on verso: — ERIC SLOANE / BROOKFIELD / CONN

Chinese fishing village watercolor painting by Frances Morrow (American, 20th Century). Signed "Morrow" and dated "79" lower left and "The Fishing Village", "Francis Morrow on Verso". Unframed. China Camp...

This is a one of a kind original expressionist acrylic and vinyl painting on canvas. Its dimensions are 36"x36". It is unframed. A certificate of authenticity will follow delivery of this work. This is a figurative painting of a warrior woman...

Acrylic work on paper. Window view of nature in spring. :: Painting :: Expressionism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready ...

Yvonne Jacquette uses pastel on a heavy rag paper to depict an ariel city scene at night with pulsing lights. There is a heavy texture to the paper and the surface is rich and vibra...

Oil on canvas ABOUT the artist: Audrey Frank Anastasi is a prolific feminist artist, working in painting, drawing, collage, mixed media, & printmaking. She is also curator, gallerist, educator and arts advocate. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2020 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg. Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma. Public art includes a portrait of Jo Davidson...

Still Life with Flowers oil on board, c. 1935 Signed lower left on table cloth (see photo) Done while the artist was in Woodstock, New York in the 1930's Provenance: Weyhe Gallery, New York Joseph Mark Erdelac, noted Cleveland collector of American Art Condition: Excellent Cleaned by Monica Radecki, South Bend Housed in a metal leaf American profile frame by Hackman Frames, Columbus Image/board size: 18 x 15 inches Frame size: 24-5/8 x 21-1/2 x 1-3/4 inches Emil Ganso (1895-1941) Ganso was born in Germany in 1895. At age 14, he apprenticed to a baker and then worked his way to America when he was 17. He worked in bakeries in Scranton, Pennsylvania; and Cincinnati and Akron, Ohio. By 1916, Ganso out of a job, and was living the life of a bohemian in New York City, sometimes on less than 30 cents a week.1 In 1921, Ganso painted a realistic nude on a bedsheet, and was forced by the police to remove it from an exhibition. The bedsheet with the painting was later stolen. He soon had a job baking again at $140 a month, and with time to spare for painting and study. Ganso quit baking in 1925 when a New York dealer gave him financial backing of $50 a week. Ganso prospered from his art after that. His work is in over 15 American museums, and the Print Club of Cleveland awarded him a $500 purchase prize for a wood engraving. A versatile artist, he painted a variety of subjects. (from a profile written by Clyde Singer) Museum holdings : Biblioteque National Paris; Boston Museum of Fine Arts; Brooklyn Museum; Cleveland Museum of Art; Kupferstich Cabinet in Berlin; Library of Congress; Metropolitan Museum of Art; Museum of Modern Art; New York Public Library; Victoria and Albert Museum in London; Whitney Museum of American Art. Exhibitions : (one-man) Weyhe Gallery 1926 - 1946; Washington Irving Gallery 1960; Retrospective at the Whitney 1941; Retrospective at the Brooklyn Museum 1944; William Benton Museum of Art at the University of Connecticut in1976. (1. from an exhibition catalog held at Marti Sumers Graphics in 1978 Courtesy: AskArt Source: Butler Institute of American Art Courtesy of D. Wigmore “Emil Ganso was born in Halberstadt, Germany in 1895 and came to the United States as a teenager. By 1914 Ganso was taking evening classes at the National Academy's School of Fine Arts while supporting himself as a baker. His work was soon identified by Erhard Weyhe who went on to show Ganso's work at the Weyhe Gallery. Ganso first exhibited at the Society of Independent Artists in 1921, as well as at the Salons of America from 1922 to 1925. By 1925 Weyhe Gallery began to represent Ganso which gave him the funds to spend his first summer in the art colony of Woodstock, New York in 1926. Weyhe Gallery continued to exhibit Ganso's work through the 1940s. In Woodstock Ganso met George Ault, Doris Lee, Charles Rosen, Katherine Schmidt, Eugene Speicher, Alexander Brook, Louis Bouché, Konrad Cramer, Leon Kroll, and George Bellows leading Ganso to settle in Woodstock and continue to benefit from Woodstock connections throughout his life. In 1927, the same year he settled in Woodstock, Ganso began to share a studio with Jules Pascin. Ganso printed Pascin's lithographs and prepared paper for him in 1927 to 1928 while Pascin was in America. In 1929 Ganso visited Pascin in Paris. Perhaps it was this Paris trip that sparked Ganso's interest in photography. By 1930 he was exploring photography as an art form, as well as an aid to his art compositions. Konrad Cramer, Yasuo Kuniyoshi, and Russell Lee were other Woodstock artists who joined Ganso in these photography pursuits. Ganso received a Guggenheim Fellowship in 1933 which he used to study and paint in Europe. In the 1930s Ganso also kept a studio at 54 West 74th Street, an artists' building where Walter Pach...

Gloria Dudfield Driver with Hard Hat 1960s Gouache and Oil Pastel on Paper 27"x36" unframed $700 *Custom framing available for additional charge. Please expec...

This is a one of a kind original figurative oil painting on canvas by San Diego artist Shahla Dorafshan. Its dimensions are 48"x36". It is unframed. A certificate of authenticity wil...

Flowers. 1997. Canvas, oil, 59x40 cm

Donald Stacy "Sleeping with Fruit" c.1950s Gouache paint on paper 24" x 18'" unframed Unsigned Came from artist's estate *Custom framing available for additional charge. Please expec...

ABOUT the artist: Audrey Frank Anastasi is a prolific feminist artist, working in painting, drawing, collage, mixed media, & printmaking. She is also curator, gallerist, educator and arts advocate. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2020 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg. Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma. Public art includes a portrait of Jo Davidson...

Clarence Holbrook Carter (American, 1904-2000) Cicada, c. 1960s Watercolor on scintilla 30 x 20 inches Clarence Holbrook Carter achieved a level of national artistic success that wa...

This peasant is part of a unique collection requested by a cardboard factory named DRT in Querétaro, México.

Frann Spencer Reynolds (1926-2008) "Pink Triangle" c 1950s Oil on canvas 24"x32" float mount white distressed wood frame 26"x34.25" Signed on reverse Go...

"New Hat" is a figurative, interior portrait painting by Philadelphia born Expressionist painter Bernard Harmon from 195. The 20" x 16" oil on board portrait features a young African...