Paintings

Watson And The Shark, 18th Century JOHN SINGLETON COPLEY (1738-1815) Large 18th Century scene of Watson And The Shark, oil on metal, John Singleton Copley. Excellent quality and co...

Christ and the Samaritan woman at the well Attributable to Ludovico Pozzoserrato (Antwerp circa 1550 - Treviso 1605) Oil on the table 37 x 27 cm., In ...

Portrait Of Sir Oliver Cromwell (1599-1658) SIR PETER LELY after (1599-1658) SIR PETER LELY Large 17th Century portrait of Sir Oliver Cromwell in armour, oil on canvas. Depicted in...

An incredible photo-realist drypoint etching of a Native American man by Gilbert Adam Shoenbrod (American, 1903-1996), 1937. Titled "The Hunter", this hyper detailed portrait depicts...

Ture Ander (1881-1959) Sweden A Bouquet of Digitalis, Poppy, Iris, Snapdragons, Cornflower, Buttercup. 1936 oil on board signed and dated Ture Ander 36 board dimensions 24,41 x 18,...

Girl with Cat (1935) Oil on canvas 38" x 26" 42 ½" x 30 ½" x 3 ½" framed Signed and dated "1935 H Burkhardt" lower right. Signed, dated and inscribed verso. About this artist: Hans ...

French School (18th Century), Dancing Putti. This gouache on vellum scene of the dancing putti is derived from a drawing by Giovanni Antonio de' Sacchis (Italian 1484 -1539) known a...

Raphael DELORME (1886-1962) Study of a woman in profile Watercolor, gouache and pencil on paper Illegible annotation in the lower right corner 31 x 20 cm Small needle holes at the to...

Original oil on heavy cardboard (old chocolate candy box cover) of a hill view landscape by Whitney Myron Hubbard. Signed lower left. Signed and titled verso. Circa 1930. Conditi...

If you are a world traveler or lover of exotic locales, this might be the painting for you. The scene depicted is likely a North African town or village, perhaps Morocco or Tunisia....

Finely painted American school modernist dock scene by Eleanor Beatrice Acker (Born 1907). Watercolor and gouache on paper. Nicely framed. Signed and dated. Artist biography; Ele...

Long Light Notre Dame Oil on canvas, 1931 Note: the painting is NOT framed Signed and dated lower right Condition: Excellent Conservation by Monica Radecki, South Bend Canvas size: ...

Monumental Singerie (monkeys imitating human behavior) 18th century whimsical painting in the style of Christopher Huet In good antique condition with restoration 66"W x 74"H unfra...

Here is your chance to have your own private chapel with devotional objets and saint figures - in the form of this lovely painting by Joseph Bergès (1878-1956). Berges was born in th...

Titan Fine Art present this exquisite portrait, that formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Reg...

Oil on paper by Edouard Goerg (1893-1969), France, 1937-1938. Two young Spanish girls. Measurements : with frame: 61.3x51.8 cm - 24.1x20.4 inches, view: 39x28.6 cm - 15.4x11.25 inche...

The Pilgrim and Angel Spanish School, 17th Century oil on canvas, gilt framed framed: 48 x 37 inches canvas: 43 x 32 inches provenance: private collection, Barcelona, Spain condition...

Landscape river and barn _ from Georges Gratigny Georges Gratigny was a French painter from XIX -XX. (1881-1970) Normandy He was member of the society of Normans painters. There are influence in his art of his friends André Hardy...

Sea, France, Brittany France, Impressionist, 20th, 1930, Gray, Blue, Celestial Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He was born in Paris but spent his childhood and ...

Antique painting depicting the Face of Christ as Salvator Mundi Flemish painter, 16th-17th century Oil on copper 22 x 18 cm./ framed 42 x ...

Unique etching performed in red chalk in mint condition glass framed in oak in 1930. Börje Harald Holm, born May 17, 1892 in Uppsala, died October 3, 1973, was a Swedish painter and...

Portrait Of Elizabeth Percy, Countess of Northumberland (1646-1690), 17th Century Studio of Jan MYTENS (1640-1670) Large 17th portrait of Elizabeth Percy Countess of Northumberlan...

Oil on gattice wood in octagon. Il gruppo di otto dipinti in oggetto (figg. 1-8) rappresenta, nel classico formato fiorentino dell’ottagono, una serie di effigi femminili a mezza fig...

Portrait of a young aristocratic girl - 18th century English style Oil on canvas. Silvered wood frame. Size with frame cm 85 x 72.5 Size without frame cm 74.5 x 62.5 At the hear...

Unique etching in red chalk performed in 1930 glass framed oak in mint condition. Börje Harald Holm, born May 17, 1892 in Uppsala, died October 3, 1973, was a Swedish painter and g...

Oil on Canvas. Neapolitan school of the seventeenth-eighteenth century. It is a traditional scene of Christ's deposition from the Cross, with his inert, pale body lowered into the ar...

17th century German portrait of the wine merchant Caspar Roemerskirchen at the age of 26 in 1628, attributed to Gottfried de Wedig This highly decorative portrait depicts the 26 yea...

Flemish painter of the 16th-17th century The Annunciation Oil on canvas 844 x 33 cm./ in frame 63 x 52 cm.) The work presents itself with a canonical iconographic and stylistic scheme, with the Archangel Gabriel devoutly delivering the supreme annunciation to the Virgin child, although there are some details that make the composition very interesting. Entering into the details of the study of the painting, of excellent workmanship, we can immediately appreciate a style rooted in the Flemish tradition, recognising in the compositional layout strong references to the great masters of the Renaissance such as Jan van Eyck, Rogier van der Weyden, Dieric Bouts and Hans Memling...

Countryside Barn at Dusk - Oil Pastel On Paper Oil pastel drawing depicting a small wooden barn atop a country hillside by Oakland, California artist Grace Anna Pfister (American, 1...

Georges Louis Claude (1879-1963) Still life with fruits, 1938 oil on paper 32 x 40 cm In good condition In a vintage white frame, 41.5 x 49 cm, numerous lacks of white painting (see photographs please) Georges Louis Claude was born in Paris in 1879. The artist first studied at the Bernard Palissy School of Drawing in Paris. There he learned mythological and religious subjects, the art of portraiture, still life and of course, wall decoration, which became his favourite medium. His career began as an architectural decorator for the Galland house in Paris. He then collaborated with the orientalist architect Alexandre Marcel. Noticed at the at the 1900 Universal Exhibition, he decided to emancipate himself and presented his his own projects. It was at this time that Georges-Louis laude was to seduce some of the most influential personalities of their time with his talent. First of all King Leopold II of Belgium, followed immediately by Baron Empain became infatuated with the artist to decorate palaces and flats. In Belgium, Georges-Louis Claude was chosen to decorate the Royal Palace of Laeken (Japanese Tower...

Oil on Canvas. North Italian school of the 17th century. The large painting presents as its subject a well-known Old Testament theme, the wealth of King Solomon, recounted in the Fir...

17th century Antwerp school Landscape, animals and stilllife by a pupil of Jan Brueghel the Younger (1601-1678) Figures by a pupil of Frans Francken II Oil on canvas: h. 52,5 cm, w. ...

Dated and titled on stretcher: "'37/ Mr + Mrs Chas. Coolidge/ Allison/ -Belmont". In 1929 Molly Luce and her husband, Alan Burroughs, moved from Garden Street on Beacon Hill in Bos...

This painting was painted by an unknown master at the turn of the 18th - 19th centuries. The artist in this painting raises the timeless theme of adultery, skillfully depicting the e...

Antique oil on canvas painting depicting Madonna and Child with gilded and carved wooden frame. Mary is depicted according to classical iconography, holding Jesus in her arms. Jesu...

Everett Shinn Woman on a Staircase, Sketch, circa 1935 Signed on the reverse and on the stretcher Oil on canvas 30 x 25 inches Everett Shinn, a future member of the Eight and remark...

Titan Fine Art present this striking portrait, which was painted by one of the most talented artists working in England during the last half of the 17th century, John Greenhill. Gre...

Hans (or Johann) von Achen (Cologne 1552 - Prague 1615) workshop Adoration of the Shepherds Oil on canvas 112 x 90 cm./ Framed 125 x 102 cm. The painting that we are happy to prese...

Pastoral Landscape Dutch Old Master, 18th century oil on canvas, unframed canvas: 12 x 10 inches provenance: private collection, UK condition: good a...

Amazing painting of Cleopatra oil on canvas with a gilt wood frame. Attributed to Giuseppe Diamantini (Fossombrone 1621-Venice 1705) The dramatic subject of the painting depicts th...

This painting is reproduced in the reference book on Roman still life "Pittori di nature morta a Roma - artisti italiani 1630 -1750" by Gianluca and Ulisse Bocchi - Arti Grafiche Cas...

Oil on Canvas. Roman school of the 17th century. The landscape, wide and airy, pervaded by a timeless "classic" atmosphere, fits into the classical current of ideal views drawn from...

Bellissimo paesaggio del paese della Normandia dove è avvenuto lo sbarco degli americani nel 1944 Spiaggia,Barche,Mare del Nord

Portrait Of The Persian Sybil, 17th Century School of GUERCINO (1591-1666) Large 17th Century Italian Old Master portrait of the Persian Sybil, oil on canvas. Excellent quality an...

King Solomon Worshipping The Idols, 17th Century FRANS FRANCKEN II (1581-1642) - signed sales to $6,000,000 Large 17th Century biblical account of King Solomon worshipping the Idols, oil on panel Frans Francken. Excellent quality and condition Old Testament biblical scene on a cradled panel depicting the Idolatry of Solomon, son and successor of King David. Exceptional detail and would be enhanced with a light clean. Presented in an antique period frame. Signed. Measurements: 47" x 34" framed approx Artist Biography Frans Francken II or the Younger is the third in order of descent in the Francken family tree. Born in 1581, the son of Frans Francken I or the Elder, he was the brother of Thomas, born in 1574, of Hieronymous II, born in 1578 and died in 1623, and of Ambrosius II, the last in line, who died in 1632. Hieronymous II, who died at the age of 56, is only known for his painting Horatius Cocles at Sublicius Bridge. Frans the Younger was initially a pupil of his father, who was then at the height of his career. In his father's studio he imbibed all the teaching of the tradition of Frans Floris. He also spent long periods in Italy, where he familiarised himself in particular with the masters of the Venetian school. Such study in situ enabled him to break away from the well-worn methods of Flemish Italianism, as practised by his father and uncles. It is conceivable that the young artist met Rubens, who was in Italy at the time. In 1605, at the age of 24, on his return to Antwerp, Frans the Younger became a master in the Antwerp Guild of St Luke. In 1607 he married Elisabeth Placquet in Antwerp. Three sons and eight daughters resulted from this marriage. His children made up the fourth generation in the dynasty. Better known are Frans III (1607-1667) and Hieronymus, born in 1611. The latter had a son, Constantinus (1661-1717), who marks the end of the line. The family of Francken painters runs from 1520 to 1717. As one of the most active masters in Antwerp, Frans II was appointed dean of the guild in 1614. He was also a member of the Violette, a major literary association, for which he painted an award-winning symbolic coat of arms. He was intimate with the most celebrated artists, in particular van Dyck, who executed a very fine portrait of him, judging by the engraving by Willem Hondius and Pieter de Jode. It is also likely that he was on familiar terms with Rubens who was his near contemporary. He died in Antwerp on 6 May 1642 at the age of 61, outlived by both Rubens and van Dyck. The first securely dated work of Frans the Younger is Christ on the Cross from the gallery in Vienna, painted in 1606. Witches' Sabbath (Vienna) and The Works of Mercy (Antwerp) are dated 1607 and 1608 respectively. In these two latter works the painter proves himself adept at painting figures and allegorical scenes. The Works of Mercy represents various groups of figures, symbolising the different activities inspired by Christian charity. Paupers and beggars occupy the foreground, the ensemble being dominated by the figure of the glorious Christ. While Frans the Younger cannot be compared with the masters of this great first generation of Antwerp, which was illuminated and steered by the genius of Rubens, he does nevertheless merit attention. He succeeded in developing and bringing into fashion an anecdotal genre on a more modest scale, elements of which were to inform the last representatives of the Francken family for over a century. Frans the Younger was undoubtedly the most talented draughtsman in the family. While his art may be criticised for its lack of grandeur and solemnity, the execution shows great talent. His brush stroke was vigorous and his imagination, albeit restrained, was brilliant. His interest in tonal values was highlighted by his study and appreciation of his remarkable contemporaries. This enabled him to carry out landscapes and also fleshy figures, which made him altogether worthy of the brilliant period to which he belonged. While detail certainly preoccupied him, he treated it with intelligence and even esprit, as witnessed in The Parable of the Prodigal Son and A Prince's Visit to the Treasury of a Church(both in the Louvre). The scenes painted in grisaille, which surround the principal motif of the Prodigal Son, are characteristic of his style. He excelled in painting jewellery, ornaments, and textiles with shot silk effects. A large number of his figures inhabit the neutral backgrounds of the interiors of apartments and galleries. He carried out such work not only under his own auspices, but also for other artists, such as Peeter Neeffs, van Bassen, Josse de Momper...

Titan Fine Art present this accomplished work, from Kilcooley Abbey, Co Tipperary, Ireland. It portrays a gentleman traditionally known as the English military commander and politic...

Mykola Krychevsky created this landscape when he first arrived in Paris and lived in its suburbs. It is oil on canvas board, signed lower right. The artist at that time was in his fo...

A tiny oil on card painting that Vasyl Hryhorovych Krychevsky (1872-1952) created in 1935 in Crimea, Ukraine. V.H.Krychevsky is one of the founders of the Ukrainian Art Academy in Ky...

Oil on canvas, signed and dated '1724' bottom right Image size: 48 x 36 inches (121 x 91 cm) 19th Century hand carved gilt frame This rediscovered painting is a splendid example of ...

The painting features the enthroned Madonna and Child, two praying angels, and Saints Nicholas of Tolentino, Augustine, Luke the Evangelist, and Monica, below an elegant canopy. The ...

French school circa 1930 Portrait of a young man with blue eyes Oil on cardboard panel 27 x 21.5 cm Bears a signature (illegible) upper right Framed : 34.5 x 29.5 cm

*Dimensions include the frame This French watercolor dating from around 1930 conveys a serene maritime scene that resonates with the aesthetic principles of the Impressionists. The ...

A classic Art Deco Nude Oil Painting of a woman holding a single rose that projects beauty and serenity. A reclining nude is the essence of what is pure and natural yet also desirab...

Lombard painter of the 17th century Portrait of a Knight in Armour Oil on canvas 81 x 70 cm./ Framed 93 x 82 A handsome gentleman in armour, immortalised in an authoritative and pr...

The Angel Gabriel Jesus & Satan 18th Century afterf Domenichino (1581-1641) Large 18th Century Italian Bolognese School Old Master depiction of the Guardian Angel Gabriel, Jesus an...

English painter (18th century) - Horses at the river. 53 x 70 cm without frame, 67 x 86 cm with frame. Antique oil painting on wood, in a carved and gilded wooden frame. Condition...

Vintage landscape oil painting on canvas by French artist Marie Marguerite Reol (1880-1963) Garden landscape in the fore with a backdrop of mountains, most likely to be the Pyrenees....

The attribution to Jan de Bisschop has been confirmed by the RKD with the following comment: "We base this attribution on the dark washes, the subject represented and the monogram". ...