Paintings

Here for you consideration is a colorful oil on canvas painting by the well known French artist, Urbain Huchet. Signed lower right and titled verso. In very good original condition....

'Portrait of a Woman with Short Hair', oil on board, by Peter Robert Keil (1983). A wide-eyed woman gazes out to the viewer with a tranquil smile. The colou...

Untitled Harold Anchel, (American, 1912 – 1980) Circa 1951-54 Oil on Canvas, signed lower right Size: 30 x 36 in. (76.2 x 91.44 cm) Frame Size: 30.5 x 36.5 inches

Artist: Adolf Sehring (Russian/German-American, 1930-2015) Title: "Fun Time" Series: Children *Signed by Sehring lower left Circa: 1980 Medium: Original Oil Painting on Canvas Reference: No. 1103 Framing: Within its original frame. Framed in a gold traditional frame with linen liner and gold filet Framed size: 31.13" x 37.13" Canvas size: 24" x 30" Condition: In excellent condition Notes: Provenance: private collection - Hagerstown, MD; acquired from Benjamin Art Gallery...

Artist: Nancy Mclaughlin Powell – American (1932-1985) Title: Young Piegan Woman Year: 1958 Medium: Pastel on paper Sight size: 15.5 x 11.5 inches wit...

Very impressive mid 20th century cubist abstract. Oil on canvas. Framed.

Ruggero Vanni's Passages in Light III is a 49 x 35 inch abstract oil painting. The main colors are red, pink and gray. There is a reference to nature, like clouds up in the sky. It ...

Rafael Duran Benet (1931-2015) - Garda Italy - Oil on canvas on cardboard Oil measurements 41x33 cm. Frame 46x38. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan ...

Very impressive modernist landscape by Larry Horowitz (Born 1956). Oil on canvas. Signed. Framed. Artist Bio: Larry Horowitz is an American landscape painter, focused especi...

Mid Century Impressionist Still Life in Tissue Paper on Cardboard Impressionist still life by Honora Berg (American, 1897-1985). Pieces of tissue paper have been cut out and thought...

Herb Booth (1942 - 2014) Texas Artist Image Size: 29 x 41 Frame Size: 39 x 51 Medium: Watercolor "Waterfowl" Geese, ducks, more Herb Booth (1942 - 2014) Wat...

Michel Marie POULAIN French National Day : Sailors having Fun Original oil on canvas Handsigned in the lower left corner On canvas 55 x 65 cm (c. 22 x 26 inch) Presented in golden w...

An original watercolor by American artist Thomas Aquinas Daly. This work comes housed in an archival frame presentation.

3981 Children's fantasy figurative oil painting set in a hand painted oak frame Image size 15.5x19.25"

Frame size 70x61 cm. José Muntané Balaguer (1889 - 1963) Immerse yourself in the spiritual beauty of "Woman Praying," a sublime work by the acclaimed Spanish artist José Muntané Balaguer. This oil on canvas captures the serenity and introspection of faith, showcasing a masterful use of light and shadow reminiscent of great masters such as Joaquín Sorolla, Ignacio Zuloaga, and even the emotional restraint of Diego Velázquez in his most intimate portraits. The painting depicts the purity of a devotional moment, where the female figure seems to transcend the canvas, inviting the viewer to reflect on spirituality and human connection. The meticulous attention to detail and subtlety in expressions place Muntané Balaguer in the tradition of artists who immortalized scenes of everyday life with unique sensitivity, much like Julio Romero de Torres...

Francis Mabel Hollams (British, 1877–1963) Bumble, 1957 Oil on wood panel With characteristic precision and affection, Francis Mabel Hollams captures the spirit of a beloved compani...

Rural Scene with Horses, Farm Workers & Thatched Cottage in the English Countryside by British Artist, Chris Howells (1947-2013) Art measures 24 x 16 inches Rural Landscape showin...

Untitled (Highrise), 1954, oil on canvas, signed and dated lower right, 20 x 20 inches, presented in its original frame Karl Benjamin was a California-based artist who is best known...

Mystery Artist Tennessee, 9/12/86 Oil on canvas 34 x 43 3/4 x 1 in. Titled and inscribed upper left

Artist: Dimitrie Berea, Romanian (1908 - 1975) Title: St. Paul de Vence Year: 1957 Medium: Oil on Canvas, signed Size: 29 in. x 39 in. (73.66 cm x 99.06 cm) Frame Size: 41 x 47 ...

Vintage Post-Impressionist Painting of a Tree-Lined River in the Irish Countryside by 20th Century Irish Artist, Ray Cochrane. Art measures...

Georges Mathieu (1921 - 2012) L’horizon mensonger Alkyde sur toile / Alkyd on canvas Signé en bas à gauche, titré au dos / Signed lower left and titles on the back Circa 1990 Size : ...

Charmion von Wiegand Pillar of Zen #124, 1959 Gouache on paper painting Hand signed, titled and dated on the front Unique Provenance: Andre Zarre Gallery, with label verso (Estate of renowned gallerist Andre Zarre, ne Andre Sowulewski) Measurements: Framed 26.5 inches vertical by 25.5 horizontal by 2 inches Artwork: 21 inches vertical by 22 inches horizontal Mid century modern, geometric, spiritual abstraction, mystical The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld Gallery since 1998. From March 3 to August 13, 2023, Charmion Von Wiegand was the subject of an acclaimed retrospective at the Kunstmuseum Basel, and she has received major attention in the price, including a June, 2023 ArtNews feature entitled, "Who Was Charmion von Wiegand and Why Is She Important?". Her work was also featured in a solo presentation by Rosenfeld Gallery at the New York Art Show held at the Park Avenue Armory, which also received critical acclaim. Artists Biography - courtesy of Michael Rosenfeld Gallery: Known for her vibrant, geometric paintings that originate a deeply personal language of spiritual enlightenment expressed through a constructivist mode of abstraction, Charmion von Wiegand (1896–1983) was born in Chicago but spent much of her childhood traveling. The daughter of a journalist for Hearst, von Wiegand eventually settled in New York in 1915 to attend Barnard College and Columbia University, where she took classes at the School of Journalism while nurturing a growing interest in art history. In 1925, von Wiegand realized that she wanted to be an artist and set up a studio in Greenwich Village, teaching herself how to paint while pursuing a career as a journalist. In 1929, she secured a position in Moscow as a foreign correspondent for Hearst, the only woman at the desk at the time. In 1932, von Wiegand returned to New York and married Russian émigré Joseph Freeman, who co-founded and edited the leftist journal New Masses. Von Wiegand began writing art criticism for New Masses as well as for other publications, including New Theatre, ARTnews, and Arts Magazine. When the Abstract American Artists (AAA) held their inaugural exhibition, von Wiegand reviewed it. An early champion of abstract art, von Wiegand became close friends with AAA founder Carl Holty. In 1941, Holty introduced von Wiegand to Piet Mondrian, who would have a profound impact on her art. Fascinated by Mondrian’s artistic philosophy, von Wiegand played a key role in the introduction of his work to American audiences, translating many of the Dutch artist’s writings into English and assisting in the composition of his influential article “Toward the True Vision of Reality” (1941). Through her friendship with Mondrian, von Wiegand re-kindled her interest in Theosophy (a religion established in the late 19th century that combines aspects of Hinduism, Buddhism, occultism, and esotericism) and embarked on an extended study of neoplasticism. In her artwork, she incorporated Mondrian’s iconic grid but rejected the constraints of pure neoplasticism and embraced a wide range of influences including surrealism and German expressionism. In 1942, von Wiegand became a member of the AAA, exhibiting regularly with the group and eventually serving as its president from 1951 to 1953. In the late 1940s, sculptor and fellow AAA member Ibram Lassaw gave her a translation of The Secret of the Golden Flower: A Chinese Book of Life, which inspired von Wiegand to immerse herself in a study of Buddhist art. She began incorporating Buddhist motifs such as stupas and mandalas into her paintings, and her spiritual practice steadily intensified throughout the 1950s. In 1953, her husband gifted her a copy of the Taoist I Ching Book of Changes, a guide for divining meaning from randomly derived numbers arranged in a hexagram—a form the artist readily incorporated into her painting. Von Wiegand’s study of Theosophy also intensified over these years, bolstered by her increased access to the religion’s primary sources composed by the religion’s founders and their successors at the New York Theosophical Society’s library. Von Wiegand’s search for the sacred and transcendent ultimately led her to Tibetan Buddhism and, in 1967, von Wiegand met Khyongla Rato Rinpoche, a Gelugpa monk who had recently arrived in New York, who would mentor her spiritual study in the tradition of Mahayana Buddhism until her death. Her travels in the 1960s and 1970s took her to Tibet and India, where she had an audience with the Dalai Lama, who was living in exile in Dharamsala. Many works from these decades incorporate symbols and schematics drawn from Theosophical prismatic color charts, Chinese astrology and tantric yoga. In 1978, she was the subject of a PBS documentary titled The Circle of Charmion von Wiegand, which was scored by Philip Glass. In 1980, von Wiegand was elected to the American Academy of Arts and Letters and in 1982, the Bass Museum of Art in Miami Beach (FL) organized her first retrospective exhibition. She died the following year in New York, bequeathing her estate to Khyongla Rato and the Tibet Center of New York. In 1998, Michael Rosenfeld Gallery became the sole representative of her estate and has presented her work in four solo and multiple group exhibitions. Recent notable exhibitions that have included her work are The Third Mind: American Artists Contemplate Asia (Solomon R. Guggenheim Museum, New York, NY, 2009) and Constructive Spirit: Abstract Art in South and North America (Newark Museum, NJ, 2010). In March 2023, the Kunstmuseum Basel (Switzerland) opened the first comprehensive museum retrospective of von Wiegand’s work in Europe. Von Wiegand’s work is represented in numerous museum collections including the Addison Gallery of American Art, Phillips Academy (Andover, MA); Albright-Knox Art Gallery (Buffalo, NY); Arithmeum, University of Bonn (Germany); Birmingham Museum of Art (Alabama); Blanton Museum of Art, The University of Texas at Austin; Brooklyn Museum (NY); Carnegie Museum of Art (Pittsburgh, PA); The Cleveland Museum of Art (OH); Indianapolis Museum of Art (IN); Fondazione Marguerite Arp (Locarno, Switzerland); Museum of Fine Arts, Boston (Massachusetts); The Metropolitan Museum of Art (New York, NY); The Museum of Modern Art (New York, NY); Newark Museum of Art (New Jersey); Seattle Art Museum (WA); Smithsonian American Art Museum (Washington, DC); Walker Art Center (Minneapolis, MN); Weatherspoon Art Museum, The University of North Carolina at Greensboro; Wellin Museum of Art at Hamilton College (Clinton, NY); Whitney Museum of American Art (New York, NY); and Yale University Art Gallery (New Haven, CT). More about gallerist Andre Zarre A tribute in the New Criterion: Dispatch August 11, 2020 Andre Zarre, 1942–2020 by Dana Gordon On the late New York gallery pioneer. Art should never be aggressively explained; art should be felt. —Andre Zarre, 1977 Often, in the starlit New York cultural mecca, a longtime important figure fades away through the penumbra and dies without notice. Such was the fate of Andre Zarre, the contemporary art dealer, who passed away a few weeks ago. Andy, as he wanted friends to call him, opened his eponymous gallery in 1974 just off Madison Avenue on Sixty-ninth Street. He soon moved it to the omphalos of the art world in that era, 41 East Fifty-seventh Street, the Fuller Building. Over the years he moved to SoHo and then to Chelsea, as fashion and real estate prices pushed the art souk hither and thither. To understand his importance, all you need do is take a look at a list of artists who had solo shows at the Andre Zarre Gallery. This includes such names, from an early generation, as Sonia Delaunay, Nassos Daphnis, Sari Dienes, and Perle Fine. Among a subsequent generation are Pat Lipsky, Jay Milder, Thornton Willis, and Kes Zapkus.1 And this list does not include the many knowns and unknowns who were in his lively group shows. Zarre had a real “eye” and was a champion of abstract art from the moment he founded his gallery—even among the gathering storms of conceptual and political art, which he eschewed. He showed a good deal of figurative art as well. His galleries were always spacious and unpretentious, oriented simply to show the art. In the words of Dee Shapiro, who showed with the Zarre gallery many times, “He had a photographic memory and knew a lot about art and was always interested in the artist’s life.” Reliable biographical information on Zarre is scarce, but he said of his background that he was born in Poland in 1942 and that his parents were a diplomat and a socialite. He left home for the United States at the age of fifteen. During his decades as an art dealer in New York, Zarre did not appear to accumulate wealth, though he acquired a collection and lived on Park Avenue. “He was not personally aggressive in that way. People had to come to him,” Dee Shapiro said. He was honest in his financial dealings with artists, which not all art dealers are. For a long time while running the gallery he had a second job as a supervisor in an airline office and he kept little to no additional staff in the gallery. He supported a brother who remained in Poland. Among artists, Zarre was known to be quite ornery. After my show at his gallery in 1997, I refused to enter it for seventeen years. Then I ran into him in Chelsea and he offered me another show, an opportunity I gladly accepted, but he remained just as disagreeable. He showed the work of many women, probably more than any other gallery, save those devoted to showing only women. Collectors, curators, and writers found him mostly friendly. As Peter Reginato put it, Zarre was a “strange guy but I liked him. I think he was a dealer who was more interested in the art than in making money, but somehow he lasted forty-plus years.” Zarre is not known to have kept extensive or extant records of his gallery’s long history, though these may emerge in time. Scouring the Internet, one may compile a partial list of more than eighty artists who had solo shows at the Andre Zarre Gallery:Nancy Azara, Ellen Banks, Mary Barnes, Tony Bechara, Juan Bernal, Stephanie Bernheim, Randy Bloom, Elena Borstein, Michael Boyd, Fritz Bultman, Ed Buonagurio, Yoan Capote, Sonia Delaunay, Nassos Daphnis, Cathy Diamond, Sari Dienes, Joseph Dolinsky, Beata Drozd, Ronnie Elliot, William Fares, Perle Fine, Lynne Frehm, Ben Georgia, Mikel Glass, Dana Gordon, Juanita Guccione, Fred Gutzeit, Don Hazlitt, Amy Hill, Clinton Hill, Monroe Hodder, Budd Hopkins, Arlan Huang, Richard Hunt, Rhia Hurt, Buffie Johnson, Alexander Kaletski, Robert Kaupelis...

Rafael Duran Benet (1931-2015) - Amsterdam - Oil on canvas on board Oil measurements 33x41 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter,...

Antique American modernist Maine landscape oil painting. Oil on canvas. Signed. Framed. Image size, 40L x 36H.

5-3188a Acrylic on artist board Set in a vintage wood frame

3713 Acrylic on board Set in a vintage frame

Gorgeous oil-on-canvas of a reclining nude female figure by Monterey California-area artist Patricia Gillfillan (American, 1924-2016). Signed "Gillfillan" lower left. Unframed. Size,...

Bolero Mallorquin original expressionist watercolor painting. Spanish painter maximum representative of the art of Mallorca at the end of the 20th century. Costumbrista work. With d...

House In The Green - Original Acrylic On Paper Original acrylic painting depicting a white house in the woods surrounded by greenery by Honora Berg (American, 1897-1985). Two white ...

"Bird on a Wire" The Crow - Acrylic on Canvas Playful depiction of a crow by California-based artist, Ricardo de Silva (American/Brazil, 20th C). The crow is shown with green and ye...

Ireland Lake Seascape Landscape with Boats & Figures by Contemporary Irish Artist, Frank Fitzsimons Art measures 36 x 16 inches Frame measure 40 x 2...

Exceptional detail in this painting of boys playing dice by R. Hauslar (German, 20th Century). A Hausler interpretation of a work by the famous Bartolome ...

Beautiful mid-century landscape of upper Young Lake and Ragged Peak in Yosemite National Park by Helen Enoch Gleiforst (American, 1903-1997). The artist uses textural impasto in a pa...

Ronnie Landfield (1947- American) "Untitled" 1982 Acrylic on Paper Dimensions: Sheet 30" X 42" Frame 32 X 44 Hand signed and dated lower right Provenance: Denman Associates, Seattle gallery Ronnie Landfield (American, 1947-) is an abstract painter. During his early career from the mid-1960s through the 1970s his paintings were associated with Lyrical Abstraction (related to Postminimalism, Color Field painting, and Abstract expressionism), and he was represented by the David Whitney Gallery and the André Emmerich Gallery. Landfield is best known for his abstract landscape paintings, and has held more than seventy solo exhibitions and more than two hundred group exhibitions. Born and raised in Pelham Parkway in the Bronx, Landfield first exhibited his paintings in Manhattan in 1962. He continued his study of painting by visiting major museum and gallery exhibitions in New York during the early sixties and by taking painting and drawing classes at the Art Students League of New York and in Woodstock, New York. He graduated from the High School of Art and Design in June 1963. He briefly attending the Kansas City Art Institute before returning to New York in November 1963. At sixteen Landfield rented his first loft at 6 Bleecker Street near The Bowery (sublet with a friend from the figurative painter Leland Bell), during a period when his abstract expressionist oil paintings took on hard-edged and large painterly shapes. In February 1964, Landfield traveled to Los Angeles; and in March he began living in Berkeley where he began painting Hard-edge abstractions primarily painted with acrylic. He briefly attended the University of California, Berkeley and the San Francisco Art Institute before returning to New York in July 1965. From 1964 to 1966 he experimented with minimal art, sculpture, hard-edge geometric painting, found objects, and finally began a series of 15 - 9' x 6' mystical "border paintings". After a serious setback in February 1966 when his loft at 496 Broadway burned down, he returned to painting in April 1966 by sharing a loft with his friend Dan Christensen at 4 Great Jones Street. The Border Painting series was completed in July 1966, and soon after architect Philip Johnson acquired Tan Painting for the permanent collection of The Sheldon Memorial Art Gallery in Lincoln, Nebraska. In late 1966 through 1968 he began exhibiting his paintings and works on paper in leading galleries and museums. Landfield moved into his loft at 94 Bowery in July 1967; there, he continued to experiment with rollers, staining, hard-edge borders, and painted unstretched canvases on the floor for the first time. Briefly in 1967-1968 he worked part-time for Dick Higgins and the Something Else Press. Landfield was part of a large circle of young artists who had come to Manhattan during the 1960s. Peter Young, Dan Christensen, Peter Reginato, Eva Hesse, Carlos Villa, William Pettet, David R. Prentice, Kenneth Showell, David Novros, Joan Jonas, Michael Steiner, Frosty Myers, Tex Wray, Larry Zox, Larry Poons, Robert Povlich, Neil Williams, Carl Gliko, Billy Hoffman, Lee Lozano, Pat Lipsky, John Griefen, Brice Marden, James Monte, John Chamberlain, Donald Judd, Frank Stella, Carl Andre, Dan Graham, Robert Smithson, Robert Rauschenberg, Andy Warhol, Kenneth Noland, Clement Greenberg, Bob Neuwirth, Joseph Kosuth, Mark di Suvero, Brigid Berlin, Lawrence Weiner, Rosemarie Castoro, Marjorie Strider, Dorothea Rockburne, Leo Valledor, Peter Forakis...

This original oil painting, titled Autumn Harvest by Edward Marecak (1919-1993), was created in 1987. It features a stunning autumnal landscape, with seven women actively engaged in ...

Oil Painting on canvas by California artist Ralph Love created 1985. Signed and dated lower left. Oil on Canvas in excellent condition and nicely framed. Beautiful rendition of the Grand Canyon in Arizona. Measures 24 x 36 inches. Signed, dated and titled on the verso "After the Rain." Frame size: 34 x 46. Ralph Love was born in Los Angeles, California in 1907. He died in 1992 in Escondido, California. For many years, Ralph Love taught as well as painted. On rainy days, his class would meet in the old Art Shack in Temecula, California, which Love opened in the mid-fifties. It was from this Art Shack that his work received national recognition. Ralph Love was perhaps most well-known for painting the Grand Canyon and California landscapes. "Arizona Life" (magazine) featured his work on the cover and on the inside spread, showing several of his original oils. Senator Barry Goldwater owned several of Love's Grand Canyon paintings, and a letter from him stated,"...Love is the finest living American artist I know, and I could look at his work all day long." Ralph Love paintings...

The Old French Town by Claude Marin (French 1914-2001) signed and dated 85 oil on artist card stuck on board, unframed board: 7.5 x 9.5 inches Provenance: private collection, Paris, ...

Alkyd-oil on Masonite, signed and dated (middle left), 61cm (diam.), (83cm diam. framed). (This work was kept by the artist for his personal collection. It remained in his collection...

Timothee (Tymo) Pierre, "Indian African Face Woman", Signed Abstract/ Figurative Portrait Painting, Acrylic Paint on Cardboard, 13.50 x 10.50, Late 20th ...

Signed lower left, 'Th. Butler' and painted circa 1985. A substantial Pointillist oil showing a view of the Seine with the Pont Neuf and the Île de la Cité. In the foreground, two y...

Aaron Fink (American, b. 1955) Hand signed and dated 1986, verso. The large canvas size measures approx: 72" x 66". This painting is part of the artist's "Images of Gambling" series, amongst his best figural work. Aaron Fink was born in Boston in 1955. He received his MFA from Yale University and his BFA from the Maryland Institute College of Art. His work has been exhibited widely throughout the U.S., Europe and Japan and Australia, and is included in the collections of the Museum of Modern Art, NY, the Art Institute of Chicago, the Museum of Fine Arts, Boston and the Walker Art Center, Minneapolis, among many others. He lives and works in the Boston area. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. Figurative abstract expressionist art. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. He was included in the show The Expressive Voice: Selections from the Permanent Collection at the Danforth Museum of Art. An exhibition of Boston Expressionism, a school that embraced a distinctive blend of visionary painting, dark humor, religious mysticism, and social commentary. Historical roots of this movement can be traced to European Symbolism and German Expressionism, but artists living and working in the Boston area from the 1930’s through the 1950’s, were particularly inspired by Chaim Soutine and Max Beckmann. Artists included; Aaron Fink, Bernard Chaet, David Aronson, Ernst Ludwig Kirchner, Hyman Bloom, Jack Levine, Jackson Pollock, Jason Berger, Karl Zerbe, Lawrence Kupferman, Michael Mazur, Sigmund Abeles and Willem de Kooning. He was included in the show 40 Years of Printmaking: From the Center Street Studio Archives, along other great figural artists Gabor Peterdi, John Walker, Lester Johnson and Nell Blaine. S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Nederlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Choate Rosemary Hall, Wallingford, CT Citizens Bank, Boston Coopers & Lybrand Danforth Museum, Framingham, MA Danish House of Parliament Davis Museum, Wellesley College, Wellesley, MA DeCordova Museum and Sculpture Park Lincoln, MA Farnsworth Museum, Maine Fidelity Investments, Boston Fogg Museum of Art, Harvard University, Cambridge, MA Fuller Museum of Art, Brockton, MA G.E. Corporation Goldman Sachs & Company IBM, New York Indianapolis Museum of Art Library of Congress Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York Museum of Contemporary Art, Chicago Museum of Fine Arts, Boston Museum of Modern Art, New York National Gallery of Art, Washington, DC New York Public Library Philadelphia Museum of Art Portland Museum of Art, Portland, Maine United States Department of State University of Massachusetts, Amherst Awards Residency, Anderson Ranch, Snowmass, CO, 1998, 1996 National Endowment for the Arts, 1987, 1982 Artist Fellowship, Massachusetts Council on the Arts and Humanities, 1984 American Academy in Rome, Prix de Rome – Alternate in Painting, 1979 Yale University, Ford Foundation Special Project Grant, Fall 1979 Skowhegan Scholarship Award, conferred by the Maryland Institute College of Art, Spring 1976 SELECTED GROUP EXHIBITIONS Contemporary Responses to Modernism: A New England Perspective, University of Southern Maine Color and Line: Expressive Tradition in Boston, Endicott College, Beverly, MA, Beautiful Decay, Danforth Art Museum, Framingham, MA MICA Then and Now, Ethan Cohen Gallery, Beacon, NY Bon Appetit, Concord Art Association Celebrating Ten Years, Galerie D’Avignon, Montreal, Canada New England Impressions: Exploring the Woodcut, Concord Art, Concord, MA Go Figure: The Figure in Contemporary Art – A Response to Art History, Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA Working Sources: The Painter and the Photographic Image, Alpha Gallery, Boston, MA The Unique Print: Six Innovative Approaches to the Monotype, Starr Gallery, Newton, MA Selections from Atelier Mourlot, Hankyu Department Store, Tokyo, Japan Yale Collects Yale, Yale University Art Gallery, New Haven, CT, 1993 70’s and 80’s: Printmaking Now, Museum of Fine Arts, Boston, MA, 1986-1987 Skowhegan Alumni, Leo Castelli Gallery, New York, and Portland Museum of Art, Portland, Maine, Public and Private: American Prints Today, Brooklyn Museum, Brooklyn, NY Contemporary Miami Collectors, Metropolitan Museum, Coral Gables, FL, 1984 The American Artist as Printmaker, Brooklyn Museum, Brooklyn, NY, 1983-84 Jon Abbott, Aaron Fink, Tom Lieber, Chris Wool...

Louis K. Stone (1902 - 1984) Two Figures, 1980 Mixed media on paper Sight 52 x 42 inches Signed and dated lower right Louis King Stone was born in Findlay, Ohio in 1902 and received...

'Mountain Landscape', oil on canvas, by Louise-Jeanne Cottard-Fossey (circa 1950s). A very idyllic, verdant scene depicted by this renown French fem...

Beautiful figurative oil on canvas of a woman seated in her boudoir by Monterey California-area artist Patricia Gillfillan (American, 1924-2016). Signed "Gillfillan" lower left. Unfr...

Wonderful Spanish landscape of a humble farm in Rota, Cadiz, Spain with horses, a cow with two herons, one of which is on cow's back by San Francisco artist John Sackas (American, 1910-2004), circa 1950s. Signed lower Left "Sackas" and verso Rota Farm House Cadiz" "John Sackas" . Verso has location, attribution and full artist's biography. Presented in gilt-toned carved wood frame. Image size: 14"H x 18"W. Born in New Jersey on May 22, 1910. John Sackas studied at the San Francisco Art Institute (1934), Chouinard Art School in Los Angeles, Corcoran Gallery of Art, and California School of Fine Arts, Jerry...

The Old French Town by Claude Marin (French 1914-2001) signed and dated 84 oil on artist card stuck on board, unframed board: 7.5 x 9.5 inches Provenance: private collection, Paris, ...

American cubist portrait painting of the American academic Michael Lerner, by the Modernist artist Michael Hurson (1941-2007). This whimsical portrait is painted in the cubist style ...

Signed figures in landscape oil on canvas circa 1980 by French modernist painter Andre Hambourg. This beautiful piece depicts families enjoying a day out at the seaside in the height...

#5-3350 Shoreline Landscape, oil on board displayed in a vintage gilt-wood frame, signed by Lorin .Image size 7 H x 9.50 W

This lovely portrait oil painting is by noted British artist Lionel Ellis. Painted in 1955 the painting is a self portrait of the artist on a beautiful chestnut horse in the foregrou...

Tom Perkinson Summer at the Harbor 1989 Large Acrylic Painting Canvas 50.5 x 40.5 inches Framed Size 55.5 x 45.5 inches Tom Perkinson was ...

Vivid mid century landscape of autumn trees blurring into colorful abstraction by Helen Gleiforst (American, 1903-1997). Presented in a giltwood frame. Image size: 10" H X 8" W. G...

A rich, painterly scene of the mission at San Juan Capistrano, California by listed artist Jane R. Hofstetter (American, 20th century). Signed "J. ...

Richard Saba Birthplace: Minneapolis, Minnesota, 1946 Education: Minneapolis College of Art & Design, B.F.A. 1968 Skowhegan School of Painting & Sculpture, 1967 University of Washington...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Rafael Duran Benet (1931-2015) - Park with lake - Oil on cardboard paid to canvas Oil measurements 50x65 cm. Frame measurements 66x81 cm. Rafael Duran Benet (Terrassa, 1931 - Barc...

Boats by the river Oil on cardboard, 47.5x80 cm The main focus of the artwork is a fauvistic stylized landscape featuring boats by the river. The artist's intention is to convey the landscape in bold and vivid earth tones, characteristic of the fauvist style. Biruta Baumane...