Small Abstract Paintings

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Hand signed on the rear, in excellent conditions.

Title: Stormy Coastal Lighthouse Scene with Crashing Waves and Dramatic Sky in Oil By Fanch Lel Signed: Yes Size: 15 x 18.25 inches (height x width) Oil painting on board, unframed C...

Title: Cornfield In Autumn Medium: Oil on canvas Size: 15.5 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Th...

Frank Shifreen Family 2 2021 18 x 24 inches Acrylic on Canvas Signed, titled and dated on verso These new works start from polar opposite impulses which juxtapose the purity and be...

"Nightfall" by Sophie Dumont is part of a daring artistic exploration, immersing the viewer in a mysterious realm where darkness becomes the canvas upon which inner light dances. Thi...

Abstract expressionist painting depicting a figurative girl in full party mode by Bay Area figurative artist Carol Bowie (American, 20th C). The figure is made up of multicolored ab...

Jodi Fuchs' abstract expressionistic artworks emanate undeniable energy and captivate the eye with their vibrant colors and dynamic brushstrokes. Influenced by the metaphysical aspec...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Unidentified/ Unknown Artist, "Untitled: Multicolored Mixed Media Abstract", Abstract Watercolor signed on Paper, 16.25 x 19, Late 20th Century, 1979 Colors: Orange, Yellow, Blue, ...

I used muted tones in this series, this combination of pastel colors have a wonderful effect on human emotions. Would this painting makes you feel happier in your room? P...

Oil painting on canvas Original art by Grigori Ivanov. Founder of art style "Svetizm" healing paintings with light and color. Ready to hang. Shipping from Belarus, Minsk.

A important American Impressionist painting by Isabella Howland (1895-1974), "Ocho Rios", Jamaica, 1940. Howland was active in both Boston & New York, this impressionistic painting d...

De Hirsh Margules (1899-1965). Christopher Street, 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15.5 x 20 inches. Window in matting measures 15 x 19 inches. Framed measurement: 23 x 30 inched. Bears fragment of original label affixed on verso. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC Exhibited: The American Federation of Arts Traveling Exhibition. From the facade of The Waverly at Christopher is depicted One Christopher Street, the 16-story Art Deco residential building erected in 1931. It is not a casual coincidence that the structure appears in this cityscape: 1 Christopher Street is the subject. The original intention of this project was to transform the neighborhood, bring a bit of affluence and make a bid to rival the Upper West Side. Margules, a sensitive aesthete, understood how a massive piece of architecture such as One changes a neighborhood. Sound, scale and focal points are forever altered. A pedestrian's sense of depth and distance becomes pronounced. All of these factors contribute to the intent behind this image. Tall buildings disrupt the human scale, change the skyline and carve up space. In this piece, negative space conforms to the man-made geometries. Clouds become gems fixed in settings. De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

Finely painted Antique American impressionist winter landscape painting. Oil on board. Framed. Image size, 11"L x 15"H.

This contemporary abstract expressive painting with vivid colors was created by the French artist Natalya Mougenot. It is part of her latest body of work—an evocative new collection ...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a double bunny on a turquoise blue gradient background with thick use of paint and diamon...

Oil on canvas. Framed. Signed lower right.

Abstract artist Paul Kirley crafts visual journeys that seamlessly intertwine individuals with their surroundings, evoking the ethereal nature of dreams. Blurring the boundaries betw...

Geometric Landscape mixed media on canvas 40x60 cm Original Art In Marilina Marchica's work, architecture takes on a symbolic value in relation to collapses and demolitions and i...

From The "Gen" Series DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such spe...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Sophie Dumont is a contemporary painter who explores the intersection between abstraction and landscape, blending energy and serenity. Her intuitive and subtle approach is inspired b...

"Abstract Composition" by Roger Herson (French 1922-2008) signed gouache and crayon on paper, unframed painting: 20 x 14 inches Superb original abstract painting by the very well listed French abstract and surrealist artist, Roger Herson (1922-2008). The painting is signed and has excellent provenance, having come from the artists estate in northern France. Roger Herson (1922-2008) was a French abstract, cubist and surrealist painter from Rouen, France. Influenced by Picasso, Braque and Léger, he infuses the canvas with a frenzied and tonic movement, a rigorous construction and a personal graphic power. Painter of woman, desire and fantasies, Herson draws his inspiration from the verve and surrealist movement inspired by Georgio de Chirico...

"Sea Breeze" is a delicate and soothing work by Sophie Dumont, created with oil on canvas using a palette knife Mesuring frame 22.44 x 22.44 inches. This painting captures the very essence of coastal tranquility, where the salty air and gentle breezes intertwine in a subtle and poetic seascape. The knife technique, expertly applied, gives the work a rich and dynamic texture while preserving the fluidity and lightness of the subject. The bluish and grayish tones blend harmoniously, evoking the softness of a changing sky over a peaceful sea...

Oil painting on canvas Original art by Grigori Ivanov. Founder of art style "Svetizm" healing paintings with light and color. Ready to hang. Shipping from Belarus, Minsk.

Abstract (57) John F. Leonard American (1921–1987) Date: 1977 Oil on Board, signed l.r. Size: 16 in. x 20 in. (40.64 cm x 50.8 cm) Frame Size: 18.5 x 22.5 inches

Jodi Miller captivates with her atmospheric landscapes, inspired by the vast skies of her prairie upbringing and her global travels in the Royal Canadian Air Force. Influenced by the...

Coral Reef Painting Underwater Textured Original Art * Materials: oil, stretched canvas, mixed media * Shipping: gallery standards packaging, express shipping with tracking number. ...

Felipe Orlando (Cuban-Mexican, 1911-2001). Coronel Retirado y su Amante Esposa, ca. 1970. Ink and gouache on paper with heavily built up layers of textured ground. Measures 13 1/4 x 18 3/8 inches. Signed lower left. Original label affixed on verso. Excellent condition. Unframed. An anthropologist as well as a painter and engraver, Orlando, whose full name was Felipe Orlando Garcia Murciano, studied at the University of Havana and at the painting workshop of Jorge Arche and Víctor Manuel. He was a founding member of the Asociación de Pintores y Escultores de Cuba (APEC) and a professor at the Universidad de las Américas and the Universidad Nacional Autónoma de México, both in Mexico City. His style is influenced by the Afro-Cuban movement and pre-columbian art...

Blue Shape is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2020. Original Oil Painting on Canvas. Hand-signed and dated by the artist on the lower left margin: G.L...

"Personage" Heavy Impasto Expressionist Portrait of Lady with a Hat Abstract expressionist portrait of a woman wearing a hat by California artist Harald "Harry" Dry Schmidt (America...

This painting by Lucien Durand is an original and part of my private collection since the 1970's.

Original oil paint on heavy archival paper abstract by the American artist, Martin Rosenthal. Bold, vibrant colors. Signed lower left by the artist and dated 1964. Condition is very...

Shizico Yi documented the early spring light in the sky over her garden, a welcoming sight after a long cold winter. “Sunshine Factory 2025 is a genuine and authentic piece of work ...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

Richard Andres American, 1927-2013 Untitled, c. 1984 acrylic and ink on paper mounted on canvas signed lower right 19 x 16 inches Richard Andres was born in Buffalo, New York in 192...

French cubist artist, circa 1950's signed oil painting on board, stuck on board board: 14 x 18 inches painting: 9.5 x 14 inches provenance: priva...

Vintage American school modernist street scene painting. Oil on canvas, circa 19990. Signed. Image size, 20L x 18H. Housed in a period frame.

Antique American modernist framed oil painting. Oil on board. No signature found. Framed. Image size, 13L x 12H.

Kimberly Blackstock’s vibrant abstract painting, "My Grandpa Was a Toy Salesman," is a joyous celebration of color, texture, and playful design, offering a sense of wonder and deligh...

A unique, abstracted portrait oil painting on stretched Belgian linen canvas, ready to hang. Framing options available on request.

It is very interesting to observe the cells that are formed in this technique. And the combination of white, pink and burgundy looks very noble. Note: This painting is painted on can...

5-3204a Black and white abstract set in a custom black frame

Abstract artist Paul Kirley creates visual experiences that connect people to place as though they were dreaming. Links between reality and contemporary abstraction are created as a ...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 15.5 x 20.5 inches condition: very good provenance:...

This original floral painting by Sally West showcases lush impasto roses and blossoms in a textured, abstract bouquet—ideal for collectors seeking expressive contemporary flower art with rich oil paint. Using her signature palette knife style, West builds each petal and leaf with thick, dynamic strokes, blending soft pastels with vibrant reds, blues, and greens. The composition feels both spontaneous and refined, offering a joyful and tactile celebration of nature in full bloom. What makes Sally West’s original oil paintings so recognizable is the combination of texture, abstraction, and calming colors. The movement of the paint strokes on canvas is reminiscent of a light breeze or waves. Each painting is completed in one day, with the date present in the title. West's pieces take at least eight weeks to completely dry. Once dry, the thick paint takes on an almost sculptural effect. Overall, West’s color palette is uniquely her own, conveying a very specific feeling of comfort associated with familiarity and softness. This one-of-a-kind 16 inches tall by 20 inches wide artwork is painted with thick, textural oil paint on canvas. It is wired and ready to hang. It is signed by the artist on the front lower right corner as well as the back. The sides of this artwork are painted, and it is ready to hang. Convenient local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping are available. A certificate of authenticity issued by Artplex Gallery is included. Sally West was born in West Wyalong, Central New South Wales. West grew up on a farm and, as a teenager, moved to Eastern Sydney for school. Throughout her life, she has traveled through and lived in both Europe and South East Asia to gain inspiration for her artwork. Although her international journeys have acted as an influence on her style, the subjects of her paintings are very close to home. The subjects of all of her paintings exist in an infinite timeline but only in the location of Eastern Australia. Since West’s first breakthrough solo exhibition in New York in 2011, her artworks have become highly sought after internationally. She has won and placed as a finalist in numerous worldwide art competitions and juried exhibitions throughout her career. Her artworks are exhibited in influential galleries across Australia and the USA. Artplex Gallery has been representing and exhibiting Sally West's original artworks since 2019. Artspace Warehouse, a partner gallery of Artplex Gallery, has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse and Artplex Gallery are known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artplex Gallery prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artplex Gallery, Los Angeles, USA SELECTED SOLO EXHIBITIONS 2021 Breeze, KAB Gallery, Crowne Plaza Hotel, Terrigal Sally West, Jag Gallery, Key West, Florida, USA 2020 PINK, KAB Gallery, Crowne Plaza Hotel, Terrigal 2019 Spring Colours – Sydney, Fellia Melas Gallery, Woollahra, Sydney Lizzie Beach, KAB Gallery, Terrigal 2018 Sally West, Art Images Gallery, Adelaide All Sorts, Fellia Melas Gallery, Woollahra, Sydney 2017 Surf & Snow, KAB Gallery, Crowne Plaza, Terrigal Figurative Focus, KAB Gallery, Crowne Plaza, Terrigal Around Town, Traffic Jam Galleries, Netural Bay 2016 Spring Sydney, Fellia Melas Gallery, Woollahra, Sydney Sally West, KAB Gallery, Crowne Plaza, Terrigal 2015 Sally West Plein...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

The canvas is a metaphor for life, where through the interweaving of our realisations and steps, we create our own unique pattern of life. Its beauty and complexity depends on our i...

The Still Life paintings created by Mel Davis are a masterful melange of bright colors and expressive, dynamic forms. The Montreal-born artist’s contemporary work is inspired by natu...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

This is a unique original acrylic painting on board in a fantasy cartoon style by Serg Graff Titled "Climber Saves Cow". It comes signed, dated, and with COA (Certificate of Authe...

3582B Cubic abstract Painting Set in a gilt wood frame

Jill Opelka Abstract III Oil on Canvas Year: 2023 Size: 20x20in Framed: 21x21x1.5in Signed by hand COA provided Ref.: 924802-2050 Tags: Abstract, Vibrant, Deep, Blue, Navy, Green, Orange, Pink *Framed in a black wooden frame ----------------- Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt...

This is an abstract collage / painting created from acrylic and found objects. It is framed in a wide, dark wooden frame with gold accents. It includes several manipulated historic photograph of figures in many guises, arranged as if on stage. It is signed and dated by the artist lower left. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements of 'real life' collaged and collapsed, as dreams are prone to do. If connections are made, all the better. I feel that life should remind us of our dreams." - Richard J. Watson Richard J. Watson is an icon in the Philadelphia art world. Much of his work relates to his experiences as a Black African American man. He is a graduate of Pennsylvania Academy of the Fine Arts (1968), has taught at his alma mater, and has served in the Exhibitions Department at the African American Museum in Philadelphia since the 1980s. He has been exhibiting his work for decades, and has an extensive bibliography. His work is held in the Petrucci Family Foundation Collection of African American Art; the Pennsylvania Academy of the Fine Arts; the Uniworld Corporation; Sony; the Federal Reserve Bank; the City of Philadelphia; Sprint; the Church of the Advocate; the poet Dr. Sonia Sanchez; and the Woodmere Museum...

Through his use of color, texture and brush stroke, Robert vibrates the viewer with these strong emotional ties that he so longs to connect with nature and the spirit of the all-enco...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed, inscribed verso dated 84 oil painting on canvas, unframed canvas size: 20 x 24 inches condition: ov...

What sets Nadira apart from her artistic peers, however, is the femininity of touch in her work. The Iraqi novelist, critic and artist, Jabra Ibrahim Jabra, wrote in 1983, ‘There is ...

The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...