Board Abstract Paintings
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Period: 20th Century
Medium: Board
"Begonias"
Located in Lambertville, NJ
Ashley John is proud to offer this artwork by:
Gershon Benjamin (1899 - 1985)
Gershon Benjamin is a painter of portraits, landscapes, still lives, and the urban scene. He had a pro...
Category
20th Century Abstract Board Abstract Paintings
Materials
Oil, Board
Mid-Century Modern Abstract Expressionist Still Life Oil Painting
Located in Buffalo, NY
An original mid century modern abstract expressionist painting by American artist Toma Yovanovich.
Toma Yovanovich (1931-2016)
Yovanovich was a painter/printmaker whose work i...
Category
1960s Abstract Expressionist Board Abstract Paintings
Materials
Illustration Board, Oil
Abstract
Located in Saratoga Springs, NY
Signed lower right and a double sided painting.
Category
Mid-20th Century Abstract Expressionist Board Abstract Paintings
Materials
Oil, Board
Vintage American Modernist Portrait Abstract Original Signed Painting
Located in Buffalo, NY
American school abstract painting. Oil on board circa 1990.
Category
1970s Abstract Expressionist Board Abstract Paintings
Materials
Board, Acrylic
'Fireflies', Art Institute of Chicago, San Francisco Art Association, Seattle
Located in Santa Cruz, CA
Signed upper right, 'Laisner' for George Laisner (American, 1914-1984), titled, verso, 'Fireflies', and painted circa 1955.
Born in Czechoslovakia, Laisner first studied at the Uni...
Category
1950s Abstract Board Abstract Paintings
Materials
Paint, Encaustic, Board
"Roman Bath" Series (2/3)
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
20th Century Abstract Impressionist Board Abstract Paintings
Materials
Oil, Board
Abstraction Pink
Located in Buffalo, NY
An original oil on linen mounted to board by American modern female artist Harriet Holden Nash. The piece will come with custom framing either black or natural wood based on the buy...
Category
1950s Abstract Expressionist Board Abstract Paintings
Materials
Linen, Oil, Board
French Pop Art Modernist Textured Painting Abstract With Stencilled Letters
Located in Surfside, FL
This is a mixed media abstract painting with string, plaster texture, stencilled letters in a bold typeface. Size includes frame.
James Coignard was b...
Category
20th Century Post-War Board Abstract Paintings
Materials
Jute, Oil, Mixed Media, Board
Bright Vibrant Pop Art Enamel Oil Painting Flowers NYC Abstract Expressionist
Located in Surfside, FL
Flowers in a Vase, intensely and seductively colored: almost in a Japonaise style. Swooning purples and reds, ecstatic lemon yellows, Jostling shapes, lyrical and soft-edged, refuse ...
Category
1990s Abstract Expressionist Board Abstract Paintings
Materials
Enamel
Guns, rifle and Shells Abstraction
Located in Miami, FL
An intriguing and complex composition composed of guns, rifles, ammo and a bullseye. Work is housed in a rustic Heydenryk frame.
Category
1940s Abstract Board Abstract Paintings
Materials
Gouache, Board
Acrylic Painting on Canvas and Board -- Story of the Birds
Located in Troy, NY
This acrylic on canvas painting has dramatic white and gray features. This makes it a minimalistic color and composition scheme. There are black, dripping pools of paint that are haz...
Category
1990s Abstract Expressionist Board Abstract Paintings
Materials
Canvas, Acrylic, Board
Railway Arches & Bridges Abstract Expressionist Art by Modern British Painter
Located in Preston, GB
Abstract Expressionist Painting inspired by the Railway Arches & Bridges of the Industrial North of England by Contemporary British Artist, Angela Wakefield. This original is a rare,...
Category
1990s Abstract Expressionist Board Abstract Paintings
Materials
Board, Wood, Gesso, Acrylic, Oil, Mixed Media, Varnish, Paint
Rare Collage Series, Pen Ink Acrylic Nails Feather by Artist Sunil Das "In Stock"
By Sunil Das
Located in Kolkata, West Bengal
Sunil Das - 9 x 14 inches (unframed size)
Rare Collage Series, Pen and Ink Plastic Feather Acrylic Foil on paper pasted on board
Inclusive of shipment in ready to hang form.
Sunil D...
Category
1990s Modern Board Abstract Paintings
Materials
Foil
Vintage American Modernist Abstract Original Signed Painting Red Orange
Located in Buffalo, NY
American school abstract painting. Oil on board circa 1990.
Category
1970s Abstract Expressionist Board Abstract Paintings
Materials
Acrylic, Board
Hitch
Located in Fort Washington, PA
Poster for Alfred Hitchcock
Unsigned
Category
1970s Board Abstract Paintings
Materials
Acrylic, Board
'Lady in Yellow and Blue', American Post Impressionist Woman Artist
By Dora Masters
Located in Santa Cruz, CA
Inscribed verso "Dora Masters" and painted circa 1960.
A large, Post-Impressionist figural oil of a young woman shown facing the viewer with her gaze averted and surrounded and over...
Category
1960s Post-Impressionist Board Abstract Paintings
Materials
Oil, Board
"Still Life with Bananas"
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
1930s Abstract Expressionist Board Abstract Paintings
Materials
Oil, Board
Harriet Nash, Gouache on board, Abstract Painting, Circa 1950, Green and Black
Located in Buffalo, NY
A mid-century gouache on board painting by American female artist Harriet Holden Nash depicting an abstract Matisse like floral composition in shades of green and black.
The board i...
Category
1950s Abstract Board Abstract Paintings
Materials
Oil, Board
"But Will It Match The Couch?, " Oil on Board signed by Gregory Steele
Located in Milwaukee, WI
"But Will It Match The Couch?" is a humorous oil painting on board by Gregory Steele. The artist signed the painting and the painting-within-the-painting in the lower left corner(s). This artwork depicts two elderly people looking at a giant abstract expressionist painting.
28" x 22" art
35 1/2" x 29 1/2" frame
TECHNIQUE:
From a tranquil northern lake to the scenic hills of southwestern Wisconsin to a rising storm over an Iowa farm...
Category
1990s Abstract Board Abstract Paintings
Materials
Oil, Board
Seated Figure
Located in Wilton Manors, FL
Beautiful figural abstraction by American artist, Alan Tompkins (1907-2007). Seated Figure, 1956. Oil on Devoe academy board measures 11 x 13 inches; 15....
Category
1950s Abstract Board Abstract Paintings
Materials
Board, Oil
Satyricon
By Richard R. Benda
Located in Long Island City, NY
Artist: Richard R. Benda (1934 - )
Title: Satyricon - Triptych
Year: circa 1970
Medium: Acrylic on Board, signed l.r.
Frame Size: 40 in. x 63 in. (101.6 cm x 160.02 cm)
Category
1970s Surrealist Board Abstract Paintings
Materials
Acrylic, Board
Ariadne, Abstract Acrylic Painting on Cardboard by Dorothy Zilka
By Dorothy Zilka
Located in Long Island City, NY
Artist: Dorothy Zilka, American
Title: Ariadne
Year: 1984
Medium: Acrylic on Cardboard, signed l.r.
Size: 12 x 48 inches (30.48 x 121.92 cm)
Frame Size: 19 x 54.5 inches
Category
1980s Abstract Expressionist Board Abstract Paintings
Materials
Acrylic, Cardboard
Albiero
Located in Dordrecht, NL
This work by Aurélie Nemours is unique.
Provenance: Galerie Schlégl, Zürich, where this work was exhibited in 2001.
Category
1980s Abstract Geometric Board Abstract Paintings
Materials
Cardboard, Acrylic
Bare Essence, Pop Art Acrylic Painting by Michael Knigin
Located in Long Island City, NY
Artist: Michael Knigin, American (1942 - 2011)
Title: Bare Essence
Year: 1995
Medium: Acrylic & enamel on linen, signed, titled and dated verso
Size: 27 x 36 inches
Category
1990s Pop Art Board Abstract Paintings
Materials
Canvas, Acrylic, Board
Modern Colorful Abstract Oil Painting
Located in Buffalo, NY
An original 1950's unsigned abstract. This whimsical bright work comes housed in a contemporary natural wood frame presentation which signs on the w...
Category
1950s Modern Board Abstract Paintings
Materials
Oil, Board
Albiero
Located in Dordrecht, NL
This work by Aurélie Nemours is unique.
Provenance: Galerie Schlégl, Zürich, where this work was exhibited in 2001.
Category
1980s Abstract Geometric Board Abstract Paintings
Materials
Acrylic, Cardboard
Expressionist Figure
Located in Buffalo, NY
A modern abstract expressionist oil painting signed illegibly and dated 1956.
Category
1950s Abstract Expressionist Board Abstract Paintings
Materials
Board, Oil
Interlocking Forms #3,
By Arthur Hoener
Located in Concord, MA
ARTHUR HOENER (born 1933)
Interlocking Forms #3, 1973
Acrylic on board
24 x 24 inches
Signed, titled, and dated on the reverse
Original wood frame
Arthur Hoener was born in Brooklyn, New York, in 1933. He studied graphic design at The Cooper Union, New York, and then received his bachelor and masters degrees at Yale University, where he studied with Josef Albers. He went on to teach at Boston University (where his students included the young Brice Marden, who has spoken in interviews about Hoener's influence); Massachusetts College of Art, where he ran the graphic design department; and also at Hampshire College, MA.
Hoener was involved with Timothy Leary...
Category
1970s Board Abstract Paintings
Materials
Acrylic, Board
Blue Still Life
Located in Wiscasset, ME
This vibrant work by noted 20th century American artist, Joel Durand, employs a bold palette and sophisticated approach in this dramatic and abstracted sti...
Category
1950s Modern Board Abstract Paintings
Materials
Board, Oil
“Woman in Black”
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
1960s Abstract Expressionist Board Abstract Paintings
Materials
Oil, Board
"Blue Fish"
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
1960s Abstract Expressionist Board Abstract Paintings
Materials
Oil, Board
'Geometric Abstract', New York, Gallery
Located in Santa Cruz, CA
Initialed lower right, "D.B.", signed verso, "Duane Bousfield" (American, born 1960) and inscribed "Unchartered Lesson".
Oil abstract comprised of fields of violet, teal, rust, and ochre overlapped by dynamic linear and geometric forms.
Duane Bousfield is a fifth-generation Californian living in New York City since 1995. In 2001 Duane accepted the directorship of Wally Findlay Gallery in East Hampton, NY, and continued working with the gallery on 57th Street, NYC, for more five years. Wanting to work with more contemporary art, Duane accepted a position as Senior Art Consultant at Franklin Bowles Gallery, in SoHo, NY, where he continues to help people build art collections for their homes and estates. During the years of art consulting, Duane has continued making his own art and exploring the relationship of meaning and abstraction.
Selected Solo Exhibits:
2009 Mud, Sweat & Tears New York, NY
2002-2005 The Duplex New York, NY
2000 Merican New York, NY
2000 Big Genius Art Williamsburg, NY
1999 & 2000 Pegasus New York, NY
1998 Town House Club Room New York, NY
1996 Esalen Institute visiting artist Big Sur, CA
1995 Esalen Institute visiting artist Big Sur, CA
1994 Center for Psychological Studies Albany, CA
1994 Citadel Gallery San Jose, CA
1992 Montgomery Theatre San Jose, CA
1992 Objectivity Gallery...
Category
Late 20th Century Abstract Board Abstract Paintings
Materials
Oil, Board
Fracture - Mixed Media on Panel by Marco Amici - 1990
By Marco Amici
Located in Roma, IT
Fracture is an original mixed media painting on panel, realized by the Italian artist Marco Amici in 1990.
Original Title: Frattura
Title, Signature, date and monograms are written...
Category
1990s Contemporary Board Abstract Paintings
Materials
Mixed Media, Oil, Board
Trace - Mixed Media on Panel by Marco Amici - 1980
By Marco Amici
Located in Roma, IT
Trace is an original mixed media painting on panel realized by the Italian artist Marco Amici in 1980.
Original Title: Traccia
Title, Signature, date and monograms are written by t...
Category
1980s Contemporary Board Abstract Paintings
Materials
Mixed Media, Oil, Board
Floating Shapes, Abstract Floral Oil Painting by Edward Marecak, Pink Black Blue
Located in Denver, CO
Original vintage 1985 abstract oil painting by Edward Marecak (1919-1993) with geometric imagery in colors of coral/pink, black, brown, green, blue, golden yellow, orange, purple and...
Category
20th Century Abstract Board Abstract Paintings
Materials
Oil, Board
Golden Gate Bridge
By Mary Hahn
Located in Soquel, CA
Abstracted and modernist painting of the Golden Gate Bridge by Mary Hahn (American, 20th century). Signed lower right. Presented in original bronze ...
Category
1970s Abstract Expressionist Board Abstract Paintings
Materials
Oil, Board
Albiero
Located in Dordrecht, NL
This work by Aurélie Nemours is unique.
Provenance: Galerie Schlégl, Zürich, where this work was exhibited in 2001.
Category
1980s Abstract Geometric Board Abstract Paintings
Materials
Acrylic, Cardboard
Abstract Still Life, Acrylic Painting on Board by Moshe Rosenthalis
Located in Long Island City, NY
Artist: Moshe Rosentalis, Lithuanian (1922 - 2008)
Title: Abstract Still Life
Year: 1991
Medium: Gouache on Board, signed and dated
Size: 27.5 x 20 inches
Category
1990s Modern Board Abstract Paintings
Materials
Acrylic, Board
Aria Original Abstract Brown Black oil painting on board Framed Rothko-style art
Located in Miami, FL
A tall vertical work on board, this Rothko- esque work is painted in yellows and browns with a red accent. It has a very emotive quality or a dream like effect. It is framed in a s...
Category
1980s Abstract Board Abstract Paintings
Materials
Acrylic, Board
"Centurion, " 1960s Modern Abstract Painting
By Stanley Bate
Located in Westport, CT
This vertical format abstract painting by Modernist artist Stanley Bate measures at 26" x 50" framed. The original gold-hued floater frame pulls out the vibrant and warm pops of yell...
Category
1960s Modern Board Abstract Paintings
Materials
Gold Leaf
Collage, 1958
Located in Wilton Manors, FL
Berto Lardera (1911-1989). Collage, 1958. Paper, cardboard, paint. 29 x 40.5 inches; 31.5 x 42 inches framed. Signed and dated lower right. Bears origina...
Category
1950s Abstract Expressionist Board Abstract Paintings
Materials
Paper, Tempera, Cardboard
Oil painting, Russian - soviet artist, Samochwalow (Samokhvalov)
Located in Berlin, DE
Oil painting, Russian, soviet artist, Samochwalow (Samokhvalov)
Oil on cardboard.
Signed (monogrammed) and dated.
Moscow gallery or exhibition sticker on the back.
Dimensions with ...
Category
20th Century Board Abstract Paintings
Materials
Oil, Cardboard
Alo Fugaz (Chair)
By Nora Quintero
Located in Troy, NY
This mixed-media painting uses oil sticks, pastels, and acrylics on cardboard paper to achieve an abstract piece that has other elements. Echoing the pastels, the colors are mostly i...
Category
1990s Abstract Board Abstract Paintings
Materials
Cardboard, Mixed Media
Three Masks, Mid Century Abstract
Located in Soquel, CA
Three masks abstract by Novak (American, 20th Century). Presented in a white wooden frame. Signed "Novak" lower right. Image: 28.5"H x 26"W.
Category
1950s Abstract Expressionist Board Abstract Paintings
Materials
Oil, Cardboard
"Positano Coast"
Located in Lambertville, NJ
Vaclav Vytlacil (Vas-lav Vit-la-chil) was born in New York City in 1892 to Czech parents, but was raised in Chicago. He was an artist since boyhood, becoming the youngest student to ...
Category
20th Century Abstract Board Abstract Paintings
Materials
Board, Oil
'Geometric Interior', New York ASL, California Watercolor Society, Oakland
By Jon Cornin
Located in Santa Cruz, CA
Signed lower right "Cornin," dated "LVII" for 1957, and titled verso "Uncial."
Jon Cornin first studied with Raphael Soyer at New York's Art Student's League and, subsequently, at the Grand Central School of Art. Using the pseudonym, CorKa, he and his wife, Zena Kavin produced cartoons for Saturday Evening Post and the New Yorker from 1941-1952. The Cornins moved to the San Francisco Bay area in 1940 and settled in Oakland. In addition to his career as a painter, Jon Cornin was also a noted teacher, respected theorist of Modernism and the author of 'Painter's Credo: Selected Notes' (Stone House Press, 1985). He exhibited widely and with success and was the recipient of numerous prizes, medals and juried awards.
Partial List of Exhibitions:
Museum of New Mexico, 1937-39; Oakland Art Gallery, 1939-45; San Francisco Museum of Art, 1938, 1940, 1945; California Watercolor...
Category
1950s Abstract Board Abstract Paintings
Materials
Oil, Board
Desert Colors Abstract
Located in Houston, TX
Striking abstract on board utilizing fiery colors by Berlin artist Michael S. Keifers, circa 1980. Signed lower left.
Archival plastic sleeve and Certifica...
Category
1980s Abstract Board Abstract Paintings
Materials
Acrylic, Board
'Forms in Blue & Gray', Bay Area Abstraction, San Francisco Museum of Fine Arts
Located in Santa Cruz, CA
Signed lower right, "Gilberg" for Robert Gilberg (American, 1911-1970) and dated 1954.
A substantial, mid-century gouache abstract comprising pendant geometric forms in pastel tone...
Category
1950s Abstract Board Abstract Paintings
Materials
Gouache, Board
"Lower Manhattan"
Located in Lambertville, NJ
Signed & dated 1940 lower left.
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the S...
Category
1940s Abstract Board Abstract Paintings
Materials
Board, Oil
No Title
By Pieter de Haard
Located in Dordrecht, NL
Pieter de Haard (Rotterdam 1914-2000)
Category
1940s Abstract Geometric Board Abstract Paintings
Materials
Tempera, Board
"Vineyard Fishing Boat"
Located in Lambertville, NJ
Signed and Dated Lower Right
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the ...
Category
1950s Abstract Board Abstract Paintings
Materials
Board, Oil
“Abstract Sailing, 1945”
Located in Southampton, NY
Oil on academy board by the Russian/American artist Nahum Tschacbasov. Signed and dated lower left, 1945. Condition: Excellent. Presently not framed.
Biography :
Russian-America...
Category
1940s Modern Board Abstract Paintings
Materials
Oil, Fiberboard
"Rough Seas"
Located in Lambertville, NJ
Signed and dated 1958 lower right.
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
1950s Abstract Expressionist Board Abstract Paintings
Materials
Board, Mixed Media
"After Work"
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork.
Signed lower right
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in C...
Category
20th Century Abstract Expressionist Board Abstract Paintings
Materials
Board, Oil
Abstract Expression in Black
Located in Soquel, CA
Abstract Velvety Black strokes he is known for by Julius Wasserstein (American, 1924-1985). Monogram initials "JW" bottom right. Intialed "JW" lower right corner and signed "Julius ...
Category
1960s Abstract Expressionist Board Abstract Paintings
Materials
Oil, Board
"Fish Cleaners"
Located in Lambertville, NJ
Signed & Dated LR (Highly exhibited)
The New York Times, Sunday October 30, 1949 by Howard Devree. "Both as teacher and as painter Vaclav Vytlacil has been a decided force in contem...
Category
20th Century Abstract Board Abstract Paintings
Materials
Oil, Board
Jagged Sea, 1960s Abstract Landscape Painting, Tones of Pink, Red, Orange
By Margo Hoff
Located in Denver, CO
Abstract acrylic on board painting by Margo Hoff (1910-2008) titled 'Jagged Sea'. Outer dimensions measure 37.5 x 41.5 x 2 inches. Image dimensions measure 36 x 40.25 x 1 inches.
Provenance: Estate of the artist
Painting is in good condition - please contact us for a detailed condition report.
About the Artist:
Born Oklahoma 1910
Died New York 2008
A prolific artist, Margo Hoff’s exquisite style evolved throughout her career yet was always rooted in the events, people, and places in her life. The human experience was her sole focus, expressed through her eyes alone. Born in 1910 in Tulsa, Oklahoma, Hoff began creating white, clay animals at a young age, giving them to her friends and family. At eleven she contracted typhoid fever and was bedridden for a summer. During her convalescence, she drew and made cutouts, and it was during this time that her bold, artistic imagination came alive. She began formal art training in high school and continued her education at the University of Oklahoma, Tulsa. In 1933 she moved to Chicago and attended the National Academy of Art and the School of the Art Institute of Chicago.
Between 1933 and 1960, her Chicago years, Hoff’s work was deeply rooted in a figurative, regionalist style. She often used elements of magical realism, and many of her paintings have dreamlike qualities. As a child she learned about color by grinding down rocks, plants, and berries. Her color pallet during the Chicago years is indicative of her early, life color experimentation as she consistently used warm, earth tones in her work. Hoff was a born adventurer and traveled extensively. She lived, worked, taught, and painted in Europe, Mexico, Lebanon, Uganda, Brazil, and China. She also showed at the Denver Art Museum’s Annual Western Exhibitions in 1952, 54, 56 and 57. In 1957 she showed along-side Colorado modernist Vance Kirkland at the Denver Art Museum’s exhibition, Man’s Conquest of Space.
What was once a focus on the representational, her work began to change after 1957 when she saw Sputnik in its orbit around Earth. At that moment, feet firmly placed on the ground, she was able to imagine herself in space, looking down from the cosmos, and what she saw was an abstracted world. She then had the opportunity to peer into an electron microscope where once again she was looking down into what seemed to be a realm of pure abstraction. These two events profoundly changed her perspective and she began to move from figural painting to abstract, geometric collage.
In 1960, Hoff moved to New York City and she began creating collages. Placing the canvas on the ground, and working from all sides, she used strips of painted paper and tissue, and later painted pieces of canvas, glued onto the canvas surface, building layer upon layer, shape against shape, “action of color next to stillness of color.” She believed these simplified, abstracted forms held the spirit of the subject in the same way poetry reduces words to their essence. These pieces range from aerial cityscapes, to dancers in motions, to flora...
Category
1960s Abstract Board Abstract Paintings
Materials
Acrylic, Board
"Figure Composition"
Located in Lambertville, NJ
Signed Lower Right
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
1940s Abstract Board Abstract Paintings
Materials
Board, Oil
Board abstract paintings for sale on 1stDibs.
Find a wide variety of authentic Board abstract paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, red, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Roberto Lucchetta, Kory Twaddle, Josep THARRATS, and Cindy Shaoul. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Board abstract paintings, so small editions measuring 0.1 inches across are also available
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