Mixed Media Abstract Paintings

Part of the history of Modern Art in India, this stunning painting is by noted seminal artist R B Bhaskaran. The artist’s work plays with the genre of ab...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Part of the history of Modern Art in India, this striking painting is by noted seminal artist R B Bhaskaran. The artist’s work plays with the genre of ab...

Juliette Gordon (American, b. 1934) Untitled (Love Potion), circa 1973 Collage on board 30 x 20 inches Provenance: Allan Stone Gallery, New York Sold wi...

Abstract Painting. Rich, vibrant colors. Ships rolled. About the Artist: Md Tokon has lived and worked in the United States for the last twenty years, where he had attended th...

It may be we shall touch the happy isles is an original artwork realized by Marco Amici in 2000. Mixed media. Hand-signed, dated and titled by the art...

"The Sun Merchant" is an abstract style painting by the French artist Maestro Simon Richard Halimi. Through his art, he has a very sharp and unique style of bright and colorful expre...

Artist Commentary: Blue State Red State is meant to address the intense political divisiveness we have been experiencing since the election of Donald Trump. ...

Madhu Basu - Magma Series - 25.75 x 21.25 inches (unframed size) Acrylic & Pigment on canvas ( Set of 2 works ) ( UNFRAMED ALL IN DOOR DELIVERED ) Vessels and pots being of ...

Tasha Jentel is an abstract sculptural painter with a deep love for minimalism and thick textures. Guided by her passion for exploring spatial tension, Jentel creates one-of-a-kind a...

Eggermont, Marjan (Contemporary Dutch Canadian), Big Seeds 2006, mixed media, patina and silkscreen painting on steel, 20 x 20 inches Hand signed...

It's Fall, Original Contemporary Abstract Expressionist Mixed Media Painting, 2020 10.125" x 8.125" (HxW) Acrylic & Oil Pastel on Deckled-Edge Paper Hand-signed and dated by the artist. A gestural and energetic work by Sunny Ray Hipple...

Famous Mexican collector Alvar Carrillo Gil, who donated his collection and a museum to Mexico, also was an experimental artist.

Abstract Expressionist cityscape of Old City of Jerusalem in moody blues and gold. Yitzhak Greenfield, painter, born 1932, Brooklyn, New York His fo...

This is a beautiful piece by Alexis Portilla. The rich inky greys, blues and blacks of this piece contrasts against the light and symbolism of vessels and pictographs. Vessels are a recurring theme in Portilla's work as symbolic of the potential for the ability to hold and receive. Dark City...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Part of the history of Modern Art in India, this striking painting is by noted seminal artist R B Bhaskaran. The artist’s work plays with the genre of ab...

Colorful and dynamic abstract composition by Ross H. Pollette, who also paints under the pseudonyms 'Max West' (American, b. 1948). Pollette has used oil, in...

'Untitled XIX' Framed Canvas Original Painting features a reptile in a bold, eccentric street art aesthetic saturated in vibrant tones of gold, pink, green, blue, yellow, purple, and red. Spray paint can in hand, Big Bear...

Madhu Basu - Magma Series - 25.75 x 21.25 inches (unframed size) Acrylic & Pigment on canvas ( Set of 2 works ) ( UNFRAMED ALL IN DOOR DELIVERED ) Vessels and pots being of ...

Madhu Basu - Magma Series - 25.75 x 21.25 inches (unframed size) Acrylic & Pigment on canvas ( Set of 2 works ) ( UNFRAMED ALL IN DOOR DELIVERED ) Vessels and pots being of...

Gold is a fascinating painting realized by the Italian artist Anna Maria Caboni in 2019. The artwork is a mixed media (spray varnish and gold foil on canvas). The artwork is hand-signed and hand-dated "AMC 19" by the artist in golden...

This is a beautiful piece by Alexis Portilla. The rich inky greys, blues and blacks of this piece contrasts against the light and symbolism of vessels and pictographs. Vessels are a recurring theme in Portilla's work as symbolic of the potential for the ability to hold and receive. Owl House...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

"The Marriage Proposal " is an abstract style painting by the French artist Maestro Simon Richard Halimi. Through his art, he has a very sharp and unique style of bright and colorful...

"My work is characterized by forms and lines. The relationship between background and figure is repeated persistently in each of my works. The figure, simple and almost always quadri...

Contemporary Mexican Art, Painting Los Sueños de Carbon, 2018 Graphite on canvas

Kevin Larmon, (American, b. 1955), 1985-1986, oil on canvas; hand signed, titled, and dated on the reverse Provenance: bear a Curt Marcos Gallery label verso This is one of a pair we are offering for sale Kevin Larmon (1955-) is an American artist and was assistant monitor of painting at Syracuse University. Kevin Larmon was born in Syracuse, New York in 1955. He grew up on a small horse farm. Larmon's mother was a school secretary while his father was a construction worker. He graduated from Binghamton University with a Bachelor of Fine Arts degree and moved to New York City as an undergraduate senior, where he finished his schooling at the New York Studio School. In the late 1970s, Larmon played guitar for Mudmen, a three piece band in the East Village of New York City with Craig Gillis playing bass, Mike Caffes playing drums, and percussionist Jill Burkhart. Mudmen played in venues such as CBGB, Danceteria, A7 (bar), Pyramid Club, Mudd Club, and The Limelight. Larmon started making still life paintings in 1979. He has also worked with atmospheric drawings and paintings since 1989, many of which are made on canvas or wood. In 2009, he began to paint his cell paintings. Larmon's paintings are built up through layers of collage and paint. Most famously, Larmon's work includes collages of gay male pornography that have been painted over with images that exist somewhere in between abstraction and form. These images are often anatomical. Conceptually, Larmon's work deals with issues such as the male body image and fascist culture. Similarly, Larmon's drawings on wood deal with ambiguously anatomical and abstracted forms. His work has been associated with the post-conceptualism and neo-conceptual art movements, which were prominent aspects of exhibitions at Gallery Nature Morte and with Tricia Collins and Richard Milazzo shaping the nature of painting after the rise of conceptual art. Larmon was also associated with Feature Inc., a gallery that was first established in Chicago in 1984. In August 1988, the gallery's director, known as Hudson, moved Feature Inc. to New York City. Larmon's first exhibition with Feature Inc. occurred in 1987 in Chicago, Illinois. Over the years, Hudson and Larmon would work together on many exhibitions. As a young artist, Larmon spent his Thursdays working to sustain Gallery Nature Morte together with the gallery owners, Alan Becher and Peter Nagy, when the gallery existed in New York City. Larmon was heavily influenced by his contemporaries at Gallery Nature Morte such as Robin Weglinski, Joel Otterson, and Steven Parrino. Other influential artists include Oliver Wasow, Robert Gober, Nancy Shaver, Carter Hodgkin, and Steven Wolfe. Larmon also drew inspiration from Rembrandt, Giorgio Morandi, Jackson Pollock, and Agnes Martin. During his time as a professor at Syracuse University, Larmon made an impact on many emerging artists including Deborah Roberts and Paul Weiner. Larmon participated in Aperto 86 at the 1986 Venice Biennale in Venice, Italy, where his paintings were exhibited at the Corderie at the Arsenal. From 1983–2013, Larmon was invited to exhibit in the Metropolitan Museum of Art, New York, New York; Feature Inc, New York, New York; Phoenix Art Museum, Phoenix, Arizona; the University Art Museum at the University of California, Berkeley; the Aldrich Contemporary Art Museum, Ridgefield, Connecticut; Weatherspoon Art Museum at the University of North Carolina, Chapel Hill, North Carolina; Visual Arts Museum, New York, New York; the Morris Museum, Morristown, New Jersey; Cleveland Center for Contemporary Art, now the Museum of Contemporary Art Cleveland, Cleveland, Ohio; Aspen Art Museum, Aspen, Colorado; Jersey City Museum, Jersey City, New Jersey; and the Carpenter Center for the Visual Arts at Harvard University, Cambridge, Massachusetts. In 2013, Larmon was included in a group show at the Leslie Sacks Gallery in Los Angeles, California alongside artists Christo, Jim Dine, Pablo Picasso, Chuck Close, Howard Hodgkin, Jasper Johns, Marino Marini, Henri Matisse, Karel Nel, Sam Francis, Helen Frankenthaler, David Hockney, Robert Rauschenberg, and Sebastião Salgado. Exhibitions curated by Tricia Collins and Richard Milazzo Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces took place at International with Monument in New York from March 28 – April 21, 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Andrew Masullo, Peter McCaffrey, Jan Mohlman, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Steven Parrino, Tyler Turkle, and Laurie Simmons. Natural Genre: From the Neutral Subject to the Hypothesis of World Objects took place at Florida State University Gallery & Museum in Tallahassee, Florida from Aug. 31-Sept. 30, 1984. Larmon was accompanied by artists Jane Bauman, Ericka Beckman, Alan Belcher, Gretchen Bender, Ross Bleckner, Tom Brazleton, Barry Bridgwood, Sarah Charlesworth, Carroll Dunham, Robert Garratt, Mark Innerst, Louise Lawler, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Steven Parrino, Louis Renzoni, Meyer Vaisman, Oliver Wasow, James Welling, David Wojnarowicz, Michael Zwack...

"My work is characterized by forms and lines. The relationship between background and figure is repeated persistently in each of my works. The figure, simple and almost always quadri...

Artist Commentary: Years ago while on a hunt for compositions to photograph, I came across a splattered wall. I was in an industrial area in northeast Los Angeles and driving through...

"Happiness with two suns" is an abstract style painting by the French artist Maestro Simon Richard Halimi. Through his art, he has a very sharp and unique style of bright and colorfu...

Parris Jaru's Brother's Keeper is a 30 x 30 inches oil painting. The main colors are yellow, blue and brown. The surface is defined by a thick impasto of paint, made with plant based...

This is a beautiful piece by Alexis Portilla. The rich inky greys and blacks of this piece contrasts against the symbolism of vessels and pictographs. Vessels are a recurring theme i...

Eggermont, Marjan (Contemporary Dutch Canadian), Ghost Island 2006, mixed media patina and silkscreen painting on steel, 20 x 20 inches Hand sign...

This artwork titled "Blue Hawaii" 1976 is an acrylic and collage on canvas by noted American artist Verna Brady, 1925-2008. It is signed at the lower right...

Fracture is an original mixed media painting on panel, realized by the Italian artist Marco Amici in 1990. Original Title: Frattura Title, Signature, date and monograms are writt...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the pe...

Dominique Mulhem was born in Neuilly-sur-Seine June 13, 1952. 1975: Training at the Ecole Nationale Superieure des Beaux-Arts in Paris. His painting refers to pop culture and art Ownership (art) by his inspiration. His technique was initially very pop art with the use of the bomb and stencils and more hyperrealistic with airbrushing to become a modern pointillism. It was the first multimedia artist inventing in 1979 the holopeinture where he mixed paint holography. He had to work in the early 70s on the different 3D rendering techniques. Beyond its highly representative form, his painting is primarily conceptual. The themes are the lives of people and things, without limit in treated subjects. All the work of Dominique Mulhem has the same theme : the concept of simultaneous vision. “The look from inside” as Pierre Restany said. INTERNATINALES EXHIBITIONS: GERMANY, CHINA, COLOMBIA, KOREA, DENMARK, EGYPT, SPAIN, UNITED STATES, GREECE, FRANCE, HUNGARY, ITALY, LUXEMBOURG, MONACO, RUSSIA, SWITZERLAND. Dominique retrospective MULHEM 1972-2009, City of Asnieres-sur-Seine, France. PRESENCE IN MUSEUMS : Museum of Holography, Paris, France. Hungarian National Museum, Budapest, Hungary. Museum of Holography, Washington, USA. Zamalek Museum and Arts Centre, Cairo, Egypt. PRESENCE IN INTERNATIONAL EXHIBITIONS Scarification : Dominique Mulhem develops a suite of amazing concepts, suite, analysis, updating, revisiting any of these terms is false but none are true, the most appropriate choice would be thinking. Thinking back on as thought to further examine refraction and reflection as to take another propagation velocity of the history of art. It shall submit the artwork to a movement infinite in space and time. In the 80’s Portraits of Artists planned painters and sculptors between past and future by offering a three-dimensional holograms vision. In the 90s his imaginary museum, Pierre Restany wrote: “Dream Creatures to a dream before painting it’s more!” In “I should say, because my eye has been unable to separate things, to erase this simultaneous vision, to separate the two elements “.In the 2000s Zones, timeless journeys in the words and sentences of Guillaume Apollinaire’s poem. Every decade Mulhem shares his world view. Today his scars challenge us on different characteristics of our society to the standardized culture object...

Four Score (Abstract painting) Mixed media on poly cotton - Unframed Michael Cusack is an Irish-born, Australia-based abstract painter. His work is painterly, emotive, dramatic, an...

Semi-abstract landscape. Mixed media with oil on canvas.

Rachel Cronin Rising Moon Original landscape painting Acrylic and mixed media on wooden panel Image Size: H 30 cm x W 30 cm x D 0.5 cm Framed Size: H 31.4 cm x W 31.4 cm x D 3 cm Sol...

Artist Commentary: This piece is an exploration of the concept of "the dark web". I envisioned a constant flow of binary numbers endlessly moving towards an u...

Mixed media on canvas

Part of the history of Modern Art in India, this fabulous, published work is by noted seminal artist R B Bhaskaran. The artist’s work plays with the gen...

"Tesserae" . 4 pieces Mosaic, Acrylic and mixed media on panel. Painting composed by 4 small format Abstrac landscapes Dimension art: Every item is 30 x 30 x 3 cm and the 4 pieces ...

This astonishing artwork is a paper flowers assemblage, put in a wood box framed and then mounted under a lenticular lense. Title Mirror 2012. The partic...

Len Klikunas paints minimalist artworks to modify experienced reality through visual perception. The Blocks series is a mix of art and architecture, hovering between painting and scu...

Gallery of the Universe. 2018, canvas, author technique, 200x200 cm Stars on black sky Agate Apkalne. Born in Riga, 1977 Education: 2005 – MA in arts,...

Mixed media on canvas. Mixture of acrylic and oil paint, and acrylic spray paint. Contemporary Wood Frame Excellent condition. signed

Carlos J. Tirado (born on April 3, 1964 in Caracas, Venezuela) is an artist, painter and sculptor who has developed a very personal and precise line of work linked to Neo-Pop art. Wi...

This is a beautiful piece by Alexis Portilla. The rich inky greys, blues and blacks of this piece contrasts against the light and symbolism of vessels and pictographs. Vessels are a recurring theme in Portilla's work as symbolic of the potential for the ability to hold and receive. Dark City...

Oil pastels, acrylic, wax pencil, graphite, watercolor and collage elements on paper framed to 39.5 X 31.5. sheet measures 30 X 22 inches. (no glass) Raimundo Figueroa...

"New Year's Postcard" created: 2021 by Vi Kalinski original painting Mixed media 33x24 cm Acrylic paint, crayons, pastels, acrylic ink, pens and spray pa...

Diane Whalley Nights on the Veranda Contemporary Abstract Painting Mixed Media on Canvas Canvas Size: H 60cm x W 60cm Framed Size: H 65cm x W 65cm x D 4cm Sold Framed in a White Box ...

Tree of Soul. 2020, oil on canvas, 150x150cm Tree on black background Agate Apkalne. Born in Riga, 1977 Education: 2005 – MA in arts, Art Academy of L...

Mixed media on canvas

Parris Jaru's Days of Delight is a 44 x 20 inches oil painting. The main color is aqua blue. The surface is defined by a thick impasto of paint, made with plant-based pigments that Jaru collects himself during his long exploratory trips through India. This painting is part of a new series that concentrates on using natural colors only, extracted from plants. Natural Indigo, Turmeric, Hibiscus, Beet Root, Rosemary Leaf, Aloe Extract, and Holi Powders to name a few, mixed with Babul Tree Resin. Though the overall composition is abstract, there is a perception of figuration. Parris was born in NY and grew up in St. Ann's Bay, Jamaica until he was ten years old. Partly Jamaican and Blackfoot Indian...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...