Paint Abstract Paintings

Mangata X continues Melisa Taylor Metzger’s exploration of light, structure, and materiality through her signature fusion of pyrography and airbrushed pigment. The work evokes the el...

Leigh Ann Van Fossan's "Little Shop on the Corner" (2023) is an original, handmade oil and acrylic abstract painting with bright colors. Van Fossan was born in Vail, Colorado, and...

The "Golden Canola Field" is an acrylic painting showcasing a vibrant yellow canola field in the foreground, set against a lush green forest in the background. Created using a combin...

Wave Theory is a painting from the collection "Wave Theory", was participated in the Swiss Art Expo 2021 in Zurich. It is a part of the science art collect...

Nicely painted mid century impressionist landscape with billowing clouds. Oil on canvas. Framed. Signed.

An emblematic example of Paul Jenkins mastery. It is not by hazard that Phenomena West Mantle was chosen as the cover of the catalogue for the groundbreaking exhibition "Paul Jenkins...

Title: Impressionist French Gouache of Sacré-Cœur Paris in Snow with Figures By Fanch Lel Signed: Yes Size: 15.75 x 11.75 inches (height x width) Gouache painting on board, unframed ...

PaperLandscape Oil Paint and collage on Cotton Canvas 50x50 cm 2020 Ready to hang certificate of authenticity included One of a kind, non-reproducible Marilina Marchica was born i...

Ali Enache is an American abstract painter based in Los Angeles, California. A Washington D.C. native and a graduate of University of Wisconsin-Madison, Ali Enache worked as a design...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art Deco shapes of the 30's, 40's and 50's. The subtle but chic color combinations will combine beautifully with both vintage and modern furniture without overtaking spaces that are carefully crafted by designers. Natalia Roman was born in 1984 in Girona, Spain. She has exhibited in galleries across Europe and her colorful, abstract paintings are part of private collections all over the world. Details: Title: Art Deco Beach...

Shape 16 (2019) by Ryan Park of Shapes Only Abstract geometric art, acrylic on 300gsm archival paper. Abstract shape innovated by the artist. Bright oran...

Elegant mid-century modern floral abstract in blues and earth tones with impasto paint application by unknown artist, Rawlins (American, 20th century)....

Beautiful collage painting by unknown artist. Acrylic on torn paper segments, reassembled as collage. Art object assempled on rectangular sheet of hand made rag paper measures 12.5...

Original oil on canvas painting titled “Multishore” by the well known American artist, Syd Solomon. Signed Syd Solomon lower right. Signed and dated Syd Solomon 1971 on the stretcher, inscribed as titled on the reverse 30 × 26 inches. Condition is excellent. The painting is housed in its original wood with silver reveal floating frame. Overall framed measurements are 32.75 by 28.75 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

"The dream that came true" is the first painting born in my new studio in the Colorado mountains... A song to the craggy spires and valleys of the mind. To the water that runs throu...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

Therese James steps away from her usual style and branches into an area of very loose almost abstract sea and landscapes .

Title: French Coastal Lighthouse Scene with Sailors and Yellow Boat in Bold Oil By Fanch Lel Size: 17.75 x 21.75 inches (height x width) Oil painting on board, unframed Condition: Th...

This exceptional oil on canvas by master Pop artist Roy Lichtenstein is an exceptional and unique example of his early pre-pop work. It is signed by the artist, upper right. After m...

"Annie Nobles Miller" Abstract Florida landscape oil on board painting Hand signed lower left Inscribed on verso St. Lucie County. Measures: Board 24"H x 30"W; Framed - 32"H x 38"W. Annie Miller was a member of the Indian River School of Painting, which was not a formal school but was a group of mostly African-American Florida working class people who wanted to paint. Following is the explanation of that school and its participants. Indian River School is a name applied to Floridian artists in the 1950's and 1960's. They were heavily influenced by nature. Most of the artists in this movement were African American. Their work is characterized by quick strokes and eschews traditional methods of paintings. The main influence for the group was a man named A.E. Backus, a Bohemian white man who mentored the group of young black artists. The group used to congregate in his studio and learnt to paint from 'Beanie' (as he was called) as a way out of their lower class labour jobs. Their work was powerful, dramatic yet captured the serenity and beauty of the Florida Although the exact count of artists mentored by A.E. Backus remains unknown, experts estimate it to be around 20 individuals, many of whom he supported through college. Albert Ernest "Beanie" Backus (1906–1990) was famous for his vivid, naturalist Florida landscapes capturing a fast-vanishing Florida wild lands. Backus would come to be seen as the seminal Florida landscape painter, and others who followed would emulate him. Primarily of the Indian River and Everglades areas of Florida. Backus was a Native Floridian artist of great importance recreating scenes of Florida's sky, rivers, ocean, back country, unpredictable weather, clouds, and birds. Born in Fort Pierce, FL to a family of talented boat designers and builders. His "Uncle" Reg Goodwin helped Backus as a young painter go to the Parsons School of Fine Art in New York in 1924. He was referred to as “Florida’s painter laureate,” and the “Dean of Florida’s landscape painters.”In addition to his influence on the Florida Highwaymen painters (Alfred Hair...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Clean and precise hand-painted stripes and blocks of color in yellow, orange, light blue and dark gray are warm and vibrant against the soft beige background. Signed, dated and title...

Tetsuo Mizu (1944) Landscape Executed in 1987 Oil on canvas 80.3 x 100 cm (39 3/8 x 31 1/2 in) Dated and Signed “1987 MIZU” (lower left) Signed, dated, an...

Young Woman By The Sea Cost Artist signed lower right, canvas 35hx39w Nicola Simbari was born in Italy and grow up in Rome. He studied at the Accademia di Belle Arti di Roma, and in ...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, h...

Artist/ School: Jill Jackson (British, contemporary) Title: The Country Lane Medium: oil on board, framed Framed: 17 x 22 inches Painting : 14 x 18 inches Provenance: all the pa...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Modernist Portrait signed and dated French School, mid 20th century oil on board, framed Framed: 29 x 25 inches Board: 22 x 18 inches Provenance: private collection, France Condition...

Four horses heading out to do their first mornings work from the yard in Newmarket. All quietly walking towards the bottom of the gallop as the sun is rising. A huge statement piece ...

"Trot", 12x36 is an oil painting on canvas by the artist Brooke Major. Depicted in white is a line of trotting horses. The artist uses layers and layers of white oil paint to meticul...

This is one of a series I did on unstretched canvas. It should be matted and framed. I don’t have any outside stimulus when starting. As in the case of this piece, I had no idea w...

Between Black and White - Original 1972 Oil on Paper Original black and white oil painting on paper by Louis Nadalini (American, 1927-1995). Black and white lines take up the paper...

Pierre Coquet – Abstract Composition Reference number A217 Framed with a natural oak floated frame 67 x 54 cm frame included (62 x 49 cm without frame) This work is painted with oil on a paper that is mounted on a board and placed in a made to measure wood strectcher. Stamp of the signature in the bottom right Pierre was very sensitive to abstract paintings. He did a lot of abstract works melting colors and shapes in different atmosphere and style. Nevertheless he could come back to figuration and again to abstraction with no precise period of time. Abstract paintings by Pierre Coquet represent a large part of his production. The constant search for balance between shapes and colors as well as his passion for Nicolas de Staël, André Lanskoy, Alfred Mannessier… takes him on different paths from what we know of him. His way of painting is strong and thoughtful, the lines stretch out and the harmonious touches, applied with sobriety, reveal a great sense of color. Provenance : Workshop of the artist (stamped and numbered on the back) Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin. He won a prize in 1945 and joined a movement that wanted to be outside of any school whose name ends with “ism”, (like impressionism, cubism…) between figuration and the renaissance of Abstract Art, bringing together young generations under thirty and eager not to submit to any technique. The “Sanzism” (literally without « ism ») will bring together, among others, painters: James Bansac, Roger Bravard, André Chaix, Jean Mélinand, Paul Clair, André Cottavoz, Pierre Doye, Jean Fusaro, Jacques Truphémus, André Lauran...

Peter Stephens Quadrivium 65, 2024 acrylic and collage on paper 30 x 22 in image size: 12 x 16½ in (ste025)

Impasto Oil Painting of River Tree Scene British Postwar & Contemporary Artist, Terry Evans Terry Evans is a British Postwar & Contemporary Painte...

one-of-a-kind painting on canvas XXL EXTRA Large size 140x180cm (145x187cm full size) the painting will be shipped rolled, without stretcher bars Collections: Vatican Museums, N...

The Morning After (Abstract painting) Acrylic on canvas — Unframed This artwork will be shipped rolled in a dent-resistant tube. This method is especially safe for large works, and ...

Hiroshi Sato's "Neighbor" (2024) is an original oil on canvas artwork, measuring 38 x 90 inches. "Neighbor" is sold unframed but is ready to hang. This unique artwork is perfect fo...

Barber Schaumann is a contemporary artist known for her vibrant, abstract interpretations of the female form. Her work combines bold colors with modern, geometric shapes, blending el...

Dream Big is an original oil painting, where colorful circles are inter-lapping on top of a grey color plane, surrounded by a black and grey landscape plain. The middle is a bright n...

Impressive early American modernist cityscape oil painting. Framed. Oil on canvas. Image size, 30H by 26L.

Amber Goldhammer's original artwork "You Are My Ray of Sunshine" is a vibrant original acrylic and mixed-media painting on canvas measuring 36" tall by 48" wide. This contemporary pa...

Original watercolor on paper. Hand signed on front; signed, titled and dated on verso by the artist. Additional images are available upon request. Certificate of Authenticity is inc...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you and you decide to follow. Artwork Details: Isabel Rock , 'Just another Day in Paradise', mixed media on best archival paper, 85cm x 140cm, unframed, 2022 In Rock's own words, 'It was just another day in Paradise for the Pink Poodle People of the Everlasting Fountain of Eternal Joy. Since every day was Paradise it was just another normal day filled with love, ecstasy and wonder. It started slowly at first, things began to appear in paradise, strange objects that the Pink Poodle People did not know what to do with. Some had sharp edges, others were so and smelt strange, bad strange. Some things glittered and shone. Every day more of these objects would arrive in Paradise. ' If this happens every day then soon Paradise will be full of these strange objects. Some of them are nice but many are bad and smelly. One day there will be no Paradise, only bad, sharp and smelly things.' But the Pink Poodle People did not know what to do with the objects and every day more arrived.' Artwork Provenance: from the Artist Studio A certificate of authentication comes from Gallery Art 1821 photo credits, Isabel working, black and white shots, James Brown About Isabel Rock and her work: Taking inspiration from Japanese woodblock prints and Indian miniature painting Rock has developed a unique collage technique that combines bold structures with large-scale woodblock prints and intricate detailing. The subject is a grand mixture of humour, drama, hidden morals, fanciful characters, modern culture, mythical beings and fantastical situations. Rock creates a world that pulls you in and demands your attention. Quality of line is paramount, the drawings are created using a dipping pen and acrylic ink. An essential tool is a squirrel...

Milly Ritsvedt’s lifelong exploration of the world of colour and its potential to express emotion in abstract form continued in the seventies. The celebrated contemporary artist crea...

The painting is permeated with memories of childhood and early dawns, the smell of grass, earth, sunlight, long walks and fresh coffee. A story about how to be free, light, brave. Be...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Artist: Voskan Galstian Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2011 Style: Abstract Art, Title: Unity Size: 48" x 60" x 1.5'' inch, (1...

Kathleen Keifer is a California-based, internationally collected artist. She is a leading force of the New California Realism. Kathleen brings a fresh, clean perspective to her color...

A peaceful early 20th-century landscape by J.M. Livens, signed and dated 1924 on the reverse. The painting depicts a wide meadow under soft afternoon light, bordered by trees and pun...

Artist/ School: French School, 1960's period Title: figurative group, with deep green color background. Medium: oil on canvas, unframed Canvas: 36.5 x 26 inches Provenance: pri...

Artist : Alex Senchenko ©2023 Title: Abstract 2320. 47" x 39" ( 120cm. x 100cm. ) Professional Gallery Canvas, Acrylic Paints Original Painting on...

Paper Landscape Oil and Collage on Canvas 116x89 cm 2024 PaperLandscape" by Marilina Marchica is a unique, original artwork (116x89 cm) created using a mixed media technique that c...

Douglas M. Olsen (b. 1960). #135, 1982. Watercolor on rag paper, 22 x 30 inches. Signed lower margin and on verso.

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Unframed size 40x40cm Crossing, Greenwich Village, New York cap...

Shape 19 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, geometric art, acrylic on 300gsm archival paper. Abstract shape innovated by the artist. Orange on white. Min...

Unknown artist, signed Payton 1970 Hawaii (Lower, Right) Untitled, 1970 Oil on Canvas 50" x 34" A wonderfully curious painting, whose untold history is something to marvel a...

Liquid Life N5, 2024 by Rosario Briones From the series “Liquid Life” Mixed technique (inks and acrylic paint) on 118gr Ahlstrom absorbent paper. Dimensions: 106 Height x 106 Width c...

An extra-large contemporary abstract that takes center stage! Inspired by natural rain drops I wrote this descriptive poem to share my inspiration: Its raining diamonds from above ...