Panel Abstract Paintings

Wind and Rain 28x20 Acrylic & Flashe paint on panel 2022. 1.75 deep so there is not nee for a frame This Houston based artist has been making art for most of her life. She was trained at SMU where she earned her BFA and MFA in painting. Her first art instructor was Roger Winter who was teaching a high school class at the Dallas Museum of Art. Charlotte Seifert...

This triptych evokes an ancient manuscript or perhaps a music score. Rich and vibrant hues of red, yellow and blue. Multidisciplinary artist Alice...

Milk and Honey (Abstract painting) Acrylic on paper mounted on wood panel - Unframed. "Matthew Langley's technique in creating the artworks come from bu...

Unearthed [2022] original Mixed media on wood panel Image size: H:67 cm x W:67 cm Complete Size of Unframed Work: H:51 cm x W:51 cm x D:2cm Frame Size: H:67 cm x W:67 cm x D:2.8cm Sold Framed Please note that insitu images are purely an indication of how a piece may look "Unearthed" is part of my Tapestry series of semi abstract paintings that explore the simplification of shape and texture in the places I have visited over the Summer months. Tapestry-like landscapes with bold colour blocks and a warming palette are evident as the seasons change. Muted shades of teal, chocolate and moss with undulating textural layers. Change always sparks new ideas. Tamara Williams...

This abstract impressionistic landscape painting by Ken Elliott depicts a forest of trees sitting in a blanket of snow, and a subtle sunset above the top of the forest. The thin tree...

Using his characteristic rich earthy palette, Otto Rogers has captured the subtle variations in light as it changes along a seashore. This piece has soft grays, rich brown, and black colours highlighted by a flash of royal blue and burnt orange. As one of Canada’s preeminent modernist artists, Rogers found inspiration in both his deep faith as a Baha’i and the beauty of nature so often reflected in his stunning work. This is acrylic and graphite on paper. “The purpose of art is to lift the human spirit.” Otto Rogers He acquired his MA in Fine Art from the University of Wisconsin and later taught at the University of Saskatchewan for almost 30 years. He also participated in the Emma Lake Workshops in BC which attracted some of North America’s finest artists. Rogers’ work is held in more than 30 public collections including: the Art Gallery of Ontario, the National Gallery of Canada, and the Museum of Fine Arts in Boston...

Sandra Cohen’s “lilies” is a 24 x 24 x 1 inch acrylic painting on cradled wood, in blue, green and yellow. Suspended flowers grow from a single stem in a ...

Alex McIntyre, Like Fiction, ink and gesso on birch panel, 100 x 150cm. Completed in March 2020, Like Fiction, has its roots in journeys on foot in the countryside during winter whil...

We Were Starlings by Louisa Longstaff-Scales [2021] Please note that insitu images are purely an indication of how a piece may look The moment after witnessing a murmuration of star...

acrylic on canvas, over concave wood panel Andy Moses is interested in pushing the physical properties of paint. Through chemical reactions, viscosity interference, and gravity dispersion, Moses creates elaborate compositions that mimic nature and its forces. DESERT LIGHT is a body of work that responds to the sense of infinite space that drifts in on California's ocean breezes and across the Southwest's vast, desert expanses. Light and space naturally elongate in these geographies and Moses channels this time warp through both material and process. Born in Los Angeles in 1962, Moses attended California Institute of the Arts...

"Mini Token" (2018) by Catherine Hart Acrylic, gouache, and graphite on wood panel; pink and purple palette with text Framing available COA included

William Shields Jr., 1925-2010 "Red Anchor" 1996 Oil on panel 48"x48" artist framed Unsigned "Red Anchor" by William Shields Jr. is a striking oil pain...

This work is from the Wonderment of Otherness series of paintings by New York City-based artist Christopher Stout, whose pronouns are he/him or inclusive they/them. Each work within the Wonderment of Otherness series is a sculptural monochrome painting and is part of the contemporary genre of art referred to as queer abstraction. A statement of practice regarding all of Christopher Stout’s work is that it intends to surround us with the notion of radical joy and a vision of queerness as found in our imaginations. But what do the term queer abstraction mean and represent? In the artist’s own words: “I would suggest that queer abstraction might be most easily defined as activist art about the queer experience that does not employ representation of the human figure. Queer abstraction, along with Black abstraction, feminist abstraction, and even Arte povera are examples of 4 distinct types of sociopolitical protest work birthed in the late 1960s and early 1970s, which primarily eschew the use of figuration. In providing additional context, art critic and curator Eric Sutphin theorizes that contemporary artists practicing queer abstraction, 'are in close dialogue with their forbears, and bring to the milieu of queer abstraction a new set of social, economic, and political concerns…including a series of questions: What is the relationship between queerness and formalism? Without explicit political references, how can abstract work transmit the urgency of its content?'” In returning the conversation to the Wonderment of Otherness paintings, each painting in this body of work has been designated as a 'quilt painting' because the central visual element and topography of the works are textile pieces of Belgian linen and cotton sewn together with wire in a manner akin to quilting. It should be noted that quilting here is not a reference to the AIDS quilt, but rather an extension of the tradition of quilting as a form of political art by marginalized people. These quilts are stretched on stacks of wooden panels, so that the works retain elements to suggest being textile pieces, and also elements of being sculptures, and also elements of being paintings. This is a reference to the nonbinary. An equally important concentration within these works is to express a linear relationship between queer abstraction and queer theory. Alongside each painting has been designated a notable academic text, biography, or resource book documenting a spectrum of queer ideas and experiences. Stout noted that, “Some of these books are longtime friends, and some of the more contemporary works were read as part of my research for these paintings.” Whilst these paintings are not designed to illustrate the work of these queer academics, they do hope to activate a through line, manifesting the shared goals within queer abstraction. This painting is titled, Wonderment of Otherness Quilt Painting 001, A Monument to the Work and Queer Personhood of José Esteban Muñoz (which is slightly longer than the 80 characters permitted in the online catalog) and is a monument to the work and Queer personhood of José Esteban Muñoz. Stout painted this piece after re-reading Muñoz’s text, “Cruising Utopia, The Then and There of Queer Futility.” A much-loved quote from this book: “Queerness is not yet here. Queerness is an ideality. Put another way, we are not yet queer. We may never touch queerness, but we can feel it as the warm illumination of a horizon imbued with potentiality. We have never been queer, yet queerness exists for us as an ideality that can be distilled from the past and used to imagine a future. The future is queerness’s domain. Queerness is a structuring and educated mode of desiring that allows us to see and feel beyond the quagmire of the present. The here and now is a prison house. We must strive, in the face of the here and now’s totalizing rendering of reality, to think and feel a then and there. Some will say that all we have are the pleasures of this moment, but we must never settle for that minimal transport; we must dream and enact new and better pleasures, other ways of being in the world, and ultimately new worlds, queerness is a longing that propels us onward, beyond romances for the negative and toiling in the present, queerness is that thing that lets us feel that this world is not enough, that indeed something is missing. Often we can glimpse the worlds proposed and promised by queerness in the realm of the aesthetic. The aesthetic, especially the queer aesthetic, frequently contains blueprints and schemata of a forward-dawning futurity. Both the ornamental and the quotidian can contain a map of the utopia that is Queerness.” ― José Esteban Muñoz ... Process: Stacked wooden panels, on which is stretched a quilt that I fashioned from Belgian linen and cotton fabric sewn together with wire. The finished work is a monochrome painted...

William Stephens Shields, Jr., 1925 - 2010 "Thursday Night Jazz" 1995 Oil on panel 48"x48" artist framed Signed lower right William Stephens Shields, Jr., 1925 - 2010 He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas. At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild. Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York. CV EDUCATION: Chicago Academy Of Fine Art San Antonio Art Institute MAJOR FIELDS OF PROFESSIONAL ENDEAVOR: Freelance graphic design and illustration Instructor of painting and illustration Landscape, figurative and abstract painting ART RELATED EMPLOYMENT: (Professor of Art) California College of Arts and Crafts, Oakland, CA Academy of Art College, San Francisco, CA San Francisco Art Institute San Jose State University AWARDS FOR ILLUSTRATION, Gold Medals: New York Society of Illustrators Los Angeles Society of Illustrators San Francisco Society of Illustrators Dallas-Fort Worth Art Director's Club Houston Artist's Guild BIBLIOGRAPHY: Feature articles in: American Artist, Communication Arts, Print, North Light. Architectural design featured in: Better Homes and Gardens, American Home, Sunset Magazine, Architectural Digest. ILLUSTRATION CLIENTS: Oil Companies: Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil...

The Sailor and the Albatross and The Colours in the Shadows are an original diptych of paintings by artist Louisa Longstaff Scales. The soft pa...

Oil on panel. Highly abstracted still life.

30 x 100 oil on linen over panel. Framed dimensions are 32H x 102W

“Hush” is part of my Tapestry series of semi abstract paintings that explore the simplification of shape, space, colour and texture in places I have visited. Some of these are specific to landscapes around my studio in Surrey, the South Downs and Devon but mostly they are a visual amalgamation of experiences, like a patchwork of memories and feelings from one or many places. Tapestry-like landscapes with bold mono-tone blocks which reflect the shadowy-shape of evergreen trees against more open hills and meadows. I see more when I’m not focused on the detail, painting intuitively with a mix of acrylics, inks, chalk and oil pastels to capture an emotive response to a place rather than the reality of a specific landscape. Brush strokes and marks are layered and carved with fluid lines that create imagined dream-like patterns. “Hush” is painted on a wood panel with muted shades of slate, moss, pebble and shell, contrasted with a bold graphic swathe of charcoal. Tamara Williams...

The Sailor and the Albatross is an original painting by artist Louisa Longstaff Scales. The soft pastel tones paired with the movement of brush...

William Stephens Shields, Jr., 1925 - 2010 "Dreamer's Forest" 1994 Oil on panel 48"x36" artist framed Signed lower right William Stephens Shields, Jr., 1925 - 2010 He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas. At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild. Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York. CV EDUCATION: Chicago Academy Of Fine Art San Antonio Art Institute MAJOR FIELDS OF PROFESSIONAL ENDEAVOR: Freelance graphic design and illustration Instructor of painting and illustration Landscape, figurative and abstract painting ART RELATED EMPLOYMENT: (Professor of Art) California College of Arts and Crafts, Oakland, CA Academy of Art College, San Francisco, CA San Francisco Art Institute San Jose State University AWARDS FOR ILLUSTRATION, Gold Medals: New York Society of Illustrators Los Angeles Society of Illustrators San Francisco Society of Illustrators Dallas-Fort Worth Art Director's Club Houston Artist's Guild BIBLIOGRAPHY: Feature articles in: American Artist, Communication Arts, Print, North Light. Architectural design featured in: Better Homes and Gardens, American Home, Sunset Magazine, Architectural Digest. ILLUSTRATION CLIENTS: Oil Companies: Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil and Refining Company. Industrial: Hughes Tool Company, General Electric, United States Steel, Phelps Dodge, Sylvania Television, Texas Gulf Sulphur, Litton Industries, Houston Lighting and Power Company...

Introducing a captivating post-war modern painting by German artist Ferdinand Spindel. In a stunning abstract composition, this piece features a harm...

Time Changes by Mary Scott [2022] Time Changes is an original work by Mary Scott. This painting is inspired by the deep sea, wide skies and changing weather here in Cornwall. Painted dominantly in blue and white, I wanted it to evoke that place between the sea and the weather, the elements in motion. Painted dominantly in shades of white and ‘Prussian blue’, it was created with many layers of oil, cold wax and fine rock powder with abstract expressionistic mark making resulting in a rich surface patina. The work will be framed in a dark blue tray...

No Taller Than Tomorrow’s Oceans by Louisa Longstaff-Scales [2021] Please note that insitu images are purely an indication of how a piece may look A p...

Beneath the Breastbone is an original miniature painting by Norfolk painter Louisa Longstaff Scales. This bright and lively seascape would be p...

Abstract painting in shades of light aqua evoking the swirling sea at tide’s turn. With a surface full of interesting texture and contrast. Seaweed and detritus on the beach is being...

The Colours in the Shadows is an original oil painting by artist Louisa Longstaff-Scales. The movement and colour palette of this artwork make for an atmospheric Norfolk landscape pa...

Meet Me by the Wall is an original painting by Mary Scott. This is an abstract painting in a minimal palette of cool turquoise, white and grey hues inspired by the seascape of the ha...

The painting 'Catching the Light' has been created over the last few months in response to the wild unpredictable weather in the UK particularly in the North of Scotland as the light is so beautiful and transient. I love to try and capture those moments in my paintings and have used oils to capture the feeling one gets when you are witnessing those moments. Elaine Fox...

Vibrant metallic silver and bright teal blue encaustic (pigmented beeswax) painting on birch panel accented with bright blue edges. Signed and titled on verso. Joanne Mattera’s pain...

David B Smith Gallery is proud to present What Is Time Stretching And When Would You Use It?, the gallery’s second solo exhibition with Chicago-based artist Cody Hudson...

Angela Lane’s three-dimensional abstract works are organic structures that synthesize distinct elements. The core of the work is the painter’s pursuit of ...

All That Matters by Mary Scott [2022] original Oil and Cold Wax on Wood Panel Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 ...

Abstract interior, with figures and bison. Oil on panel.

Jennifer Bricker-Pugh Signal 8 Acrylic on Panel Year: 2022 Size: 10x10x1.5in Signed, dated and inscribed by hand COA provided Ready to hang Ref.: 9248...

Fiddle-dee-dee, Original Contemporary Yellow Gold and Red Abstract Painting 30" x 22" x 1.5" (HxWxD) This abstract work by artist Denise Presnell brings a large dose of color and ab...

Bouquet, Original Contemporary Blue and White Abstract Square Painting 30" x 30" x 1.5" (HxWxD) This square-format abstract work by artist Denise Presnell has an energy and mystery ...

Jennifer Bricker-Pugh Folklore I Acrylic on Panel Year: 2022 Size: 14x14x1.5in Signed, dated and inscribed by hand COA provided Ready to hang Ref.: 924802-1075 Jennifer is an Abstra...

Abstract, interior, landscape, animals. Oil on panel.

2023 Acrylic on wood panel 12 x 12 in. (30.5 x 30.5 cm) Signed, titled, and dated on the reverse Framed

2023 Acrylic on wood panel 12 x 12 in. (30.5 x 30.5 cm) Signed, titled, and dated on the reverse Framed

2023 Acrylic on wood panel 12 x 12 in. (30.5 x 30.5 cm) Signed, titled, and dated on the reverse Framed

Acrylic paint on wood panel

Jennifer Bricker-Pugh Folklore II Acrylic on Panel Year: 2022 Size: 14x14x1.5in Signed, dated and inscribed by hand COA provided Ready to hang Ref.: 9...

Rectangles and squares, large and small, in orange, mauve, blue and more, dance across a light green ground in this vibrant acrylic painting by Burton Kramer. The title of the painti...

Coming up for air [2022] original Mixed media on wood panel Image size: H:67 cm x W:67 cm Complete Size of Unframed Work: H:51 cm x W:51 cm x D:2cm Frame Size: H:67 cm x W:67 cm x D:2.8cm Sold Framed Please note that insitu images are purely an indication of how a piece may look "Coming up for air" is part of my Tapestry series of semi abstract paintings that explore the simplification of shape and texture in the places I have visited as the seasons change. Tapestry-like landscapes with bold mono-tone blocks and a cooler palette are evident as Autumn changes to Winter. Layers of paint are carved to reveal complex textures and marks with underlaying warmer tones. Change always sparks new ideas. This painting is framed in a hand-painted St.Ives frame in white. Tamara Williams...

In BLUE CIRCLE QUILT, 1, Natalie Harrison deconstructs both the historically domestic crafts of molding and quilting and her own personal creative history to create a new work of collage. Shaping multicolored, leftover paint from her past work through a candy mold...

Denise Driscoll's "Interaction 3" is a 10 x 15 inch abstract triptych in exuberant matte violet, teal, and magenta with shiny metallic gold. Webs of color tumble and intersect in flo...

Jennifer Bricker-Pugh Amber Spill Acrylic on Panel Year: 2022 Size: 30x40x1.5in Signed, dated and inscribed by hand COA provided Ready to hang Ref.: 9...

Nuanced grays intersected by bright lines and dashes result in this emotive, nearly explosive, spatial investigation. Gravity Composition 07 (2022) by Kyle Butler. Acrylic, graphite,...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Purple Lavender background with thick use of pain...

Nuanced grays intersected by bright lines and dashes result in this emotive, nearly explosive, spatial investigation. Gravity Composition 02 (2022) by Kyle Butler. Acrylic, graphite,...

Denise Driscoll's "Inner:Outer 1" is a 12 x 12 inch abstract mixed media painting on paper mounted on panel in blues and browns. Walnut ink, wax resist, and acrylic paint with iridescent details create a multilayered image contemplating the similarities between microscopic and macroscopic points of view. The painting is wired to hang, signed and titled on the reverse. The sides are unfinished birch. Denise Driscoll is a Massachusetts-based contemporary painter exploring interconnection through meditative pattern. Her work has been shown throughout New England and is collected nationally. Driscoll is a core member at Fountain Street Gallery...

Collage assemblage created with paper on panel. Artwork priced unframed. Contact the gallery for framing options in Black, White and Natural Wood. BIO: Ray Beldner is a sculptor a...

Abstract interior. Oil on panel. 2022.

Abstract, interior / exterior figurative. colorful, abstract brushwork, loose perspective similar to Anselm Kiefer Oil on panel.

Orchard Fruit [2022] Please note that insitu images are purely an indication of how a piece may look Late Summer colours. A small painting which can be hung as part of a series or a...

Collage assemblage created with paper on panel. Artwork priced unframed. Contact the gallery for framing options in Black, White and Natural Wood. BIO: Ray Beldner...

Nuanced grays intersected by bright lines and dashes result in this emotive, nearly explosive, spatial investigation. Gravity Composition 04 (2022) by Kyle Butler. Acrylic, graphite,...