Paper Abstract Paintings

Stephanie Visser, a native of southwestern Michigan, was educated at Kendall College of Art and Design in Grand Rapids Michigan. She continued her education in fine arts and painting...

Stephanie Visser, a native of southwestern Michigan, was educated at Kendall College of Art and Design in Grand Rapids Michigan. She continued her education in fine arts and painting...

Louisiana non-figurative artist Ken Tate’s art explores the more emotional aspects of the human condition. The impetus for the current work comes from the writings of Beats such as Kerouac and Ginsberg, the writing and short stories of Jorge Borges...

Louisiana non-figurative artist Ken Tate’s art explores the more emotional aspects of the human condition. The impetus for the current work comes from the writings of Beats such as Kerouac and Ginsberg, the writing and short stories of Jorge Borges, the works of abstract expressionists Robert Motherwell, William de Kooning, John Chamberlain and David Smith, as well as the works of Robert Rauschenberg. Another influence is the art of cinema, especially in the framing and editing of film. But when Ken works in the studio, the art often has a “mind of its own”. Tate's paintings have been featured in magazines such as “House Beautiful”, “Traditional Home”, “Coastal Living” and “New Orleans House & Home”. His work is in private collections in New Orleans, New York, Los Angeles, Tulsa, Nashville, Houston and Jackson...

Vincent Dion's painterly abstractions mimic various printed techniques which reconcile and affirm the introspective presence of the hand. Dion’s use of luminous color becomes his essential means to ascertain form through memory. "I efficiently try to get to the point where no point exists." He has been featured in exhibitions at The Aldrich Museum, The Barnum Museum, Real Art Ways, The Art in Embassies program, and is currently featured in Volume 7 of the West Marin...

Polymer Paint on Tissue Paper on Canvas

A truly immaculate work done with Korean Rice Paper to create a wave-like pattern. Artist Lee Ok-nam folds Korean rice paper and meticulously forms intrica...

Painting on Canvas signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa Springs, Color...

Oil and pastel on paper - Unframed In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intui...

A substantial, semi-abstracted landscape in shades of turquoise, indigo and royal blue on an ochre and eggshell foundation with action-painting elements uniting a receding charcoal f...

Interdisciplinary abstract painter Ellen Hackl Fagan's focus is on developing a corresponding language between color and sound

. MoleculesofMusic encompasses the development of an ...

oil on paper In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in sun-drenched southern ...

Represented by George Billis Gallery, NYC & LA -- Steven Kinder talks a lot about energy, form and movement and getting at the essence of something. Getting to the middle of it....

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-it also suggests an appreciation of certain 'outsider' artists, as with her improvisational approach to composition. Like quilters of Gee Bend, John often begins a work with little idea of where it will take her pictorially. She might find a composition’s repeating pattern needs to be squeezed to fit within a pictures margins or detoured around a corner for completion as if the papers edge were merely a slight obstacle. In their unrestricted manner, the paintings have much more in common with childhood doodles, mindless of convention and heedless of expectations. that is not to say they are directionless. Guided by insight, they recall the paintings of visionary artists like Howard Finster or J.B Murray...

This abstract painting by Roger Mudre is made with acrylic paint on gesso paper. It features a cool palette, with wash layers of circular shapes that are overlapped over one another,...

Represented by George Billis Gallery, NYC & LA -- Steven Kinder talks a lot about energy, form and movement and getting at the essence of something. Getting to the middle of it. ...

Acrylic on paper. Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, har...

Abstract of shapes and lines etched into green acrylic and highlighted with hues of yellow, pink and orange by A. Vivent, 1993. Signed and date lower right. Original artwork on pape...

This pastel, ink, oil and gouache on paper, depicts a female figure looking back at us wearing a yellow lime green mask and cape. She's wearing a pink and black flower in her green ...

Interdisciplinary abstract painter Ellen Hackl Fagan's focus is on developing a corresponding language between color and sound

. MoleculesofMusic encompasses the development of a...

Acrylic on paper. Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, har...

Acrylic on paper. Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, har...

Acrylic on Arches paper

Modern acrylic abstract depicting a docked boat in cool hues by French artist Maillot, 2004. Signed lower right. Original artwork on paper displayed on a white mat with a gold bord...

Landscape mixed media on cotton canvas 100x110 cm 2021 Original Art Ready to hang Landscape is a series of artworks inspired by landscape and nature, nature and the passage change ...

In this new body of work, Kremer continues to explore and celebrate the physical experience of being, juggling eros, flora, fauna, and saga in abstract relationships that continue to...

Françoise Ben Arous is a French born artist. She has traveled worldwide, delving into different local traditional cultures. Her artistic approach is cross-cultural, filtering through...

Series : LE CHANT DU FLEUVE, Acrylic on Paper , Clément Denis investigates the barriers of communication, deploying plural works including mosaic and ...

Series : Winter Is Coming, Acrylic on Paper , Clément Denis investigates the barriers of communication, deploying plural works including mosaic and pa...

Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer...

Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer...

Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer Sonia Delaunay and Hilma af Klimt...

Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer...

Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement...

Landscape mixed media on cotton canvas 100x110 cm 2021 Landscape is a series of artworks inspired by landscape and nature, nature and the passage change over time, we change nature ...

"An Ultimate Delight" Artist: MA Bhatti Medium: Mixed Media on Paper Size: 19 x13

PaperLandscape oil and paper on cotton canvas 110X100 the painting is stretched out on a handcrafted wooden frame and is ready to hang it is shipped with a certificate of authenticit...

Work on paper, oil and collage. Unique, 1 of 1 piece. Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extraordinarily rich and complex body of work created during the last 30 years. His purpose is to pursue a direct, and, in each case, a different communication with the spectator. It can be said that Lalonde works as a team with himself, not only to develop his artwork, but also to sharpen his personal ideas about contemporary culture, trends... Lalonde is putting a lot of time, energy and thought into his new media and technology productive structure, where he can directly address his issues... His paintings, installations, photographs and web pages, are intended to function each in its own way, as an overt revision and critique of the contemporary art system, as they establish parallel dialogues between the artist, the public, and the curatorial values. "Lalonde, the painter" Cerj Lalonde works his painting with a conceptual approach, as an attempt to restate the validity of painting as a practice per-se. His abstract language ranges from lyric abstractionist pieces to many personal interpretations on art history masterpieces, as specific reflections upon geometric abstract paintings like Malevich´s black square series, or Albers study of color, among others. Lalonde holds many layers as an artist. His years of experience as a painter and thirst for art history and critique have helped him develop into a consciously literate artist. Formally, his domain of techniques ranges from drawing, printing, and primarily acrylic painting by means of a wild contrasting palette. But more than any type of formalism, Lalonde´s work is a strong statement about painting itself and how he approaches abstraction from a conceptual viewpoint. His paintings celebrate the power and meaning of color and texture, the imperative voice of contrast and stridence, and the million of possible solutions for a white canvas. I also see in his artwork a psychoanalytical interpretation of art, and a curiously unintentional approach to oriental philosophy appears throughout his multi sized body of work. In many of his canvas, the presence of the square has been integrated as an element of equilibrium and unity to the soul of the artwork itself. Lalonde is specifically interested in the qualities of painting as a media: “What Painting and only Painting can do”. Of all arts, painting is perhaps the most intimate and personal of art languages. It reaches the viewer at a last phase, in the gallery, or museum, or exhibition space. In the meanwhile, there is a time frame between the moment when the artist finishes his work and it gets shown. This space of time is silence. It can be said that the gap between the act of painting and its way out of the studio has had Lalonde wondering about other strategies of approaching the viewer, the critic, and to challenge the art world as a system. New media's and technology In his body of work related to the Internet, the use of language can be established as the first notable addition where the silent scream that comes from his paintings invades the screen and transforms it into words. We can feel the imperative urge to communicate. Lalonde addresses everyone and no one, and a certain/uncertain dialogue is established between him and the anonymous viewer/Web surfer/browser who reads it. Lalonde has produced multiple web sites. With this media, he has taken over a physical/nonphysical space to express his ideas about the act of seeing, of looking, and getting intoxicated by the gaze, by the sight, by the cognitive look, and the subjective one. Another interesting aspect is the inclusion of his images as an artist in several ways. For example, in SELF PORTRAIT AS A FAMOUS ARTIST he presents himself in all the archetypical attire of the romanticized representation of the artist. Lalonde has reverted all his irony and sarcasm as images that appear as brushstrokes on his Web sites. Another image that frequently appears is the sweet face of a very young woman, who looks at the browser with sweetness and nostalgia. As websites are build through layers, Lalonde has as well, constructed layers of impact, thought, and reflection, by means of the multiplicity of images that appear, ranging from his own paintings, installations, portraits, and text. He is interested in what defines art, who validates artwork, how artist’s success has a strong pull to media and critic dependency. Lalonde points out these issues as loud as a silent scream. Phrases such as the Dominance of Curatorial Ideology, Global Mono Cultural Art Discourse or Hegemony of the Global Curatorial Class are samples of titles that frame parts of his Web visual discourses. In his installations and performances such as THE NO SHOW, and WORKING TO BECOME RICH AND FAMOUS SO YOU CAN LOVE ME FOREVER, Lalonde discusses the notion of the self and identity, the artist as a social figure, and the severe critique of the contemporary art system, and society at large. He questions the validity and the ideology of the curatorial establishment, the marketing methods, and the issues of the self - as he queries the conventional paradigm of the artist. On his Web pages, Lalonde metamorphoses from an anonymous painter in his studio to a more public personae. His gaze looks at the viewer, his open mouth screams and questions the browser constantly, sometimes as an outsider and sometimes from the hypothetical voice of the viewer’s conscience. In SEEING, a photographic installation that can be considered as a milestone in his work, he presents a dark room that has many different sized eyes that are looking at the viewer. An interesting aspect of Lalonde’s digital work is the presence of a perpetual reflection that not only shows the act of seeing itself, but in a more profound way it presents the subconscious mind of the viewer. He inverts his role of an artist and establishes a dialogue with the unconscious of the spectator, both through his installations and digital art work...

Work on paper, oil and collage. Unique, 1 of 1 piece. Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extraordinarily rich and complex body of work created during the last 30 years. His purpose is to pursue a direct, and, in each case, a different communication with the spectator. It can be said that Lalonde works as a team with himself, not only to develop his artwork, but also to sharpen his personal ideas about contemporary culture, trends... Lalonde is putting a lot of time, energy and thought into his new media and technology productive structure, where he can directly address his issues... His paintings, installations, photographs and web pages, are intended to function each in its own way, as an overt revision and critique of the contemporary art system, as they establish parallel dialogues between the artist, the public, and the curatorial values. "Lalonde, the painter" Cerj Lalonde works his painting with a conceptual approach, as an attempt to restate the validity of painting as a practice per-se. His abstract language ranges from lyric abstractionist pieces to many personal interpretations on art history masterpieces, as specific reflections upon geometric abstract paintings like Malevich´s black square series, or Albers study of color, among others. Lalonde holds many layers as an artist. His years of experience as a painter and thirst for art history and critique have helped him develop into a consciously literate artist. Formally, his domain of techniques ranges from drawing, printing, and primarily acrylic painting by means of a wild contrasting palette. But more than any type of formalism, Lalonde´s work is a strong statement about painting itself and how he approaches abstraction from a conceptual viewpoint. His paintings celebrate the power and meaning of color and texture, the imperative voice of contrast and stridence, and the million of possible solutions for a white canvas. I also see in his artwork a psychoanalytical interpretation of art, and a curiously unintentional approach to oriental philosophy appears throughout his multi sized body of work. In many of his canvas, the presence of the square has been integrated as an element of equilibrium and unity to the soul of the artwork itself. Lalonde is specifically interested in the qualities of painting as a media: “What Painting and only Painting can do”. Of all arts, painting is perhaps the most intimate and personal of art languages. It reaches the viewer at a last phase, in the gallery, or museum, or exhibition space. In the meanwhile, there is a time frame between the moment when the artist finishes his work and it gets shown. This space of time is silence. It can be said that the gap between the act of painting and its way out of the studio has had Lalonde wondering about other strategies of approaching the viewer, the critic, and to challenge the art world as a system. New media's and technology In his body of work related to the Internet, the use of language can be established as the first notable addition where the silent scream that comes from his paintings invades the screen and transforms it into words. We can feel the imperative urge to communicate. Lalonde addresses everyone and no one, and a certain/uncertain dialogue is established between him and the anonymous viewer/Web surfer/browser who reads it. Lalonde has produced multiple web sites. With this media, he has taken over a physical/nonphysical space to express his ideas about the act of seeing, of looking, and getting intoxicated by the gaze, by the sight, by the cognitive look, and the subjective one. Another interesting aspect is the inclusion of his images as an artist in several ways. For example, in SELF PORTRAIT AS A FAMOUS ARTIST he presents himself in all the archetypical attire of the romanticized representation of the artist. Lalonde has reverted all his irony and sarcasm as images that appear as brushstrokes on his Web sites. Another image that frequently appears is the sweet face of a very young woman, who looks at the browser with sweetness and nostalgia. As websites are build through layers, Lalonde has as well, constructed layers of impact, thought, and reflection, by means of the multiplicity of images that appear, ranging from his own paintings, installations, portraits, and text. He is interested in what defines art, who validates artwork, how artist’s success has a strong pull to media and critic dependency. Lalonde points out these issues as loud as a silent scream. Phrases such as the Dominance of Curatorial Ideology, Global Mono Cultural Art Discourse or Hegemony of the Global Curatorial Class are samples of titles that frame parts of his Web visual discourses. In his installations and performances such as THE NO SHOW, and WORKING TO BECOME RICH AND FAMOUS SO YOU CAN LOVE ME FOREVER, Lalonde discusses the notion of the self and identity, the artist as a social figure, and the severe critique of the contemporary art system, and society at large. He questions the validity and the ideology of the curatorial establishment, the marketing methods, and the issues of the self - as he queries the conventional paradigm of the artist. On his Web pages, Lalonde metamorphoses from an anonymous painter in his studio to a more public personae. His gaze looks at the viewer, his open mouth screams and questions the browser constantly, sometimes as an outsider and sometimes from the hypothetical voice of the viewer’s conscience. In SEEING, a photographic installation that can be considered as a milestone in his work, he presents a dark room that has many different sized eyes that are looking at the viewer. An interesting aspect of Lalonde’s digital work is the presence of a perpetual reflection that not only shows the act of seeing itself, but in a more profound way it presents the subconscious mind of the viewer. He inverts his role of an artist and establishes a dialogue with the unconscious of the spectator, both through his installations and digital art work...

Work on paper, oil and collage. Unique, 1 of 1 piece. Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extra...

LEAH DURNER Seabright 1, 2011 Gouache on seabright Fabriano Tiziano colored paper 39 x 27-1/2 inches

My paintings refer to organic space and unfixed time. To call them landscapes would be misleading since they are poetic inventions of my imagination, and reference the world of natur...

The boat evokes a passage. The holding vessel and the deep waters symbolize our first crossing into birth and our last in the ship of death, "leading us back to the swaying, gliding ...

"Influence 9" is a 22 x 30 inch acrylic painting on paper in teal, yellow, red-violet, blue and indigo. A layer of iridescent dots form a bead-like surface that changes with the ligh...

Katherine Bello Title : Going Home Materials : mixed media on canvas Date : 2020 Dimensions : 36"x36"x1.5" Signed and Dated by Hand COA Provided Katherine Bel...

Sandi Neiman (b. 1959) Title: "Spring Fever" Size: 30" x 10" Medium: Mixed Media on Board Markings: Signed and Titled on Back Sandi Neiman is local to the Austin, TX area and has r...

LEAH DURNER Seabright 1, 2011 Gouache on seabright Fabriano Tiziano colored paper 39 x 27.5 inches

LEAH DURNER Seabright 3, 2015 Gouache on seabright Fabriano Tiziano colored paper 39 x 27.5 inches

Marlon Mullen Untitled acrylic on paper 23' x 30.5" 1997 signed

Acrylic and pasted paper on paper 21.6 x 17.8 cms (8 1/2 x 7 ins)

Artist : Kory Twaddle Title : Map from Home to Kaz's Gallery Materials : Oil, acrylic, charcoal, conté crayon, oil pastel, pastel, paper, marker, and mixed media on paper Date : 200...

Tiefeng Jiang Title: The Stone Forest Edition: 9/20 Super Low Edition! Medium: Serigraph on hand-made paper Measurement...

Emprunt 6% Souscrivez (War Loan 6% Subscribe) Signed "Raoul Dufy" (lower right) Gouache on paper This vibrant gouache on paper by the renowned Raoul Dufy is not only a work of exceptional artistry, but also represents an important period in world history. The piece was a special commission ordered by the French government, who sought to encourage the French people to join in the post-war reconstruction efforts. Following World War I, the French government was destitute. The cost of the Great War had been tremendous not only in lives lost, but also in terms of infrastructure and finances. In order to reclaim its place as a great power on the world stage, France needed funds to reconstruct its key industries, and quickly. Thus, the government turned to one of the most famous French artists of the day - Raoul Dufy - to create this gouache on paper as an advertisement for the country's war bonds. The extraordinary work represents Dufy's own sense of patriotic duty. Entirely unique in his oeuvre, it is clear that Dufy wished to create something truly special to help his war-torn country. The artist deftly captures the industry of France in the colorful composition, showcasing bridges, buildings, ships and other key elements of the country's infrastructure in order to evoke the viewers' pride, patriotism and willingness to help. The words Emprunt 6% Souscrivez (War Loan 6% Subscribe) are boldly written across the top, seeking subscribers to a 6% interest loan to help rebuild the country - a very healthy return for the age. The powerful painting represents one of the most effective and extensive patriotic campaigns of all time. France relied heavily on the willingness of its citizens to lend money...

Artist: Chryssa, Greek (1933 - 2013) Title: Color Chart for Chinatown Nighttime Year: 1977 Medium: Acrylic on Paper , signed and dated l.r. Size: 22 in. x 30 in. (55.88 cm x 76.2...

Seascape #6, 2014 Gouache on paper 9 x 12 inches

American artist Ron Blumberg was classically trained at La Grande Academie Chaumiere in Paris, 1932, before moving to New York where he became a National Academy artist and a member ...

American artist Ron Blumberg was classically trained at La Grande Academie Chaumiere in Paris, 1932, before moving to New York where he became a National Academy artist and a member ...