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Period: 20th Century
Medium: Plaster
'Abstract, Coral and Blue', Art Institute of Chicago, Illinois Design Institute
Located in Santa Cruz, CA
Signed lower right, 'Fink' for Ray Fink (American, 1922-1998) and painted circa 1985.
A substantial oil by this well-listed American Abstractionist who studied at the Art Institute ...
Category
Late 20th Century Abstract Plaster Abstract Paintings
Materials
Canvas, Plaster, Oil
Contour Detour No. 4 - colorful, abstract, pigmented plaster on board
Located in Bloomfield, ON
Yvonne Lammerich has used a dynamic pattern, bold colours and geometric form to create this visually stunning contemporary piece. The ‘building block ...
Category
1980s Abstract Plaster Abstract Paintings
Materials
Mixed Media, Plaster, Board, Pigment
"Astral Perspective" Mixed-Media Blue-Grey and Purple Abstract
Located in Pasadena, CA
This square-framed abstract artwork, textured with blue-grey and purple hues, features an illegible signature and is dated 1985 in the right co...
Category
Late 20th Century Abstract Plaster Abstract Paintings
Materials
Acrylic, Plaster, Plywood, Mixed Media
'Abstract', New York Art Students League, Boulder, Bay Area Woman Artist
Located in Santa Cruz, CA
Signed lower left, 'Wood' for Virginia Wood (American, 1938-2019), additionally signed, verso, and dated 1968.
Virginia Wood studied at the University of South Carolina and, subsequ...
Category
1960s Abstract Plaster Abstract Paintings
Materials
Canvas, Plaster, Oil, Acrylic
Modernist Dry Pigment Plaster Lacquer Abstract Geometric Painting Gregg Robinson
Located in Surfside, FL
Gregg Robinson, American (born 1948)
Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish.
Hand signed lower left and dated 1995.
Dimensions: 24 X 24 X 1.75 in.
GREGG ROBINSON
The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism.
I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself.
The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more.
SELECT CORPORATE COLLECTIONS:
Allstate Insurance
NBC Productions
Alaska Airlines...
Category
1990s Contemporary Plaster Abstract Paintings
Materials
Canvas, Plaster, Mixed Media, Oil, Board, Pigment
Modernist Dry Pigment Plaster Lacquer Abstract Geometric Painting Gregg Robinson
Located in Surfside, FL
Gregg Robinson, American (born 1948)
Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish.
Hand signed lower left and dated 1995.
Dimensions: 24 X 24 X 1.75 in.
GREGG ROBINSON
The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism.
I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself.
The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more.
SELECT CORPORATE COLLECTIONS:
Allstate Insurance
NBC Productions
Alaska Airlines...
Category
1990s Contemporary Plaster Abstract Paintings
Materials
Canvas, Mixed Media, Oil, Board, Plaster, Pigment
Modernist Cubist Moses on the Mount
Located in Surfside, FL
Painting with plaster and gilt details.
Attributed to Edgar levy. A modernist still-life painter whose style leaned towards Cubism, Edgar Levy had a studio...
Category
20th Century Modern Plaster Abstract Paintings
Materials
Gold Leaf
Abstract Expressionist Composition on an Orange Field - Oil on Canvas
By Peter Witwer
Located in Soquel, CA
Multi-Color Abstract Expressionist Textural Mid-Century Abstract by Peter Witwer
A bold mid-century abstract expressionist piece exploding with heavy texture and vivid color by San Francisco artist Peter Witwer (American, 1928-1968). Darker colors are layered atop each other, building up from white, yellow, and red through greens and blues into dark purple and black. The composition is surrounded by an orange field, creating a strong contrast.
Unsigned, but was acquired with a collection of Witwer pieces.
Displayed in a vintage wood frame.
Linen size: 30"H x 16"W
Framed size: 31.25"W x 17.25"W
Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Then to a San Francisco Collector and then to Robert Azensky fine Art
Born George Peter...
Category
1960s Abstract Expressionist Plaster Abstract Paintings
Materials
Linen, Plaster, Oil
Grey & Tan Abstract Expressionist Textural Mid-Century Abstract by Peter Witwer
By Peter Witwer
Located in Soquel, CA
Grey & Tan Abstract Expressionist Textural Mid-Century Abstract by Peter Witwer
Heavily textured, expressive composition by Peter Witwer (American, 1928-1968). Over the top of a heavy base layer of plaster, Witwer has added various layers of oil paint, creating a massive amount of depth and texture. Sections of red peek out from underneath various shades of tan, grey, and black. Spots of blue and purple are used sparingly, hidden in the composition.
Presented in a wood frame.
Canvas size: 20"H x 40"W
Frame size: 26.63"H x 46.63"W
Unsigned, but was acquired with a collection of the artist's work.
Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle.
Born George Peter...
Category
1960s Abstract Expressionist Plaster Abstract Paintings
Materials
Linen, Plaster, Oil
'Cloisonné Abstract', Large Post-Impressionist Oil, Aptos, California
Located in Santa Cruz, CA
Signed lower right, 'C. S. Sanchez' for Clyde Sanchez (American, 20th century), and painted circa 1975; additionally signed, verso, with artist location, 'Aptos, CA'.
A substantial,...
Category
1970s Abstract Plaster Abstract Paintings
Materials
Plaster, Masonite, Acrylic
Vintage Surrealist Composition - Precious Stones Abstract
Located in Soquel, CA
Highly detailed surrealist composition evoking tribal, abstracted carved stone-like shapes fitting together like a three dimensional sphere shaped puzzle, floating in a sky blue space by Clayton Anderson (American b. 1943). Textured plaster border around the edge of the piece. Signed "Clayton Anderson" along the upper left edge and on verso. Presented in a deep maple box frame.
Clayton Anderson (American, b. 1943) studied at the Pennsylvania Academy of the Fine Arts and worked with Ben Kimihira, Walter...
Category
1970s Surrealist Plaster Abstract Paintings
Materials
Plaster, Oil, Wood Panel
Huge French Contemporary Abstract Painting with Collage dated 1994, Signed
Located in Cirencester, Gloucestershire
Abstract Composition
by Gwen Roc'h (French, contemporary)
oil painting with collage applied, mixed media surface, on canvas
39.5 x 39.5 inches
signed & dated 1994 verso
Striking and...
Category
Late 20th Century Abstract Expressionist Plaster Abstract Paintings
Materials
Canvas, Plaster, Paper, House Paint, Oil
Surreal Landscape
Located in Washington, DC
A major work by Noche Crist (1909- 2004). Noche Crist was an American artist born in Romania. Painting is casein paint and plaster on board, which allows for wonderful color and text...
Category
1960s Outsider Art Plaster Abstract Paintings
Materials
Plaster, Wood, Casein
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Taghkanic Creek, May 14 (Modern Abstract Painting on Canvas in Green & Teal)
Located in Hudson, NY
Modern, abstract mixed media painting on canvas in shades of bright teal, turquoise, yellow, and green
40 x 30 inches
acrylic, pigmented plaster, wax on canvas
Ready to hang as is.
Vincent Pomilio is master when it comes to color composition. His abstractions on canvas and wood panel come to life with the most brilliant, yet unexpected color combinations. This mid century modern style abstract painting exemplifies Pomilio celebrated technique of combing vibrant shades of acrylic paint, pigmented plaster, and encaustic. The painting's complexity is made possible through the use of multiple layers of acrylic and plaster. Here the artist begins with an under-layer of teal acrylic paint and then sections off each cross hatching pattern in varying shades of pale yellow, purple, teal, green, and turquoise. Details of gestural splatters of green paint compliments the surface while a final coat of encaustic medium creates an elegant, matte finish. The sides of the abstract geometric painting are painted a dark royal blue, so no framing is necessary. The work is equipped with sturdy wire and is ready to hang.
About the artist:
Vincent Pomilio specializes in all painting media, canvas, paper and wooden panel. A visit to his studio in the bustling neighborhood of Manhattan’s Greenwich Village offers a unique insight into the artist’s process of his own art making. The right brain dominates here; skillful use of color, shape, line and scale are discovered via intuition, experimentation and quarter turns of the canvas. Pomilio has occupied this bohemian artist’s pad since his school days ended at New York University in 1978 and it is here that he continues to paint to this day. Abstractions of color explosions are harmoniously composed using a combination of acrylic, wax, pigmented plaster and marble dust to build up surfaces and introduce texture. “In the end, the challenge is to know when to stop,” says Pomilio. The result is a stunningly complex and layered composition of color that one could interpret as an aerial landscape view or motifs that resemble woven baskets. When it comes to abstractions, the artist rationalizes, “If you see it, it is there.” At one point in his career, Pomilio felt he was struggling to successfully produce small paintings using the scaled patterns that was common in his work. This prompted a new series - the Big-Little series – which encompasses a study of big images on a small scale. By introducing a degree of ‘minimalism’ he could explore color relationships while magnifying techniques used on larger canvases. The effect this project had on his work flow was one of renewed energy and confidence. He could complete a painting much quicker than with the larger canvases, allowing him to try various solutions and expel creative energy in a focused way. Earlier this year, he completed the 100th 12 x 12 inch painting in the series. This exhibit will feature #100 (as well as #99 and #98), highlighting other selections from this series in addition to select medium and larger paintings on canvas.
Vincent Pomilio is represented by the seller based in Hudson, NY.
EDUCATION
1973 Kutztown State University, Kutztown, PA, BFA - Painting
1976 New York University, NY, Graduate Studies - Painting
1976 TylerSchool of Art, Elkins Park, PA, Graduate Studies - Paint
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Presented in a wood frame.
Canvas size: 20"H x 40"W
Frame size: 26.63"H x 46.63"W
Unsigned, but was acquired with a collection of the artist's work.
Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle.
Born George Peter...
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1960s Abstract Expressionist Plaster Abstract Paintings
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Framed size: 36.5"H x 34.5"W x 1.5"D.
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Plaster abstract paintings for sale on 1stDibs.
Find a wide variety of authentic Plaster abstract paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Vincent Pomilio, Kati Vilim, Gilbert Pauli, and Audra Weaser. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Plaster abstract paintings, so small editions measuring 0.1 inches across are also available
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