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Medium: Wood Panel
"Hieroglyphics 1 & 2" Abstract Diptych Painting - each canvas is 12"x12".
By Sofie Swann
Located in Westport, CT
This abstract diptych (set of two paintings) by Sofie Swann features a warm neutral palette, with light brown circular shapes layered in black organic encompassing shapes, over a bei...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Acrylic, Wood Panel, Tea
PENTAGON, mixed media on Wood
Located in Montreux, CH
Karen Shahverdyan „Pentagon“ 80 X 80cm, mix on wood
Category
Early 2000s Contemporary Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Untitled 160
Located in Park City, UT
Photography has been a huge passion since my youth, however the evolution of digital photography created a void in regards to the precision and tactility of film photography. In 2002...
Category
2010s Wood Panel Abstract Paintings
Materials
Acrylic, Wood Panel
Tacubaya 3
Located in Mexico City, MX
These series of paintings are the result of Javier Hinojosa's ongoing research around Modern Architecture in Mexico. Specifically the Tacubaya series are sketches drawn from memory o...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Enamel
Vapour II
Located in Montreal, Quebec
Christine Nobel’s dabs & systems explores the connections, similarities and differences between the handmade and the digital. Taken from the foundation of the artist’s practice of ex...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Mixed Media, Encaustic, Acrylic, Wood Panel
System IV
Located in Montreal, Quebec
Christine Nobel’s dabs & systems explores the connections, similarities and differences between the handmade and the digital. Taken from the foundation of the artist’s practice of ex...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Mixed Media, Oil, Acrylic, Wood Panel
System I
Located in Montreal, Quebec
Christine Nobel’s dabs & systems explores the connections, similarities and differences between the handmade and the digital. Taken from the foundation of the artist’s practice of ex...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Mixed Media, Oil, Acrylic, Wood Panel
Scream
By Judith Berry
Located in Montreal, Quebec
The themes visited in this show stem from a desire to extend the vocabulary of my painting while forming a metaphor for the chaos of contemporary life.
The title, Escalade, has differing and complimentary functions in English and French. Continuing to paint, over a lengthening career, the medium poses more questions than answers. The title is a reference to my attempt to overcome these difficulties through the expansion of my painting language. The title also refers to the escalation of crises in the world at large. It is the larger picture in which I am a small person trying to make my way.
In a concrete sense, the title also refers to a strategy I have taken in a number of these paintings. That is, to re-examine very small paintings...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
$1,200
Painting #3
Located in Santa Monica, CA
Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Acrylic, Wood Panel, Pigment
$11,500
The Talking Hills
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Curtain
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Straining to Hear
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Outskirts
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Vomiting Figure
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Ropes, Fire and Trees
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Mesmerized
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Talking to Ourselves
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
New notes
Located in Montreal, Quebec
Christine Nobel’s paintings in Between the Notes share a faithfulness to a soft colour palette of sky blues, mauves, peaches, roses and whites, reminiscent of a pastel-coloured youth...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Soft Break
Located in Montreal, Quebec
Christine Nobel’s paintings in Between the Notes share a faithfulness to a soft colour palette of sky blues, mauves, peaches, roses and whites, reminiscent of a pastel-coloured youth...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
As listening I
Located in Montreal, Quebec
Christine Nobel’s paintings in Between the Notes share a faithfulness to a soft colour palette of sky blues, mauves, peaches, roses and whites, reminiscent of a pastel-coloured youth...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
As listening II
Located in Montreal, Quebec
Christine Nobel’s paintings in Between the Notes share a faithfulness to a soft colour palette of sky blues, mauves, peaches, roses and whites, reminiscent of a pastel-coloured youth...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Breaks in the light
Located in Montreal, Quebec
In Christine’s work, precise grid systems give both order and fluidity. Evoking a vast plane of vision and possibility, the field of horizontal and vertical lines are a foundation fo...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Night vision
Located in Montreal, Quebec
In Christine’s work, precise grid systems give both order and fluidity. Evoking a vast plane of vision and possibility, the field of horizontal and vertical lines are a foundation fo...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Swaying notes
Located in Montreal, Quebec
In Christine’s work, precise grid systems give both order and fluidity. Evoking a vast plane of vision and possibility, the field of horizontal and vertical lines are a foundation fo...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Near and Far
By Adam Gunn
Located in Montreal, Quebec
My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...
Category
2010s Contemporary Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Counterintuitive
By Adam Gunn
Located in Montreal, Quebec
My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...
Category
2010s Contemporary Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Bottle Garden
By Adam Gunn
Located in Montreal, Quebec
My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...
Category
2010s Contemporary Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Abstract ropes
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Episode
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Mismatch
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Black and White Discs on Green
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Infiltration
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Stick Excursion
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Insomnia
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Celebration
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
All, Always, Forever, Never and Only
By Adam Gunn
Located in Montreal, Quebec
“Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” – Immanuel Kant
A recent online story in the German news outlet Deustche Welle post...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Star Gazing Through the Wrong End of the Telescope
By Adam Gunn
Located in Montreal, Quebec
“Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” – Immanuel Kant
A recent online story in the German news outlet Deustche Welle post...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
The Twisted Tongue Tied Truth
By Adam Gunn
Located in Montreal, Quebec
Messages in a Bottle
Text by Cameron Skene
“Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” - Immanuel Kant
A recent online story i...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Kicking Things Up
By Adam Gunn
Located in Montreal, Quebec
Messages in a Bottle
Text by Cameron Skene
“Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” - Immanuel Kant
A recent online story i...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
One Damn Thing After Another
By Adam Gunn
Located in Montreal, Quebec
Messages in a Bottle
Text by Cameron Skene
“Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” - Immanuel Kant
A recent online story i...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
It’s So Quiet You Can Hear Them Breathing
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception.
Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated.
The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Beyond Recall
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Our Own Faults, Our Own Failures
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Where These Ways Crossed One Another
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception.
Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated.
The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Where These Ways Crossed One Another
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception.
Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated.
The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Break
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
Deep Down
By Adam Gunn
Located in Montreal, Quebec
My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Oil, Wood Panel
$1,200
Cosmic - 21st Century, Abstract Art, Cement on Wood, Earth Tones
Located in Barcelona, Catalonia
"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...
Category
21st Century and Contemporary Abstract Geometric Wood Panel Abstract Paintings
Materials
Concrete
Iniciar - 21st Century, Abstract Art, Cement on Wood, Earth Tones
Located in Barcelona, Catalonia
"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...
Category
21st Century and Contemporary Abstract Geometric Wood Panel Abstract Paintings
Materials
Concrete
Temprança - 21st Century, Abstract Art, Cement on Wood, Earth Tones
Located in Barcelona, Catalonia
"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...
Category
21st Century and Contemporary Abstract Geometric Wood Panel Abstract Paintings
Materials
Concrete
Raons - 21st Century, Abstract Art, Cement on Wood, Earth Tones
Located in Barcelona, Catalonia
"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...
Category
21st Century and Contemporary Abstract Geometric Wood Panel Abstract Paintings
Materials
Concrete
Mediacions - 21st Century, Abstract Art, Cement on Wood, Earth Tones
Located in Barcelona, Catalonia
"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...
Category
21st Century and Contemporary Abstract Geometric Wood Panel Abstract Paintings
Materials
Concrete
Untitled
Located in Fairfield, CT
Miesmer began painting in the open air during the summers in Nantucket. Using a pad of Arches paper as an easel and working out of the back of his pickup truck, the quietude and pea...
Category
21st Century and Contemporary Abstract Expressionist Wood Panel Abstract Paintings
Materials
Acrylic, Wood Panel
Woman on Water
Located in Fairfield, CT
Miesmer began painting in the open air during the summers in Nantucket. Using a pad of Arches paper as an easel and working out of the back of his pickup truck, the quietude and pea...
Category
21st Century and Contemporary Abstract Wood Panel Abstract Paintings
Materials
Acrylic, Wood Panel
Morning Glory
Located in West Hollywood, CA
In Haleh Mashian's painting, the observer encounters an array of textures skillfully interwoven by the artist to portray the essence of a yellow rose. Mashian employs a diverse range of techniques, expertly melding them to craft a composition that captures the delicate beauty of the flower.
Morning Glory...
Category
2010s Contemporary Wood Panel Abstract Paintings
Materials
Acrylic, Other Medium, Wood Panel
Pink Flush
Located in West Hollywood, CA
Pink Flush is an elegant, large pink rose with splashes of purple and white. This 60" x 60" piece comes to life and brings the beauty of nature directly into an interior space. As part of the Rose Series, this piece was featured in the Visual-O show at Mash Gallery...
Category
2010s Contemporary Wood Panel Abstract Paintings
Materials
Acrylic, Other Medium, Wood Panel
Rocking Horse
Located in Fort Lauderdale, FL
Rocking Horse is a bold and emotionally charged work by emerging contemporary artist Griff Cowan. Known for his vivid color palette and expressive brushwork, Cowan creates dynamic co...
Category
2010s Contemporary Wood Panel Abstract Paintings
Materials
Mixed Media, Acrylic, Wood Panel
Price Upon Request
We Can Be Strong, by Melanie Yazzie, Navajo, woman, painting, brown, red, blue
Located in Santa Fe, NM
We Can Be Strong, by Melanie Yazzie, Navajo, woman, painting, brown, red, blue
MELANIE YAZZIE, who has been represented by Glenn Green Galleries since 1994, is talented as a sculpto...
Category
2010s Contemporary Wood Panel Abstract Paintings
Materials
Wood Panel, Acrylic
"Yellow Moon"
By Quim Bové
Located in Scottsdale, AZ
Quim Bové is a Catalan artist known for his symbolic, abstract paintings executed through his dynamic brush strokes that are reflected across his collections. Much of Quim’s early in...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Canvas, Resin, Wood Panel, Pigment
Price Upon Request
"Universal Gravitation"
By Quim Bové
Located in Scottsdale, AZ
Quim Bové is a Catalan artist known for his symbolic, abstract paintings executed through his dynamic brush strokes that are reflected across his collections. Much of Quim’s early in...
Category
2010s Abstract Wood Panel Abstract Paintings
Materials
Canvas, Resin, Acrylic, Wood Panel, Pigment
Price Upon Request
Wood Panel abstract paintings for sale on 1stDibs.
Find a wide variety of authentic Wood Panel abstract paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Melisa Taylor Metzger, Ricky Hunt, Hunt Slonem, and Denise Driscoll. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Wood Panel abstract paintings, so small editions measuring 0.1 inches across are also available
Read More
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