20th Century Abstract Paintings

Glyn Morgan was a Welsh artist who studied at Cardiff College of Art under Ceri Richards. He was a renowned imaginative artist and friend of Cedric Morris. He was influenced by the B...

Work on paper

Painterly desert landscape with cacti and hill in the background. The landscape looks similar to New Mexico or West Texas Hill Country. Painting is mainly green, brown, and blue tone...

Antique American modernist abstract oil painting by Adele Becker (1929 - 2021). Oil on canvas. Framed. Signed.

Antique American modernist cityscape oil painting. Oil on canvas, circa 1970. Signed. Displayed in a giltwood frame. Image, 20"L x...

Robots, or "Strange Self-Sufficient Machine" by Giuliano Ghelli ( Florence, 1944- 2014, Chianti). Painting in a wooden frame with glass. Oil on canv...

Untitled (43) Hanna Eshel, Israeli (1926) Date: 1965 Oil and Assemblage on Burlap, signed and dated verso Size: 39 x 31 in. (99.06 x 78.74 cm) Frame Size: 45 x 37 inches

Fenêtre transparente is a unique contemporary modern sculpture painting panel by French-Dutch artist Olivier Julia. The panel effectively is a flat woode...

size includes frame 20X20 sight size. Richard tum Suden (1936, Brooklyn NY) Painter, sculptor, graphic artist, has taught at Parsons School of Design in New York, Art Students League...

Peter Sword Vintage Abstract Triptych Oil Paintings C.1970s Oil on recycled wood panels Each painting varies slightly in size Largest dimensions 24.5" w...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe. The WPA commissioned Carton to paint major murals at the Helen Fleischer Vocational School for Girls in Philadelphia, the Officers’ Club at Camp Meade Army Base in Maryland, and in the city of Hidalgo, Mexico. Throughout the 1940s, Carton exhibited and won prizes for his semi-abstract Expressionist and Surrealist paintings. He socialized with and was inspired by Émile Gauguin and Fernand Leger. During World War II, Carton was a naval structural designer and draftsman at the Cramps...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and ...

Les Ruines Des Plus Beaux Monuments De La Grece both 22 3/4" x 34" (sight) oil with arabesque artist identified on label verso. #27, Earthquake II, From 1992 show; Night Paintings, ...

An Abstract Expressionist cum Surreal painting by Kenneth Morrow Martin, American (1911-1983). Storm by Keith Morrow Martin, American (1911–1983)...

Untitled, 1994 (SFP94-36) is an acrylic painting on canvas, from Francis' 'Last Works' collection. The canvas is 18 x 22 inches and stamped verso with the Sam Francis estate stamp. F...

Untitled red figurative abstract painting with various nude figures holding various objects by Portland, Oregon artist Brendan McKeon. The canvas is not currently framed.

Sam Francis 1923-1994 American Untitled Signed and dated "Sam Francis 1965" (en verso) Oil on canvas This striking painting hails from the renowned Edge Paintings series by impor...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and ...

Abstract Mid-20th Century Oil Non Objective NYC Radio City Music Hall. Oil on board, 23 x 20 inches. Signed lower right. Provenance: Michael Desk...

An original oil on canvas painting by American artist James Koenig created in 1944.

Initialed lower right, "D.B.", signed verso, "Duane Bousfield" (American, born 1960) and inscribed "Unchartered Lesson". Oil abstract comprised of fields of violet, teal, rust, and ochre overlapped by dynamic linear and geometric forms. Duane Bousfield is a fifth-generation Californian living in New York City since 1995. In 2001 Duane accepted the directorship of Wally Findlay Gallery in East Hampton, NY, and continued working with the gallery on 57th Street, NYC, for more five years. Wanting to work with more contemporary art, Duane accepted a position as Senior Art Consultant at Franklin Bowles Gallery, in SoHo, NY, where he continues to help people build art collections for their homes and estates. During the years of art consulting, Duane has continued making his own art and exploring the relationship of meaning and abstraction. Selected Solo Exhibits: 2009 Mud, Sweat & Tears New York, NY 2002-2005 The Duplex New York, NY 2000 Merican New York, NY 2000 Big Genius Art Williamsburg, NY 1999 & 2000 Pegasus New York, NY 1998 Town House Club Room New York, NY 1996 Esalen Institute visiting artist Big Sur, CA 1995 Esalen Institute visiting artist Big Sur, CA 1994 Center for Psychological Studies Albany, CA 1994 Citadel Gallery San Jose, CA 1992 Montgomery Theatre San Jose, CA 1992 Objectivity Gallery...

Les Ruines Des Plus Beaux Monuments De La Grece both 22 3/4" x 34" (sight) oil with arabesque artist identified on label verso. #27, Earthquake III, From 1992 show; Night Paintings,...

Mixed media geometric abstract painting/wall sculpture titled "Red Up" by Gary Jurysta. Oil on shaped canvas, circa 1982. Artist Biography: Gary Jurysta graduated from Butler Area High School in 1955. After serving four years in the US Navy he earned a degree in Art Education from Edinboro State University. Additional degrees were earned at the University of Pittsburgh...

MODERNIST ABSTRACT Mid-Century New Hope Non-Objective oil American Modern WPA Louis Stone (1902-1984) "Abstract," 16 X 12 inches. Oil on canvas, signed lower right. An abstract pai...

Artist: Ian Hornak (1944-2002) Title: The Angel Concert, Variation II Year: 1979 Medium: Acrylic on Canvas Size: 36 x 48 inches Condition: Excellent Inscription: Signed, dated, and t...

An ancient fable. 1971. Oil on canvas, 100x150 cm Ivars Muizulis (1936) 1956 – Graduated from the Liepaja Art College, Department of Sculpture 1956 – 1960 – Studied at the Art Aca...

To celebrate Stanza's three recent solo exhibitions at HNF in Paderborn Germany 2023, Deutsches Museum 2023 and Samek Art Museum USA we are pleased to present thirty of his works for...

Artist: Nick Wallis Title: More Afterthoughts 4 Year: circa 1980 Medium: Acrylic on Canvas,signed Size: 60 x 60 inches (152.4 x 152.4 cm)

"Water No. 5" is an abstract gouache on howell paper painting by Lee Krasner in 1969. The artwork is 12 1/4 x 9 1/4 inches and is 18 1/4 x 15 1/4 x 1 1/4 inches with the frame, weigh...

Artist: John Kinnear, Canadian (1922 - 2003) Title: Highland Figures Medium: Acrylic on masonite, signed lower right Date: circa 1960 Image Size: 22 x 38 ...

Modernist abstract portrait of Freddie Mercury. Oil painting by Abraham Pariente. Oil on canvas, circa 2000. Signed. Displayed in a modernist frame. Important large and impressi...

"Rays" is an original abstract colorist painting by the renowned artist and filmmaker Victor Atkins. This striking work features geometric strips of vivid color, masterfully arranged...

Loren Munk (American, b. 1951), mixed media painting signed "Munk '89", 13" x 19" inches sheet, framed 20.25" x 26" inches. This one is African American kids in a park at the water fountain. Titled "Squart" (squirt) The artist Loren Munk (born 1951) is primarily known for his YouTube nickname James Kalm as an uploader of videos about New York exhibitions, amongst others. He presents himself as a maker of contemporary paintings for several decades and of cubist paintings of urban imagery. Munk has received accolades for his drawings and mosaics. He differs from traditional mosaic artists by the manner in which he incorporates glass into his decorative paintings. His unique and innovative use of materials such as mirror, gold-leaf and glass mosaic affirmed him as a founding force of Kitsch Art and a leading member of New York Neo-Expressionism. Munk's work debuted in SoHo in 1981 with a double show at J. Fields Gallery and Gabrielle Bryers. Since then, he has overseen an international career. In addition to exhibiting in Brazil, France, Germany and the United States, Munk has received national and overseas, public and private commissions. He is well represented in important collections throughout Europe, South and North America and the Middle East. Most recently, Munk has been producing a series of paintings which tackle the subject of art itself through a historical and diagrammatic lens. Munk documents the New York art world in YouTube videos, using the name James Kalm. Timeline: 1979 Attended Art Students League, New York 1973-75 Attended University of Maryland at Ramstein, Germany while in US Army 1969-72 Attended Idaho State University, Pocatello, Idaho 1951 Born, Salt Lake City, Utah Select Group Exhibitions 2018 “Under Erasure” curated by Heather and Raphael Rubinstein at Pierogi Gallery New York 2016 "It Was Never Linear: Recent Painting" at the Sheldon Museum of Art Lincoln Neb. with: Robert Bordo, Dawn Clements, Lois Dodd, Michelle Grabner, Colin Prahl, Peter Saul, Barbara Takenaga, and Stanley Whitney 2014 "Some Artists" curated by Matthew Deleget at Minus Space. David Diao, Mary Beth Edelson, Alfred Jensen, George Maciunas, Loren Munk, Ward Shelley, John Zinsser 2013 "Coming Together: Surviving Sandy Year 1" curated by Phong Bui for the Dedalus Foundation, "The Decline and Fall of the Art World: Part I" curated by Nick Lawrence at Freight+Volume, N.Y. "Reticulate" at McKenzie Fine Art Inc., N.Y. "The Pyramids Along the Nile" at English Kills Gallery 2012 "When We Were Ancient" organized by Ethan Petitt at Teddy's Bar, Williamsburg "Heroes" curated by Julie Torres at Small Black Door, Ridgewood Queens, N.Y. 2011 "ABC123" curated by Janet Goleas at Eric Firestone Gallery, East Hampton, N.Y. "6 Who Paint" curated by Fred Valentine at Big & Small/Casual, Long Island City, N.Y. "It's All Good: Apocalypse Now" curated by Richard Timperio, Side Show Gallery, Brooklyn, N.Y. "Paper 2011" at Janet Kurnatowski Gallery, Brooklyn. "NEW year NEW work NEW faces" by Jason Andrew and Deborah Brown at Storefront Gallery. "Unfinished Pictures" curated by Kristin Calabrese...

Still Life. 1998, oil on canvas, 57 x 69 cm Abstract still life with musical instruments and coffee grinder The artwork was published in the catalog - "Jānis Zemītis Glezniecība. Pai...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he accepted. From 1947 to 1950 he studied at Luton School of Art, Bedfordshire, and St. Albans School of Art, Hertfordshire. House's contemporaries included Richard Smith and John Plumb with whom he remained close. During the early fifties, after finishing art school, House began work as assistant to the ecclesiastical sculptor Theodore Kern. He also spent time at an advertising studio where he honed his burgeoning skills in typography and graphic design. In 1952 House was offered the position of designer for Imperial Chemical Industries Plastics Division where he stayed until 1959. This was followed by two years spent as graphic designer for the Kynoch Press in London. In 1961 House set out on his own as a self-employed designer and typographer. Initially this was supplemented by part-time teaching at art schools in and around London but by 1964 House was able to devote himself entirely to his design work which freed up valuable time to concentrate on his own artistic output in the studio. In the late fifties, informed by the new art emerging from America and that of his contemporaries in England, House began to create large-scale abstract works which he was invited to show in 1959 at Dennis Bowen's legendary New Vision Centre in Marble Arch. House was an active participant in the vibrant London art scene of the sixties, regularly attending lectures, exhibitions and discussions. In 1960 he exhibited in 'Situation' the key abstract exhibition of the decade held at the RBA Galleries. Other participating artists included Robyn Denny, Bernard and Harold Cohen, Gillian Ayres, John Hoyland, Richard Smith and William Turnbull among others. These artists, united by a common admiration for American Abstract Expressionism, were frustrated by the lack of exposure given to large-scale abstract works in commercial galleries so they organised their own exhibition. The name was derived from the participants' idea that an abstract painting that occupied the whole field of vision would involve the spectator in an 'event' or 'situation'. This exhibition was followed by 'New London Situation' in 1961 and a nationwide touring Arts Council presentation in recognition of the significance of the two earlier shows. In 1961 House began producing his first prints at the Kelpra Studio, run by Chris and Rose Prater, where he made the earliest fine art screenprint ever to be produced in Britain. Artists such as Paolozzi and Hamilton followed in his footsteps and together they started a printmaking revolution in Britain. They cemented the medium of the screenprint in the world of fine art as opposed to the commercial sphere and secured the reputation of Kelpra in the process. Later, together with Cliff White, House set up the White Ink (Ltd.) print studio in London, where he produced etchings and wood engravings on a series of magnificent antique printing presses...

Soni Wallace masters color and form in this Abstract Expressionist painting. Many works from this period in her life reflect coastal landscapes through a ...

Michael Knigin Abstract 2 Purple and Yellow 1967 Ink brush and watercolor on paper 8.25"x11" unframed $675 Signed and dated in ink lower left Came from artist's estate *Custom framin...

Acrylic on linen Signed verso

JACOB EL HANANI b. 1947 1947 Casablanca (Israeli) Title: Untitled, 1968 Technique: Signed and Dated Acrylic on Canvas Size: 73 x 93 cm. / 28.7 x 36.6 in. Additional Information...

Oil on canvas. Framed. Image size, 40H x 38L.

Vaclav Vytlacil (Vas-lav Vit-la-chil) was born in New York City in 1892 to Czech parents, but was raised in Chicago. He was an artist since boyhood, becoming the youngest student to ...

"Ohne Titel (Merzbild Mit Schuhsohle) (Untitled (Merz Picture with Shoe Sole))" is an abstract Post War oil and relief assemblage on plywood painting made by Kurt Schwitters in 1945....

Painted by Frealon Bibbins (American, 1926-2013). Dated verso, '9/18/76' and '9/19/76'. Stamped with Certification of Authenticity and accompanied by a certificate of authenticity. This listed California artist lived and painted in Alameda and also had a distinguished career both as an author and as a musician with the San Francisco Symphony...

A modern abstract painting by an unknown American artist likely created in the late 1970's.

Marty Greenbaum (1934-2020) ''Brooklyn Local in Weege Wisconsin'' Lithograph, with hand-coloring, blind stitching, stitching, burning, tape collage and paint with Jewish, Hasidic, Sleepy Moishy character. Marty Greenbaum (1934-2020) was an American painter, mixed media assemblage and book artist. Greenbaum is best known for his mixed media assemblage, painting and artist books. Greenbaum appeared in three films: Hallelujah the Hills in 1963 by Adolfas Mekas, Life Dances On, in 1980 by Robert Frank, and The Present in 1996 by Robert Frank. Between 1962 and 1965 he took part in happenings by Allan Kaprow and experimental dance by Yvonne Rainer. Greenbaum authored his own happenings, i.e. Coney Island Carny, including artists such as Eddie Barton, Remy Charlip, Paul Kaplow, Paul Krasner, Al Hanson, Ed Blair, Allen Ginsberg, John Hammond, Eddie Rabkin, Lou Gossett, Renee Renee, Allan Kaprow, Phyllis Yampolsky, Thomas Hoving, Jackie Ferrara, Peter Schumann, Jim Bell, Bill Marshall, Corla Lopez, Bruce Waite, and Mark di Suvero, as well as organizing the Hall of Issues with Phyllis Yampolsky at The Judson Memorial Church. Greenbaum had several teaching positions in the New York City public school system and was a member of the Creative Artists Public Service program twice, he also participated in various exhibitions with book objects. His work is in several public collections including The Art Institute of Chicago, Artists' Books, The Brooklyn Museum Collection, The Chrysler Museum, Norfolk, VA, Citibank, NYC, Colgate University, Hamilton, NY, Jacksonville Art Museum, Jacksonville, FL, Madison Art Center, Madison, WI, SUNY at New Paltz, NY and more. Books as Objects "Greenbaum, an early conceptualist, burned books in the 1960s, exhibiting the remains as 'corpses.' Today, he makes fetishistic notebooks filled with colored paper and scribbled equations, accretions of feathers and Rhoplex." "Marty Greenbaum and Barton Lidice Benes destroy texts to create sculpture: Benes 'Bound Book,' a literal rope and wax imprisonment, and Greenbaum's 'Cutting Up,' a mixed media paste over of muted colors." Some of his most notable artist books include: "Batman" 1963-67, "In '84 Returned in 2004". Two stories about Marty from James Pernotto: we met at William Weege print shop in 1974 when he drove out from NYC with Alan Shields and Paco Grande and I was a lithography printer hired to work with them. Alan recalled on the trip out that Marty was working on his altered books and putting airplane glue on the pages and lighting it with a match. Enough said. I printed for Marty. Solo exhibitions 2007 Two Artists, Windsor Whip Works, Windsor NY 2001 Pacifico Fine Art, NYC 1972, 1979, 1985 Allan Stone Gallery, NYC 1977 Picker Art Gallery, Colgate University, Hamilton NY 1963, 1964, 1965 Stryke Gallery, NYC Group and Traveling exhibitions 2019 One Plus One Equals Three, curated by Roger Winter, Kirk Hopper Fine Art, Dallas, TX Collage and assemblage by Romare Bearden, Roy Fridge, Marty Greenbaum, David McManaway, Robin Ragin, Nancy Willis Smith, and Roger Winter. 2017 Sorcery & Craft, Allan Stone Projects, New York, NY 2008 8 Artists 8 Books, 5 + 5 Gallery, Brooklyn, NY 1999 Talent, Allan Stone Gallery, New York, NY 1998 Artist Books, Bound & Unbound Gallery, New York, NY 1992 Fetishism, Allan Stone Gallery, New York, NY Salon of the Book, Caroline Corre, Paris, France; Artists; Books, Centre Georges Pompidou, Paris, France 1979 "Book Makers: Center for Book Arts First Five Years", Arthur A. Houghton, Jr. Gallery, The Cooper Union, NYC 1978 The Detective Show MoMA, PS1, Queens, NY (with Richard Artschwager and Gordon Matta Clark...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work...

Ken Scott (American, 1918 – 1991) Fantasia Gouache on paper Signed ‘Ken Scott’ (on the reverse) 15 x 10.3/4 in. (38 x 28 cm.) Ken Scott was a fashion designer known for his fabric d...

Vintage American modernist abstract signed oil painting by Robert Reitzfeld. Oil on canvas. Signed verso.

An abstract acrylic on canvas painting in deep saturated colors of scarlet red, lime green, orange, yellow and midnight blue by Carl Morris. Born in Yorba Linda, Calif., in 1911, ...

Jacques Zimmermann was born in Antwerp in 1929. He said: "The abstraction is not for me or a genre painting, nor a limit. It is a starting point. From there, by the automatic gesture...

Black and Red Abstract Michel Picotte, Canadian (1947) Date: 1984 Acrylic on paper, signed and dated in pen Image Size: 28.25 x 21 inches Size: 30 x 22 ...

7 tulips. 1979. Oil on canvas, 65x51 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the...

"She's Watching" Mixed media collage, assemblage, gestural painting on masonite. Hand Signed in ink and titled verso. It does not appear to be dated. I am estimating it is from the 1980's. It has some Postmodern elements and similarities to Transavanguardia is the Italian version of Neo-expressionism. Francie Bishop Good (American, 1949-) Francie Bishop Good was raised in Allentown, Pennsylvania. She currently lives and works in South Florida and New York City. Her work has been exhibited nationally and internationally. Bishop Good is twice recipient of the South Florida Cultural Consortium Fellowship, and the State of Florida Individual Artist Fellowship. She completed her Graduate Studies at Maine Media College, Rockport, Maine, International Center of Photography, New York, New York, Master of Arts, Florida Atlantic University, Boca Raton, Florida, B.F.A. University of Colorado, Boulder, Colorado, Philadelphia College of Art, Philadelphia, Pennsylvania, William Allen High School, studies under James Musselman Her museum solo shows include the Allentown Art Museum, Allentown, PA, Museum of Art, Fort Lauderdale, FL, the Museum of Contemporary Art, Jacksonville, FL, Art and Culture Center, Hollywood, FL, and the Hilliard Museum, Lafayette, LA. Bishop Good's work has been shown at David Castillo Gallery, Mindy Solomon Gallery, Miami, FL. Griffin Museum of Photography, Bernice Steinbaum Gallery, and AMbrosino Gallery. Recent museum acquisitions include Museum of Fine Arts, Boston, MA The Wadsworth Atheneum, Hartford, CT, The Patricia & Philip Frost Art Museum at Florida International University, Miami, FL, Bass Museum of Art, Miami Beach, FL and the NSU Art Museum, Fort Lauderdale, FL. Selected Group and Invitational Exhibitions NSU Art Museum, Remember to React: 60 Years of Collection, Fort Lauderdale, FL Frost Art Museum, Connectivity: Selections from the Collection of the Frost Art Museum, Miami, FL Dual Roles, curated by Laura Marsh, Art and Culture Center of Hollywood FL David Castillo Gallery, gallery artists, in terms of collage, Miami Beach, FL Multidisciplinary, curated by Dimensions Variable, Open Source Gallery, Brooklyn, NY Cornell Museum, Artistically Speaking, Boca Raton Museum of Art, FL. People and Places, Photographs from the Collection, summer 2015 Frost Museum, FIU Miami FL, 25 Inches, The Faces of the Permanent Collection Locust Projects, Smash and Grab, November Annie Wharton Fine Art, Los Angeles group show, summer Museum of Art Fort Lauderdale ,The Art of Caring summer Women to Women, collaboration with Samantha Salzinger, Bakehouse Fredric Snitzer Gallery Boy oh Boy, Summer Show Miami A.I.R. Gallery, The Man I Wish I Was, curator Kharis Kennedy Photo Miami with Nina Arias, Miami, FL December Alva Gallery, New London, Ct Being Good: Women's Moral Values Art Basel with Ambrosino Gallery, Miami, FL 51st Venice Biennale, Italy Poles Apart / Poles Together, International Artists' Museum, White Box Norton Museum of Art, West Palm Beach, FL, FOCUS ON: New Photography, National Museum of Women in the Arts, FL Transitory Patterns Museum of Contemporary Art, Miami, FL Optic Nerve Selected Collections Museum of Fine Arts, Boston, Ma. Wadsworth Atheneum Museum of Art, Hartford, Ct. Bass Museum of Art, Miami Beach, FL Frost Museum of Art, Miami Florida Norton Museum of Art, West Palm Beach, Florida Museum of Contemporary Art, Jacksonville, Florida Boca Raton Museum of Art, Boca Raton, Florida Sagamore Hotel Collection, Miami Beach, Florida Museum of Art, Fort Lauderdale, Florida Refco Collection, Chicago, Illinois Allentown Art Museum, Allentown, Pennsylvania New World Symphony Residence, Miami, Florida Art in Public Places, Broward County, Florida Art and Culture Center of Hollywood, Florida William Gates III (Bill Gates) Monica and Richard Segal Saks Fifth Avenue Asides from being an exceptional artist she is also a passionate collector. Photographs by Cindy Sherman and the late feminist artist Ana Mendieta, collages by Kara Walker, a watercolor by Louise Bourgeois, Cecily Brown, Tracey Emin, Teresita Fernandez, Carrie Mae Weems, Nan Goldin, Barbara Kruger, Catherine Opie, Lorna Simpson, Kiki Smith, Mickalene Thomas, and Kara Walker. are among 100 works by leading contemporary artists donated by philanthropists David Horvitz...

A dramatic, Expressionist Coastal landscape showing a view of white-capped jade green breakers crashing against a rocky shoreline, with a distant mountain painted in shades of scarlet, slate blue, and indigo rising in the background. Signed lower right, "Beamish", titled verso and painted circa 1960. Provenance: The Vincent Price Collection...

Predominantly recognized as a self-taught painter, he also worked in architectural murals, sculptures, ceramics, prints and drawings. Vigas is one...

Antique American modernist abstract oil painting by Lela "Jackie" Axline (1910-1998). Oil on board, circa 1940. Signed. Displayed in a period modern frame. Image, 15"L x 19"H.

Artist/ School: French School, early 20th century Title: Golden colors Medium: oil painting on canvas, unframed canvas: 7.75 x 13 inches Provenance: private collection, France C...

This is done on a very interesting handmade paper (Japanese?) it is hand signed and numbered. In this print the artist Sam Messer uses bold contrasting colors in a gestural manner. Messer's work, so apparently spontaneous or impulsive in its emphasis on highly dramatic gestural brushstrokes and intense color, is, in fact, carefully considered. The treatment of the composition conveys dynamic movement through the sweep...