Paintings

A fine 19th century oil painting of a chestnut hunter "Light heart" in a stable by Claude Lorraine Ferneley Oil on canvas size of painting is 63.5 x 48.5cm ...

This piece titled "Delight or Disgust" is an original artwork by Angela Rio and is made of acrylic on masonite, framed in artist-made oak wood. This piece measures 18”h x 24”w framed...

19th century English Antique Victorian Summertime Harvest landscape, with figures. John Mundell was a British painter of landscapes as well as river scenes and coastal views. It is suggested that Mundell was a pseudonym of John James Wilson. Mundell’s work was vigorous, bright, and attractive and compares favorably with the work of many of the better artists of his time. This is a very fine example of the artist's work. It is a rare composition for the artist as he mostly painted marines. This piece is framed in its original antique gold leaf frame

From amber skies to purple mountains the brigade of trees stand guard over the inlet. In this multi-faceted abstract expressionist marine landscape, painted with many nuances of col...

Fine work by celebrated 19th century artist, Colin Hunter (1841-1904) ARA, RI, RSW, RE. 'Highland Bridge' shows one of the old stone bridges in the Scottish countryside with horse an...

Signed lower left 'Nura' for Nura Woodson Ulreich (American, 1899–1950). Additionally signed, verso, dated March 1928 with artist's New York City ...

MABEL E. DICKINSON POND (1869-1960) Frances and Ruth Jennings in a Field of Flowers, 1909 Oil on canvas on paperboard 7 x 5 inches Signed at lower right: M. E. Dickinson Inscribed v...

'Blue Barn' 2004 by American artist, Ted Larsen. Pastel on paper, 28.75 x 41 in. (paper) 42 x 53.5 in. (frame). This pastel work on paper features a forest o...

A. J. Bennett (South African, fl. Early 20th century) Light and Shade • Oil on canvas artist board ca. 42.5 x 29.5 cm • Later frame ca. 53.5 x 41 cm Worldwide shipping is complime...

English 19th century folk art portrait of an English spaniel dog in a landscape. Painted with a great deal of skill and care this is a charming 19th-century piece. With the origin...

Oil on wood sold with frame Total size with frame 30x33 cm Gérard Van Vliet (1880-1972) is a Dutch architectural designer. And painter in Amsterdam. Dutch School of the 20th centur...

Herbert ‘William’ Weekes British, (1841-1914) The Passing Procession Oil on canvas, signed Image size: 17.25 inches x 28 inches Size including frame: 23.25 inches x 34 inches A hum...

Nils H Christiansen Danish, (1850-1922) A Winter’s Evening Oil on canvas, signed Image size: 11.5 inches x 23.25 inches Size including frame: 16.25 inches x 28 inches A beautiful winter landscape scene of a village covered in snow at sunset. A mother and son carry firewood back to their nearby cottage whilst other figures continue on home past the lake. In the distance, a church spire is silhouetted against the warm colours of the disappearing sun. Nils or Niels Hans Christiansen was a well-accomplished painter born in Esbjerg in the Jutland peninsula of southwest Denmark on 22 July, 1850. He specialised in winter landscapes and moonlight scenes and was interested in the effects of light, often painting the sunrise and sunsets against his native land. He first came to England in 1863 for the Royal Wedding of the Prince of Wales and Princess Alexandria. Although he worked mainly in Denmark and Norway, he spent some time in England where he is believed to have exhibited with many of the leading art galleries in London. In addition to exhibiting in England, Christiansen also exhibited in his home country at the Royal Academy of Copenhagen where he became a member. He seems to have settled in England and on 10 September 1887 he married Alice Dickens at York Square, Stepney. Together the couple lived at 36 Dempsey Street, Mile End with their children. One of their sons, Albert Edward Christiansen (1887-1927) also became an artist. Christiansen’s success brought him royal connections and he was given a Grace and Favour apartment at Windsor by Queen Victoria. By 1901, he had become a British subject and had moved to 15 Queens Road in Plaistow, West Ham where he spent the rest of his life. He died in 1922 at Plaistow, aged 71. His paintings are always beautifully drawn and with the inclusion of figures give added interest to the viewer. A number of his works can be found in museums and art collections in England including Epping Forest...

A fine harbor scene with boats by American artist Emile Albert Gruppe (1896-1978). Gruppe was born in Rochester, NY, and went on to become a renowned New England landscape and marine...

Approximate Date: 1957 Medium: Oil and Pencil on Board Signature: Signed Lower Left Sight Size 23.50" x 20.75", Framed 29.50" x 26.50" Original cover illustration for The Saturday E...

Olio su tela. Scuola nord-europea di fine '800. Firma non identificata in basso a destra. Il ritratto presenta un bambino in ambito marinaresco: è seduto sul masso di una spiaggia, ...

A FEAST OF THE GODS WITH VENUS AND BACCHUS Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; John and Eileen Harris, acquired from the above, to 2015. Literature: Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre); Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre); Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020. Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre); London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre); London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020. CUPID AND PSYCHE BEFORE JUPITER Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; Anthony Hobson, acquired from the above, to 2015. These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...

Inmortales by Lucienne Toledo

Signed figurative oil on board circa 1890 by French Nabis school painter Edouard Vuillard. The work depicts two seated ladies dressed in black with grey pinafores enjoying coffee together. Illustrated in the Catalogue Raisonne of Edouard Vuillard by Antoine Salomon and Guy Cogeval - Volume I, Page 229 - Reference IV-7 This striking work dates to between 1890 and 1891 which was without doubt Vuillard’s greatest decade as an artist. At this time the painter was working with the group of artist known as "Les Nabis" which included Pierre Bonnard, Maurice Denis, Paul Ranson, Ker-Xavier Roussel, Félix Vallotton, Paul Sérusier and Auguste Cazalis. The group played a large part in the transition from impressionism and academic art to abstract art, symbolism and the other early movements of modernism. They believed that a work of art was not a depiction of nature, but a synthesis of metaphors and symbols created by the artist. Signature: Signed lower right Dimensions: Framed: 19.25"x20.25" Unframed: 9.25"x10.25" Provenance: Renou et Poyet - Paris Roland, Browse & Delbanco - London (labels verso) c. 1955 The collection of Sir Alec Guinness Galerie Jan Krugier, Geneva - 1972 Nichido Gallery - Tokyo 1972 Private collection - Japan Christie's London - Impressionist & Modern Art - June 2016 Édouard Vuillard attended the Lycée Condorcet in Paris, where he made friends with Maurice Denis, Lugné-Poe, and Ker-Xavier Roussel, later his brother-in-law. He studied in Maillart’s studio; for six weeks came under the tutelage of Jean-Léon Gérôme at the École des Beaux-Arts in Paris; and later under William Bouguereau and Robert at the Académie Julian, where he became closely linked with the Nabis group (from the Hebrew word for ‘prophet’). He met Marcel Proust in 1902. From 1908, he taught at the Académie Ranson. In 1937, he was elected member of the Institute. At first, Vuillard painted small subjects, disciplined and proficient, qualities for which the prestigious École Française was famous. His earliest still-lifes (1888) are astonishing in their decisiveness and subtlety. His empathy for the object had already compelled him to soften its appearance; the object, which, by virtue of its bright or glossy presence, remained the nonego and the ‘thing represented’ for so many others. ‘Intimacy’ developed immediately between the painter and this modest environment; inhabiting it every day enabled him to celebrate its splendour, and it was to remain his favourite environment. But he was already alternating between small portraits and still-lifes, which gained recognition because of their natural qualities and dignity of tone: a rare combination in a beginner. About 1890, influenced indirectly by Paul Gauguin, all the certainties which the self-styled Nabis painters had contented themselves with suddenly collapsed. Everything was called into question again: both the linear layout of the picture and its colour scheme; the choice of subject and its material aspect; its manufacture and its purpose. Vuillard’s paintings at that time show surprising, bold innovations and an arbitrary power, which one would expect 15 or 20 years later at the height of the Fauvist period. The preoccupation with an internal geometry set them apart from earlier studies. From then on, the paintings were based on forms, lines, and colours. Vuillard made concessions. He produced a portrait or interior with its furniture and its wallpapers, in which the family inhabiting it, evolves. Treated with flat areas of colour and solid shades of ochres, reds, blues, and saffron yellow, without modulation, they seem to prefigure certain paintings by Henri Matisse and Roger de La Fresnaye. In 1891, Vuillard painted an Elegant Lady, a silhouette seen from the back; a long vertical shape starting from the hair decorated with brown feathers; there is a kind of pink cloak, the tight and never-ending black skirt, erect in front of a half-open, bright orange door in a green wall, from where the light of another vertical shape emerges, which is bright yellow, and is reflected in red on the parquet at the feet of the elegant lady. This painting meets his concerns about the actual moment of creating ‘harmonies corresponding to our feeling’, and by virtue of its almost geometric structure, its drawing entirely free of detail, its light effects and colour harmonies, very much prefigures aspects of the future Abstraction movement and is oddly reminiscent of the final period of Nicolas de Staël. All too often, Vuillard is only admired in his role as the harmonist, the serene contemplator who combines an exquisite sense of nuance, rhythms, and values with the most acute observation. These singular investigations, these three-dimensional meditations including a table, a folding metal cot...

Work on wood Green wooden frame 65 x 76.5 x 4 cm

Original Barbizon school painting in an original period frame. Framed 24 x 18 Unframed 18 x 12

Antique oil painting. Portrait of an Italian boy with a pipe. Painting restored. Frame with minor damage in places. Dimensions without frame: 40.5 cm x 50.5 cm.

This is a study for the 1926 Christmas issue of The Saturday Evening Post. December 25, 1926 Joseph Christian Leyendecker’s illustrations and advertisements fueled a collective visu...

Clive Madgwick "Countryside Hunt" Original Oil on Canvas C.1980 A hunt out in the English countryside Original oil on canvas Dimensions 36" wide x 2...

Bold red and blue abstract painting, energetic brushstrokes and vibrant color for a happy mood. Created with professional acrylic paint on canvas, it will bring the outdoors inside. ...

A beautiful, heavy impasto landscape of a scene south of San Luis Obispo, California by Mike Wright (American, b.1959). Signed "M. Wright 17" lower right c...

Nick Hunt grew up in in Newport Beach in the 80’s and early 90’s. As Hunt states, “It was an unknown area to a lot of the world. Development was in progress, but at that point in time it was still mostly open land, populated with surfers and desert-beach dreamers. My work is inspired by this desert-ocean dangerous allure.” Hunt’s work, while abstract, conjures a sense of history - both in their Light and Space influences and in the the rough beauty of the objects themselves. The scumbled, dented, sometimes bullet riddled surfaces reveal layers of color, painted on metal, and hint at a romantic complexity beneath the glossy enameled surfaces. Hunt spent a lot of time in Mexico as a boy, where he got to know Billy Al Bengston, Peter Alexander, Chuck Arnoldi...

Traditional Vintage Oil Painting of the English Countryside with Horses & Plough by Modern British Artist Art measures 30 x 20 inches Frame measures 36 x 26 inches James Wright wa...

Mid Century Fauvist Swiss Lake Village Landscape Colorful mid century fauvist Swiss Village and Lake landscape by Central California artist R. Step...

Work on cardboard Golden wooden frame 32 40.5 x 3 cm

Gormley’s Dog is a limited edition etching by Mychael Barratt. Additional information: Mychael Barratt Gormley’s Dog Limited Edititon Print Edition of 100. Image size: H 22 x W 22 c...

Red on white by Dieter Benz

This 5 panels abstract original painting is a textural work on bold bright colors, with beautiful details and texture. Each panel has different and original knife strokes and tones. I really enjoy creating this kind of work and I love working on commissions on different tones and sizes. The panels look stunning in real life and they transform any wall in a focal point. This work has 5 panels of 80"x12" (203 cm x 30.5 cm) each for a total of 80"x60" (203cm x 152 cm). With 2.5" spaces between the panels, the paintings will cover a large 80"x70" wall. ***If you would like a different number of panels, the last image is an example of an installation on a curved wall.*** Multiple panels, foyer art, curved large wall art, art on curved wall, huge wall art...

Open Bar by Caroline Jardin

Thomas Blinks British, (1853-1910) Midday Rest Oil on canvas, signed & dated (18)87 Image size: 11.5 inches x 17.5 inches Size including frame: 20.25 inches x 26.25 inches Thomas Blinks was born in Maidstone, Kent on 29 October 1853 to Richard Blinks and Eleanor Poile. His father was a master butcher in Ticehurst and the family lived above the shop, which is still operates as a butchers today. Thomas initially worked for his father but his talent for art soon took him in another direction. He married Louisa Anne Winterbottom on 11 April 1874, at Rye, Sussex and together they had 3 children. They lived in Hawkhurst, Kent before moving to Hackney, London in 1878. Whilst largely self- taught, Blinks would have learnt basic anatomy from working with his father, but he also spent time at Tattersalls canine and horse auctions...

A Quai by Caroline Jardin

Beautiful colored flowers oil on canvas painting by Moise Kisling Provenance: Wally F Galleries (New York). Sale: Sotheby's New York, May 1996. Private Collection. Accompanied by ...

Oversized bold and very detailed piece with contrasting color blending, lots of drips and big palette knife strokes. This painting was completed after thousands of paint strokes of m...

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing.  Because you cannot appreciate it on a computer screen, our gallery has a unique policy.  When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork.  If not, the buyer returns the piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item.  When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”.  So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant.  By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final.  If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it.  They are stuck with it.  By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it.  If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Randy Ford Exhibitions of Ford’s work have taken place at Art Karlsruhe, Karlsruhe, Germany, Editions/Line Gallery, Marlton, NJ, Edward Hopper House Museum, Nyack, NY, Galería artelibre Zaragoza,Spain, Hughes Gallery, Boca Grande, FL, J. Willott Gallery, Palm Desert, CA, Jones & Terwilliger Galleries, Palm Desert, CA, Kenise Barnes Fine Art, Larchmont, NY, M.A Doran Gallery, Tulsa, OK, Plus One Gallery, London, England, Rosenfeld Gallery, Philadelphia, PA, Sherry French Gallery, New York, NY, Stricoff Fine Art, New York, NY, Trudy Labell Fine Art, Naples FL...

The essence of this artwork series, Urban Fusion, lies in its exploration of the intricate interplay between human activity, architectural design, and the materials that sculpt our c...

Artist: Voskan Galstian Work: Original Acrylic Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2023 Style: Abstract Art, Subject: Desert Ocean, Size:...

ARTIST: John Gordon Bill RWA (1915-1993) British TITLE: 'Stubble Burning Salperton Gloucestershire" SIGNED: initialled lower right MEDIUM: oil on panel SIZE: 36cm x 29cm CONDITION: excellent DETAIL: Painter and teacher, born in London, married to the artist Coral Nerelle. After Radley College he studied art at Byam Shaw School with Bernard Dunstan...

Jorunn Mulen was inspired by love. A chance encounter in an Italian cafe or an antique photograph at a London flea market can each become a part of her visual capture. Her poetic por...

Olio su tela. Tradizionale raffigurazione del Crocifisso, attorniato dai Santi legati al culto del committente. In questo caso si hanno la Maddalena, abbracciata al palo della Croc...

Modern Luminist, Hudson River School style landscape painting on panel of a sunset over a river valley by Jane Bloodgood-Abrams Square landscape painting, 30 x 30 inches unframed, 32...

Fractal Beauty by Dr. Desirée Cox

Bright abstract painting with bold colors, great conversation starter. - Title: Short-term change 6 - A radiograph of my mind series - Medium: acrylic, mixed media - Support: canv...

Modern painting by Margaret Balzer Cantieni (1914-2002). Tempera on wood board. Signed in lower right corner "Balzer '46". Painting measures 1 1" x 14" with frame 16 1/2" x 19 1/2". Margaret Balzer studied at the Art Institute of Chicago with Lyonel Feininger, Josef Albers and William Stanley Hayter...

Gabriel Casarrubios Martín (1953) - Fishermen on the beach - Oil on panel Oil size 19x33 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in ...

A dark brown vase on a table holds a bouquet of peach, orange and white zinnias with dark green stems and leaves. The curved shape of the vase casts a ...

Adolphe La Lyre 1850-1935 French Le Concert des Sirenes Oil on canvas Signed lower right Canvas: 32" high x 24" wide Frame: 39 1/2" high x 31" wide Seal Exhibition at Salon d...

Sidekicks 11, 2022 Acrylic on wood 12 x 9”

Artist: Voskan Galstian Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2023 Style: Abstract Art, Title: Path Of Transformation 2 Size: 4...

Peaceful landscape of a calm stream winding through an autumnal forest by Lorenz Griffith (American, 1889-1968). Signed "Lorenz Griffith" lower left. Titled "Autumn Reflections - Virginia" and dated 1958 on verso. Unframed. Image size: 24"H x 35.5"W. Lorenz E. Griffith was born in Indiana; he was active/lived in North Carolina, Florida, Indiana and many places across the United States. Lorenz Griffith is known for luminist landscapes and portraits. He painted in the style of the Florida Highwaymen...

Work on canvas Gilded wood frame 53 x 44,5 x 2,5 cm

Mushroom rain mantra. 2002, oil on canvas, 95,5x90,5 cm Abstract composition in earth colors Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, ...

Oil on Canvas frames to Guild of Framers Museum Standard :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready t...

Signed lower right. Henri Duhem was descended from an old Flemish family and originally practiced as a lawyer. In 1887, his passion for drawing and watercolors finally led him to go...