Paintings

Harvesting Cotton is an original contemporary artwork realized in 1981. Mixed colored oil on canvas Hand signed and dated by the artist on the lower margin Included a brown wooden...

10 X 17 without frame. Seymour Boardman (1921–2005) was a New York abstract expressionist. Since his first solo exhibition in Paris in 1951, Boardman developed a personal vision and style of his own, following his own path of abstraction. As a painter he sought to reduce the image to its bare essence. Initially working in the freely brushed manner of Abstract Expressionism, Boardman gradually eliminated the arbitrary aspects of his work until only straight lines and two or three areas of flat, sometimes somber, tones remained. He could hardly have achieved more with less. In a career that was steady and determined, Seymour Boardman created paintings that are unique, while avoiding fashion and trends. His work stands alone because it derives from the Romantic landscape previously articulated by Milton Avery and early Mark Rothko (who was a friend) and later developed into almost hard edged painting. Seymour Boardman majored in art at City College of New York in 1938-1942. He served in the United States Air Force from 1942–1946, during which he was hospitalized for over a year due to a wound to his left shoulder, which resulted in partial paralysis of the arm and hand. After a full medical discharge from the service in 1946, he left for Paris to continue his art education at the École des Beaux-Arts, Académie de la Grande Chaumière, and Atelier Fernand Léger. Boardman's work became more abstract but still based on figure and landscape. He returned to New York in 1949 and went to the Art Students League. Boardman continued to paint dark, moody paintings using a limited palette of black, white, grey, and an occasional additional color. Departed Le Havre France on the Liberte, arriving with his wife in New York on Jan. 22, 1952. In 1955, he had his first one-man show in New York at the Martha Jackson Gallery. It was favorably reviewed by Hilton Kramer, Emily Genauer, Fairfield Porter, and others. "…inscrutable, dark, mostly in blacks stained here and there with calm whitish shapes, they yet manage to suggest something inhuman and romantic…" (N.Y.Times, March 26, 1955). He began to acquire recognition in the 1950s with his paintings of griddled facets seen as if through a frosted glass, without any crisp lines, and in bright colors favoring reds. Boardman's friends included Lawrence Calcagno, Perez Celis, John Hultberg, Burt Hasen, Frank Lobdell, Richards Ruben, Robert Ryman and Nassos Daphnis. Throughout the 1960s, Boardman showed at both the Stephen Radich Gallery and the A.M. Sachs Gallery; in 1967, The Whitney Museum of American Art and the Guggenheim Museum acquired a painting each. In the early 1970s Boardman had a large exhibition of paintings at the Andrew Dickson White...

MALCAH ZELDIS Reclining Woman Wine and Cigarettes gouache on paper Hand signed and dated bottom right. titled in pencil on paper verso. Matted to 13 X 1...

MALCAH ZELDIS Bull gouache on paper Hand signed and dated bottom right. titled in pencil on paper verso. Malcah Zeldis (born Mildred Brightman; 1931) is an American folk art painte...

Carlo Pittore Oil on canvas, 1984, Self Portrait, initialed and dated lower left, slat framed, 21"sqr (frame) 20 X 20 canvas. Provenance: The Private Collection of Wolf Kahn & Emily Mason Carlo Pittore (1943 – 2005) born Charles J. Stanley was an American painter, educator, art activist, and publisher, whose primary study, teaching and body of work was figurative art and portrait painting. He was a pioneer in the Mail Art movement, he corresponded with such mail art luminaries as Buster Cleveland and Ray Johnson. Pittore is noted for opening the first independent art gallery in the East Village, Manhattan. In 1987, Pittore founded "The Academy of Carlo Pittore" in Bowdoinham, Maine. Pittore (née Charles Stanley) was born to Stanford and Estelle Stanley in Queens, New York. He grew up on Long Island, in Port Washington, New York with his sister Marion and brother Elliott. Pittore graduated from Port Washington High School (1961), where he was active in the political and debating scenes. He then went on to graduate from the School of the Museum of Fine Arts at Tufts (1966), and post graduate from the Brooklyn Museum Art School (1978). Pittore changed his name in the 1970s while studying abroad in Rome, Italy. The children nicknamed him "Carlo Pittore", (”Charles the Painter"). From there he went on to study at the Chelsea College of Arts in London. In 1978, Pittore received the Max Beckmann Scholarship in Advanced Painting. It allowed him to begin studying with American feminist painter Joan Semmel at the Brooklyn Museum Art School. He also studied with visual portrait artist Alice Neel. After which, he taught art at the New York Cultural Foundation. In the 1970s, Pittore and his close friend Bern Porter...

Expressive and colorful seascape by Vasil (Victor) Papkov (20th Century). The vivid cyan blue churning waves mirror the sky above, with a glowing orange sunset splitting the canvas o...

Colorful, tropical interpretation of the Garden of Eden in Jacmel, Haiti by Haitian artist Dieudonne Vital. The work features a pair of central figures...

Gouache on paper signed en verso Throughout his sixty-year artistic career, David Hayes created sculptural forms abstracted from organic forms encountered in daily life. He first st...

Representation of the Countryside is an original Contemporary artwork realized in the 1980s by Claudio Bissattini. Original Acrylic on canvas. Tit...

Curtis Ripley (American, born 1949). Expressionist figurative abstract oil painting on paper. Titled "Study For A Diptych". Artist signature upper right and lower left. Good overall condition with normal storage wear to frame. Provenance: Joy Moos Gallery. Bears their label verso. Measures approximately 30 in. x 42 in. (image), 33 in. x 45 in framed. Born: Lubbock, Texas, 1949. Lives and works in Los Angeles Education: University of Wisconsin, Madison, MFA 1975, Texas Tech University, BFA 1971, University of the Americas, Mexico D.F. 1969 Teaching: Associate Professor, Virginia Commonwealth University, Richmond (w/tenure) 1977-85 Assistant Professor, Purdue University, West Lafayette, IN 1975-77 Awards: Juror's Award, Zeichnung Heute, Kunsthalle, Nurnberg, 1983 National Endowment for the Arts, Artists Fellowship, 1979 His new works are musically inspired, atmospheric paintings that are influenced by poetry and jazz music. and bears the influence of both abstract expressionist Jackson Pollock as well as Wassily Kandinsky and the light and movement art. He has shown with Peter Lodato. Curtis Ripley was born in Lubbock, Texas. He attented the University of the Americas, México D.F. in 1969; Texas Tech University, earing a Bachelor of Fine Arts degree in 1971; and the University of Wisconsin, Madison, where he earned a Master of Fine Arts degree in 1975. Ripley served as a lecturer in 1975 at the Univeristy of Wisconsin, Madison; an Assistant Professor at Purdue University, West Lafayette, Indiana from 1975 to 1977; an Associate Professor at the Virginia Commonwealth University, Richmond, Virginia from 1977 to 1985; an Associate Professor at California State University, San Bernardino from 1985 to 1986; and a lecturer at California State University, Long Beach from 1986 to 1987. His awards include a National Endowment for the Arts Artists Fellowship, 1979, and Juror’s Award, Zeichnung Heute, Kunsthalle, Nurnberg in 1983. He has had numerous one-person shows throughout the United States, has participated in a wide-variety of group exhibitions, and has works in several collections such as those of the Fine Art Museums of San Francisco, California; Chemical Bank, New York City; Yokohama Royal Park Hotel, Japan; MGM Grand, Las Vegas, Nevada; and The Ambassador Hotel, Taipei. The artist lives and works in Los Angeles, California. Selected One Person Exhibitions: William Turner Gallery, Santa Monica, A Poem About Breathing--Recent Paintings Susan Street Fine Arts, Solana Beach, CA, Invocation--/Recent Paintings William Turner Gallery, Santa Monica, Here and Now--Recent Paintings Page Bond Gallery, Richmond, VA, Changing Light--Paintings and Works on Paper Melissa Morgan...

Representation of the Countryside is an original Contemporary artwork realized in 1982 by Claudio Bissattini. Original Acrylic on canvas. Titled a...

Green Composition is an original Contemporary artwork realized by the italian artist Leo Guida (1992 - 2017). Original Acrylic painting on canvas. Frame is included (49,5 X 2,5 X ...

Nocturne with Rose is an Contemporary artwork realized in 1985 by the italian Contemporary artist Leo Guida (1992 - 2017). Original Oil on canvas, mixed media and ink. Frame is in...

SALE ONE WEEK ONLY "Red Harmony" is an abstract painting that does have a sculptural presence in the shapes of the red areas. The lush greens blend various shades into a background that while it does contrast sharply with the reds, it is not in conflict. The overall effect of this work is dynamic in its energy while at the same time harmonious. One of the original Cass Corridor artists from the 1960s William Antonow studied at the School of the Detroit Society of Arts and Crafts (now the College for Creative Studies) and at Wayne State University, where he received his BFA (1967) and MA (1970.) Antonow’s first one-person show at the Willis Gallery in 1971, represented a radical departure from his early work – abstract bronzes shown at the Michigan Artists exhibitions at the Detroit Institute of Arts in 1969 and 1970. A founding member of the Willis, Antonow publicized his exhibition with a cryptic invitation stating, “art isn’t anything.” Echoing the challenge implicit in the exhibition announcement, the works in the show consisted of precariously balanced piles of such non-art materials as wood crates and barrels, corrugated paper or cardboard, cellophane and beer cans. These brash, paint-slathered juxtapositions of salvaged objects were perhaps the first example of the nascent “tough art” aesthetic of the Cass Corridor. (Both Gordon Newton’s wood constructions and Bob Sestok’s crude “radio wheels” first appeared in 1972.) In 1975, in the inaugural group exhibition of the Willis at its new location in the Fisher Building...

Titled: SIlver Bullet, Hand signed, dated and titled. Sheet measures 22 X 30 From her Pompidou Series (1979-1981) built around the X in the raw, exposed architecture of the Centre Georges Pompidou in the center of Paris designed by Richard Rodgers and Renzo Piano. Sheila Elias (born in Chicago, Illinois) is an American artist. Her work is Neo Expressionist, Feminist Pop Art. Her works have been featured in exhibitions across North America and at the Liberty show at the Louvre Museum in Paris. Elias graduated from the Art Institute of Chicago, lives and works in Miami, Florida and in New York City. As an artist and art historian, Elias works with the layers of life and art history, seeking in it a connection between art aesthetics and social consciousness. She has exhibited with diverse artists, Larry Rivers, Bob Stanley, Ford Crull, Sol LeWitt, Mark Tobey, Walter Darby Bannard, Clyde Butcher. Her work spans the disciplines of painting, digital mixed media, sculpture, installation and performance. Her inspiration to be an artist began with the work that Matisse created (La Cirque) in the library of the Art Institute of Chicago. Paul Wieghardt (from the Bauhaus School in Germany), was her art teacher at SAIC. She was influenced by the Marisol, Claes Oldenburg and Jean Dubuffet. Her sculptures also reveal the influence of Andy Warhol and Robert Rauschenberg. Select Exhibitions: Museo Vault in Wynwood Art District, Miami Coral Springs Museum of Art, Sheila Elias: Somewhere-Anywhere, Coral Springs, Fla. Lila G. Martinez Gallery, Cambridge, Mass. “Painted Pixels” Lowe Art Museum, University of Miami, FL (Solo Exhibition) “Salon Series” The Sagamore Hotel, Miami Beach, FL (Group Exhibition) “The Invisible Woman” Concrete Space, Doral, FL (Group Exhibition) “eye-Pad” Silvana Facchini Gallery, Wynwood, Miami, FL “Jewels” Buccellati, Bal Harbour, FL “Chai Contemporary” Jewish Museum, Miami Beach, FL “Tribute to Africa” Silvana Facchini Gallery, Wynwood, Miami, FL The Bakehouse Art Complex, Wynwood, Miami, FL Apple Store “iPaint on my iPad,” Chicago, IL The Multicultural Arts Center, Cambridge, Mass. The Napoleon Grand Salon at The Deauville Hotel, Miami Beach, Fla. Bass Museum, "I Wanna Be Loved by You: Photographs of Marilyn Monroe," Miami Beach, Fla. Boca Raton Museum of Art Norton Museum of Art Bass Museum, Miami Beach, Fla. Jewish Museum of Florida Kim Foster Gallery, "Beyond the Camera...," New York, NY Silvana Facchini Gallery, "Living in Miami," Miami, Fla. South Florida / Art Center, "Reconnect," Miami Beach, Fla. Maryland Federation of Art, "Art on Paper 2001" Corcoran Gallery, Annapolis, MD, juror David C. Levy Veneto Gallery, Miami, Fla. Margulies Taplin Gallery, Bay Harbour, Fla. "Secret Gardens," Travelling Exhibition, Lowe Art Museum, Miami, Fla. Public Art Program, City of Orlando, Fla. Lowe Museum, University of Miami, Fla. Art and Culture Center of Hollywood, Hollywood, Fla. Bernard Biderman Gallery, New York, NY Metro Dade Cultural Resource Center, Miami, Fla. Huntsville Museum of Art New England Center for Contemporary Art San Diego Art Institute, CA Anne Jaffe Gallery, Bay Harbour, Fla. Ratner Gallery, Chicago, IL Santa Monica Heritage Museum, Los Angeles, Calif. Paula Allan Gallery, New York, NY. Otis Parsons School of Design, "Hollywood: Portrait of the Stars" California Louvre, Institute des Decoratifs, "Liberty: the Official Exhibitions Centenary of the Statue of Liberty", Louvre Institut des Decoratifs, Paris, France New York Public Library, New York, NY Gallery Q, Tokyo, Japan University of North Carolina, Chapel Hill, NC New York University, Loeb Gallery, New York, NY Riverside Art Museum, Riverside, Calif. Danville Museum of Fine Arts, Danville, Virginia Alex Rosenberg Gallery, New York, NY New York University, New York, NY Stella Polaris Gallery, Los Angeles, Calif. University of North Carolina, Chapel Hill, NC Pictogram Gallery, East Village, NY California State University,Northridge, Calif. Institute for Contemporary Arts, Korea Focus International, "American Woman in Art", Nairobi, Kenya Laguna Beach Museum of Art, OCCA, Long Beach, Calif. Gallery One, Fort Worth, Texas, juror: Dr. William Otton...

Airbrush Illustration on paper Signed Risko lower right Blindstamp Upper Right Published: Vanity Fair Magazine Unframed

Airbrush Illustration on paper Signed Risko lower right Blindstamp Upper Right Published: Vanity Fair Magazine Unframed

RICHARD ANUSZKIEWICZ Untitled (Knot No. 1119), 1986-2020 Acrylic on canvas 48 x 48 inches