Board Figurative Paintings

Wonderful 1940s figurative of paper boy reading the comics by Louise Miller Clark (American, 20th Century). Signed "Louise Miller" lower right. Unframed. Im...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Farm Landscape with Lush Green Fields & Summer Sky in the English Countryside Art measures 16.75 x 9.5 inches Frame measures 22 x 15 inches

Pastel and carbon pencil on cardboard, ca. 1930 by Hugo Scheiber. Signed lower left: Scheiber H. Dimensions: 14.96 x 12.99 in ( 38 x 33 cm ), Framed: 19.69 x 15.75 in ( 50 x 40 cm ) ...

"Parade" Social Realism Mid 20th Century Modern American Scene WPA Regionalism Gerrit Van Sinclair (1890 – 1955) Parade 20 x 15 inches Oil on board, c. 1940s Signed lower right Fram...

A Summer Day WPA American Scene Social Realism Modern Ashcan Early 20th Century Leon Kroll (1884-1974) "A Summer Day" 14 x 17 inches (image...

Whimsical textured relief painting of two stylized twin jesters in primary colors, their long mask-like faces created with the technique of hand carving layers of laminated paper board and painting with acrylic, by contemporary English artist Martin Ingley...

"Faces I" Oil on Carton Abstract Painting 28" x 22" inch by Youssef Sida Signed and dated 1990 Youssef Sida 1922-1994 Born in 1922 in Damietta, and in 1...

Hugues Claude Pissarro b.1935 French Dimanche au champ de course (Deauville) (Sunday at the Racetrack) Signed “H. Claude Pissarro” (lower left) Pastel on card French artist Hugues Claude Pissarro offers a unique perspective of the racetrack in Deauville in this exceptional pastel. The spectators are as much his subject as the sport in this artistic tribute to a leisurely Sunday at the tracks. Following the impressionist tradition of his father and grandfather before him, Pissarro infuses this pastel with dynamic light and vibrant colors. Entitled Dimanche au Champ de Course (Deauville), it showcases the artist's highly distinctive and sophisticated style. Hailing from a long lineage of painters, Pissarro's artistic talents were cultivated at an early age. He exhibited his first works at the young age of 14 and later studied in Paris at the École du Louvre and École Normale Supérieure. A 1959 White House commission to paint the portrait of President...

Acquiring a mid-20th-century Fauvist painting by Wilhelm Henning is an opportunity to own a piece of art that captures the vibrant spirit and expressive color palette of the Fauvist ...

Signed lower left 'Nura' for Nura Woodson Ulreich (American, 1899–1950). Additionally signed, verso, dated March 1928 with artist's New York City ...

Nude Figure Study, Standing Female Figure with Sage Green Figure study of a nude model in studio by Los Gatos, California artist M.Z. Murphy (American, 20th century), c.1990. The f...

WHISPERS Mixed Media on Board Size: 30 x 37 cm (including frame) A wonderfully expressive and brilliantly executed figurative composition in mixed media (oil, watercolour gouache),...

MELLOWING Oil on Board Size: 40.5 x 49 cm (including frame) A wonderfully expressive and brilliantly executed figurative portrait composition, painted in oil onto board. Against a...

FIGURES BY THE HARBOUR Oil on Board Size: 34 x 64 cm (including frame) Characterised by bold lines, vivid colours and distinct forms, this painting carries a modernist ethos. We s...

CAROUSEL JOY Oil on Board Size: 43 x 51 cm (including frame) A joyful mid-century composition that captures the vibrant energy of a carousel ring with children, executed in oil ont...

A really charming little oil capturing an idyllic snapshot of farm workers and their family harvesting in the sunshine Attributed to Léon Augustin L'Hermitte (1844-1925) Harvesters ...

Reflections on Forest Pond in the English Countryside with Warm Yellows & Browns, by 20th Century British Artist, Christopher Osborne. Art measures 12 x 10 inches Frame measures 18 ...

Joaquin Terruella Matilla (1891-1957) - washerwoman - Oil on cardboard Oil measures 11x15 cm. Frame measures 15x19 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Mat...

Signed figures in landscape oil on board circa 1908 by French impressionist painter Maximilien Luce. The piece depicts workers on the Rue de Paris in Saint-Denis, a commune in the no...

Flowers in a Vase, intensely and seductively colored: almost in a Japonaise style. Swooning purples and reds, ecstatic lemon yellows, Jostling shapes, lyrical and soft-edged, refuse ...

Near the sea. Cardboard, oil, 17x27 cm Laimdots Murnieks has said: "I am a sunny artist. The sun and a woman are the center of the world. It is not for nothing that the sun always c...

"Girl with Flowerpot" is a portrait painting by Philadelphia born Expressionist painter Bernard Harmon. The 40" x 36" oil on board portrait is painted in a vibrant color palette. The...

Older, realistic portrait of an older Jewish shtetl tailor by Polish artist. Here the artist conveys a sense of quiet grandeur through the eyes of his subject and the way it's render...

Birth of the Lamb. Cardboard, oil, 65x60 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, ...

A. J. Bennett (South African, fl. Early 20th century) Light and Shade • Oil on canvas artist board ca. 42.5 x 29.5 cm • Later frame ca. 53.5 x 41 cm Worldwide shipping for this ob...

At the kolkhoz club on a holiday. Cardboard, tempera, 42x80 cm

Joaquin Terruella Matilla (1891-1957) - Flamenco - Oil board Oil measures 35x39 cm. Frame measures 40x44 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla, neph...

Alois Müller (Prob. Swiss, active in the mid 60’s) Die Saat kommt - Wer segnet (The seed is coming – Who does the blessing) • Pop art / anti-war art from the wild 60s • Most likely...

Dawn Seascape Painting with Pink Sky and Waves by 20th Century British Artist, Norman Scott Art measures 16 x 12 inches Frame measures 18 x 14 inches Vintage Original Oil on Boar...

Patrick Boudon. Inner Family. Post-war Expressionism. 1970s. Patrick Boudon. Art Informel. Ecole de Paris. Technique: oil on cardboard. This painting by Patrick Boudon from the 197...

William Atherton Cathcart (20th Century) Sunshine and shadow at Falmouth Oil on board Signed ‘W Atherton Cathcart’ (lower left) 20 x 24 in. (50.8 x 61 cm.)

Personale original contemporary mixed media painting. Cándido Ballester is a contemporary Mallorcan painter who was born in 1926. As a child he had to emigrate to Argentina. In the ...

'Family Seated on a Bench at the Port', oil on board, by François Diana (circa 1970s). A painting with a very wholesome, homespun theme harks back to a more innocent time. A family i...

One of the most prolific and acclaimed illustrators of the 20th century, Mark English produced work for such publications as McCalls, Time, Sports Illustrated, and Redbook before co-...

Donato Frisia ( Merate 1883 - 1953 ), Children by the Sea Oil on canvas pasted on cardboard 35 x 45 cm signed lower right.

Jaume Mariné - the barn - Oil Oil on canvas glued to board. Oil measurements 27x35 cm. Frame measurements 43x51 cm. Born in Poblenou in 1935. died in 2012. He was the son of a wall ...

Signed and titled oil on board nude circa 1905 by Belgian neo-impressionist painter Georges Lemmen. The work titled 'Reverie' depicts a red-haired lady who is kneeling down and resti...

Joseph Solman (1909-2008), Chair with Chinese Rug, oil paint on masonite, initialed JS on recto, titled and signed "J.S." verso, Dimensions 14" x 10" Framed to 21 X 17 Provenance...

Gustavo Úbeda (1930-1994) - Surrealism - Acrylic panel Acrylic measurements 80x100 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao Paulo, 1994) comes from ...

"Avon River", a beautiful mid century figurative landscape of Christ Church, New Zealand by Leon Worley (American, 1909-2003). Presented in a wooden frame. Signed "Leon Worley" lower...

Amazing surrealist painting by Italian artist Nuccio Fontanella (1936-2005). Ink and watercolor on cold pressed illustration board. Image measures 13 x 18 inches; 20 x 25 inches fram...

Mystery European Artist Untitled, c. 20th Century Oil on canvas board 31 x 22 3/4 in. Framed: 36 1/4 x 28 x 1 1/2 in. Signed lower right

Family genre scene late 19th early 20th century. The boy, tired of posing for a portrait painter, decided to play by spinning a coin on the table, this game greatly impressed his you...

Marta Becket (1925 - 2017) Untitled, c. 1960s Oil on board Sight: 23 x 26 in. Framed: 27 3/4 x 30 3/4 x 7/8 in. Signed lower left Talented as a painter, dancer and pianist, Marta B...

Mystery American Artist No. 9 Glouchester, c. Early 20th Century Oil on artist board 16 x 20 in. Framed: 20 x 24 x 1 1/2 in. Signed lower left Inscribed verso: Dolitsky / No 9 Glouch...

Ernő Tóth (Hungarian, b. 1949) Untitled, c. 20th-21st Century Oil on board 32 3/8 x 22 3/4 in. Framed: 36 3/4 x 27 x 1 1/4 in. Signed lower right Exhibition labels verso Ernő Tóth was born in 25. December 1949 in Sajóecseg, Hungary. Schools: 1964-68, Secondary School of Fine Arts; 1974-79 Academy of Fine Arts. His masters: Szilárd Iván, Jenő Barcsay and László Patay. Membership: National Association of Hungarian Artists, Hungarian Artist’s Association, Hungarian Painters’ Society, DunapART Art Society, Inner City Artists’ Society, Hungarian Art Workshop Society. His works were shown - apart from Hungary - also in Sweden, Finnland, Austria, and Germany. He made study trips in France, The Netherlands, USA, Yugoslavia, and Bulgaria. At various national and international exhibitions he was awarded several prizes, among others the international first prize for painting at the Humor-Satire Art...

Ernő Tóth (Hungarian, b. 1949) Szabadban [Outdoors], 1982 Oil on board 19 1/2 x 27 in. Framed: 24 1/2 x 32 x 1 3/8 in. Signed and dated lower right Exhibition label verso Ernő Tóth was born in 25. December 1949 in Sajóecseg, Hungary. Schools: 1964-68, Secondary School of Fine Arts; 1974-79 Academy of Fine Arts. His masters: Szilárd Iván, Jenő Barcsay and László Patay. Membership: National Association of Hungarian Artists, Hungarian Artist’s Association, Hungarian Painters’ Society, DunapART Art Society, Inner City Artists’ Society, Hungarian Art Workshop Society. His works were shown - apart from Hungary - also in Sweden, Finnland, Austria, and Germany. He made study trips in France, The Netherlands, USA, Yugoslavia, and Bulgaria. At various national and international exhibitions he was awarded several prizes, among others the international first prize for painting at the Humor-Satire Art...

Vintage Impressionist English River Landscape Painting with Wild Red Flowers & Figures by British Artist, David Hyde. The painting depicts two children playing under a tree by a Rive...

This work is part of our exhibition - America Coast to Coast: Artists of the 1940s Army Poker, c. 1943, probably tempera on board, signed upper right, 16 x 20 inches, inscribed verso a) “Army Poker / Mervin Honig / 421 W 42 St. N.Y.C.,” b) “Mervin Honig / US Army Air Force – Seymour Johnson Field – Goldsboro, NC / Circa 1943,” and c) “(This painting was done before men was (sic) shipped off to the Mariana Islands (Saipan) The Second World War.” Note: four pencil sketches for this work included Mervin Honig was a New York-based painter and illustrator who is best known for his realistic depictions of everyday life and sports themes. Honig was raised in Brooklyn and recalled almost never being without a paintbox in hand from the time he started elementary school. Honig had a deep reverence for the Old Master painters, Vermeer and Bellini, as well as the Americans Winslow Homer and Thomas Eakins. He initially studied art from 1939 through 1941 with Francis Criss. At the outbreak of World War II, Honig worked as a mechanic for Republic Aviation, but in August 1942, he enlisted in the US Army Air Corps and was stationed at Seymour Johnson Field in Goldsboro, North Carolina. During the war, Honig began to exhibit nationally, including as part of the Portrait of America exhibitions which originated at the Metropolitan Museum of Art and traveled around the country, as well as at the Carnegie Institute in Pittsburgh. He painted Army Poker in 1943 while stationed at Johnson Field. In this work, Honig draws inspiration from Paul Cezanne's The Card Players (Metropolitan Museum of Art), with a similar placement of the four figures, but Cezanne's table is replaced with an Army cot, the pipe rack with a soldier's mess kit and the drapery in the right background with a heap of discarded uniforms. Unlike the vibrancy of Cezanne's composition, the limited palette of Honig's work suggests the drabness and monotony of stateside Army life. After being discharged from military service, Honig furthered his studies with Amadee Ozenfant in 1946 and Hans Hoffman from 1947 through 1950. Additional exhibitions included the Whitney Museum of American Art, the Brooklyn Museum, the Los Angeles County Museum of Art, the National Academy of Design, the Wadsworth Atheneum, the Provincetown Art Association, and the National Academies Galleries of the Allied Artists Association. He was represented by the venerable Frank Rehn...

Raymond Debieve (1931-2011) Born in northern France as a twin to brother Michel Debieve (who also become an accomplished artist later in life), Raymond painted his entire life. His ...

Jordi Curós Ventura (1930-2007) - The ship Oil on canvas cardboard. Oil measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter. He...

This piece is framed. Unframed (the artwork only) measures 9.5"H x 7.5"W Michel Debiève was born on May 29, 1931, with his twin brother Raymond, in a popular suburb of Maubeuge (No...

Fabulous illustration depicts a costume for Broadway production. Gouache on illustration board, image measures 10.5 x 16.5 inches; 15 x 22 inches framed. Excellent condition in ori...

This work is part of our exhibition - America Coast to Coast: Artists of the 1940s Untitled (Transcendental Composition), oil on board, 1947, oil on board, signed and dated lower r...

Mystery Artist (Possibly William A. Kittredge, illustrator) Untitled (Diner), c. Mid-20th century Oil on board Sight: 8 x 10 in. Framed: 9 3/8 x 11 3/8 x 7/8 in.

Mystery American Artist Untitled, c. Early 20th Century Oil on canvas 20 x 23 3/4 in. Framed: 25 3/4 x 29 3/4 x 1 3/8 in. Signed lower right Inscribed verso: Dolitsky "Dolitsky" lik...

This Impressionist beach scene and landscape was painted by American artist Martha Walter. The 15 x 18 oil on board is framed in a 22K gold reproduction frame and is signed "Martha W...