Mid-20th Century Figurative Paintings

Wonderful mid century portrait of young girl with balloon in style of Raoul Duffy by Barbara "Mari" Berkman (American, 1930-2010), 1963. Titled "La Prima Vera...

Cadets Football New Yorker Mag Cover Proposal American Scene Modern Illustration Antonio Petruccelli (1907 – 1994) Cadets Football Game New Yorker cover proposal, c. 1939 14 1/4 X 1...

Oil on canvas mounted on board, realized by Francesco Settimj in 1933. Hand signed and dated lower left. Good condition.

Title: Charcoal Portrait of a Man in a Beret Artist: Josine Vignon (French 1922-2022) Medium: signed black charcoal on artists paper stuck on board, glass covered Size: 7.5 (heigh...

Symbolic figurative abstract of wispy figures surrounding a heart by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Marguerite and her husband Frank Blasingame...

Mid-century figure study of an African American man by American Impressionist artist Genevieve Rogers. Unsigned, but acquired with a collection of her...

Wonderful pulp art figurative portrait of a brunette woman in formal yellow evening gown with gloves by unknown California artist, circa 1960s. Unsigned. Acqu...

MARKET DAY Size: 50 x 74.5 cm (including frame) Oil on board A whimsical and characterful mid-century naïve style street scene composition that captures the vibrant rhythm of daily ...

"Lake Michigan Beach Scene" is an original oil painting by Francesco Spicuzza. The artist painted this scene on canvas and then glued that canvas to a b...

This artwork titled "Porte Saint Denis, Paris" c.1935 in an oil painting on canvas by noted French artist Francois Gerome, born 1895 (The year of his death...

Rivière et Saules by Paulémile Pissarro (1884-1972) Oil on canvas 46.1 x 55.2 cm (18 ¹/₈ x 21 ³/₄ inches) Signed and dated lower left Paulémile-Pissarro-1931 Titled on the reverse P...

This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Factory Worker, c. 1936, oil on canvas, signed lower right, 18 ¼ x 36 inches; exhibited in City ...

Self Portrait of the Artist by Jacob Markiel (Polish 1911-2008) *See notes below dated 1985 signed oil on board, unframed board: 18 x 15 inches provenanc...

Medium: Gouache on Board Signature: Signed Lower Left Sight Size 29.00" x 26.00;" Framed 38.50" x 35.00" Framed under glass. Original cover illustration for The Saturday Evening Po...

Date: 1938 Medium: Oil on Paperboard Sight Size 20.25" x 13.875", Framed to 27.50" x 21.00" Signature: Signed Lower Right with Initials: N/R 'Philip found himself involved in a humi...

Painterly scene of boats and boats being built at the docks in old Pacific Grove, California by an unknown artist (American, 20th Century). Signed"WHM" lower left. Presented in a fau...

Oil on wooden panel realized by Sirio Pellegrini in 1969. Hand signed and dated. On recto: The Cliff. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestra...

Julius Cesar is an original China ink drawing on paper applied realized by Albert Decaris in the 1970s. Good conditions. Hand-signed. The artwork is depicted through soft stokes i...

French fauvist Marine Landscape, probably the Mediterranean, mid century oil on board. The painting is signed bottom right but as yet undeciphered. Presented in a period chip carved ...

The French City by Michel Kritz (French 1925-1994) oil on canvas, unframed canvas: 32 x 24 inches provenance: private collection, France condition: very good and sound condition

Edward SEAGO (1910-1974, British) Seated Figure Reading by a River Oil on canvas Stamped signature on reverse Framed 18 ½ x 22 ¾ inches Provenance: Private Estate, Maryland A beaut...

A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...

Vaudeville Theatre by Edouard Cortes was painted circa 1955-60 and signed lower left. It is oil on canvas measuring 18x22 in original unlined condition....

Robert NYEL (1930-2016) “Ombrelles Dans La Champagne” A symbolist painting of women descending a hillside carrying red parasols mimicking a display of amanita toadstools. Symbolism was a reaction in favour of spirituality, the imagination, and dreams. Robert Niel...

Idyllic Countryside Scene with River Boat, Horses, Figures & Dogs in Sunshine by German-born British Artist, Gudrun Sibbons (1925- ). Original oil painting of a River Landscape with ...

A Large, Dynamic Mid-Century Modern Painting of a Chicago Night Club Showgirl by Noted Artist, Rudolph T. Pen (Am. 1918 - 1989). Painted in the 1960s, this is a large, vertical, abs...

Man Smoking Pipe by Josine Vignon (French 1922-2022) oil painting on board, unframed board: 24 x 19.5 inches stamped verso very good condition provenance: from the artists estate, ...

Initially read as archaic and simple, Halleluja is a complex celebratory spring painting full of color, imagination, and humor and combines many elements seen throughout her later ca...

3901 Posing Nude a 1940's oil on canvas Signed Pascal La Rocca Unframed Some losses to paint.

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

Figures (66) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 21 in. x 33 in. (53.34 cm x 83.82 cm) Frame Size: 27 x 41 inches

Walter Emerson Baum Manayunk, 1953 Signed and dated lower right; titled and dated on the reverse Oil on board 12 x 14 inches Walter Baum was born December 14, 1884 in Sellersville,...

Charles Gresham "Reading by the Window" Original Oil Painting c.1970 Fine vintage oil painting by San Francisco artist and philanthropist Charles Gres...

French Expressionist Portrait by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 19.5 x 15.5 inches provenance: artists estate, France condition: very...

Wonderful mid century figurative landscape of two small boats on blue-green water with three figures in a bustling harbor, by C.C. Chan (20th Century). One of the small boats its being used to sell red fruits, as the vendor weighs them for the customer who is shopping by boat, like in the floating...

Herbert Katzman 1923-2004 (American artist active in New york, Illinois and Italy) Oil Painting Dated 1946. Signed. Dimensions; Sight-16" x 20", Frame-23.5" x 27". Provenance: this...

Robert Tosa Mid Century Modern Abstract Portraits c.1952 Outstanding Mid Century Modern Painting. Various abstract portraits of a dancer. Original oil on board housed in a handsom...

Female Portrait is an original artwork realized in 1931 by Antonio Feltrinelli (Milan, 1887 - Gargnano, 1942). Original Painting on canvas. Hand-signed on the lower right corner. ...

Feeding The Birds by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 13 high by 15.75 inches wide condition: ...

View of Paris is a modern artwork realized by Henri Hamm in the 1930s. Oil on wooden Panel. Good conditions.

A wonderfully rich beach scene done along the Spaarne Canal, in the city of Haarlem located outside of Amsterdam in the northwest Netherlands. Once a major North Sea trading port sur...

The Windy Landscape English Impressionist artist, mid 20th century signed oil on board, unframed board: 10 x 14 inches provenance: private collection condition: very good and sound c...

Oil on canvas mounted on board, realized by Francesco Settimj in 1930s. Good condition.

Jesus Ortiz Tajonar (1919-1990) Mexican Boy with Papier-Mâché Animal Warrior Mask c.1950s Fantastic mid century modern oil painting by listed Mexican artist Jesus Ortiz Tajonar. W...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Eric Cederberg (1897-1984) Beach with pearls, ca. 1950 Oil on panel 9 1/10 × 14 3/5 in l 23 × 37 cm Frame included: 13 3/4 x 19 1/3 l 35 x 49 cm Signed lower left Exhibition history...

Quietly Reading by Regine David (female French artist, 1910-2018) oil painting on canvas, unframed measures: 16 x 13 inches condition: the painting is in very sound and presentable c...

Pietro Sansalvadore was active during the early to middle of the 20th century. He painted in an Impressionist manner and on a small scale. Acquiring a late 19th-century Impressionist painting of Hammersmith Bridge by the Italian painter Pietro Sansalvadore is an opportunity to own a captivating piece of art that transcends both time and cultural boundaries. Sansalvadore's unique perspective, influenced by the Impressionist movement, infuses this painting with a luminous quality that captures the atmospheric essence of Hammersmith Bridge in a way that only a skilled artist with an international perspective could achieve. This masterpiece not only showcases the artist's mastery in capturing light and movement but also represents a harmonious fusion of Italian artistic sensibilities with the iconic English landmark. The play of colors and the subtle brushstrokes transport the viewer to the late 19th century, offering a glimpse into the allure and dynamism of that period. Owning this painting is not just acquiring a visual delight; it's investing in a historical and cultural artifact...

Hong Kong Junks Mid-Century Impressionist in the Style of Charles Bertie Hall TPeter Wong (Chinese/American, 20th C.) From Taiwan, Province of China....

Artist: Moshe Katz – Romanian/Israeli (1937-) Title: Untitled - Fisherfolk Year: 1966 Medium: Oil on canvas Size: 24 x 36 inches Framed size: 28.5 x 40.5 inches Signature: Signed, d...

Pierre Thibault was a renowned French artist and known for his figurative paints depicting Parisian life in the 20th Century. Mainly street scenes of the bustling city of Paris and i...

original Oil Painting on board by Yvette Dubois Habasque (1929-2016) signed and inscribed verso drawing on back dated: 1964 board: 15 x 11 inches Fine original painting by the Fre...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper signed lower corner Image : 12 x 9.25 inches Superbly decorative 1960's French portrait ...

John Edward Costigan, N.A. American, 1888-1972 Bathers Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 20 by 24 in. W/frame 26 by 30 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

Léon Frédéric (1856-1940) Vallée de Nafraiture signed with the estate stamp at the lower left Oil on canvas transfered on panel 29.5 x 44.55 cm Certific...

Beautiful oil painting of nude study titled "The Red Table Cloth" by Bay Area, California artist Shirley Loyst (American, b-1928), circa 1960. Exhibition...

André Vignoles (French, 1920-2017) Pears and Peppers, 1957 Oil on canvas Signed and dated lower left 48 in. h. x 28 in. w., as framed 39 in. h. x 19 in. w., canvas André Vignoles wa...

"Pan of Bolts" and on Verso Joan Brown Swimming W/Manuel Neri Walking on Water Sally Wilt studied with Joan at California School of Fine Art Stunning lar...

A Quiet Read by Regine David (female French artist, 1910-2018) oil painting on canvas, unframed measures: 13 x 16 inches condition: the painting is in very sound and presentable cond...