Mid-20th Century Figurative Paintings

"Naiades" French Modernist artist, circa 1950's The work is faintly monogrammed to the lower corner though hard to tell. There is a name verso but illegible - possibly the artist or ...

The Banks of the Seine signed by Édouard Righetti (1924-2001) dated 1959 or 1960 framed oil painted on canvas, beautifully painted. very good conditio...

Vibrant Flower Market in Nice Tony Minartz (French, 1873 - 1994) oil on thick artist paper painting : 16 x 20 inches Provenance: private collection in the South of France, Conditi...

NYC EL American Scene Social Realism Mid 20th Century Modern WPA Era Figurative Cecil Bell (1906 – 1970) Street Life Under the EL 22 x 30 inches Oil on canvas, c. 1930s Signed upper...

Vibrant coastal village scene by Ramoz (Ramos) (20th Century). The setting sun casts an orange glow across a coastal village. Two people carry baskets on their heads as they unload a...

LLuís Muntané Muns (Mataró 1899 - Barcelona 1987). "Joven con cesta de flores". Firmado a mano en el ángulo inferior derecho. Y placa en marco inferior. Óleo sobre lienzo. Medidas: 9...

A printmaker, painter, and commercial artist, Marion Huse created work that ranged from realism to abstraction and included portraits, figure subjects, landscapes, and floral still l...

Highly textured landscape, with thick impasto illustrating a glorious scene of figures swimming in calm waters near large rocks and swaying trees, by Tyler Micoleau (American, 1911-2001). Signed and dated "Tyler Micoleau 1968" in the lower left corner. Presented in a gold colored wood frame. Image size: 12"H x 16"W Tyler Micoleau (American, 1911-2001) was born in Rhode Island but spent most of his life in Nevada County, California. He was a graduate of the Rhode Island School of Design and an instructor at Brown University. Micoleau moved to Nevada City...

Artist: William Weintraub (1926) Title: Young Boy with Donkey Year: 1962 Medium: Oil on board Size: 33 x 25.5 inches Condition: Excellent Inscription: Signed and dated by the artist ...

Rose Dancers Annie Faure (French 1940-2021) signed oil on canvas canvas: 35 x 45.5 inches Provenance: private collection Condition: very good condition For more any more information...

Pink Dress by Josine Vignon (French 1922-2022) ink/watercolour/pencil drawing on card, unframed paper: 10 x 6.5 inches double sided very good condition provenance: from the artists...

Work on canvas Golden wooden frame 68 x 50 x 4 cm

Mid Century French Portrait Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 13 (height) x 10 (width) Stamped Verso Condition: Good Pr...

"The Park Bench" by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) oil painting on canvas, unframed painting: 6.25 x 8.5 inches A fine oil painting by the listed French Impres...

Very finely executed modernist ballet scene. Pastel and gouache on paper. Handsomely framed. Image size, 12H by 16L.

Portrait of a Dancing Women French artist, mid 20th century signed oil on canvas, framed in original 'Montparnasse' style frame framed: 30 x 25.5 inches canvas: 22 x 18 inches Prove...

Richard Andres (American, 1927-2013) Panama Garden, c. 1964 acrylic on canvas signed lower right, signed and titled verso 46 x 38 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Antique French oil figurative painting of a woman serving a man in a tavern. Post-impressionist portrait painting on canvas in a vintage frame. An unusual but interesting oil paint...

William Quinlan Torrey Cliff, Palisades, New Jersey, 1939 Signed and dated lower right; titled on reverse Oil on artist board 10 x 8 inches Private collection, New York c. 1955 Esta...

OLD MASTER PISSARRO LARGE CANVAS OIL PAINTING 20th CENTURY FRAMED “Good condition" ..Piece has been cleaned good condition for age (see pictures) OLD MASTER OIL PAINTING LARGE S...

Clarence Van Duzer (American, 1920-2009) The Sea, c. 1950 Asphaltum, encaustic and silver leaf on masonite Signed upper left 48.5 x 48 inches In the annals of Cleveland art history,...

Title: French Gouache Painting of Indigenous Council Gathering in Colorado Nevada by Emile GALLOIS (1882-1965, French) Signed: Yes Medium: Original gouache painting on thick unframed...

Wayman Elbridge Adams (1883-1959). From a Balcony, New Orleans, French Quarter, ca.1930. Oil on masonite panel, 12 x 16 inches; 17.5 x 21.5 inches framed. Excellent condition. ...

Mid Century Seascape and Figural Original oil painting on Linen 1956 Solitary figure on wharf by California artist Robert Watson, painted 1956 (1923 - 2004)The following, is from To...

A vibrant composition or portrait in a constructivist style by artist Lars Englund (born 1933), signed and dated "LED 56" (1956). This is an early work by the artist in which he has ...

Presenting a just discovered oil painting from the earliest period, c.1932, of American artist Ron Blumberg. After completing his fine art studies art at La Grande Academie Chaumiere in Paris Ron Blumberg left for New York in 1932, where he worked for eight years as a National Academy artist and a member of the Art Students League. Virtually every painting from this early New York period has been sold, making this the rarest period of work in Ron Blumberg’s career. City Street: Fifth Avenue, is an original oil on canvas, signed, c.1932, with an image dimension of 39 x 39 inches, good original condition with two very small restorations, set in a beautiful custom white gold frame. Please contact the gallery for information, availability and pricing Ron Blumberg Born: 1908 Reading, Pennsylvania Education: National Academy of Design, New York, NY Art Students League, New York, NY, 1930 Academie de La Grande Chaumiere, Paris, France, 1930-1931 ​Museum Exhibitions Delgado Museum, New Orleans, LA 1933 Houston Museum of Art, Houston, TX 1936 Oakland Museum Oakland, CA Dallas Museum of Fine Arts, Dallas, TX 1936, 1936 Denver Museum of Fine Arts, Denver, CO 1957 Tucson Museum, Tucson, AZ 1955 San Diego Museum, San Diego, CA 1962 Los Angeles County Museum of Art, Los Angeles, CA 1958 H. d Young Memorial Museum, San Francisco, CA 1967 Erma Frye Museum, Seattle, WA 1969 ​Gallery Exhibitions ACA Gallery, New York, NY 1937 Arr USA, New York, NY 1939 MacBeth Gallery, New York, NY 1932 Landau Gallery, Los Angeles, CA 1951 Esther Robles Gallery, Los Angeles, CA 1958,1959 Cushing Gallery, Dallas, TX 1972 Jean Dichter Gallery, Denver, CO 1955 Feingarten Galleries, Los Angeles, CA 1987 Trigg Ison Fine Art...

This artwork titled "Paysage de la cote d'azur (Coastal Scene of the French Riviera)" c.1960, is an oil painting on canvas by French artist Rene Dulieu, 1903-1992. It is signed at the lower left corner by the artist. The canvas size is 21.5 x 25.85 inches, framed size is 35 x 39 inches. Custom framed in original dark brown and gold distressed frame, with fabric liner and gold color fillet. It is in excellent condition, the frame have minor restorations, practically invisible. About the artist. Self-taught painter of figurative painting. At eleven years old, it was the Great War and his Certificate of Studies in his pocket, he first worked in the fields of the village farms, then until he was 17, he was employed at the Coeuvres distillery where he is responsible for the proper functioning of the machines. In 1925 he did his military service at the barracks of St Vincent de Laon (Aisne) in the 101st heavy artillery regiment as a pointer brigadier, and he was already drawing on notebooks. At the end of his service, having chosen to go to Paris to take drawing and painting lessons, he became a cashier at the Grand Magasins du Louvre. He begins to discover Paris, its districts, its buildings, shops, churches. During the week he sets up his easel on the sidewalks of Montmartre, Notre Dame, where the Latin Quarter and on Sundays, he sells these paintings on Boulevard Raspail. He took part in the Battle of France in September 1939at june 1940. He testifies in a notebook of the events and emotions he has gone through. After the Second World War, he set up his home and studio in the 15th arrondissement of Paris, but he remained very attached to his native village where he went very regularly. Married, he takes his family almost every summer to the Côte d'Azur where he paints with great pleasure the warm colors and the intense light of the Esterel or the Var coast. He participates in many Parisian salons and exhibitions in Paris and province. Awarded at the Salon des Artistes Indépendants in 1961, as well as at the Salon Violet in Paris. From 1967, Mrs. Rosenthal of the Galerie Haussmann (Paris), regularly exhibited her works on "Old Paris" which particularly appealed to British and American tourists. He participated with the painters René Demeurisse...

The first thing to ask about any Clementine is: is it authentic. Yes, there are fakes, and paintings by her son that are mistaken for (or presented as) hers. I won't touch anything by her that hasn't been verified, and this one has been verified by the #1 Clementine expert, Tom Whitehead. Of course it has my own guarantee as well; I have sold many Clementines. You can find fakes at auction houses (many of them outside of the New Orleans area) and other venues that don't ask questions, for a lot less money, but don't be fooled! Now, about the painting. This one has a clear, wonderful provenance, which is unusual for these. Weddings were a common theme for Hunter, but this one has a specific history. It was gifted to Mr. and Mrs. Merrill by Ann and Jack Brittain in 1967 as a wedding present; then went by descent to the estate of Mary Jane "Cookie" Grace Merrill of Baton Rouge, Louisiana. 18" x 24", slightly larger with frame. I will be including a free copy of the hardcover book (show in photo) by Art Shiver and Tom Whitehead about Clementine (Whitehead is the expert who verified this painting). Proudly presented by Guy Lyman Fine Art, New Orleans, with our firm guarantee of satisfaction. From AskArt: Often referred to as “the black Grandma Moses,” Clementine Hunter...

Signed oil on canvas figures in landscape circa 1950 by French post impressionist painter Marcel Dyf. The work depicts doing a late summer harvest in Provence, France. Signature: Si...

Nahum Tschacbasov was born in Baku, in the southeast of Russia. When he was eight years old, he came to America, where his family settled in Chicago. His career, spanning more than five decades from the 1930’s to the 1980’s, is a kaleidoscope of influences, from modernism to the Byzantine style and expressionism of his Russian roots. Tschacbasov’s paintings of the 1930’s reflect the social and political preoccupations of the times. He received considerable critical attention for his powerful dramatic satirical depiction of social injustice. In the 1940’s he gained wider recognition when his style evolved into a fusion of Cubism and Surrealism. Through the influence of Jung, as well as currents brought to America by the newly arrived group of European Surrealists, he created a powerful personal iconography in which the inner workings of the psyche are revealed as myth and metaphor. His first encounters with modern art are the works of Cezanne, Van Gogh, and Rouault. 1932-33 Tschacbasov moves for a short time to New York City in order to be in a modern art center and then to Paris, where he adopts the name Tschacbasov, an anagram of different family names. He studies with Leopold Gottlieb for eight months, then with Marcel Gromaire, who teaches him pictorial structure, and briefly with Fernand Leger. Working in his studio on the edge of Montmartre and later in the Hotel de Sante in Montparnasse, he produces a large body of work, retaining fifty paintings. After trips to North Africa, Spain, and the Balearic Islands, he travels often from Paris to New York City, where he spends six months painting a series of Depression-inspired pictures after finding that his American business has gone bankrupt in his absence. 1934 In Paris, Galerie Zak exhibits landscapes from his trip to Majorca in the first one-man exhibition of Tschacbasov paintings; Salon de Tuileries also exhibits his work. His savings exhausted, he returns to New York via Tunisia in the midst of the Depression. 1935 Living on Pineapple Street in Brooklyn Heights, Tschacbasov works on the WPA Federal Arts Project, Easel Division, where he meets other artists and becomes politically involved. His works are shown at Galerie Secession with those of Mark Rothko, Adolph Gottlieb, and other modernist and expressionist painters. Tschacbasov, Rothko, Gottlieb, Joseph Solman and others from Galerie Secession form a group called The Ten combining common aims of social consciousness with an expressionist and abstract style. Themes of social injustice are more dominant in Tschacbasov's work than in that of others of The Ten, as he draws on his own childhood experiences of the harsh realities of immigrant life in industrial Chicago. In the summer, a one-man exhibition of his non-objective paintings is held at Galerie Secession, and in December, Montross Gallery in New York City holds the first exhibition of The Ten, including two works by Tschacbasov, "Handout" and "Three Graces." 1936 In January, an exhibition of The Ten is held at Municipal Art Galleries in New York City, and later in the fall an exhibition, also of The Ten, is held at Galerie Bonaparte in Paris. 1936-38 Among the paintings exhibited in the "Annual Exhibition of Contemporary American Painting" at the Whitney Museum of American Art are Tschacbasov's "Deportation", "Clinic", "Friday Night", "Harbor Sunset", and "The Matriarch". 1936-37 Tschacbasov is appointed business manager of Art Front Magazine, a publication associated with the Artists' Union. His circle of friends at this time include Philip Evergood, Milton Avery, Stuart Davis, David Burliuk, William Gropper, the Soyer brothers, Robert Gwathmey, Marsden Hartley, and Max Weber. Due to cut-backs in WPA funding, he teaches at his 38 West 22nd Street studio and at the American Artists' School. On the faculty are David Burliuk and the Soyer brothers, as well as Elaine de Kooning and other artists with similar aesthetic and social points of view. Personal and artistic crises lead to his entering into Jungian psychoanalysis, which provides new impetus and direction to his painting. Under the influence of analysis, he starts to write portions of a surrealistic autobiography, The Moon is My Uncle. His paintings, "Refugees" and "Friday Night" are shown with works by Avery, Burliuk, and DeHirsh Margules in a group exhibition at Albright Art Gallery in Buffalo, New York. In September, the Berkshire Museum in Pittsfield, Massachusetts focuses on themes of social criticism in an exhibition entitled "The World Today", curated by Elizabeth McCausland, which includes Tschacbasov's, "Little Red School House". 1940 Tschacbasov takes up photography. Photographing the works of friends and other artists, he builds a collection of color slides...

Original Mid Century Pen and Ink on Paper "Cowboy and Bronco" Western Genre Compelling pen and ink western picture of Cowboy wrangling the bro...

Sur la Plage French Modernist artist, 20th century indistinctly signed oil on canvas, framed inscribed verso framed: 20.5 x 26.5 inches canvas : 20 x 26 inches provenance: private c...

A charming depiction of Snow in New York City by Washington Square Park on a cold snowy evening with city lights and buildings captured in the distanc...

The Garden Terrace by Paul Flaubert (French, 1928-1994) signed oil on canvas, unframed canvas: 18 x 21.5 inches provenance: private collection, France condition: very good and sound ...

Oil Painting of Country Harvest Scene with Horses & Figures by British Artist. Oil on Board, Signed. Framed in a high quality distressed ornate moulding. Art measures 20 x 16 inche...

5187 Oil on canvas of Leidseplein in Amsterdam Image size 20x16"

Mid Century French Landscape by Josine Vignon (French 1922-2022) Medium: Watercolour on artists paper Size: 7 height) x 9 (width) Stamped Verso Condition: Good Provenance: All the pa...

View of the Towers of Chartres Cathedral in Acrylic on Artist's Board Colorful, idealistic representation of Chartres Cathedral and the surrounding area by Ben Venezky (American, 18...

This artwork titled "Yosemite" 1952, is an oil painting on board by noted California artist Jean Martin (Eugenia Victoria Weir Martin) 1906-1986. It is signed at the lower right corner by the artist. The artwork (board) size is 16 x 20 inches, framed size is 24.25 x 28.25 inches. Framed in original wooden gold with grey patina frame, with fabric liner. It is in excellent condition. About the artist: Eugenia "Jean" Victoria Weir Martin 1906-1986 San Diego, California Landscapes, Seascapes artist Eugenia Victoria Weir Martin was a painter and art instructor in Southern California. She was born in Tennessee on March 7, 1906. "Jean", as she was called, was brought to La Jolla, California as a small child by her parents, and remained in that area the rest of her life. Her Father was a businessman in the early stages of the development of La Jolla. He operated a General Store in the early village. They resided in "Windemere", which is now the home of the La Jolla Historical Society. At the age of 10 she studied art with a Mrs. Fletcher, an artist in residence at the 1916 California Exposition in Balboa Park. She also studied at the San Diego Academy of Fine Arts. Early in her career she also studied with Maurice Braun, Alfred Mitchell, Edward Langley...

"The Park Bench" by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) oil painting on canvas, unframed painting: 6.25 x 8.5 inches A fine oil painting by the listed French Impres...

Springtime River by Josine Vignon (French 1922-2022) stamped verso oil painting on board, unframed board: 18 x 26 inches Colors: Green colors, blue, white, yellow and red Very good...

Oil on wooden panel realized by Sirio Pellegrini in 1968. Includes a wooden frame realized by the Artist. cm. 73x46.5. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo o...

French 20th-century Impressionist harbor, with fishing boats at sea, with landscape beyond. 20th-century French impressionist harbor scene. The...

Title: Mid-20th Century French Pastel Landscape of Trees in a Sunlit Public Garden by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 15.25 inches...

"Maria" Portrait of a Girl New Hope Pennsylvania Artist Edna Gass "Enfant" portrait of a child by New Hope Artist Edna Gass (American, 1904–1993). This portrait is one of rare Monoty...

A vibrant and colorful Parisian city scene by Australian Mollie Flaxman. Captured in a very impressionist manner 'The Bastille' which was a fortress in Paris, known formally as the B...

Paul Riba (American, 1912-1977) Walrus Oil on paper Signed lower right 29.25 x 24.5 inches 34.75 x 30 inches, framed Paul Riba was a painter of Magic Realism. He explored the unrea...

A beautiful oil painting on canvas by the French artist Georges Gerbier, depicting a tremendously vivid and alive street scene from Paris in the 20th Century with a view of "Palais G...

SALE ONE WEEK ONLY UNTITLED by Fanny Rabel a Mexican artist who was born in Poland in 1922 is a soul wrenching work depicting among other things, the children killed by Nazi bombing in Spain during the Second World War. The lavender and purple surrounding the seated female figure and the kneeling child suggest both grief for the innocents' deaths and the prayers being offered for an end to the carnage. The bright gold and red can be read as either explosions or the hopeful light of redemption after death. Like Picasso's Guernica from 1937, this painting from 1965 can stand as a powerful anti-war statement. Numerous key galleries and museums such as Morton Auctions, Cerro de Mayka have featured Fanny Rabel's work in the past. Her anti-Nazi and anti-Fascism politics resulted in her participation in a mural called Retrato de la Burguesía in 1940 for the Sindicato Mexicano de Electricistas building on Alfonso Caso Street in Mexico City. Rabel met a group of exiled Spaniards in Mexico along with Antonio Pujol, who invited her to take part in a mural project headed by him, David Alfaro Siqueiros, Joseph Renau, Luis Arenal, Antonio Rodríguez Luna and Miguel Prieto. The artist died in 2008. Fanny Rabel born August 27, 1922, in Poland born Fanny Rabinovich, was a Polish-born Mexican artist who is considered to be the first modern female muralist and one of the youngest associated with the Mexican muralism of the early to the mid-20th century. She and her family arrived in Mexico in 1938 from Europe and she studied art at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", where she met and became friends with Frida Kahlo. She became the only female member of “Los Fridos” a group of students under Kahlo’s tutelage. She also worked as an assistant and apprentice to Diego Rivera and David Alfaro Siqueiros, painting several murals of her own during her career. The most significant of these is "Ronda en el tiempo" at the Museo Nacional de Antropología in Mexico City. She also created canvases and other works, with children often featured in her work, and was one of the first of her generation to work with ecological themes in a series of works begun in 1979. She is considered to be the first female muralist in Mexico. She was an assistant to Diego Rivera while he worked on the frescos for the National Palace and an apprentice to David Alfaro Siqueiros. Her most important mural is Ronda en el tiempo located in the Museo Nacional de Antropología, which was created from 1964 to 1965. She also created murals at the Unidad de Lavaderos Público de Tepalcatitlán (1945), Sobrevivencia, Alfabetización in Coyoacán in 1952 Sobrevivencia de un pueblo at the Centro Deportivo Israelita (1957) Hacia la salud for the Hospital Infantil de México (1982), La familia mexicana at the Registro Público de la Propiedad (1984) (which Rabel preferred to title Abolición de la propiedad privada) and at the Imprenta Artgraf. In collaboration with other artists, she participated in the creation of the murals at the La Rosita pulque bar (disappeared) and at the Casa de la Madre Soltera. She entered the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" shortly after it was established in 1942, taking classes with José Chávez Morado, Feliciano Peña and Frida Kahlo, with whom she became close friends. She changed her last name from Rabinovich to Rabel during her career. Rabel married urologist Jaime Woolrich and had two children Abel and Paloma Woolrich, both of whom became actors. The first exhibition of her work was in 1945 with twenty-four oils, thirteen drawings, and eight engravings at the Liga Popular Israelita with Frida Kahlo writing the presentation. In 1955, she had an individual exhibition at the Salón de la Plástica Mexicana. She had a large exhibition at the Museum of the Palacio de Bellas Artes to commemorate a half-century of her work. Her last exhibition was in 2007 at the Universidad Autónoma Metropolitana. Her work can be found in collections in over fifteen countries including those of the New York Public Library, the Library of Congress in Washington, D.C., the Royal Academy of Denmark, the National Library in Paris, the Casa de las Américas in Havana, the Benemérita Universidad Autónoma de Puebla and the Museo de Arte Moderno in Mexico City. A retrospective of her work after her death called Retrospectiva in Memoriam, Fanny Rabel (1922-2008) was held at the Museum of the Universidad Popular Autónoma del Estado de Puebla . She is considered to be the first modern female muralist in Mexico although she also did significant work in painting, engraving, drawing, and ceramic sculpture. Her work has been classified as poetic Surrealism, Neo-expressionism and is also considered part of the Escuela Mexicana de Pintura (the dominant art movement of the early to mid 20th century in Mexico) as one of the youngest muralists to be associated with it along with Arnold Belkin and José Hernández Delga. Rabel was more drawn to depicting mankind’s pain rather than happiness, sharing other Mexican muralists' concerns about social injustice. However, she stated to Leopoldo Méndez that she could not create combative works, with clenched fists and fierce faces, and she wanted to leave the Taller de Gráfica Popular. Méndez convinced her to stay, saying that more tender images are important to political struggle as well. Children with Mexican faces...

A strong modernist oil painting depicted in the Mid Centruy by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his interior scenes with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This painting measures 32 x 25.5 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century, it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation...

"Trois Pêcheurs" Louis Pastour (France, 1876-1948) Oil on board Signed l.l. 7 7/8 x 4 7/8 (8 1/8 x 11 1/8 frame) inches Louis Pastour was called the “...

Exceptional detail in this painting of boys playing dice by R. Hauslar (German, 20th Century). A Hausler interpretation of a work by the famous Bartolome ...

Oil on cardboard realized by Sirio Pellegrini in 1960s. Hand signed. Includes a wooden frame realized by the Artist. cm. 43.5x34. Sirio Pellegrini, born in Rome on March 1, 1922, ...

'The Mouth of the Little Rhone', oil on canvas, by Yves Brayer (circa 1960s). The Petit Rhône, one of the two arms of the Rhône delta, marks the boundary between the Camargue and the...

Title: Mid 20th Century Post Impressionist Pastel Landscape of the Vosges Mountains by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size:...

Louis Bosa (American, 1905–1981) Bucks County, 1934 Oil on canvas Signed and dated lower right 17.5 x 21.5 inches 25.5 x 29 inches, framed Born in Codroipo, a small village only a f...

Still Life with Autumn Leaves Guy Nicod (French 1923 - 2021) gouache on artist paper, unframed painting : 25.5 x 18 inches provenance: artists estate, France condition: very good and...

The Cafe Interior by Guy Nicod (French 1923 - 2021) gouache on artist paper, unframed painting : 20 x 26 inches provenance: artists estate, France condition: very good and sound cond...

Work on cardboard Wooden frame 44 x 37.5 x 3 cm

5-3208a oil on artist board Set in a restored vintage frame Image size 17x8.8"