Impressionist Figurative Paintings

"All Tucked In for the Night" (2011) By Susie Hyer is an original handmade oil painting on stretched linen that depicts a trailer parked in a landscape under bright moonlight. This p...

Alejandro is an oil on linen painting by Cuban-American artist Edel Lugones who lives in Miami, Fl. It is 17 x 14 unframed and the gallery is waiting fo...

Child,Baby,Maternity,child,Mother,Green,Window,spring,russian art GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collect...

Signed impressionist landscape oil on panel circa 1872 by French painter Stanislas Victor Edouard Lepine. The piece depicts a view of La Maison Blanche in Bas Meudon, France. Signature: Signed lower right Dimensions: Framed: 13"x16" Unframed: 6"x9" Provenance: Galerie Bonnemaison, Paris. Their sale; Hôtel Drouot, Paris, 29 April 1896, lot 39. Galerie Durand-Ruel, Paris. Van Harwingen, Paris. E.J. van Wisselingh & Co., Amsterdam. H.J. Ten Cate, The Hague. Arnold Cohen, Paris. Arthur Tooth & Sons Ltd., London. MacConnal-Mason Gallery, London. Private collection, USA, by 1999. Anonymous sale; Christie's, New York East, 2 November 1999, lot 54. Literature: R. & M. Schmit, Stanislas Lépine 1835-1892, Catalogue Raisonné de l'oeuvre peint, Paris, 1993, p. 224, no. 565, illustrated. EXHIBITED Paris, Galerie Rosenberg, Lépine, 1906, no. 19. Stanislas Victor Édouard Lépine was the pupil of Corot in Paris between 1860 and 1875. His first paintings hardly attracted attention. He would perhaps have remained unknown for a long time if Count Armand Doria, struck by the feeling visible in his landscapes, had not taken him under his protection with Adolphe Félix Cals...

This artwork depicts a rural landscape. Yves Calméjane usually uses light impasto techniques, with the weft of the canvas often still visible. The reliefs are quite thin, the paint...

This artwork titled " Blackwood Spring Runoff" 2016 is an oil painting on canvas by noted American artist Andrew (Andy) Skaff, b.1945. It is signed at the lower right corner by the a...

Signed and dated oil on canvas riverscape painting by French impressionist painter Maxime Maufra. The piece depicts washerwomen on the edge of a river on a sunny spring day washing l...

"An Evening Like This" (2025) by Stephanie Hartshorn is an original handmade oil painting on wood panel that depicts a serene midwestern lake in early dusk. This piece is created at...

A splendid impressionist harbor scene with boats and figures by well-known Dutch / American artist Anthony Thieme (1888-1954). Thieme was born in Rotterda...

"Leda" Circular Oil on Canvas Figurative Nude with Swan Detailed painting of Nude and Swan by Jose Garcia Arroyo. Jose is form Northwestern Mexico and sett...

Illuminated in afternoon light, this seaside scene by Diane Monet focuses on a mother and child enjoying a leisurely stroll on a brick-lined street beside the water. Roche-Guyan by ...

Sarah Robertson, The Louvre On the River Seine View, 30 x 22 in, Mixed Media on Paper A luminous riverside perspective of the Louvre, this painting blends old-world architecture with...

Fine 22K gold gilt frame.

Wonderful double-sided oil painting of the artist Jane Voitel Mellin reading a book and also a landscape of an ocean path on verso by Nicholas Read (American), circa 1975. Unsigned. ...

Forest, Birch, Trees, Painter, River, Gray Andrei Levitine (1947 St.Pietroburgo)

Georgij MOROZ (Dneprodzerzinsk, Ukraine, 1937 - St. Petersburg, 2015) MUSEUMS Moscow, Tret’jakov Gallery Moscow, USSR Artists Collection Moscow, The Ministry of Culture Collection S...

"Take me Home" by Lu Haskew Oil 19x16" framed, 12x8" image size Signed lower left A young child very apparently ready to go home from their intense yet cute look. The child is weari...

Dale O Roberts' "Tuscan Hill Town" is an original, hand made encaustic painting that depicts a colorful Tuscan hillside. About the artist: Born 1959 in Waterville NY, Dale O Robert...

Beech Trees with Figures in a National Trust Forest in Northern Ireland by 20th Century Artist, Allan Ardies (1918 - 2014) Art measures 24 x 18 inches...

Signed figures in landscape oil on board circa 1905 by Australian-American impressionist painter Richard Hayley Lever. The work depicts fishing vessels docked in the harbour in Douar...

Girls Outside a Florentine Bar by James Crandall Oil on canvas panel 12” x 16” Also shown is "Girl with Aperitivo" which is 16' x 12" and is available. This Florentine painti...

Pauline Palmer Ladies' Sketch Club Signed lower left Oil on board 20 x 24 inches Pauline Palmer (1867 - 1938) was one of Chicago's early twentieth-century portrait and landscape pa...

Basket Weaver with his Baskets for the Market 1950s figurative oil Expressive and detail portrait of a weaver and his baskets, heading to market by California impressionist nna Oley...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Clouds over the sea. 1974, cardboard, oil, 36.5x49 cm

"On The Beach" By Greg Harris is a perfect example of his most sought after paintings. Measuring 36x48 in., this painting is timeless with woman and children at the beach...

"Sailboat" is a contemporary impressionist oil painting of boat on the beach, in summer. Painted en plein-air in Sag Harbor, New York. A single sailboat rests on the shore of a quiet...

This portrait of a lady is an environmental portrait painted by living Pennsylvania painter, Glenn Harrington. The 40 x 30 inches, oil on linen painting is mounted, framed, and signe...

San Ildefonso Market in Guatemala by artist William Kalwick depicts a typical market in one of the local towns that are held throughout Guatemala. This market takes place in Anti...

Verbrugghe Charles Bruges 1877 – 1974 Paris Belgian Painter 'A View of Damme' Signature: Signed bottom right, on reverse placed "Damme" Medium: Oil on panel Dimensions: Image size 3...

This artwork titled "Autumn River Bank" c.1955 is an oil painting on canvas by American artist Richard Ellis Wagner 1923-2009 It is signed at the ...

Stephanie Hartshorn's beautiful original impressionist oil landscape "Open Road" (2023) depicts an American midwestern plains scene of a small-town during sunset. Artist Biography: ...

Mid century portrait of a woman with pearls and a blue shirt by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with ...

Sheep Shearing in the Old Barn British School, late 19th century/ early 20th century circle of Sir George Clausen )1852-1944) oil painting on canvas, framed framed: 33 x 24 inches ca...

Scott Conary's "Break" is an original, handmade oil painting that depicts light breaking through storm clouds. About the Artist: Raised where the East Coast suburbs filtered into t...

Gregory Block's (US based) "Resplendence" (2024) is an original, handmade oil painting that depicts a vibrant pink flower in front of a blurred green background. About the Artist: G...

Judd Mercer's (US based) "059 - Plein Air-Red Rocks, CO" is a gouache painting depicting a landscape. Artist bio/statement Judd Mercer is a contemporary landscape painter and Color...

Countryside, Party, Summer,Green, Shipment included in the price GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collecti...

Ulrich Gleiter's (EUR based) "The Central Square of Ravières" is an oil painting that depicts a square of a small European city filled with trees and li...

"Self Portrait with Flowers" is an impressionist, oil on canvas painting. It depicts Amy Florence at a table inside of a house with flowers on a table. A composition filled with li...

A fine large oil painting by Scottish listed artist William Strang. This is a super evocative oil on canvas which depicts a family at "The Foot of the Statue". It was exhibited in 1904 in Bradford exhibition of fine arts lent by L W Hodson of Wolverhampton who was a patron of his work. This is a fine example of an early 20th century Scottish oil with good subject. It is a good size and signed. This wouldn't be out of place in Kelvingrove Gallery in Glasgow. Signed lower left. Provenance. Bradford Art Gallery 1904. Sotheby 19th June 2002 Guide price £20000-30000GBP. Condition. Oil on canvas. Image size 30 inches by 25 inches and in excellent condition. Housed in a fine period frame, 39 by 34 inches framed and in good condition. William Strang (1859-1921) was born at Dumbarton, the son of Peter Strang, builder, and educated at the Dumbarton Academy. He worked for fifteen months in the counting-house of a firm of shipbuilders before going to London in 1875 when he was sixteen. There he studied art under Alphonse Legros at the Slade School for six years. Strang became assistant master in the etching class, and had great success as an etcher. He was one of the original members of the Royal Society of Painter-Etchers, and his work was a part of their first exhibition in 1881. Some of his early plates were published in The Portfolio and other art magazines. He worked in many manners, etching, dry point, mezzotint, sand-ground mezzotint, and burin engraving. Lithography and wood-cutting were also used by him to create pictures. He cut a large wood engraving of a man ploughing, later published by the Art for Schools Association. A privately produced catalogue of his engraved work contained more than three hundred items. Amongst his earlier works were Tinkers, St. Jerome, A Woman Washing Her Feet, An Old Book-stall with a Man Lighting His Pipe from a Flare, and The Head of a Peasant Woman on sand-ground mezzotint. Later plates such as Hunger, The Bachelor's End and The Salvation Army were also important. Some of his best etchings were done as series—one of the earliest, illustrating poet William Nicholson's Ballad of Aken Drum, is remarkable for clear, delicate workmanship in the shadow tones, showing great skill and power over his materials, and for strong drawing. Another praised series was The Pilgrim's Progress, revealing austere sympathy with John Bunyan's teaching. Samuel Taylor Coleridge's Ancient Mariner and Strang's own Allegory of Death and The Plowman's Wife, have served him with suitable imaginative subjects. Some of Rudyard Kipling's stories were also illustrated by him, and his likeness of Kipling was one of his most successful portrait plates. Other etched portraits included those of Ernest Sichel and of J.B. Clark, with whom Strang collaborated in illustrating Baron Munchausen...

Judd Mercer's (US based) "070 - Plein Air-Lafayette, CO" is a gouache painting depicting a landscape. Artist bio/statement Judd Mercer is a contemporary landscape painter and Color...

"Merc Power" (2019) by Sheri Farabaugh (United States Based) is a handmade still life oil painting that depicts a scene on a lake, with a closeup of a boat engine in deep blue waters...

Judd Mercer's (US based) "041 - Plein Air-Boulder Falls, CO" is a gouache painting depicting a stream by a cliffside. Artist bio/statement Judd Mercer is a contemporary landscape p...

Maids Washing signed by Fanch Lel dated 99' Size: 11 x 14 inches (height x width) Oil painting on thick board, unframed Condition: Good condition overall with minor surface handling...

Impressionist New York City winter landscape scene depicting the City in Snow in a most intimate, yet energetic way. Christopher is known for capturing the beauty and simplicity of an earlier time of the 20th Century; old New York, families working together, villages and farms and friends taking walks together. Many are depicted in recognizable historical settings and this piece is an excellent example of this as he captures a snow-filled historic setting of New York with the calm, endearing charm of American Flags and buildings with snow. Christopher engages his audience with the quick use of brushwork and great attention to picking up the energy passionately of his subjects. The piece comes housed in a dark tone wood frame and it is ready to be displayed with hanging hardware on verso. Art measures 7 x 5 inches Framed measures 8.75 x 6.75 inches Christopher Willett...

Judd Mercer's (US based) "008 - Plein Air-Cathedral Spires, CO" is a gouache painting depicting a snowy forest on a mountainside. Artist bio/statement...

Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic studies in Dneprodzerzinsk and later ...

Afternoon Street Scene - Mid Century Figurative Landscape by Rudolf Jacobi A mid century small town afternoon street scene with small figures by Rudolph...

Sarah Robertson, Blue Bird Garden on Golden #1, 36 x 24 in, Mixed Media on Canvas Golden hues and sapphire blue birds bring warmth and brightness to Blue Bird Garden on Golden #1. T...

Still Life with Mediterranean Seafood Madyol Jacques Brussels 1871 – 1950, Belgian Painter Signature: Signed bottom left, verso inscribed "Poissons de la Méditerranée" Expo Jan. 84...

Oil painting of figures interacting with a large rock formation on a beach in California. A lone figure has climbed atop to sit perched up on the rock, and through the alcove, we see...

John Rettig Marblehead Harbor, Grey Day, 1919 Signed and dated lower right Oil on academy board 15 x 18 inches Dubbed as the “Wizard of Scenic Creation”, John Rettig was best known...

This artwork is part of a series of oil pastels from Marc Chaubaron, who aimed to keep a record of the old Saint-Goustan French port. It features a view of Auray from the bridge con...

Cardboard, oil. 9.5x7.5 cm

A fine impressionist oil painting of a woman sitting near a fence by American artist John Rutherford Boyd (1884-1951). Boyd was born in Philadelphia, PA, and attended the Pennsylvania Academy of Fine Arts, where he studied under American painter Thomas Anshutz...

Early morning sails by Caroline McMillan Davey [2021] original Oil on canvas Image size: H:60 cm x W:80 cm Complete Size of Unframed Work: H:60 cm x W:80 cm x D:3.8cm Sold Unframed ...

Scott Conary's "Rose at Dusk" is an original, handmade oil painting that depicts a hyper realistic white flower with a dark background. About the Artist...

Large bright, modern Oil on Canvas in an Impressionist style showing young children playing at the beach with fishing nets, sandcastles, buckets and spades at the seaside. Rene Jerome...

Linda Lillegraven's beautiful original oil landscape "Cows and Calves Near Antelope Creek" (2024) depicts a serene moment of a western plain in the afternoon, with a few cows crazing...