Impressionist Figurative Paintings

Abel Warshawsky (American, 1883-1962) Mural Study Oil on board Signed and inscribed verso 9.5 x 18 inches 15.75 x 24.25 inches, framed Impressionist painter A.G. Warshawsky was acti...

Title: French Impressionist Oil Painting of Riverside Scene in Guînes, Northern France By Fanch Lel (French b. 1930) Size: 5.75 x 7.75 inches (height x width) Oil painting on board, unframed Condition: The painting is in good condition, with minor signs of aging. Provenance: All the paintings we have for sale by this artist have come from the artists estate and have had no previous owners at all. Description: This evocative painting by Fanch Lel, titled "Guînes," presents a serene depiction of the French countryside near the town of Guînes in northern France. The artwork captures the tranquil charm of rural life, with soft, earthy tones and lush greenery framing the small, picturesque structures that dot the landscape. Lel’s brushwork brings depth to the trees in the foreground, while the subtle, reflective water in the lower portion of the scene mirrors...

Artist: Florent Chade (French, 1896-1985) Title: Chamonix, le Mont Blanc Year: Circa 1950 Medium: Oil on canvas board board size: 15 x 18.25 inches Sig...

Gordon Brown's "Defined Imagination" is an original, handmade oil painting that depicts am atmospheric landscape. "My paintings are all about light and mood," says Colorado native ...

Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist."[1] In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."[2] Early life and training Brockman was born in Northern California in 1895 and spent much of her youth in nearby Oregon, Washington, and Utah.[1][3] She met the artist William C. McNulty in Seattle where he was employed as an editorial cartoonist. They married in March 1914 and promptly moved to Manhattan where he worked as a freelance illustrator.[4][5] At the time of their marriage, Brockman was 18 years old.[6] Over the next few years, her career generally followed that path that her husband had previously taken. His art training had been at the Art Students League beginning in 1908; she began her training there after moving to New York in 1914.[1] After an early career as an editorial cartoonist, he freelanced as a magazine and book illustrator beginning in 1914; she began her career as a magazine and book illustrator in 1919.[7] He embarked on a teaching career in the early 1930s and not long after, she began giving art instruction.[8][9] While they both adhered to the realist tradition in art, their usual subjects were different. His prominently depicted urban cityscapes in the social realist whereas hers generally focused on rural landscapes. He was best known for his etchings and she for her oils and watercolors.[8][10] Brockman returned to the Art Students League in 1926 to take individual instruction for a month at a time from George Luks and John Sloan.[1] Despite their help, one critic said McNulty's "sympathetic encouragement and guidance" was more important to her development as a professional artist.[11] Career in art In the course of her career as illustrator, Brockman would sometimes paint portraits of celebrities before drawing them, as for example in 1923 when she painted the French actress Andrée Lafayette who had traveled to New York to play title role in a film called Trilby.[12] She would also sometimes accept commissions to make portrait paintings and in 1929 painted two Scottish terriers on one such commission.[13] During this time, she also produced landscapes. In 1924 she displayed a New England village street scene painting in the Second Annual Exhibition of Paintings, Watercolors, and Drawings in the J. Wanamaker Gallery of Modern Decorative Art.[14] Available sources show no further exhibitions until in 1930 a critic for the Boston Globe described one of her portraits as "well done" in a review of a Rockport Art Association exhibition held that summer.[15] Between 1931 and her death in 1943, Brockman participated in over thirty group exhibitions and five solos.[note 1] Her paintings appeared in shows of the artists' associations to which she belonged, including the Rockport Art Association, Salons of America, Society of Independent Artists, and National Association of Women Painters and Sculptors.[17][19]Between 1932 and 1935, her paintings appeared frequently in New York's Macbeth Gallery.[20][23][25][27] She won an award for a painting she showed at the Art Institute of Chicago in 1940.[41] In 1942, the Whitney Museum bought one of the paintings she showed in its Biennial of that year.[10] Critical praise for her work steadily increased during the decade that ended with her untimely death in 1943. In 1932, her painting called "The Camera Man" was called "a clever piece of illustration."[21] Three years later, a painting called "Small Town" gave a critic "the impression of freshness, honesty, and skill".[29] In 1938, a critic described her "Folly Cove" as "masterful" and said "Pigeon Hill Picnic" was "sustained by excellence of execution".[48] At that time, Howard Devree of the New York Times saw "evidence of gathering powers" in her work and wrote "she imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Three years later, a Times critic reported Brockman had "set herself a new high" in the watercolors she presented,[52] and another critic said the gallery where she was showing had not "for some time" shown "so outstanding a solo exhibitor as Ann Brockman."[2] Shortly before her death, a critic for Art News maintained that she was "one of America's most talented women painters".[46] After she had died, a critic said Brockman's paintings "displayed real power", adding that she was "highly rated among the nation's professional artists" and was known to give "aid and encouragement, always with a smile," both artists and to her students.[10] in reviewing the memorial exhibition at the Kraushaar Galleries held in 1945, reviewers wrote about the strength and vibrancy of her personality, the quality of her painting ("every bit as good, possibly better than people had thought"),[53] called her "one of the best of our twentieth century women painters", and credited "her sense of the vividness of life" as a contributor to "the unusual breadth that is so characteristic of her work.[11] One noted that her work was "widely recognized throughout the country" and could be found in the collections of prominent museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Art Institute of Chicago.[54] Writing in the Times, Devree wrote, "even those who had followed the steady growth of this artist for more than a decade, each successive show being at once an evidence of new achievement and an augury of still better work to come, may well be surprised at the combined impact of the selected paintings in the present showing,"[55] and writing in the Brooklyn Daily Eagle, A.Z Kruse said she had made "extraorginary accomplishments", painted with "inordinate distinction" showing a "lyrical majesty," and possessed "a keen esthetic sense which did not deviate from truth."[54] Artistic style (1) Ann Brockman, undated drawing, black chalk on paper, 18 x 22 inches (2) Ann Brockman, High School Picnic, about 1935, oil on canvas, 34 1/4 x 44 1/4 inches (3) Ann Brockman, untitled landscape, about 1943, watercolor and pencil on paper, 15 1/4 x 22 1/2 inches (4) Ann Brockman, North Coast, undated watercolor, 21 1/2 x 30 inches (5) Ann Brockman, On the Beach, 1942, watercolor on paper, 16 1/2 x 20 inches (6) Ann Brockman, Lot's Wife, 1942, oil on canvas, 46 x 35 inches (7) Ann Brockman, New York Harbor, 1934, watercolor on paper, 13 1/2 x 19 1/4 inches (8) Ann Brockman, Youth, 1942, oil on board, 13 1/2 x 11 1/2 inches Brockman was a figurative painter whose main subjects were rural landscapes and small-town and coastal scenes. She worked in oils and watercolors, becoming better known for the latter late in her career. Most of her paintings were relatively small. Although she made figure pieces infrequently, the nudes and circus and Biblical scenes she painted were seen to be among her best works. In 1938, Howard Devree wrote: "Her gray-day marines and coast scenes are familiar to gallery goers and are favorites with her fellow artists. Her figure pieces have attained a sculptural quality without losing warmth or taking on stiffness. One spirited circus incident of equestriennes about to enter the big tent compares not unfavorably with many of the similar pictures by a long line of painters who have been fascinated by the theme. She imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Similarly, a critic for Art Digest wrote that year: "Fluently and virilely painted, [her] canvases suggest a close affinity between nature and humans. The artist takes her subjects out in the open where they may picnic or bathe with space and air about them. A fast tempo is felt in the compositions of restless horses and nimble entertainers busily alert for the coming performance. Miss Brockman is also interested in portraying frightened groups of people, hurrying to safety or standing half-clad in the lowering storm light."[56] Her palette ranged from vivid colors in bright sunlight to somber ones in the overcast skies of stormy weather. Of the former, one critic spoke of the rich colors and "sun-drenched rocks" of her coastal scenes and another of her "summery landscapes of coves and picnics."[11][50] Of the latter, Howard Devree said she "painted so many moody Maine coast vignettes of lowering skies and uneasy seas that artists have been heard to refer to an effect as 'an Ann Brockman day'".[57] Brockman's handling of Biblical subjects can be seen in the oil called "Lot's Wife", shown above, Image No. 6. Her watercolor called "On the Beach" and her oil portrait called "Youth" may both indicate the "sculptural quality" that Devree said was typical of her figure pieces (Image No. 8, above). An example of Brockman's bright palette in a typical summer theme is the oil painting called "High School Picnic" shown above, Image No. 2. Next to it is a painting, an untitled landscape of about 1943 whose medium, watercolor on paper, shows off the sunny palette she often used (Image No. 3). Among the darkest of her works was an untitled 1942 drawing she made in black chalk (shown above, Image No. 1). In a book called Drawings by American Artists (1947), the artist and art editor Norman Kent noted that this study influenced her painting through its use of "forms" that were "elastic" and suggested "color". He said its "massing of dark and light" created "a definite mood" that was "impressionistic" and had "the strength of a man's work".[58] Brockman's undated watercolor called "North Coast" (shown above, Image No. 4) is an example of the paintings to which Kent referred. Illustrator (9) Ann Brockman, cover, March 12, 1917, Every Week magazine (10) Illustration of an article, "The Taking of a Salient" by Henry Russell...

"Daughter of the Sea" Figurative Oil Painting 39" x 59" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and has been painting for three dec...

Jim Beckner's (US based) "Sidewalks in Greys" is an oil painting that depicts a busy city sidewalk and street at night cast in the fluorescent light of the signs and cars and passers...

La seine à Paris. Oil on canvas, 38x46.5 cm The artwork depicts a landscape scene of the Seine River in Paris. The dominant color palette of the painting consists of bright tones, ...

Laimonis Bubieris (1934-2012) Ballerina, canvas/oil, 85x77 cm

A stunning impressionist oil painting by listed female artist Clara Elizabeth Sackett.

Gorgeous turn of the 20th Century Mount Shasta landscape by Anna Carver Bingham (American, 1849 - 1924), 1901. Several deer gather around calm waters that...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "I Was Lost But I'm Found" from the "PERICHORESIS...

Oil on canvas by François Charles Cachoud (born in 1866 in Chambéry, Savoy and died in 1943) is a painter known today for his night effects and his chiaroscuro. Its artistic criteria...

Title: French Impressionist Oil Painting of a Tranquil Scene of Fishing Boats at Rest By Fanch Lel (French b. 1930) Size: 8.25 x 10.5 inches (height x width) Oil painting on board, u...

An exquisite oil painting by renown artist Antoine Blanchards depicting the French street scene Les Grands Boulevards et La Porte Saint Denis. Th...

'La Taverne Pausset, Paris' by Edouard-Jean Dambourgez. Salon d'Automne, Salon des Indépendants, Benezit ----- Signed lower right, 'Dambourgez' for Edouard-Jean Dambourgez (French, 1844-1931), inscribed, 'Paris' and painted circa 1880. Titled with inscription, verso, on old backing, ''Taverne Pausset', grands boulevards a Paris". A fine and detailed, cabinet-size oil painting showing an elegant Parisian cafe and bar, the interior lit by luminous, floor-to-ceiling stained-glass windows and filled with fashionably-dressed patrons drinking and socializing beneath a haze of pipe and cigar smoke. A minor, period masterpiece, providing an animated view of the city's fin-de-siècle nightlife, and characterised by finely observed and fully-realized figures showing an unusual degree of both social commentary and psychological penetration. Edouard-Jean Dambourgez first studied with Jules Lefebvre and, subsequently, as an engraver and chromo-lithographer under Gustave Boulanger. In 1880, Dambourgez commenced exhibiting at the Salon des Artistes Français, and, in 1883, was elected a member of the Society. Throughout the 1880's, he exhibited frequently and with success at the major Paris salons including the Salon d'Automne, the Salon des Independants and the Salon des Champs-de-Mars. In 1884, he was commissioned by the Louvre to engrave all illustrations for the catalog to the Thiers Collection, recently bequeathed to the Museum. The recipient of numerous prizes, medals and juried awards, Dambourgez was awarded an honorable distinction by the Salon in 1888, and an honorable mention in 1891. In 1888, the critic Albert Wolff recommended his painting, 'A Cheese Shop', for inclusion at the Salon des Artistes Français. In 1891, the city of Paris bought his large canvas, 'The Cream and Cheese Market...

This artwork titled "Ballroom" c.1990 in an oil painting on canvas by noted German artist Christian Jereczec, 1935-2013. It is signed at the lower right corner by the artist. The artwork (canvas) size is 27.75 x 31.75 inches, framed size is 39 x 43 inches. Framed in an ornate gold frame, with fabric liner and gold color bevel. It is in excellent condition. About the artist: Christian Jereczek...

Very large scale oil on canvas of a port marine scene. The painting is signed and dated bottom left Olio, 1941. The spelling of the artists name suggests they were Danish, Norwegian ...

ABOUT THE ARTWORK The painting "For the first time I see myself so clearly" from the “Inner Garden Series” reveals the profound process of self-identification, where a person gains t...

Detailed still life of roses, books, a statue from The Pirates of Penzance, and an ash tray by Texas artist Willa (Willie) Kay Fall (1891-1976). Signed in the lower right corner. Presented in the original period giltwood frame. Image 36" H x 28"W. Unframed. Frame, 42"H x 33.5"W x 1.5"Signed lower right "W. Kay Fall" Willie (Willa) Kay Fall was 1976 Born in Kaufman, Texas to William K. Irvin an advertising man and Roxanne M. Cole. She Married Cecil G. Fall in 1912 in Kemp, Texas She painted in Texas 1920-19600, New York 1950-60, England 1947 and 1951 Sailed on the RMS Queen Elizabeth...

Toiling in the Fields by Fanch Lel (French b. 1930) size: 8.75 x 10.75 inches oil painting on board, unframed condition: the painting is in very good condition. It has previously bee...

A lovely portrait oil painting by British listed artist Tom Mostyn ROI. Painted circa 1910 it depicts a beautiful smiling young woman in a pink dress holding an umbrella. A glorious ...

Rustic Village Paul Molinard 19/ 20th Century French Artist signed oil on panel, unframed board : 10.5 x 14.5 inches Inscribed verso Provenance: private collection, France Condition...

This small oil painting on board (21.5 x 33 cm) is a rare early work by Swedish landscape painter Carl Johansson (1863–1944). Painted during the artist’s 1894 travels to the Canary I...

John F. Carlson Hyannis Pond, 1940 Signed lower left Oil on board 16 x 20 inches Provenance Vose Galleries Private Collection, New Jersey The native Swede John Fabian Carlson beca...

Jim Beckner's (US based) "Cruise Room #8" is an original, handmade oil painting depicting a Denver landmark born the day after the repeal in 1933. The Cruise Room is Denver's longest...

Portrait of an Elegant Lady by Pio Santini (French 1908-1986) signed oil on canvas, framed framed: 34 x 28 inches canvas: 26 x 20 inches Provenance: Private collection, Lyon, France ...

Hazel Z Weckbach's (US based) "Naga Kanya" is an original, hand-made oil painting that depicts a pink flowering bush. Artist Statement: "Subject matter to me is a vehicle for me to...

Antique American impressionist painting of kids in a park. Oil on canvas, circa 1920. Unsigned. Displayed in a giltwood frame....

Title: French Impressionist Oil Painting of a Sunlit Village Scene By Fanch Lel (French b. 1930) Size: 5.25 x 5.75 inches (height x width) Signed: Yes Oil painting on board, unframed...

Hermanus Koekkoek the Younger was part of the famous Koekkoek artist family: grandson of Johannes Hermanus Koekkoek, nephew of the landscape painter, Barend Cornelis Koekkoek...

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...

Title: French Watercolour of Beached Fishing Boats in Brittany by Fanch Lel by Fanche Lel Signed: Yes Size: 7.75 inches (height) x 12.5 inches (width) Gouache painting on card, unfra...

OLD MASTER COPY Signed Vincent " Cypress Trees " Oil Painting 20th Century GGF NEW COLLECTION Of RARE PIECES OF ART Here we have a unique and rare piece of Art signed Good Detai...

Paris by Claude Marin (French 1914-2001) signed oil on canvas, unframed canvas: 24 x 28.5 inches Provenance: private collection, Paris, France Condition: very good condition Origina...

This artwork titled "Volti" c.1990 is an oil painting on canvas by noted Italian artist Umberto Bianchini, 1934-1990. It is signed at the lower left ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Origin" by Abi Whitlock invites viewers to explore a moment o...

Konstantin Razumov (Born 1974) Russian Elegant Semi-Nude Harem Dancer Standing in a Courtyard Oil on canvas: 16 x 11 inches. Frame: 23 x 18 inches. Konstantin Razumov's work has...

Paris, Cafe de la Paix. Period 1920-1940s. Oil on canvas, 60x73 cm Lucien Adrion (1889-1953) was a French painter known for his depictions of the countryside and bustling street sce...

Flower market in front of the Madeleine in Paris. Oil on canvas, 54x65 cm In this fascinating painting by artist Constantin Kluge You can view Paris. This city is famous with many t...

"Meadow in the Rockies" (2025) by Lorenzo Chavez is an original, handmade oil painting that depicts a serene autumn midwestern landscape, looking out onto the base of small mountain ...

Walking out to Porthtowan [August 2022] original and hand signed by the artist Oil Paint on Canvas Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:15 cm x W:15 cm x ...

Signed oil on canvas figures in landscape circa 1920 by sought after French impressionist painter Edouard Cortes. The work depicts an autumnal scene of the the Porte Saint-Denis (St ...

This charming oil on canvas, measuring 21 x 18 inches, depicts an elegantly dressed woman strolling through a manicured park beneath a distinctive willow tree. In the distance, a mar...

The Man with the Cigar by Serge Mallet (French, circa 1990) signed lower left oil painting on canvas, unframed canvas measures: 32 x 25.5 inches provenance: private collection, Franc...

OLD MASTER Signed L S Lowry " Gathering" By John Harley Oil Painting 20th Century NEW COLLECTION Of RARE PIECES OF ART Here we have a unique and rare piece of Art signed Good Deta...

William Malherbe (1884-1953) Signed lower right Dated 1928 Oil on Canvas 27x22 inches unframed 34x29 inches Framed Carved American period Frame Good Condition William Malherbe was ...

Day at the Beach - Realistic Figurative Illustration in Gouache Original figurative illustration of people at the beach by Charles Ross Kinghan (American, 1895-1984). Several women are looking at someone's foot, as if there is a splinter being removed. Three of the women are closer, with their heads in the frame. Two of them have are standing with their backs to the viewer. Between the women, the viewer can catch glimpses of other activities on the beach. Possibly a sketch for Good Housekeeping Magazine. Signed "Charles Ross" in the lower right corner. (Charles Ross Kinghan) Acquired with other signed estate works by the artist. Presented in a new cream mat. Mat size: 16"H x 13"W Board size: 14"H x 11.75"W Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign Works. He studied at the Chicago Academy of Fine Art in 1916, the American Academy of Art in Chicago, the Audubon School of Art and the Art Institute of Chicago. He was a pupil of Carl Scheffler, J. Wellington Reynolds, and H.A. Oberteuffer. He taught at the Art Institute of Chicago and at the American Academy of Art in Chicago. He was an illustrator for McCalls, Good Housekeeping, Saturday Evening Post, Colliers, and many others, including American Artist magazine. He was author and illustrator of Rendering Techniques for Commercial Art and Advertising (1956) and of Ted Kautzky...

Title: French Impressionist Oil Painting of Still Life of Pink Roses in a Vase By Fanch Lel (French b. 1930) Size: 9 x 7 inches (height x width) Signed: Yes Oil painting on board, un...

OLD MASTER Signed L S Lowry " Fever van " Oil Painting 20th Century NEW COLLECTION Of RARE PIECES OF ART Here we have a unique and rare piece of Art signed Good Detail one of the ...

Mom, Daughter, Little Girl, Orange Shipment is included in the price everywhere ALEKSEJ and SERGEJ TKACHEV (Chuchunovka, Brjansk, 1925 and 1922) 特卡乔夫兄弟 Works by the Tkachev brot...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 1999 Title: Magic Melody Size: 22.5" x ...

Oil Painting of a beautiful Irish Countryside Scene with Down Cathedral in the distance, Northern Ireland Art measures 12 x 16 inches Frame measure ...

OLD MASTER Signed L S Lowry " Shopping" Oil Painting 20th Century NEW COLLECTION Of RARE PIECES OF ART Here we have a unique and rare piece of Art signed Good Detail one of the best i have seen , as close as you are going to get, please note this is more of a clean modern piece but is exceptionally well done piece. Good condition canvas for age , frame is in Good Condition (see pictures) Clean ready to hang (see pictures) ( 20th century ) Artist: Sold in the manner of L s Lowry for obvious reasons . This painting needs more research but this can cost thousands. Beautiful painting Anyway unless you have £10 million spare for one of his paintings this is one way to obtain a beautiful piece at a fraction of the price Please be under no illusion you're are buying a real £8 million pound...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 2001 Title: Fantasy Size: 27.5" x 20" x...

Sunlit Country Roads Signed by Fanch Lel Size: 13 x 16 inches (height x width) Oil painting on board , unframed Condition: Good condition overall with minor surface handling marks a...

Restaurant terrace at evening in Montmartre, Paris. Oil on canvas, 46x38 cm

‘A Breeze after a Bathe’ by Walter Duncan ARWS (1847-1932). The painting – which depicts three young Victorian ladies and their dogs on Bournemouth beach after a swim – is signed b...

'Scafell From Hardknott Pass' Landscape Oil Painting By British artist D.J.Brown, 21st Century Signed and titled verso Oil painting on board, framed Frame size: 20.5 x 28.5 This f...