Landscape Paintings

William III At The Battle Of The Boyne, 1690, 17th Century attributed to Jan WYCK (1644-1702) Large 17th Century historical account of William II...

Francesco Graziani, known as Ciccio Napoletano (active in Naples and Rome in the second half of the 17th century) Battle with clash of horsemen Oil on canvas 95 x 130 cm In period ...

Holy Baptism, Oil painting on canvas by an unknown artist About the artwork: Bible Scene, Early 18th Century, Florentine School TECHNIQUE: oil pai...

A beautiful pointillist oil painting dated 1900 and signed Ford. Housed in a very unique and oddly complementary frame this work stands out in a crowd.

The work, tempera on canvas in a great state of conservation, is part of a series of four big paintings of various authors documented in origin in the Villa La Zambra in Sesto Fioren...

Giulio Carpioni (Venice 1613 - Vicenza 1678) workshop of - Moses makes water flow from the rocks. 82 x 68 cm without frame, 97 x 83 cm with frame. Oil on canvas, in wooden frame. ...

Flemish painter of the 18th century - Follower of Jan van der Meer, called Vermeer d'Utrecht (Schoonhoven, verses 1630 - 1692) Courtship scene at the entrance of an inn oil on canvas, 70 x 62 cm. (with frame 80 x 72 cm.) This pleasant genre scene, depicting a young innkeeper conversing amiably with a gentleman as she prepares to serve him wine in a glass goblet that she still holds in her hand, is inspired by the painting made in 1653 by the Dutch painter Jan van der Meer, known as Vermeer d'Utrecht, and today kept in Paris at the Louvre Museum. Set outside an inn or a post station, the scene illustrates the theme of seduction, with the young waitress being courted by the client, a charming traveler with a changing red cloak, who tries to charm her. Yes, it is a work that harmoniously combines the painter's Dutch origins, with the stylistic characters learned during his training in his homeland, with the Italian-like characters learned during his trip to Italy around 1655. In Rome, in particular, he met and collaborated with various authors of the Bamboccianti school, first of all Jan Miel...

Antique Italian painting from the late 18th century. Oil on canvas artwork, first canvas, depicting a rich view of a port with sailing ships and characters of excellent pictorial qua...

Crossing of the Red Sea Workshop of Frans Francken II (1581-1642) 17th century Antwerp School Oil on oak panel Dimensions: h. 49.5 cm, w. 64.5 cm (19.49 in x 25.39 in) Moulded and blackened wooden frame with wide mouldings, with inverted profile from the later period. Framed dimensions: h. 82 cm, w. 97 cm (32.28 x 38.19 in) Our panel illustrates one of the episodes of the Old Testament, recounted in the book of Exodus. After crossing the Red Sea...

This stunning Scottish Edwardian exhibited landscape oil painting is by noted Scottish artist John Campbell Mitchell RSA. The location is the Galloway hills and it was painted in 190...

'Ferry of the Loaf' comes from the legendary tale of Thane of Fife, MacDuff, escaping the fury of MacBeth crossing the River Tay in the 11th century. The painting comes with a handw...

Jan Thomas van Kessel 1677-1741 Flemish A Peasant Country Scene Signed (lower left) Oil on canvas A quintessential example of Flemish genre painting, A Peasant Country Scene refl...

Isaac van Ostade (1621-1649) – "Winter Landscape" An exquisite 17th-century Dutch Golden Age winter scene by Isaac van Ostade (1621-1649), a master of genre painting renowned for his...

This wonderful atmospheric Scottish Impressionist landscape oil painting is by much noted and exhibited Scottish artist William Stewart MacGeorge. Painted circa 1900 the view is of K...

River Landscape with Bystanders is an original old master artwork realized by Artist of 18th Century. Mixed colored oil painting on canvas. The painting is approachable to traditio...

Impressionist garden landscape oil on panel painting circa 1902 by French painter Marie Duhem. The work depicts a white ornate planter in the centre of ...

Oil on Canvas. The wide view frames a snowy mountain landscape, with a wide valley under sharp peaks, in which a small lake opens; small figures of wayfarers walk along the path fro...

Felice Torelli (Verona, Italy, 1667 - Bologna, Italy, 1748) Title: Hagar and the Angel Medium: Oil on canvas Dimensions: without frame 41 x 116 cm - wit...

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 PLACE CLICHY signed "E. L Garrido" (lower right) oil on canvas 24-1/8 x 19-3/4 inches (61 x 50 cm.) framed: 33-1/4 x 28-7/8 inches (84 x 73 cm.) PROVENANCE Private Spanish Collector Fresh and bright view of Clichy Square, Paris, where Leon Garrido offers us his most impressionistic and innovative technique. The work has a pyramidal composition, from where monument to "Mariscal Moncey" on an 8 meter high pedestal and decorated with bas-reliefs that dominates the entire square. The florist occupies a central place, from which distinguished figures appear around her. Its delicate and smooth chromaticism in gray and pearly dark almost black and a touch of red. Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente Palmaroli...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

Antique impressionist painting of Castillo De Los Tres Reyes Del Morro in Cuba. Oil on canvas, circa 1908. Signed. Displayed in a period giltwood frame. Image, 18"L x 12"H, overa...

Andrea Locatelli (Rome, Italy, 1695 – 1741) Title: Landscape with fisherman Medium: Oil on canvas Dimensions: Without frame 27 x 28.5 cm – with frame 35 x 47.6 x 3.5 cm Expertise b...

« A Mediterranean capriccio » Oil on canvas by Abraham STORCK With an appraisal by René Millet ( Well Known French Expert in Paris) Within a tortoise-shell Turtle This oil on canvas...

Pair of Italian 18' century paintings , oil on canvas with Venetian Palace gardens , antiques sculptures and various figures . Measurements with frame cm 75 x101

Antique American impressionist ashcan school pastel painting. Pastel and gouache on paper. Signed. Framed.

19th Century Swedish, Oil on canvas

Rest during the Flight into Egypt - The Virgin and Child with St. John the Baptist and the angels in a Landscape. Attributed to Pieter Van Avont (1600-1652) 17th century Antwerp School, circa 1630 Oil on oak panel, Dimensions: h. 38 cm, w. 50 cm (14.96 in x 19.68 in) Flemish style frame in ebonized and moulded wood Framed: h. 56 cm, w. 68.5 cm (22.04 in. x 26.97 in.) In the heart of a lush wooded landscape, the Virgin with Jesus rests in a green clearing accompanied by Saint John the Baptist and the cherubs. Seated to the left of the composition, the Virgin Mary holds the Child on her lap; the little Saint John the Baptist wearing the camel-skin tunic (his attribute) stands before Jesus to exchange a few caresses. On the right, the couple of cherubs are playing with the lamb of Saint John the Baptist, bringing a jovial character to the scene. A pair of gardening putti on the left pick flowers to bring bouquets to the Virgin and Jesus. Spring flowers such as tulips, daffodils and anemones that grow abundantly around them and enrich the composition with their shimmering colors. A lush rose bush blooms to the left of the figures offering delicate roses. (The rose is the flower associated with the Virgin Mary, who is the "mystical rose," the one that does not bear the "thorn of sin") At the feet of the Virgin are bunches of grapes (symbol of the future passion of Christ) as well as apples (symbol of the original fall of Man but also of the Redemption in Christ) In the foreground we find a wicker basket filled in profusion with beautiful flowers and guinea pigs nibbling on the blades of grass. In a cleverly arranged disorder, these elements of the still life with their strong symbolic power accentuate the religious theme, but are also an opportunity for the artist to demonstrate his know-how in the still life genre that is gaining momentum in Antwerp. The landscape behind the figures consists of a large tree with a twisted trunk and a luminous opening to the horizon placed on the right. We see Saint Joseph arriving with a donkey, a small reminder from the artist that the composition is associated with the episode of Rest during the flight into Egypt. The calm expanse of this bucolic forest opening onto the luminous distance, with its profusion of symbolic flowers and fruits, is particularly suited to this sacred scene. The theme of Jesus' sacrifice and his tragic fate is mitigated by cherubs who play with innocence and carelessness in the face of the fragility of life symbolized by cut flowers. The great mastery of the painter is manifested by the finesse of the drawing enhanced by the delicacy in the application of the brushstrokes bringing a multitude of details. The richness of the whole is exacerbated thanks to the choice of colours, this varied palette is an undeniable asset of our work. The virtuosity of our artist lies in his versatility, as much concerned with the success of the landscape and flowers as with the modelling of his figures. The cherubs with their naked bodies are gracefully illuminated by warm colours with subtle shadows, while the still life is rendered with astonishing realism, both in the precision of the drawing and in the countless shades of the flowers. There are several compositions similar to ours, of which below are the closest versions: • Sale, Jean-Claude Anaf et Associés, Lyon, 08/02/1998, attributed to Pieter Van Avont, oil on panel, h. 48 cm, l. 71 cm (recorded on RKD n° 31451). Comment: identical composition, only St Joseph with the donkey is different) • Christie's New York sale, 29/01/1998, Pieter Van Avont, oil on copper, h. 23.8 cm, w. 24.8 cm • Dorotheum sale, Vienna, 25/04/2017, Pieter Van Avont and Jan Breughel II, oil on copper, h .26 cm, w. 39 cm • Hermitage Museum, Saint Petersburg, Russia, Pieter Van Avont, oil on panel, h. 50.5 cm, w. 71.7 cm Peter van Avont, Flemish painter (Mechelen, 1600 - Antwerp. 1652) Born in Mechelen, he is mentioned in 1620 as a member of the painters' guild of his hometown. He left in 1 622 for Antwerp, where he was also a member of the guild. He collaborated with many painters, including Jan Brueguel the Younger, David Vinckboons, Lucas van Uden...

Pittoni came from a family of painters and architects. He received lessons from his uncle Francesco Pittoni in Venice and later from Antonio Balestra....

Refined Italian painting from the first half of the 18th century. Oil on canvas artwork depicting a splendid landscape with a capriccio of classical ruins and figures. Painting of re...

A delicate oil on canvas landscape capriccio of an Arcadian landscape with figures and sheep and goats in the foreground. A stormy sky and blasted tree populate the landscape and the...

OIL PAINTING By ? Beautiful lady of Nobility in a Neoclassical Frame FINE Portrait OIL PAINTING Old Master Early 19th Century French artist ...

The Battle Of Sluys (1340), oil on canvas, 16th/17th Century Rare account of the opening engagement of The Hundred Years War (1337-1453) Fine huge antique history painting depictin...

This lovely large Victorian landscape oil painting is by noted British artist Daniel Sherrin. Painted circa 1900 the painting is entitled Close of Day. The composition details a land...

Transport yourself to the lush landscapes of Germany through this captivating artwork. Painted during the artist's stay in Germany, the painting beautifully captures the verdant scen...

Antique French Impressionist oil painting on panel by Paul Louis Poseler (XIX-XX), circa 1900. The painting depicts a scene o...

Circle of Jan van Huchtenburg Landscape Scene with a Soldiers Camp Oil on Canvas, 41 x 55 cm Soldier Camp Life Scene together with a wonderful golden Frame

Jan van Gool (Dutch, 1685-1763/65) Pastoral Scene, 1719 Oil on panel, 15 x 21 3/4 inches FRAMED: 23 x 29 1/2 (Approx.) Signed and dated at lower left: "J V G...

Tree-Filled Valley and Mountains in West Brighton Staten Island Watercolor 1905 Detailed watercolor by W. Lund (19th Century). This piece depicts a valley with lush trees an greener...

Workshop of Johann Anton Eismann (1604-1698) Landscape with ruins and figures Oil on canvas, 110.5 x 93 cm Framed, 123 x 104 cm The background depicts a rocky shoreline facing th...

Dutch school, follower of Herman van SWANEVELT (1603-1655), Shepherds and their flock on a path, oil on canvas, circa 1700 – good condition Wooden frame Canvas without frame : Height...

Antique American impressionist landscape oil painting . Oil on canvas, circa 1910. Signed. Displayed in a period giltwood frame. Image, 16"L x 20"H.

Medium: Oil on Paper Mounted to Board Signature: Signed Lower Right, Signed Again and Dated August of 1904 on Reverse The Rawhide Part III, 'He swung himself into the saddle and rode...

Signed and dated oil on canvas riverscape by French impressionist painter Charles-Victor Guilloux. The work depicts a view of the houses of the commune Heblay-sur-Seine lining the ba...

Free shipping all Continental US, and all other countries, Europe, Asia etc... Enhance your space with this captivating vintage painting by Tengnagel Jan (1584-depicting The meeting...

This study presents a typical Roman countryside landscape: an ancient mausoleum in front of which a cart is passing by followed by two peasants. If the technique (a pen drawing on graphite lines, completed with a wash of brown and grey inks) and the signature inevitably evoke the art of Lorrain, we find on the verso of this drawing additional evidences that lead us to consider this unpublished drawing as a work by the master. The motif of the mausoleum has been taken up in pen on the verso in a technique that can be found in several other drawings by Lorrain. There is also a study of three characters, which can be considered as preparatory to Lorrain’s painting entitled The Port of Ostia with the Embarkation of Saint Paula, leading us to claim this attribution with a dating of around 1639. 1. Claude Lorrain or the perfection of classical landscape in Rome in the 17th century Claude Gellée was born in 1600 in Chamagne in Lorraine. Orphaned at the age of twelve, he spent a year with his brother in Freiburg, where the latter was a woodcarver. Claude Gellée then probably arrived in Rome in 1613, where he joined the workshop of Agostino Tassi (1580 - 1644) in 1617. Between 1619 and 1620 he studied for two years in Naples in the workshop of Goffredi Wals (who was himself a former pupil of Tassi). In 1625 he returned to Lorraine for two years where he worked alongside Claude Deruet. He then returned to Rome, a city he never left for the rest of his life (except for short trips to the surrounding countryside). From 1627 to 1650 he lived in Via Margutta. From 1635 onwards he became a renowned painter and commissions started to pour in. Considered during his lifetime as the most accomplished of the classical landscape painters, his reputation never faded. Between 1629 and 1635 Le Lorrain often went to the Roman countryside to draw with his friend Joachim von Sandrart (1606 - 1686). He became a member of the Academy of Saint Luke in 1633, while being closely acquainted with the Bentvueghels, this guild which brought together the young Nordic painters active in Rome. In 1643 he joined the Congregation of the Virtuosi. In 1650 he moved to Via Paolina where he lived until his death. Little is known of his intimate life. He seems to have had a daughter, Agnes, from an ancillary love affair. In 1657/ 1658 she moved in with him. Stricken with gout in 1663, he died in 1682. 2. Description of the drawing; the technique of nature studies Two peasants are walking behind a horse-drawn cart on a road that winds through ancient tombs. While a rectangular tomb with a columned facade can be seen in the distance, the cart passes an important ancient building. It has a circular shape and its partially ruined façade is decorated with columns. The start of a second floor can...

Hans de Jode (The Hague, 1630 - Vienna, 1663) Fantasy winter landscape with lake and city on the banks About 1650 Oils on canvas (62 x 93, in frames 82 x 112) The work is accompanied by an expertise of Dr. Fred G...

Felice Torelli (Verona, Italy, 1667 - Bologna, Italy, 1748) Title: Rachel Hiding the Idols Medium: Oil on canvas Dimensions: without frame 41 x 116 cm -...

Antique modernist landscape painting. Oil on canvas. Housed in a period frame. Image size, 17.5L x 13.75H. Signed.

Mythological-themed painting (unframed 35.5 x 28 cm) depicting the episode of Diana and Actaeon from Ovid's Metamorphoses. The goddess is depicted sitting in discreet attire, the bow...

Antique French Impressionist Oil on Panel by Paul de Frick, "Preparing the Boat for Voyage," Circa 1900 Antique oil painting by French Impressionist artist Paul de Frick (1864-1935),...

Incised signature lower left, 'A. Sacerdote' for Anselmo Sacerdote (Italian, 1868-1923), titled, lower right, 'Val Soana' and dated August, 1903. Anselmo Sacerdote was born in Turin...

George Frederick Morse Hubbard Park, Crescent City, Florida, 1906 Oil on canvas 17 x 12 inches A landscape and marine painter from Portland, Maine, George Morse was a founding membe...

Scipione Compagno (active in Naples in XVII century) Title: Crucifixion Medium: Oil on canvas Dimensions: without frame 64 x 52.5 cm - with frame 80 x 67 cm Antique wooden cassetta frame carved, sculpted and gilded by Mecca technique Expertise by Nicola Spinosa, art historian Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti...

Antique Flemish panel from the first half of the 17th century. Oil painting depicting a splendid Madonna with child inside a niche surrounded by a garland of masterfully painted flow...

Jacob Fabris (Venice, 1689 - 1761) Architectural Capriccio with ancient classical ruins Oil on canvas cm. 56 x 112 with frame cm. 77 x 130 Expertise of Prof. Emilio Negro (Bologna) ...

William Marlow (1740 - 1815) A bridge over river Oil on canvas  Inscribed, 'William Marlow' to old label verso Provenance: J. Palser & Sons, 27 King Street, London Dimensions: (Fra...

Matthijs Schoevaerdt (1663-1703) Genre scene Oil on canvas, 30 x 43 cm - Framed, 44 x 56 cm The present painting can be traced by stylistic and formal figures to the hand of the F...

Artist: John Parker Davis, American (1832 - 1910) Title: Cow Farm Landscape Year: 1905 Medium: Oil on Canvas, signed and dated l.l. Size: 12 x 18 in...