Landscape Paintings

Vintage American school modernist painting. Oil on canvas, circa 1940. Unsigned. Image size, 30L x 24H. Housed in a period frame.

An outstanding example of the work by Henry Maidment Maidment was an English landscape painter form the latter part of the 19th century. He mostly painted English cottage landscapes often with ducks, sheep, and young people. He used a ward palette of color and this gave his paintings a very desirable warm glow. Henry Maidment was his real name and Robert Fenson...

A charming, vibrant, early Mexican city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Titled "Old Church, San Miguel de Allende (Spanish Plaza)", the p...

This exquisite early 20th-century oil on panel by Dorothea Sharp captures the timeless and universal bond between mother and child in a tender Impressionist style. Painted circa 1900...

Title: Mediterranean Village, Catalonia Artist: José María Vilà Cañellas (Vic, 1914 – Barcelona, 2001) Date: 1941 Technique: Oil on canvas Support: Canvas on stretcher Dimensions (un...

Antique American modernist street scene painting. Oil on canvas. Signed. In excellent original condition. Handsomely framed in a late 19th century fluted cove giltwood molding. E...

Beautifully detailed mid-century coastal landscape of Pillar Point Fishing Dock near Half Moon Bay, California by William Winthrop Ward (American, 1901-1985). Signed lower left: "W. ...

Work on wood Golden wooden frame 65 x 75.5 x 4 cm

Oil on Canvas Canvas size: 24 x 36 in. Frame Size: 33 x 39 in. "Turning them North" is an exhilarating scene of the American Old West by Gary Lynn Roberts (b. 1953, American) execut...

This watercolor painting features the majestic Mount Ararat, viewed from the valley where the artist resided. It exemplifies the distinctive style of Martiros Saryan, showcasing his ...

Gorgeous mid century Arts & Craft landscape of rolling Indiana farmland with haystacks, trees, and verdant hills in the distance by Harry E. Wood, Sr. (American, 1879-1951), 1948. Signed lower right; letter of provenance provided. Exhibited in New York's Salmugundi Art Club in 1948. Presented in gilt-toned frame. Image size: 14"H x 20"W. Framed size: 18"H x 23.50"W. Harry E. (Emsley) Wood, Sr., was born 26 September 1879 near Lexington, Illinois, the third child of Emsley Harrison Wood, Jr., and Florence Robinson Wood. The family moved to Indianapolis shortly after Harry was born. Florence Robinson Wood died around 1882 and Emsley Wood married Sallie Bunger Lewis eleven months later. Emsley Harrison Wood worked in various jobs, including real estate sales and as a grocery clerk. Harry E. Wood attended public schools in Indianapolis until about 1889 when he contracted Scrofulous, a strain of tuberculosis. The condition, coupled with his family's poverty, disrupted his formal education. He attended Manual Training High School in 1899 and worked as a cartoonist for the Indianapolis Star in 1900. Wood illustrated Our Public Servants, a column of political satire written by Kin Hubbard. Wood's affiliation with Indianapolis Public Schools (IPS) as an educator began in fall 1900 when he returned to Manual Training High School as an assistant art instructor under Otto Stark...

Circa 1940 Signed lower right Newly matted and framed Sight size 9.5 x 12 in. Overall size with frame 16 x 18 in.

Appropriately called the "Mosaic" period for important historical artist Carl Holty, this is a super example! His color use during this time frame was lively as he always used sky b...

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 25 x 30 Frame Size: 33 x 38 Medium: Oil "April" Texas Hill Country Bluebonnets Biography Robert Wood (G. Day) (1889 -1979) A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and in the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his association with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979. Robert Wood was born March 4, 1889, in Sandgate, England, a small town on the Kentish coast not far from the white cliffs of Dover. His father, W. J. Wood, was a successful painter who recognized Robert's unusual talent. At the age of twelve, his father enrolled Wood in art school in the small town of Folkstone. He then attended the South Kensington School of Art. While attending art school, Wood won four first awards and three second awards, one each year, a record. In 1910 after service in the Royal Army, nineteen-year-old Wood and his friend, Claude Waters, immigrated to America. Initially, he settled in Illinois and worked as a hired hand on a farm belonging to Water's uncle. He would then strike out on his own, living the life of an itinerant painter. Wood traveled as a hobo, hopping freight trains and selling or bartering small paintings to support him along the way. When times were hard, he worked at whatever job was available. In this manner, he saw most of the United States and fell in love with rural America. By 1912, Wood visited Los Angeles for the first time, arriving on the day of the Titanic tragedy. Later that year, he had met, courted and married young Eyssel Del Wagoner in Florida. The couple moved to Ohio where a daughter, Florence, was born. During World War I, the family moved to Seattle where a son, John Robert Wood, was born in 1919. In the early 1920's, the young Wood family was almost constantly on the move. They stayed for short periods in Kansas, Missouri, California and for a longer time in Portland, Oregon, where Wood's friend Claude Waters had settled. Wood's seemingly endless wanderings disrupted his family life and delayed his development as a painter. However, through his travels he developed an appreciation for the American landscape that would inspire him for the rest of his career. Although aware of the current movement away from traditional realism in American art, he elected to travel that solitary path and remain true to his own vision of American’s grandeur and beauty poetically translated through his landscape and seascape paintings. In 1923, the Wood family discovered the beautiful city of San Antonio, Texas and it was there that he and his family would finally settle. He studied briefly at the San Antonio Art School with Spanish colorist Jose Arpa y Perea (1860-1952), who had arrived in San Antonio that same year. In the latter part of the 1920’s, Jose Arpa’s influence quickly became evident. Wood after several years of experimentation was becoming fine easel painter, capable of great subtlety with a new mature original style. Like Texas painters Robert Onderdonk (1853-1917) and his son Julian Onderdonk (1882-1922), Robert Wood concentrated on the distinctive Texas landscape with its Red Oak trees and wildflowers that covered the hill country landscape. He developed a reputation for his scenes of Blue Bluebonnets, the state flower. In the spring, the Texas prairie is covered with wildflowers, especially in the hill country surrounding San Antonio and Austin. Wood incorporated native stone barns and rough wood farmhouses that added authenticity and romance to his compositions. In 1925, Wood was divorced from his wife. In 1932, he moved to the famous scenic loop on San Antonio's outskirts. While still living in Texas, he took extensive western sketching...

Antique American modernist flower still life painting. Signed lower right. Framed.

Vintage signed large abstract oil painting. Oil on canvas. Signed.

A beautiful large late 19th or early 20th century impressionist oil on canvas depicting a wooded landscape with pond and outbuilding, by Theodore Casimir Roussel. Roussel was one of...

This superb British Edwardian figurative landscape oil painting is by noted animal artist Edwin Noble. Painted in 1904 it is a large and detailed painting of a young man, kneeling in a grassy thicket with his two dogs, a lurcher and terrier. He is restraining the dogs whilst his ferret goes down a rabbit hole in the hedgerow. Two dead rabbits are already lying on the grass beside them. Beyond is a county landscape of fields and trees. The young man in his stripped shirt and waistcoat and the two white dogs really stand out in the mass of greenery around them as do the white wild flowers at their feet. The detail and brushwork are superb. This is an excellent example of Edwin Noble's work as an animal painter in the Edwardian period and also depicts country pursuits. Signed and dated Edwin Noble 04 lower right. Provenance. From the collection of Derek Parker and Peter Wynne Morris, Interior designers, antique dealers and collectors over sixty years. Condition. Oil on canvas. Image size 50 inches by 40 inches and in good condition. Frame. Housed in a complementary frame, 54 inches by 44 inches and in good condition. John Edwin Noble (1876-1961). Painter and illustrator who worked as Edwin Noble. He was the son of the artist John Sargent Noble...

Oil on masonite. Sign and dated in oil in lower right corner.

Winter's Snowy Tatra Mountains with Pines and Stream Beautiful post-war winter snowy scene with mountains and pine by Laszlo Neogrady (Hungarian, 1896-1962), circa 1940. Lovely textu...

Arthur Dove: 1880-1946. One of the most important early American Modernists and Abstract Expressionists. He has had auction results over $8,000,000 and that record was 2 weeks ago. A...

TitelL'Eglise de Montigny, Effet D'Automne TechnikOil on canvas Jahr1908 Grösse65.1cm × 81cm (25.6" × 31.9") stamped with the artist's signature Literature W. A. Camfield, B. Calté...

A serene, ca. 1940s, Western landscape painting with horses by artist Francis Chapin. In a brown, wooden frame. Image size: 22" x 28". Framed size: 25" x 31". Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Large and impressive modernist landscape painting. Oil on canvas. Framed. Signed illegibly.

Painterly, colorful impressionist painting of a tree lined path on a sunny hillside overlooking Monhegan Island, with distinctive residences for artists and visitors, in this beautiful Art Colony by Margaret Cox Herrick (American, 1865-1950). Signed by the artist lower right, "M. C. Herrick." Oil on canvas. Linen wrapped wood liner. Gilt wood frame. Image, 16"H x 14"W. Born in San Francisco, CA on June 24, 1865, the daughter of artist Wm F. Herrick. Margaret studied at the local School of Design under Virgil Williams, Emil Carlsen, and Arthur Mathews...

Oil on burlap. Oil measures 50x65 cm. Frameless.

A cabinet-sized oil on panel showing a lively view of Venice with figures in gondolas on the Bacino San Marco and with the Basilica of Santa Maria della Salute rising in the backgrou...

This superb French Impressionist city landscape oil painting is attributed to Jacques Emile Blanche and has his characteristic brushwork. It was painted circa 1900 and portrays a civ...

Work on canvas sold with frame Total size with frame 59x74 cm Georges RIOM is a French artist born in 1877 and died in 1969. The net lists 7 works by the artist presented for sale ...

Impressionist oil painting of Scotland's Pittenweem harbor at twilight, title 'Pittenweem Evening' East Neuk of Fife, by Scottish artist John McGhie. Signe...

Impressive early American modernist central park, new york city oil painting. Framed. Oil on canvasboard . Image size, 18H by 24L.

Wright BARKER Exhibited 1885 - 1935 Canvas Size: 20 x 26" (50 x 65cm) Outside Frame Size: 29 x 35" (72.5 x 87.5) He was a figure and animal painter who was based originally in Bradford, where he lived until 1885, when he moved to Edwinstowe, near Mansfield, Nottingham. In 1901 he moved to Hampstead and then back north to Harrogate where he stayed until his death. In his later years he became a picture dealer, but in his will he referred to himself as ‘animal painter’. Barker became a member of the Royal Society of British Artists in 1896. Although he called himself an animal painter he is also known to have painted ‘Roman Maidens...

Antique American modernist landscape oil painting. Oil on canvas, circa 1940. Signed illegibly lower left. Image size, 36L x 24H. Housed in a period modern frame.

Camillo Adriani was born in Massachusetts in the late 19th century. He studied art in Boston. Adriani was especially well known for his vibrant portrayal of New England snow scenes...

Oscar Jansson, Arvika, Sweden Sunburst, 1906 (Swedish original title: Solbrytning) oil on canvas signed and dated OSCAR JANSON 1906 unframed: 99.5 x 120 cm (39 1/4 x 47 1/4 inches...

Oil painting on Masonite realized by the Artist in 1948. Includes a coeval wooden frame. Artist paints the Hotel where he used to live in Paris during those years. Note, title, date ...

Charming mid century oil painting of two horses at watering trough by William M. Lemos, Santa Cruz and San Francisco artist (American, 1861-1942), circa 1900. Writing on verso is in ...

This lovely Scottish Edwardian Impressionist exhibited landscape oil painting is by noted artist George Whitton Johnstone. Painted in 1901 it was exhibited at the Royal Scottish Acad...

Antique American modernist signed abstract landscape oil painting. Oil on canvas. Signed. Framed.

Evocative seascape, circa 1900, by artist Constantin Alexandrovitch Westchiloff (1877-1945) Signed on bottom left corner and on verso. Titled "Maine" on verso. Presented in a contemporary giltwood frame. Image size: 9"H x 12"W. Framed size: 10.60"H x 14"W x 1"D Westchiloff is an American-Russian artist. He was born in Russia in 1877, and studied at the Academy of Fine Arts in St. Petersburg; as an artist he traveled extensively in Europe and in the USA. He finally settled in New England, where he died in 1945. He is probably best-known for seascapes (particularly of the New England coastline), but was also well regarded for his landscapes, portraits and figures, and genre subjects. His work, especially after his travels in Europe and then in America, is closest to Impressionist in style. His favored medium was oil, which was well suited to his confident and strong technique. This in turn imbued his paintings of the rugged landscapes and seascapes of New England...

Rare Hawaiian landscape of coastal Maui. Oil on canvas. Framed. Signed. Oil on canvas. Image size, 20"H x 24"L.

Don Crowley (1926-2019) Arizona / California Western Artist Image Size: 11 x 13 Frame Size: 18 x 20 Medium: Gouache Study "After Glow" Indian Girl with her...

Signed figures in cityscape oil on panel circa 1940 by sought after French impressionist painter Edouard Cortes. This stunning and wonderfully coloured work depicts a view of a flowe...

Cityscape Mid-20th Century Modern Social Realism American Scene Regionalism WPA Samuel Thal (1903 to 1964) "Cityscene" 12 x 16 inches Oil on board, c. 1940s Signed verso Framed: 19...

Surreal Full Moon Hawaii Cliff House Nocturnal Hawaiian 1940s Landscape Symbolic and surreal mid century nocturnal landscape of a lone house on a s...

ALFRED JANSSON (1863-1931) – FOREST LANDSCAPE Oil on Canvas ⚜ Signed ⚜ Dated ⚜ Framed A STUNNING IMPRESSIONIST WOODLAND SCENE FROM 1909 This original oil painting by Alfred Jansson,...

Early naturalistic nautical painting by Danish painter Niels Peter Bolt. Known for his still life paintings of large floral bouquets, this work is a testament to his artistic range. ...

Nicely executed early 1900s American impressionist coastal seacape painting. Oil on canvas. In excellent original condition. Handsomely framed in a period giltwood molding. Excel...

Philippe Marie Picard (1915-1997) French French Landscape oil on canvas signed Ph m Picard dated a tergo 16.4 -46 canvas size 12.99 x 22.04 inches (33 x 56 cm ) frame 23.03 x 31.49 inches (58.5 x 80 cm) Provenance: A Swedish private collection. The Artist: The year was 1915, and Philippe Marie was born in the small village of Neuvy-le-Roi in France. His parents were Albert Picard and Marie Lehoux; he had a total of six siblings. After studying at the Lycée Descartes in Tours, he entered the studio of the artist François Sicard...

Rafael de Soto - Village street - Oil on canvas Oil measurements 41x33 cm. Without frame.

Title: Landscape of Olot Artist: Joaquim Marsillach Codony (1905-1986) Year: 1945 Technique: Oil on canvas Dimensions: 23.6 x 28.7 in (60 x 73 cm) Location: Olot School, Catalonia Mo...

Initially read as archaic and simple, Halleluja is a complex celebratory spring painting full of color, imagination, and humor and combines many elements seen throughout her later ca...

George Sotter Bucks County Landscape, 1908 Signed Lower Right: Sotter 08; signed on the reverse: G. W. Sotter Oil on artist board 12 x 9 inches Born in Pittsburgh in 1879 to Nicholas and Katherine Sotter, George William Sotter painted the rivers and mills of that city in his early youth. He apprenticed with several stained-glass studios there prior to becoming a partner in the studio of Horace Rudy in Pittsburgh around 1901. He took leave from the studio and came to Bucks County in 1902, to study at the Pennsylvania Academy of the Fine Arts as well as with Edward W. Redfield, the premier painter of the New Hope School. In 1903, he participated in the annual exhibition at the Pennsylvania Academy of the Fine Arts. He continued his studies at the Academy from 1905 – 1907 under William Merritt Chase and Thomas Anshutz. George William Sotter lived in Holicong, Pennsylvania, near New Hope, in a converted 19th Century stone barn. There, in his studio, he painted landscape scenes of Bucks County, which link Sotter to the New Hope School of American Impressionism...

Outstanding Scottish landscape from the late 19th to early 20th century oil on canvas. Born in Scone, Frazer would participate in the growth and development of Scottish landscape painting during the late 19th and early 20th centuries. Long desiring to compete with the artistic endeavors of England, Scotland was making sure to make its mark, investing heavily in its artists. Indeed, Frazer would attend the acclaimed Royal Scottish Academy to receive his art education, intended to compete with English schools such as the Royal Academy in London. When his studies were complete, he would then base himself out of Edinburgh as he pursued a professional career. Edinburgh was and remains, the art capital of Scotland, and there was no place better for budding artist to plant their roots. Frazer’s work is a prime example of the growing influence of impressionism on Scottish landscape art...

Very finely painted early 1900s American impressionist beach scene. Oil on board. Framed. Signed verso. Great colors and very well painted. Excellent ready to hang condition.

Impressive American modernist winter landscape. Detailed and well painted skating scene. Oil on canvas. Nicely framed.

A large American Western, Native American oil on canvas landscape, by Frank Paul Sauerwein (1871-1910), "The Captive", 1901. This large oil on canvas depicts a Native American brave captively tied to a tree stump and being viewed by a rival tribe, who are evidently deciding his fate. Behind the collected tribe of elders, braves and children are a pair of conical tipi dwellings, to the background are grazing horses and another group of native people in a tree lined setting. The painting is indistinctly signed lower left, condition is good, the painting is housed in the original frame with a giltwood rabbet, the painting at sight is 40" x 26". Provenance; From a lifelong collection of 19th & early 20th Century Western Art, Portland, Oregon. Frank Sauerwein was a respected painter of western landscapes, Indian portraits, Indian genre scenes, and California missions. His promising career was cut short by his death of tuberculosis at age thirty-nine. The son of European-trained artist, Charles D. Sauerwein, Frank took his first art lessons from his father before studying at the Philadelphia School of Industrial Art, the Pennsylvania Academy of Fine Art, the Art Institute of Chicago and, finally, the Philadephia Museum School of Art. In 1891 he moved to Denver in hope of improving his health. In 1893, Sauerwein accompanied the artist Charles Craig on a trip to the Ute reservation in southwestern Colorado. This began Sauerwein's unyielding fascination with the Southwest and its Native inhabitants. After a trip to Europe, he returned to the American West, visiting Taos in 1899 and Santa Fe in 1900. That same year, Sauerwein visited the Navajo reservation, becoming good friends with trading post entrepreneur, Lorenzo Hubbell. He also spent time at Keam's Canyon on the Hopi reservation where he sketched local inhabitants. Sauerwein moved to Los Angeles in 1901, and then to Pasadena in 1902, but he maintained his contacts in the Southwest with Summer trips to the Grand Canyon, New Mexico Indian Pueblos, Taos, Santa Fe and Albuquerque. He especially loved the Grand Canyon which is the subject of a large number of his paintings. Rendered in a tight, academic style, Sauerwein's paintings clearly show the influence of German...

Artist: John Parker Davis, American (1832 - 1910) Title: Cow Farm Landscape Year: 1905 Medium: Oil on Canvas, signed and dated l.l. Size: 12 x 18 in...