Small Landscape Paintings

Sunny impressionistic landscape with a river and the last snow is a beautiful, lively and light interior decoration, the plein air painting is created in soft pleasant colours. Last ...

The early (pre-war) Gloucester Harbor scene by Emile A. Gruppe is richly atmospheric and captures the working waterfront in the golden glow of early evening. Gruppe’s mastery of coas...

A Golden Dawn on the Maas In this refined marine painting, Arthur Joseph Meadows captures a tranquil sunrise on the river Maas just below the historic city of Dordrecht (“Dort”). The...

Alexander Chistov's "Big World" is an original, handmade, oil on ACM panel painting depicting the landscape in southern California, located in Ventura County. Artist Bio: Alexande...

William Ray McCauley, Untitled, Abstract Seascape, 15.63 x 19.63 , 1972 Colors: White, Blue, Green, Red Framed Dimensions: 23 x 27

Provenance Acquired by the gallery directly from the artist. FRAMED: 15.5" x 18.5" x 1.125"; UNFRAMED: 9" x 12"

Morris or Morius, an unknown painter who has a flair for the extravagant cavalier manner of brushwork, clearly a very experienced and confident artist, who remains anonymous to our ...

Johannes JANSON (Attributed to) Amboyna (Moluccan Islands), 1729 - Leyden, 1784 Oil on canvas 47 x 57 cm (62 x 72 cm with frame) Trace of signature lower right Monogrammed and dated on the back "1755"Inscription on the recto « Johannes Janson » Very beautiful frame of the 18th century in gilded wood Good condition (just a bit of thinness, a repair and a few repaints, well restored) As for the painting by Johannes Janson exhibited in the Louvre museum, our painting is also a "typical example of retrospective pastiche - much appreciated in the 18th century. – of recognized masters of the Golden Age, the specialists in Dutch rustic landscape Potter, Adriaen van de Velde or Dujardin. Recognizable in our painting is the way Janson represents trees, and animals (the horse in particular on the left is recognizable). And also the silhouettes of his small characters painted in bright colors. This village fair is a rich composition with many characters, musicians, drummers, peasant men and women, children. The scene is very cheerful and it has the charm of the festive atmosphere of the Dutch countryside with many picturesque details represented such as the dancers with a glass or a pitcher in their hands, the dishes or baskets which circulate filled with food, the child playing with a dog or the musician with the violin who animates the assembly. The vivid colors are characteristic of Dutch 17th century genre...

'New Orleans Streetscape" is an original watercolor painting by William Collins. It features a view of a street in New Orleans,. Tall houses with large...

'Bright Light' from Stephanie Peek, who makes her home in California, is beautifully rendered with a sense of depth, intellect, timelessness, and mystery. An elegant painting referencing dried eucalyptus leaves that the artist piled up in her studio and studied under a variety of natural and man-made lighting arrangements, as well as at various times of day and night. Oil on panel with natural alabaster ground into the pigments. The painting celebrates natures abstract qualities with a realist's approach. Peek has floated tulips, roses and other flowers and leaves from 17th century still life paintings through the dark smoky atmosphere of her paintings of night...

Post Impressionist Landscape, Under the Bridge Gorgeous post-impressionistic landscape in the style of Vincent Van Gogh, circa 1990. The ...

Rivière et Saules by Paulémile Pissarro (1884-1972) Oil on canvas 46.1 x 55.2 cm (18 ¹/₈ x 21 ³/₄ inches) Signed and dated lower left Paulémile-Pissarro-1931 Titled on the reverse P...

Joris Abrahamsz van der Haagen Heron Shoot in a Landscape 1615-1669 Oil on oak panel, signed 'JAH' lower left Image size: 16 x 21 inches (41 x 53 cm) Dutch ebonised frame Provenance...

Joseph Rodefer DeCamp (1858 - 1923) Summer Landscape Oil on board 11 x 15 inches Signed lower right Born in Cincinnati, Ohio on November 5, 1858, Joseph DeCamp began his artistic career in his teens and remained active throughout his life. Although he initially painted landscapes, Decamp became a renowned and respected portraitist. He was famous for his images of men of high society and women within domestic interiors. Decamp began his artistic training in 1873 when he enrolled in the McMicken School of Art and Design in Cincinnati. The head of the school, Thomas Satterwhite Noble, was a European-trained painter whose "insistence on rigorous draftsmanship, true to the academic manner in which he had been trained, exerted a lasting influence on DeCamp." DeCamp studied under Noble for five years, but was also a student of Frank Duveneck at the Ohio Mechanics Institute. He adopted Duveneck's bold, realistic style and many of his paintings executed throughout the 1870s and 1880s reflect this influence. Like most American artists of his generation, DeCamp went abroad to study. In 1878, following in the footsteps of Duveneck and other Midwesterners, he traveled to Munich to attend the Royal Bavarian Academy. Soon after his arrival, however, he gravitated away from the academy and towards Duveneck and eventually followed his mentor to Florence and Venice. During these years, DeCamp focused on landscape and portraiture as his primary subjects. These themes would continue to occupy the artist when he returned to America in 1883. When DeCamp arrived back in the United States in 1883, he first settled in Cincinnati, but soon moved to Cleveland to teach at what is now Case Western Reserve University. He then relocated once more to the Boston area, where he would remain for most of his life. DeCamp began teaching at Wellesley Female Academy and, in the fall of 1885, began as an instructor at the School of Drawing and Painting at the Museum of Fine Arts in Boston. He quickly established himself as one of the leading figures in the Boston art community and became a founding member of The Ten American Painters, formulated in 1897. This group included Childe Hassam, John Henry Twachtman, Julian Alden Weir, Frank Benson, Thomas Dewing, Willard Metcalf, Robert Reid, Edward Simmons...

Work on paper

Lesley Anne Spowart (American, born 1957) "8 Trees" 2020 Acrylic Paint, Mixed Media, Canvas, Stretcher Bars The artist signed the bottom right and back of the painting. "8 Trees" by...

Ferdinand Burgdorff (American, 1881-1975) Pantheum Moonlight, 1916 Oil on canvas Signed and dated lower right 16 x 24 inches 21.5 x 29.5 inches, framed Born in Cleveland, Ohio, Ferd...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. This serene original oil on canvas by Lenny Cornforth captures...

Artist: Artyom Abrahamyan, Work: Original Oil Painting, Handmade artwork, One of a Kind Medium: Oil on Canvas Year: 2025 Style: Impressionism, Title: Province Size: 15.5 x 19.5 x...

Signed lower left, 'Helen Hafer' (American, 1913-2003) and with artist label verso. This listed California artist, Hafer studied at the Chouinard Institute in Los Angeles, and privately with Harry Emerson Lewis. A member of the Palm Springs Art Association, Desert Art Center in Palm Springs, Whittier Art Association, Orange County Art Association and the Laguna Beach Art...

STILL STREET Size: 59 x 44.5 cm (including frame) Oil on canvas An expressive mid-century modernist painting captures a quiet street scene, executed in oil onto canvas. A central w...

Work on canvas Wood frame and gilded plaster 64,5 x 73,5 x 6 cm

A finely rendered oil by the nautical artist Brian Coole. The scene shows various vessels entering and leaving the Boston harbor with an iconic display of an American flag, including...

“Ablaze” by Catherine Picard-Gibbs is an abstract textural autumn landscape, painted in brilliant yellows, oranges, and reds that contrast with cool hues of grey and blue. This dynamic 16 x 20 x 1.5 inch oil on canvas painting suggests a stormy autumn day with trees and marshes and is framed in a black floater frame. Catherine Picard-Gibbs paints with bold brush strokes, using vibrant colors to show emotion and movement in landscapes and urban scenes. Her inspiration comes from the nuance and drama of her everyday world. Her evocative works have been featured throughout Massachusetts, in New York, and in the Midwest. Picard-Gibbs is represented by Fountain Street...

This piece, "Winter Dusk", is a 16x20 winter landscape oil painting on canvas by artist Dennis Sheehan. Featured is view over a snow covered marshland during the evening hours. The w...

Genre: Post Impressionist Subject: Landscape Medium: Oil Surface: Canvas Country: France Dimensions: 24" x 20" Jacques Zucker was born in 1900 in Radom, Poland. He was a notably famous Jewish American artist mostly known for his expressionist figure paintings. In his young years he traveled to Palestine to study fine arts at the Bezalel Art School in Jerusalem. In 1917 he joined the British Royal Fuesiliers under the leadership of General Allenby to liberate Palestine from the Turks. After the first World War he settled in Paris, where he continued his studies at Académie Julian and Academie Colarossi. He then emigrated to the United States in 1922 and continued his art studies at the National Academy of Design. He supported himself by designing jewelry. In 1925 he returned to Paris and studied at the Academie de la Grande Chaumier et Colarossi. During the Depression he worked for the WPA. From 1928 he took part in the Paris Salons: Autumn and the Tuileries. His works are expressionistic variations in the type of the Ecole de Paris. As a protégé of both Chaim Soutine and Renoir, hints of their style can be observed in much of his own work. Zucker’s style, that may have been influenced from the art of artists such as Marc Chagall, took pride in being an “internationalist”, standing the art of painting in its highest expression is universal no matter where the canvas was created. People who respond to quality in art will understand the beauty and meaning, in their own land or in a foreign land, this was his main idea behind his artworks that was exhibited in numerous solo show in leading galleries and museums in New York, Paris, Tel Aviv, and other art centers. Claude Roger-Marx of Figaro Litteraire, dean of French art critics, write a comprehensive study of Zucker’s illustrated with 135 color and black and white plates. He traveled widely, including Italy, Spain, Portugal, Mexico and Israel. From then on Zucker lived alternately in New York and Paris, maintaining homes in both places, and spent considerable time painting in Mexico, Portugal, Greece, and Israel. Zucker's post-impressionist works including town and landscapes, still-lives, and portraits, are part of an array of permanent installments in numerous museums and private collections in Tel Aviv, including the Joseph Hirschorn collection in Washington, D. C., the Museum of Modern Art in Paris, and the Bezalel Art Museum in Jerusalem. In 1947 he settled in Arcueil near Paris. Zucker died in 1981 in New York. The School of Paris, Ecole de Paris, was not a single art movement or institution, but refers to the importance of Paris as a center of Western art in the early decades of the 20th century. Between 1900 and 1940 the city drew artists from all over the world and became a centre for artistic activity. School of Paris was used to describe this loose community, particularly of non-French artists, centered in the cafes, salons and shared workspaces and galleries of Montparnasse. Before World War I, a group of expatriates in Paris created art in the styles of Post-Impressionism, Cubism and Fauvism. The group included artists like Pablo Picasso, Marc Chagall, Amedeo Modigliani and Piet Mondrian. Associated French artists included Pierre Bonnard, Henri Matisse, Jean Metzinger and Albert Gleizes. The term "School of Paris" was used in 1925 by André Warnod to refer to the many foreign-born artists who had migrated to Paris. The term soon gained currency, often as a derogatory label by critics who saw the foreign artists—many of whom were Jewish—as a threat to the purity of French art. Art critic Louis Vauxcelles, noted for coining the terms "Fauvism" and "Cubism", Waldemar George, himself a French Jew, in 1931 lamented that the School of Paris name "allows any artist to pretend he is French. it refers to French tradition but instead annihilates it. The artists working in Paris between World War I and World War II experimented with various styles including Cubism, Orphism, Surrealism and Dada. Foreign and French artists working in Paris included Jean Arp, Joan Miro, Constantin Brancusi, Raoul Dufy, Tsuguharu Foujita, artists from Belarus like Michel Kikoine, Pinchus Kremegne, and Jacques Lipchitz, the Polish artist Marek Szwarc and others such as Russian-born prince Alexis Arapoff. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The core members were almost all Jews, and the resentment expressed toward them by French critics in the 1930s was unquestionably fueled by anti-Semitism. Jewish members of the group included Emmanuel Mané-Katz, Chaim Soutine, Adolphe Féder, Chagall, Moïse Kisling, Maxa...

Title: Spring View Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa...

Provenance: Christie’s, London, 3 March 1922, lot 46 (with The Tower of Babel); James Nicoll Private Collection Sotheby’s, London, 29 March 1983, lot 157 Private Collection, New Yo...

This atmospheric 19th-century oil painting by George H. McCord (1848–1909) depicts a wooded riverbank under a dynamic sky, rendered with the crisp naturalism and luminist subtlety as...

Antique American modernist street scene painting. OIl on board. Framed. Signed "Van Zandt 50". Really finely painted and an interesting subject as well!

Verdant oil landscape with textural impasto of a calm stream winding through the trees of a lush, green forest, by San Jose, CA artist Jules Jacques (American, 20th Century). Signed "Jaques" on verso on frame. Displayed in a rustic green wood frame. Jules Jaques painted ocean and forest...

Harald Julius Niels Pryn, or Pryene, was born in 1891 in Frederiksberg, Denmark. He was a well-known Danish landscape painter. His specialty and main subjects were light-filled sea...

A strong modernist oil painting depicted in 1969 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his bold still life paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 18 x 21.75 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett, were the winners. In his 1924 naturalization application, he indicated that he was sometimes known as “Michael Posner Baxte.” One of the witnesses to his application was Bernard Karfiol, a Jewish American artist. That’s when Michael may...

Twilight Chaos #5 60 x 60 cm In this vibrant acrylic creation, I've infused the canvas with the dynamic energy of nature's own symphony. Abstract, yet evocative of an impressionist's...

A charming depiction of a still lake with white sailing boat drifting past rolling hills. The artist has used a stipple technique with their brush to depict much of the ground cover ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

A wonderfully strong example of Pigeon Cove in Rockport, MA. Housed in a 22k gold leaf hand-made PSArt frame. Charles Movalli (1945–2016) had a BA from Clark University and a PhD...

Johann Berthelsen (Denmark, 1883- 1957) 'St. Paul's Chapel, NYC'. Oil on canvas board. Signed lower right. NY. Property from a New Jersey estate. Dimensions: 16" h x 12 " w. Fra...

James Thornhill (1674-1735) Oil on canvas 12 x 14 inches; 16 ½ x 18 ½ in. Inc. frame The subject matter and inclusion of herms on both sides shows the influence of Louis...

LANDSCAPE B/W MINERAL OXIDE ON CANVAS 40x50 cm 2020 original artwork Subjects:Landscape Materials:Canvas Styles:#Abstract #Abstract #ExpressionismExpressionism #Minimalism #Figurati...

Colorful watercolor of mission entrance by Gladys Louise Bowman Fies (American, 1909-2005). Signed "Fies" lower left. Unframed. Image size, 18"H x 24"L. Gladys Fies was a watercolorist, art teacher. Gladys attended the Jade Fon workshop at Asilomar in Pacific Grove for thirty years. She studied under many nationally known watercolorists, Millard Sheets, Rex Brandt and eight years with George Post...

"Bayou in Blue & Gold" by Max Flandorfer (American, b. 1962). Presented in a giltwood frame. Signed "Max Flandorfer" lower left. Titled "Bayou in Blue & Gold," dated "2015" and signed on verso. Image: 12"H x 16"W. Primarily a plein air painter, Max is an avid outdoorsman and is always seeking to capture the spiritual and humble quality of nature. His work evokes a restful, contemplative stillness that he seeks, both in life and his art. Growing up in Miami, he spent most weekends and summers outdoors in the Everglades, or on the water soaking up the rich color, and beauty of the tropical landscape. Flandorfer lived in California for over 20 years, and currently resides in Ocean Springs, Mississippi. Mostly self-taught, Max was forever drawing and sketching as a kid, but the beautiful landscape, and rich artistic heritage of the Monterey peninsula's artist colony was the deciding influence on his later works. An illustration instructor, Jane Miller of Monterey Peninsula College encouraged him to study early California greats such as Granville Redmond...

Work on canvas

"California Summer" Mid Century Plein Aire Landscape in Oil on Masonite Serene landscape by Andrew Bennett (British, 20th Century). A herd of cows are gathered under oak trees in th...

A charming late 19th century oil, depicting a busy cattle farmer returning an escapee to its field. A freshly cut wheat field spans the left of the scene with stocks of straw stood out to dry...

Provenance Acquired by the gallery directly from the artist UNFRAMED: 12" x 16" FRAMED: 19.5" x 23.5" x 2.5"

Post-Impressionist Oil Painting of Donegal Wetlands Landscape in Ireland by 20th Century Irish Artist, Charles McNeill Caldwell. Signed, Ori...

Signed lower right dated 1944 Signed verso William Malherbe "The Thetford Hill Vermont" Provenance: Palm Beach Galleries Framed in a gold frame

Wonderful mid century California landscape of Gold Rush's Amador City with iconic stone building and farm by John Britton Matthew (American, 1896 - 1980),...

Title: Wild Flowers In Full Bloom Medium: Oil on canvas Size: 19.5 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. N...

Oil on canvas. Signed lower right.

Title: Blossom Medium: Oil on canvas Size: 19.5 x 23.75inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. Note: This...

Antique American modernist oil painting by Harry Lane. Oil on canvas, circa 1940. Signed. Exhibited. Framed. Image size, 20L x 16H.