Small Landscape Paintings

As the Days wash over Me‐ Egg Tempera ‐ Tempera Prepped Aluminum panel ‐ 12 x 24 is by E. Melinda Morrison who lives in Fort Worth Texas. Also posted are other paintings available b...

'New Orleans Streetscape" is an original watercolor painting by William Collins. It features a view of a street in New Orleans,. Tall houses with large...

Gouache on paper Paper size: 14.25 x 8.75 inches Framed size: 20 x 14.25 inches Signed lower left

Abstract Landscape Oil Painting of Fields & Trees in the Yorkshire Dales, an Area of Outstanding Natural Beauty, by British Artist Moira Metcalfe. This ...

The Winding River French School, 1947 signed & dated oil on canvas, framed framed: 20 x 24 inches canvas: 14 x 18.5 inches provenance: private collection, France condition: very good...

PaperLandscape Oil Paint and collage on Cotton Canvas 50x50 cm 2020 Ready to hang certificate of authenticity included One of a kind, non-reproducible Marilina Marchica was born i...

Beautiful mountain landscape painting with river by notable Scottish artist John D. Taylor Oil on canvas board 9.5" x 13.5" unframed, 15" x 19.5" ...

Mid-Century Santa Cruz Mountains & Stream Landscape in Oil on Canvas Beautiful oil landscape painting of the Santa Cruz Mountains by Santa Cruz, California artist Ann Fuson (America...

Impressive early American modernist landscape oil painting. Framed. Oil on board. Signed. Image size, 11H by 16L.

Martha Mans 10 x 10 image size and 21 x 21 matted and framed The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor Society, Montana Watercolor Society and the Adirondacks National and the San Diego Watercolor Society to name a few. She has been awarded signature membership into the American Watercolor Society and the National Watercolor Society. Over her career as an artist she has had the privilege of being able to work with many painting groups and institutions: Instructor of painting at the Jade Fong Watercolor Workshops in Carmel, California Instructor at La Romita School of Art in Umbria, Italy Instructor at Montfacon in Limoux, France Charles Russell Art Auction in Great Falls, Montana, 10 years National Arts Club in New York Salmagundi Club in New York National Academy of Design in New York American Watercolor Society, New York, Signature Member National Watercolor Society, California, Signature Member National Arts Club, New York
 Pennsylvania Watercolor Society Western Federation of Watercolor Florida Watercolor Society, convention show juror and instructor Baltimore Watercolor Society Las Posada Painting Group, annual workshop, Green Valley, Arizona Rocky Mountain National Art Exhibition Adirondacks Watercolor Exhibition San Diego Watercolor Society New Mexico Watercolor Society Pikes Peak Watercolor Society Tokyu Gallery Exhibitions, Tokyo, Japan William and Mary College, Williamsburg, VA Summer children’s Art Program Ranchland’s Artist’s Gathering, Nature Conservancy’s Medano/Zapata Ranch, San Luis Valley, Colorado Sheridan College/Spear-O-Wigwam Sheridan Wyoming, Artist’s Gathering Brinton Museum, Big Horn Wyoming, Sheridan College show and small works show Palmer Land Trust, Colorado Springs, CO, First Place Art and Purchase award two years. Ghost Ranch Art Workshops Director, Abiquiu, New Mexico Arts For The Parks annual Exhibition and Traveling Show Taos New Mexico Art...

River Yar Boatyard by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22 inches titled and dated 'May 1977' *FREE SHIPPING ON THIS...

Artist: Ian Hornak (1944-2002) Title: Light from the Past, 1st version Year: 1985 Medium: Acrylic on double layered Masonite Size: 21.5 x 18 inches Condition: Good Provenance: Estate...

Oil Painting by Alfred Henry Vickers "Near Hamish" Henry Vickers 1836 to 1919 he was a popular painter of rustic and Continental landscapes. He was the grandson of Alfred Vickers sen...

In the garden. 2018, oil on canvas, 53x45 cm Blooming flowers in the garden Valery Bayda (1958) Valery Bayda was born in 1958 in Russia. From 1983 to 1989 he studied at the All-Uni...

Coastal Blue by Caroline Chappell [2022] original Oil on Canvas Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:2.5cm...

Serene landscape of athe Merced river and El Capitan by California Artist Marjorie Russell (20th Century). A calm river winds through the bottom portio...

The technique of American Tonalism is evident in this oil painting on canvas from the early 20th century/late 19th century. Hues of muted greys cre...

Reinhold Grohmann (1877-1915) was a German painter who studied at the Académie Julian in Paris, a renowned art school that attracted students from all over the world. Grohmann's wo...

Etching Edition 143/175 Last 2 left, new, not preowned Video attached This is a series of original etchings from respected European artist Cuca Romley. Ms Romley is 91 years and cur...

Tree Lined River Scene in Summer with Bridleway in the English Countryside by British Artist, W Gilbert Art measures 16 x 12 inches Frame measures 22 x 18 ...

"Summer Evening" 12x24 is an oil painting on canvas by artist Ronald Adams. Featured is a peaceful and warm tuscan landscape. Thick and skillful brushstrokes carve out rows of grapev...

20th century figurative landscape oil on canvas on board painting by Polish artist Magdalena Spasowicz. Artwork is in classic style, it resembles impressionism. Composition is painted with wide brush strokes. Colors are muted. Artwork depicts a cityscape of Strasburg in France. MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. Her works have been presented in numerous exhibitions in Poland and abroad, among others in Warsaw, London, New York, Bratislava, Washington, Moscow, Berlin, Budapest, and are to be found in private and public collections around the world. In 2017 two individual exhibition of the artists took place - at the Regional Museum in Kozienice Palace and at the Museum of Western Mazowsze in Zyrardow. Magdalena Spasowicz has been spending every single moment on painting for many years now. Most of her paintings are monochromatically coloured landscapes, of places where eye cheers soul with a sight close to heart, known and well remembered. French painting of Pissarro and Utrillo has been a very important inspiration for Magdalena Spasowicz. A desire to still-frame every moment when the artist meets Nature and beloved places is an imperative, which obliges to come back to canvas and paint, paint with a total devotion. The artistry of the places represented in the paintings of Magdalena...

A fine and vibrant oil painting, depicting a French landscape view with a town in the distance. Signed and dated to the lower right-hand corner. On canvas board.

Rocks at Cannon Beach, Oregon - Seascape in Oil on Linen Serene seascape by [Louis Bencreal]. Waves crash on a large rock formation at Cannon Beach in Oregon. At the bottom of the c...

William Beattie-Brown (1831-1909) RSA, (Royal Scottish Academy) painted 'Highland Stream with Sheep ' in crisp detailed oil paint on canvas. Beattie-Brown excels in water rapids and ...

Beautiful seascape of the rocky California coast by Carmel plein air painter Muriel Emily Goodfield (American, 20th century). Presented in a wooden frame. Signed "MEO" lower right an...

This charming mid-19th-century oil painting by Dutch artist Johannes Philippus Galjaard (1812-1867) depicts several figures on a rural track with a town and distant hills beyond. Hai...

Very nicely painted American modernist harbor oil painting. Framed. Oil on board. Signed. Image size, 16H by 20L.

If you have interest in Eastern North Carolina Tidewater history and architecture, this painting may be a fine addition to your home or collection. It is an oil on board of the Sanderlin House in Belcross, Camden County. There is quite a bit of history written on a card on the back board that describes the family members of the house in the late 19th century. Camden is the courthouse town for Camden County. It is a small town located on the east side of the Pasquotank River, a few miles from Elizabeth City. Belcross is an area just outside of town. Apparently two near-identical houses were built ca 1840’s by the Sanderlin brothers, William and Joseph. One was left to ruin and disappeared, the other seems to possibly remain. In any event, per the information included, this is a view of the house by artist Miss Ella Bidgood, ca 1895. An Ella Bidgood, born in Baltimore in 1855, has been identified and she was a resident of Norfolk, Virginia with her family in the 1900 census. She is likely the artist of this painting. It is painted in a somewhat naive style but competently shows details of the house in nice, vivid colors. The painting is not signed but the information on the back side seems completely reliable. The painting itself is oil on board and measures 12” x 18”. It has been recently cleaned and varnished. It is in very good condition with no issues to report. It is housed in a substantial gold painted frame of the period with interesting detailing. Overall framed measurements are 19” x 24”. The frame is in good solid condition with no issues to report, other than expected very minor age-related wear. Note that the photos show some glare from the varnish in places that really doesn’t show in general light. Southern paintings...

In my artwork, I infused the timeless essence of Moscow's Yushkov lane with emotive strokes of oil paint, balancing the delicate dance of light and shadow. The composition marries fi...

Signed lower right dated 1944 Signed verso William Malherbe "The Thetford Hill Vermont" Provenance: Palm Beach Galleries Framed in a gold frame

A Governor’s Mansion - Countryside Couple - Original Watercolor on Paper 1860s Governor’s Mansion during the Civil Water. A watercolor painting depicting horse carriages and disting...

Oil on canvas. Signed lower right.

Oil on canvas 13 x 20 inches Signed and dated center right: "Matthew Spender / 1981" Titled on canvas overlap verso: "#16 Remote Foreground" Retail: $2...

A Summer’s Day Cornelis Koppenol Zoetemeer 1865 – 1946 The Hague Dutch Painter Signature: Signed bottom left Medium: Oil on canvas Dimensions: Image size 29 x 43 cm, frame size 37 x 52 cm Biography: Koppenol Cornelis was born on December 26 in 1865 in Zoetmeer, The Netherlands. He was a Dutch painter of genre scenes, portraits, still lifes, flowers, beach scenes with figures, cows and sheep markets, landscapes with farm workers, farm interiors. He is known especially for paintings with farm girls with geese...

Antique American important and historic drawing by John Avery, Ink on paper. Provenance from Kennedy Gallery. Framed. Measuring 19 by 23 inches overall and 12 by 15.5 drawing alone. ...

George Henry Smillie (1840 - 1921) Stone Wall, Autumn, 1879 Oil on canvas 9 1/2 x 15 inches Signed and dated lower right Provenance: Skinner, Boston, September 19, 2014, Lot 389 The career of George Smillie (1840-1921) followed the arc of nineteenth-century U.S. landscape painting. Trained in the Hudson River School tradition, Smillie successfully adapted to changing U.S. tastes and growing interest in European trends. In the late 1800s, he moved to tonalist paintings full of brushwork and influenced by French Barbizon painting. By the end of his career, he had lightened his palette to produce works similar to those of the U.S. impressionists. Yet in all styles, he was never less than competent, and his tonalist work is among the best produced in the United States. Like many nineteenth-century painters, George Smillie’s artistic training began with the study of printing. His father, James Smillie...

Work on canvas

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Therese James’ "Fun of the Fair" invites viewers into a vibran...

Summer day. Oil on cardboard, 40x50 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine and G. Skil...

Acrylic on board. Signed to the lower left. Well presented in a contemporary wooden frame.

Snowy Barn #2, 1971, oil on canvas, signed and dated verso, 18 x 23 inches Marina Stern was a multifaceted New York-based artist whose works ranged from Expressionism and Pop Art to the Neo Immaculate paintings and pastels for which she is best known. A native of Venice, Stern and her family fled in 1939 to escape Italy’s repressive racial laws. After living in England for several years, the family arrived in the United States in 1941. A bright and capable student, Stern graduated from New York’s Julia Richman High School at age 15 and soon enrolled in the Pratt Institute to pursue an interdisciplinary education in the arts. Despite majoring in advertising design, Stern favored her fine art courses. She graduated from Pratt in 1946 at age 18 and began working for advertising agencies. After a brief marriage which ended in divorce, Stern married her second husband, who encouraged the artist to study at the Art Students League of New York, under the renowned Japanese American modernist, Yasuo Kuniyoshi. In Fall 1953, Stern gave birth to her first child, Michael, as she continued to study at the Arts Students League. Later in the Spring of 1957, Stern gave birth to her daughter Nina, as she continued to balance motherhood with her fine art practice and commercial art and design work. Stern’s first significant exhibitions were in 1962 at the Waverly Gallery and the Osgood Gallery, both in New York, followed by inclusion of her work in the Bertha Schaefer Traveling Collage Show from 1963 to 1964. Stern made a splash in the avant-garde art world in 1964 when Time magazine reviewed a show at Amel Gallery which featured three of her audio-visual paintings. Time’s critic noted that Stern created the “cleverest noisemakers” in the exhibition. Time dubbed this work “Talkie Pop,” a label which Stern rejected. Following this recognition, Stern was selected for inclusion in The New American Realism at the Worcester Art Museum—a major showcase of leading artists, including Andy Warhol, Robert Indiana, Roy Lichtenstein, and Jasper Johns. After the Worcester exhibition, Stern began to shift away from her “talking” Pop paintings to mysterious, interior scenes with orange, blue or black walls with windows or doors rising above black and white floors, often depopulated, but sometimes with figures. One of these works, Seven Minus Twenty-One Equals Seven, entered the permanent collection of New York’s Museum of Modern Art in 1966. By 1969, Stern began to incorporate industrial images into these scenes, and in the early 1970s, Stern created her first Neo-Immaculate works of rural, and urban landscapes, which she described as her most satisfying work. Stern often depicted locations that she held close -- New York, New Jersey, Iowa (where her son attended college), Sharon, Connecticut (where her family spent weekends and vacations) and her native Venice, Italy. Stern’s success as a Neo Immaculate painter led to consistent New York gallery representation for over two decades, first with Lee Ault & Co and James Yu Gallery, and then Forum Gallery, where she had six solo shows. In 1971, Stern completed a Neo-Immaculate mural commission for the Port Authority of New York, George Washington Bridge #1 and #2, followed by another commission from the NY Cityarts Public Art Program in 1976 for a mural on Mulberry Street. Stern also enjoyed solo exhibitions in Boston (Eleanor Rigelhaupt Gallery), Connecticut (Silo Gallery, the Hotchkiss School, J. Rosenthal Fine Arts Gallery, Tremaine Gallery, and Staib Gallery), Chicago (Michael Rosenfeld Gallery), and Santa Fe (Santa Fe East Gallery). Her work was included in group shows at over a dozen public institutions, including The National Academy of Design, The Staten Island Museum, Worcester Art Museum, the Oklahoma Art Center, and the Arkansas Art Center. The Southern Alleghenies Museum of Art hosted a retrospective of four decades of Stern’s work from January 19 to April 22, 2007, entitled Perception and the Cultural Environment: The Paintings of Marina...

Gorgeous plein air landscape in oil of the coast in Davenport, California, by Brian Rounds (American, b. 1968). Signed by the artist in lower right...

This painting takes the viewer to one of the secluded islands of the Oslo fjord zone - a place where time seems to stand still. In a small port on Turtle Island (Malmöya), harmony be...

Dramatic seascape by Victor (Vasil) Papkov (20th Century). An intense storm is pouring rain on the left side of the composition, with streaks of white, blue, green, purple, and yellow. On the right side, dark clouds loom over a turbulent sea...

This exquisite early 20th-century oil on panel by Dorothea Sharp captures the timeless and universal bond between mother and child in a tender Impressionist style. Painted circa 1900...

Genre: Post Impressionist Subject: Landscape Medium: Oil Surface: Canvas Country: France Dimensions: 24" x 20" Jacques Zucker was born in 1900 in Radom, Poland. He was a notably famous Jewish American artist mostly known for his expressionist figure paintings. In his young years he traveled to Palestine to study fine arts at the Bezalel Art School in Jerusalem. In 1917 he joined the British Royal Fuesiliers under the leadership of General Allenby to liberate Palestine from the Turks. After the first World War he settled in Paris, where he continued his studies at Académie Julian and Academie Colarossi. He then emigrated to the United States in 1922 and continued his art studies at the National Academy of Design. He supported himself by designing jewelry. In 1925 he returned to Paris and studied at the Academie de la Grande Chaumier et Colarossi. During the Depression he worked for the WPA. From 1928 he took part in the Paris Salons: Autumn and the Tuileries. His works are expressionistic variations in the type of the Ecole de Paris. As a protégé of both Chaim Soutine and Renoir, hints of their style can be observed in much of his own work. Zucker’s style, that may have been influenced from the art of artists such as Marc Chagall, took pride in being an “internationalist”, standing the art of painting in its highest expression is universal no matter where the canvas was created. People who respond to quality in art will understand the beauty and meaning, in their own land or in a foreign land, this was his main idea behind his artworks that was exhibited in numerous solo show in leading galleries and museums in New York, Paris, Tel Aviv, and other art centers. Claude Roger-Marx of Figaro Litteraire, dean of French art critics, write a comprehensive study of Zucker’s illustrated with 135 color and black and white plates. He traveled widely, including Italy, Spain, Portugal, Mexico and Israel. From then on Zucker lived alternately in New York and Paris, maintaining homes in both places, and spent considerable time painting in Mexico, Portugal, Greece, and Israel. Zucker's post-impressionist works including town and landscapes, still-lives, and portraits, are part of an array of permanent installments in numerous museums and private collections in Tel Aviv, including the Joseph Hirschorn collection in Washington, D. C., the Museum of Modern Art in Paris, and the Bezalel Art Museum in Jerusalem. In 1947 he settled in Arcueil near Paris. Zucker died in 1981 in New York. The School of Paris, Ecole de Paris, was not a single art movement or institution, but refers to the importance of Paris as a center of Western art in the early decades of the 20th century. Between 1900 and 1940 the city drew artists from all over the world and became a centre for artistic activity. School of Paris was used to describe this loose community, particularly of non-French artists, centered in the cafes, salons and shared workspaces and galleries of Montparnasse. Before World War I, a group of expatriates in Paris created art in the styles of Post-Impressionism, Cubism and Fauvism. The group included artists like Pablo Picasso, Marc Chagall, Amedeo Modigliani and Piet Mondrian. Associated French artists included Pierre Bonnard, Henri Matisse, Jean Metzinger and Albert Gleizes. The term "School of Paris" was used in 1925 by André Warnod to refer to the many foreign-born artists who had migrated to Paris. The term soon gained currency, often as a derogatory label by critics who saw the foreign artists—many of whom were Jewish—as a threat to the purity of French art. Art critic Louis Vauxcelles, noted for coining the terms "Fauvism" and "Cubism", Waldemar George, himself a French Jew, in 1931 lamented that the School of Paris name "allows any artist to pretend he is French. it refers to French tradition but instead annihilates it. The artists working in Paris between World War I and World War II experimented with various styles including Cubism, Orphism, Surrealism and Dada. Foreign and French artists working in Paris included Jean Arp, Joan Miro, Constantin Brancusi, Raoul Dufy, Tsuguharu Foujita, artists from Belarus like Michel Kikoine, Pinchus Kremegne, and Jacques Lipchitz, the Polish artist Marek Szwarc and others such as Russian-born prince Alexis Arapoff. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The core members were almost all Jews, and the resentment expressed toward them by French critics in the 1930s was unquestionably fueled by anti-Semitism. Jewish members of the group included Emmanuel Mané-Katz, Chaim Soutine, Adolphe Féder, Chagall, Moïse Kisling, Maxa...

Outstanding 19th century English warship off the Italian, Mediterranean coast, with village, mountains and hills. A very interesting and somewhat unique oil on slate depicting an English ship at anchor in what looks like an Italian or Mediterranean coastline. The piece has influences from John Thomas Serres...

Bliss for Bees Nicky Chubb 50x50x4 cm Original painting Acrylic on canvas Nicky was born in Durham in 1969 and grew up in Manchester, moving to Surrey in 1986. She originally trained...

Oil on canvas board. Signed to the lower left. Well presented in a contemporary wooden frame.

Early Watercolor of West Palm Beach by Southern Woman Artist Grace Martin (Frame) Taylor. The work is in excellent condition and nicely framed under glass. Painting measures 11"h x 14"w. The frame is 19 5/8"h and 22"w. The watercolor is signed and dated lower left and also titled and dated in graphite as well. Grace Martin Frame Taylor (1903-1995), a native of Morgantown, West Virginia, launched a nearly forty-year affiliation with the Mason College of Music and Fine Arts, now part of the University of Charleston in West Virginia. In 1921, Taylor enrolled at the University of West Virginia in her hometown; disappointed by the art curriculum, however, she left after just one year to attend the Pennsylvania Academy of the Fine Arts. She returned to the University of West Virginia in 1924 to finish her bachelor’s degree, selecting English as her major, with an emphasis on journalism; she eventually earned a master’s degree there in 1929. Following her graduation, Taylor went to Provincetown, Massachusetts, and renewed her interest in art under the guidance of her distant cousin Blanche Lazzell. Both Provincetown and Lazzell had gained a significant reputation for a particular kind of color woodblock printmaking known as the white line method. Grace Taylor embraced this approach wholeheartedly; for twenty-eight summers she returned to Provincetown to advance her printmaking skills with Lazzell and Heinrich Pfeiffer. In the ensuing decades, she also studied under Hans Hofmann whom she called her “very favorite modern master.” Taylor traveled to other destinations to further her education. In the late 1930s and early 1940s, she spent time at the Carnegie Institute of Technology in Pittsburgh; closer to home, she studied at the Old White Art Colony in White Sulphur Springs, West Virginia, and took lessons in portraiture in the capital city of Charleston...

Twin Calves, San Rafael looking to Mt. Tamalpais -Turn of the Century Landscape by Gordon Harrower Coutts Charming and significant turn of the century landscape painting of two calv...

Oil painting on canvas 60 x 50 cm, called 'Magic evening', is meant to create a magic feeling of the ocean under the special orange sunset light.

Vibrant modernist self-portrait by California artist Sandra Lobue-Erba (American, 1945-2007). Signed lower middle edge. Unframed. Image: 21"H x 20"W. Provenance: Purchased from art...

An original antique American oil painting by John Rummell depicting a forest interior. The stunning composition is highlighted by vibrant colors a thick imposto and lively brush s...

Gorgeous late 19th-century snowscape titled "After the Snow," by artist Constantin Alexandrovitch Westchiloff (1877-1945) Signed on the bottom right corner and titled on edge (the color differences in the signature letters are original to the painting prior to cleaning, and have not been modified or augmented). Unframed. Image size: 14.25"H x 20.25"W Westchiloff is an American-Russian artist. He was born in Russia in 1877, and studied at the Academy of Fine Arts in St. Petersburg; as an artist, he traveled extensively in Europe and in the USA. He finally settled in New England, where he died in 1945. He is probably best-known for seascapes (particularly of the New England coastline) but was also well regarded for his landscapes, portraits and figures, and genre subjects. His work, especially after his travels in Europe and then in America, is closest to Impressionist in style. His favored medium was oil, which was well suited to his confident and strong technique. This, in turn, imbued his paintings of the rugged landscapes and seascapes of New England...

Boat,sea,green Birgitte LYKKE MADSEN (Odense, Denmark, 1960) 1981-86, Educated from the Academy of Fine Arts, Odense First solo exhibition in 1983 Artist statement: “I am a painter. I am fascinated by the difference in cold and warm colors and the different atmospheres that it creates in our mind. My hereby presented oil paintings are describing people in water...

By M.A. Bhatti 16" x 20" Oil on Canvas Framed Size: 21.5" x 25.5" This fast-paced western painting depicts a lasso-weilding cowboy on horseback chasing down a rogue calf. The scene...

Immerse XXIV [2020] original Acrylic on Canvas Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x D:4cm Sold Unframed Please note that insitu imag...