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Consalvo Carelli
19th Century Italian Rectangular Oil on Board Landscape View Marine Painting

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Italian Impressionist Oil on Board Marine Landscape Painting Naples Bay View
By Francesco Coppola Castaldo
Located in Firenze, IT
Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...
Category

Late 19th Century Impressionist Landscape Paintings

Materials

Oil, Board

Venice Landscape Italian Oil on Canvas Painting in Gilt Wood Frame, Belle Epoque
Located in Firenze, IT
This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...
Category

Early 20th Century Impressionist Landscape Paintings

Materials

Canvas, Oil

J. Brunner 1869 Oil on Canvas Austrian Landscape with Lake and Mountain Painting
Located in Firenze, IT
This very fine quality 19th century oil on canvas in dark brown wood frame with gold leaves details throughout is signed by Joseph Brunner (Vienna 1826-...
Category

19th Century Romantic Landscape Paintings

Materials

Canvas, Wood, Oil

French Tempera on Canvas Four Panels Folding Screen with Seascape View
Located in Firenze, IT
This French early 20th Century folding screen is made up of four canvases entirely painted with textured tempera featuring a marine l...
Category

Early 20th Century Realist Landscape Paintings

Materials

Canvas, Tempera

Italian Oil on Canvas Painting Coat of Arms in Gold Leaves Panel and Black Frame
Located in Firenze, IT
This huge Italian 19th century armorial painting features the coat of arms of Montini, a noble Italian family that has among its ancestors the Archbishop of Milan, later known as Pope Paul VI. The large oval canvas has a brown and red background, the latter shaped like a shield, in which six mountains (from the etymology of the surname) and three white fleur de lis are painted. This big scale palatial oil painting...
Category

Late 19th Century Italian School Figurative Paintings

Materials

Oil, Canvas, Wood

Aeneas Fleeing the Burning of Troy, 17th Century Flemish Oil on Canvas Painting
Located in Firenze, IT
This oil painting on canvas, created by an artist from the 17th Century Flemish School, depicts one of the most significant scenes from Greco-Roman mythology: Aeneas saving his famil...
Category

17th Century Dutch School Figurative Paintings

Materials

Canvas, Oil

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Home Safe
By James Gale Tyler
Located in Greenville, DE
Very well executed seascape. Alternate title "In Point" inscribed on the rear. 17 x 15in in frame, including linen liner. ...
Category

Late 19th Century Impressionist Landscape Paintings

Materials

Oil, Board

The Beach at Norderney
Located in Greenville, DE
Andor Basch (1885-1944) Signed lower right, dated 1922 and inscribed "Norderney" 16 1/2" x 19 1/2" in 23kt gold leaf frame Possibly one of the first appearances of the 2-piece bathin...
Category

20th Century Impressionist Landscape Paintings

Materials

Oil, Board

A Suffolk Landscape with Ferryman
By Alfred de Breanski Sr.
Located in Hillsborough, NC
Alfred de Breanski, Sr. (British) is one of the most renowned 19th century landscape artists, known for his plein art style, both realistic and idyllic. Breanski set up his easel across the Scottish Highlands, Wales and rural England as in this gem, titled 'A Suffolk Landscape...
Category

1880s Impressionist Landscape Paintings

Materials

Oil, Board

Vermillion at Lee's Ferry ( Plein Air Landscape painting sky blue terracotta)
By Jane Chapin
Located in Cody, WY
This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...
Category

2010s American Impressionist Landscape Paintings

Materials

Linen, Oil, Board

Pecos Temple (Plein Air landscape Painting - beige neutral colors)
By Jane Chapin
Located in Cody, WY
This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...
Category

2010s American Impressionist Landscape Paintings

Materials

Linen, Oil, Board

Coming In & Going Out ( Plein Air Landscape painting green yellow colors)
By Jane Chapin
Located in Cody, WY
This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...
Category

2010s American Impressionist Landscape Paintings

Materials

Linen, Oil, Board

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