Gouache Landscape Paintings

Albert Eugène LECHAT (Lille 1863 – Berck sur Mer 1918) The crier's shop in Arras Watercolour, pencil and gouache highlights H. 22 cm; W. 27.5 cm Signed lower right. Exhibition labels...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

"Spring at Home" is an abstract landscape featuring hues of pink, purple, blue and yellow. This work is framed in a simple white frame behind Museum Glass measuring 41 by 60 inches. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson...

Artist Unknown (20th century) New York City Skyline, 1950s Oil, watercolor and gouache on paper 13 1/2 x 19 1/2 inches A bright abstract skyline view of a metropolis on a blue / teal background with red, yellow, and blue lights...

Charming palm tree painting on canvas with a mixed media approach using oil, gouache, and watercolor. Featuring a three-dimensional folky sea shell and sea life...

Nancy McTague-Stock (American, b. XX), Two Works on Paper, comprising: "Lucca Glow", Oil on Paper, with label to the reverse and "Summer's End" Mixed Media on Paper, 2000, signed in ...

Original Painting. Fortune Mag Cover Published 1938. American Scene Modern WPA Antonio Petruccelli (1907 - 1994) Fortune cover published, January ...

"Light on Water I" is a soothing naturalist landscape featuring hues of blue, green and yellow. This work is framed in a simple white frame behind Museum Glass measuring 37 by 49 inc...

Vector Group No. 53 (2014) oil enamel, Japanese Sumi ink and gouache on artist's hand-made cotton paper 30 x 23 inches (unframed)

"Anniversary Wildflowers II" is a colorful naturalist landscape featuring hues of purple, pink, orange and green. This work is framed in a simple white frame behind Museum Glass meas...

Original Illustration Art for General Electric Calendar, Tags on verso Deftly rendered in a post-impressionist style . Signed lower right Simple period wood frame - work could benefit from a new frame. Terpning has done movie posters for Doctor Zhivago, Cleopatra, Gone with the Wind and Guns of Navarone...

This is an American landscape by the Indian artist S.S. Sarguru. It is a Gouache on paper board and signed and titled lower right. This painting is in excellent condition and comes w...

- Gouache on paper. - Circa 1910-1920. Dimensions H: 49 cm W: 49 cm/H: 19.29 in; W: 19.29 in (unframed) H: 71 cm W: 71 cm/H: 27.95 in W: 27.95 in (framed)

This small yet detailed gouache painting by Bennett Vadnais captures a quiet street scene with a row of houses bathed in warm light. The careful rendering of architecture and lush gr...

Boris Lacroix (born in Paris in 1902, where he died in 1984) was a French Art Deco architect and designer. Boris Lacroix served as the artistic director of the Vionnet fashion house ...

Was born in 1993 in the city of Marganets, Ukraine. Artist Gorbachenko Multiple participants of group and solo exhibitions and Art Fair Vilnius. The artist's works are in private col...

Sea See 6 by Stacey AS Pritchard Painting, Water Color, Great Pacific Garbage Patch, Environment, Nature, Water scape, Landscape, Outdoors, Trash, Water, Bright Colors, Earth Tones,...

Abstract Nature Painting Alex K. Mason "Lush Green Spring". Acrylic, Ink on Canvas in white washed frame, 31.5"H x 25.5"W x 2.25"D, Greens, Blues, peach, orange, yellow, grey, whites...

'Signs and Lights on Broadway' 2005 by American artist, Lawrence Kelsey. Gouache, 7.5 x 10 in. / Frame: 16.5 x 20.5 in. Depicting a night view of New York City, this impressionistic...

We offer a small number of these original illustration designs by this design studio based in Alcoy (Spain), which could pair well or make group sets if buyers so desired. Designed t...

Painted during the 2015 Winter Equestrian Festival in Wellington, Florida. A black and white depiction of a canal, is barely recognizable, due to Fenske's wild brushstrokes and lack...

Abstract Painting on Cavas framed in White washed wood frame. by Alex K. Mason "Gathering Storms in Ancient Seas", Acrylic Blues, Greens, Pink, yellow It is the expression of makin...

Artist Commentary: The small lobster fishing village of Blue Rocks on the Gulf of Maine in Nova Scotia. About the artist: Richard Levine, born in Newark, NJ, is a painter and photographer whose professional career has spanned more than 30 years in the graphic arts working for prominent design firms and corporate clients. He studied oil painting for four years with artists Alan Turner and Andrew Lattimore and photography with Gary Winogrand...

Autumn Intoxication by Rosie Phipps [2022] Autumn Intoxication is an original watercolour and gouache painting by artist Rosie Phipps, sold mounted. Featuring her gestural and expre...

Mid Century Americana "For a horrible instant Carter thought the jet was going to crash in the street." Saturday Evening Post Work is unframed

Born in San Pedro, California in 1969, Francis DiFronzo has been painting and exhibiting his artwork in the United States for more than thirty years. "I discovered at a young age that art had the ability to transport me out of my world and into the lives of artists I admired. When I looked at paintings by Andrew Wyeth or Edward Hopper, I felt as though I was momentarily living in the worlds they created. I wanted to do the same thing. I wanted my work to have that power." After receiving his B.F.A in 1994 from California State University, Fullerton, DiFronzo moved to Philadelphia, PA where he continued his studies in drawing and painting at the Pennsylvania Academy of the Fine Arts. There he worked and learned under the guidance of artists Murray Dessner, Jan Baltzell, Sidney Goodman, Vincent Desiderio and Irving Petlin. Di Fronzo...

Born in San Pedro, California in 1969, Francis DiFronzo has been painting and exhibiting his artwork in the United States for more than thirty years. ...

The artist invents and then captures a moment of a peak drama with soldiers being shot and bombs exploding. It's beautifully rendered in Künstler signature style showcasing his deep ...

Artist Richard Erdoes is as undervalued as he is overlooked. Rarely does an artwork come on that market that combines sharp-witted originality with mind-boggling technical proficiency. In “Mid-Century Expressway,” Erodes painstakingly draws a birds-eye view of a Norman Rockwell-like town buzzing with activity. He paints far away and close up in one image. Each block has its own charming Americana story unfolding. The closer the viewer gets to each scene, the more detail is revealed. In black and white, the artist describes not only the architecture and infrastructure but also human activity - lot's of it. Erodes’s congested town is humming. Overflowing trains, packed busses, zooming cars, stuffed trucks, frenzied pedestrians and even a marching band is depicted with great whit. But do not worry. Progress is coming and all will be well. Superimposed onto this black and white clogged urban scene is a proposed new highway. It's painted in a punchy green and creates an unexpectedly distinct design. The artwork was most likely done for Fortune Magazine or the like. Notice he Esso Gasoline signs...

CHROMASEEDS is a multilayered composition created with paper and tyvek cut-outs painted with oil, acrylic, and gouache, sealed with polyester mesh layers. The plants represented in the piece are Gaillardia flowers, commonly known as blanket flowers, native to North America and often bred for their decorative, ornamental shape. In her creative process, Hartman anthropomorphizes the flowers, paying attention to their dance-like growth movement. Here, their shadows dance in the prismatic light of the rainbow, while the wind catches their seeds, cultivating the garden. The vibrant, rainbow light was achieved by painting a prismatic shape on tyvec and black paper, creating a reverse silhouette...

Abstract Nature Painting "Andiamo" by Alex K. Mason Acrylic Gouache on Yupo mylar . Framed in white shadow box frame, 36"H x 36"W x 2.225"D. Greens, Yellows, Orange, Brown, 2019. It...

Represented by George Billis Gallery, NYC & LA -- My latest series opening at the George Billis Gallery, “Birth of the Cool,” celebrates the midcentu...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...

TENDRIL by Heather Hartman was created for her show titled "Kudzu Season." This painting titled "Tendril," depicts a kudzu vine in white, layered over an at...

DORMANT by Heather Hartman, made for her show "Kudzu Season," is one of a series of four paintings representing the four seasons relative to the Kudzu growth cycle. This painting, titled "Dormant," is the Winter-inspired piece in the series. After the first frost of winter, all of the leaves of the kudzu plant fall off of the vine, leaving it limp and bare. Here, we see the stark outline of a kudzu vine...

Paul Vanier Beaulieu, Canadian, 1910-1996 Untitled Watercolour 15 x 22 in Signed on the lower left: P.V. Beaulieu Framed

Ellen Phelan Clouds over Narrows (Lake Champlain), 1998 Watercolor and gouache on paper 15 1/2 x 17 1/2 inches (sheet) 21 1/2 x 23 1/2 inches (frame) Si...

Charles Henry Collins Bake 1880 - 1959 Country Byways Gouache on paper, signed lower left Image size: 17 x 21 inches (43 x 53 1/2 cm) Contemporary gilded oak frame This fabulous artwork was a commission by the railways to use as a poster to encourage people to travel by railway to the countryside. Charles Henry Collins Baker was an English painter and art historian. Baker was born in Ilminster, Somerset, the son of John Collins Baker and Fanny Henrietta Remmet. He was educated in Berkhamsted and the Royal Academy Schools. A landscape painter at the beginning of his career, he exhibited at the Royal Academy in 1907 and at the New English Art Club in 1909–16; from 1921 to 1925 he was the club's honorary secretary. In 1911 he became the art critic...

Abstract landscape blue toned gouache painting on paper depicting a seascape with a white lighthouse and a red barn, possibly in New England. Signed by artist at bottom right. Matted...

Large Abstract Painting "Springtide" by Alex K Mason. Unframed, Acrylic, Gouache on Yupo Mylar, 60"H 50.25"W. Blues, Greens, Browns, White, 2022 This is a painting on Yupo paper, w...

'The New 42nd Street' 2004-2005 by American artist, Lawrence Kelsey. Gouache, 8 x 10.25 in. / Frame: 16.5 x 20.5 in. Depicting a night view of 42nd Street in New York City, this impr...

Medium: Gouache on Several Pieces of Collaged Watercolor P Signature: Signed Center Right Original art for the Art Supplement to The Philadelphia Inquirer's July 25, 1897 issue Acc...

This is a masterfully rendered and brilliantly designed scene from the Arabian Nights. page 33 from Random House. We are not sure if this is by Gustaf Tenggren. ( Gustaf Tenggren At...

Commercial illustration depicting happy California framers for California Prunes. The work is rendered in a charming and highly stylized manner. Unfr...

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Arabian Nights, Sea Monster - The Thousand and One Nights Gustaf Tenggren - Attributed - unsigned, unframed. Good condition with very sl...

LAPRADE Pierre. (1875-1931). « Le forum Romain ». Gouache sur papier signée vers 1910. H.24 L.39.

A R Phillips 20th Century Cathedral View Gouache on board, signed and dated 1946 bottom right Image Size: 12 1/2 x 13 inches (30 x 32.5 cm) Handmade framed This painting, originally...

Men Who Plan Beyond Tomorrow” Advertising campaign for The world’s incredible technological inventions that we take for granted today ….. Provenance: Edgar Bronfman Sr. former C...

Eleanor Parke Custis 1897-1983 American Karnak Signed 'Eleanor Parke Custis -' (lower right) Gouache and charcoal on paper American painter Eleanor Parke Custis demonstrates her mastery of the gouache medium in Karnak. A celebration of color and a relic of the artist’s travels abroad, the composition is well-balanced, exuding photojournalistic and documentarian qualities. In Karnak, Custis paints a compelling and dynamic image of a great ancient Egyptian ruin. Seven distant men, likely Bedouins dressed...

Norman Wilkinson CBE PRI 1878 – 1971 HARROW SCHOOL Oil and gouache on paper, signed lower right Image size: 30 × 45 inches (76 × 114 cm) Original frame Provenance Commissioned by L...

This meticulously planned, designed, and executed work depicts an ultra-wide angle view of a rock quarry/mine. The viewer looks down at close-up-stylized rock formations and then out at a horizon line with rust-colored mine trestles. Atherton hints at perspective with a broken white line that is wider in the foreground and tapers to a hairline as it recedes to the background. The work was done in 1951 at the height of America's most important art movement: Abstract Expressionism. John Atherton absorbs its influences but retains elements of representation. Atherton was an in-demand commercial artist who worked for most blue-chip clients. It is possible that this was an editorial assignment for Fortune Magazine. At the same time, Atherton was also a fine artist and the work could be an expression of pure creative pursuits. The work looks better in person and one can look at it for hours and not get bored. Look carefully and you may discover a deeper meaning in this painting of precisely arranged rocks. Signed lower right. Brooklyn Museum of Art, New York, sold to benefit the acquisitions program ____________________ From Wikipedia, the free encyclopedia John Carlton Atherton (January 7, 1900 - September 16, 1952) was an American painter and magazine illustrator, writer and designer. His works form part of numerous collections, including the Museum of Modern Art,[1] Whitney Museum of American Art and the Smithsonian American Art Museum.[2][3][4] Early Years He was the son of James Chester Atherton (1868-1928) and Carrie B. Martin (1871-1909). He was born in Brainerd, Minnesota.[5] His father was Canadian born. His parents relocated from Minnesota to Washington State, with his maternal grandparents whilst he was still an infant. He attended high school in Spokane, Washington. Career During his early years he never displayed an aptitude for art; rather, his first love being nature and the activities he relished there, mainly fishing and hunting. He enlisted in 1917, serving briefly in the U.S. Navy for a year during World War I. At the end of the war, determined to get an education he worked various part-time jobs, as a sign painter and playing a banjo in a dance band to pay his enrolment fee at the College of the Pacific and The California School of Fine Arts (now the San Francisco Art Institute). Once there, he also worked in the surrounding studios developing his oil painting techniques. A first prize award of $500 at the annual exhibition of the Bohemian Club in 1929, financed his one way trip to New York City, which helped to launch his career as an artist.[6] Atherton had aspired to be a fine artist, however his first paid jobs were for commercial art firms designing advertisements for corporations such as General Motors, Shell Oil, Container Corporation of America, and Dole. However, by 1936, encouraged primarily by friends, such as Alexander Brook, an acclaimed New York realist painter, he returned to the fine arts. Atherton continued to accept numerous commissions for magazine illustrations; such as Fortune magazine, and over the years he would paint more than forty covers for The Saturday Evening Post starting with his December 1942 design, “Patient Dog.” This picture is reminiscent of his friend Norman Rockwell ‘Americana style’ and captures a poignant moment of nostalgia, where a loyal dog looks toward a wall of hunting equipment and a framed picture of his owner in military uniform. Selected One person Exhibitions Atherton accomplished his first one-man show in Manhattan in 1936. His Painting, “The Black Horse” won the $3000 fourth prize from among a pool of 14,000 entries. This painting forms part of the Metropolitan Museum of Art collection in New York.[7] Atherton achieved recognition in New York City and elsewhere during the 1930s. Having exhibited at the Julien Levy Gallery in New York,[8] his paintings began to be collected by museums; including the Museum of Modern Art[9] and the Metropolitan Museum of Art. His reputation increased with his art deco stone lithograph poster for the 1939 New York World's Fair. In 1941, his design won first place in the Museum of Modern Arts “National Defense Poster Competition”. Selected Public Collections Fleming Museum of Art, Burlington, Vermont Albright-Knox Art Gallery,[10] Buffalo, NY Art Institute of Chicago,[11] Chicago Wadsworth Atheneum,[12] Hartford, CT Brooklyn Museum of Art, New York Metropolitan Museum of Art, New York The Museum of Modern Art,[13] New York Whitney Museum of American Art,[14] New York Pennsylvania Academy of the Fine Arts,[15] Philadelphia De Young Museum,[16] San Francisco Smithsonian American Art Museum,[17] Washington DC Butler Institute of American Art[18] Youngstown, OH The Famous Artists School Founded in 1948 in Westport, Connecticut, U.S.A. The idea was conceived by members of the New York Society of Illustrators (SOI), but due to the Society's legal status, could not be operated by it. SOI member Albert Dorne led the initiative to set up a separate entity, and recruited the support of Norman Rockwell, who was also an SOI member. For the founding faculty, Dorne recruited Atherton, as well as accomplished artists such as Austin Briggs, Stevan Dohanos, Robert Fawcett, Peter Helck, Fred Ludekens, Al Parker, Norman Rockwell, Ben Stahl, Harold von Schmidt and Jon Whitcomb.[19] He collaborated with Jon Whitcomb with the book “How I Make a Picture: Lesson 1-9, Parts 1”.[20][21] Society of Illustrators Atherton as an active member from his arrival in New York. The society have owned many of his works. Ex-collection includes: Rocking Horse (ca. 1949) [22] Atherton, as his peers had many of his works framed by Henry Heydenryk Jr.[23] Personal On November 2, 1926, he married Polly “Maxine” Breese (1903-1997).[24][25] They had one daughter, Mary Atherton, born in 1932. Atherton's often chose industrial landscapes, however found himself spending considerable time in Westport, Connecticut, with an active artistic community, and it became home for him, and his family. He then moved to Arlington, Vermont.[26] Norman Rockwell enlisted Atherton in what was to be the only collaborative painting in his career.[27] He was part of a group of artists including a Norman Rockwell, Mead Schaeffer and George Hughes who established residences in Arlington.[28] Atherton and Mead Schaeffer were avid fly fishermen and they carefully chose the location for the group,[29] conveniently located near the legendary Battenkill River. In his free time, Atherton continued to enjoy fly-fishing.[30] He brought his artistic talent into the field of fishing,[31] when he wrote and illustrated the fishing classic, “The Fly and The Fish”.[32] He died in New Brunswick, Canada in 1952,[33] at the age of 52 in a drowning accident while fly-fishing.[34] Legacy The Western Connecticut State University holds an extensive archive on this artist.[35] His wife, Maxine also published a memoir “The Fly Fisher and the River” [36] She married Watson Wyckoff in 1960. Ancestry He is a direct descendant of James Atherton,[37][38] one of the First Settlers of New England; who arrived in Dorchester, Massachusetts in the 1630s. His direct ancestor, Benjamin Atherton was from Colonial Massachusetts...

Represented by George Billis Gallery, NY & LA -- My latest series opening at the George Billis Gallery, titled “Modern Society,” continues my exploration into midcentury architecture and design found in New York City, but focuses on the cultural centers and glamorous institutions that signaled its strength – and enchantment – in the 1950s and 60s. Covering such bewitching landmarks as Lincoln Center, the Guggenheim, and 5th Avenue stalwart Bergdorf Goodman, this series delves into how high design from this groundbreaking Modern period shaped metropolitan society and reinforced New York as a cultural capital. When viewed individually, each painting showcases an aspect of booming avant garde design, be it the Metropolitan Opera’s Sputnik Chandeliers, the high fashion displayed...

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What makes this work important? It's not that it's a commissioned artwork for a men's 60s pulp adventure magazine depicting the instant a soldier is shot. The big point of the painting is how brilliantly the formal elements are thought out, designed, and executed. John McDermott tells a story using a complex figural composition in an unexpected wide-angle vision. The work is as abstract as it is representation. His use of light is significant because it creates a high-contrast two-color style that bears the mark of its creator. This is a work done by a master artist/illustrator without peers compared to artists living today. If the contemporary art world gave awards for draftsmanship, painting technique, and graphic design .... John McDermott would win the highest accolades. Initialed lower left - unframed John McDermott (August 30, 1919 – April 20, 1977), also known under the pen names J.M. Ryan and Mariner, was an American illustrator and author noted for action and adventure illustrations.[1] McDermott worked as an in-between and effects animator for Walt Disney Studios and as a US Marine combat artist,before establishing himself as a cover illustrator for 1950s paperbacks and pulp magazines such as Argosy, American Weekly, and Outdoor Life. Under his J.M. Ryan pen name, he wrote the novels The Rat Factory (1971), a derogatory satire of Walt Disney and the Disney studio; Brooks Wilson Ltd (1967), on which the 1970 film Loving was based; and Mother's Day (1969) about Ma Barker. Under his own name, he novelized director-writer Bo Widerberg's screenplay for the 1971 film Joe Hill, which would be his final published book. Early life John Richard McDermott was born 30 August 1919 in Pueblo, Colorado, the younger of two sons of Henry McDermott, an oil broker. McDermott was a young child when his father committed suicide.[4] The family eventually moved to Los Angeles where McDermott's mother, Hazel, worked in a beauty parlor. He graduated from Hollywood High School in 1936. Although he had had no formal art education, he took a job as an artist at Walt Disney Animation Studios. Career Disney At Disney, McDermott worked as an in-betweener and effects animator on Brave Little Tailor, Pinocchio, The Reluctant Dragon and Fantasia. His experiences while working at Disney, particularly during the time of the 1941 Disney animators' strike, would later become the basis for his 1969 satirical novel The Rat Factory. McDermott left Disney to fight with US forces during World War II. US Marines McDermott World War II sketch titled "Buddy is Wounded" On September 29, 1942, McDermott enlisted with the US Marine Corps. He served as a "pistol and palette" combat artist assigned to the map-making section. As a sergeant with the III Amphibious Corps, McDermott was involved in battles in the South Pacific theater of war, documenting the Guam, Okinawa and the Guadalcanal Campaigns. McDermott considered his wartime years to be his art education. "In the Marines, as a combat artist, I traveled with the troops and for three years got all the drawing opportunity anyone could want. My work changed enormously during this time and I’m sure it was due to constant drawing, every single day, from life, just putting down what I saw around me. In a few instances it was a dangerous kind of scholarship." According to the Marine Corps history journal Fortitudine, McDermott was so prolific that his contemporary style pen-and-ink sketches became easily recognizable to both Marines, from published work in Leatherneck Magazine, and civilians, from glossy copies supplied by the Marine Corps to the nation's press.His wartime art appears in World War II history books and is displayed at the Pentagon and the National Museum of the Marine Corps. Illustration Following the end of World War II, McDermott moved from California to New York City to work as a freelance illustrator. McDermott made his reputation drawing modern action, war and adventure scenes. His work adorned the covers and inside story pages of popular pulp magazines of the 1950s such as Argosy, Adventure, Blue Book, Outdoor Life and American Weekly. McDermott's illustrations appeared on numerous covers of 1950s paperback novels published by Dell, Fawcett Gold Medal, Bantam Mystery and others. His action graphics were geared toward thriller and detective genres, such as Donald Hamilton's Matt Helm books Murderers' Row and The Betrayers. He also created covers for science fiction comic titles such as Voyage to the Deep[citation needed] and horror-themed paperbacks such as the classic 1955 science fiction novel The Body Snatchers...

Collections: With Martyn Gregory; Judy Egerton, 1984, acquired from the above; By descent to 2014. Exhibited: London, Martyn Gregory, Exhibition of English & Continental Watercolours, 1984, no. 94. London, Lowell Libson...

John S. Smith 1921 - 2010 Fishguard to Rosslare Oil and gouache on board, signed lower left Image size: 35 × 22 inches (89 × 56 cm) Contemporary art deco style frame This wonderfull...

Medium: Gouache on Board Date: 1970 Signature: Signed Lower Left Dimensions: 26.50" x 32.00" 1923 Star Wagon, Great Moments in Early American Motoring calendar illustration EXXON/E...

Medium: Gouache on Board Signature: Signed Lower Left

Includes a Certificate of Authenticity