1850s Landscape Paintings

Framed oil on canvas. Signed S WALTERS Picture Size: 20 x 30" (50 x 76cm) Framed Size: 26 x 36" (66 x 92cm) 1811-1882 This is a typical piece by Samuel Walters. He typically placed...

Wonderful Hudson River School painting, oil on canvas. Obviously painted by a talented artist, unsigned and a mystery for you to solve. Canvas stamped Edward Dechaux NY. An amazing...

‘After Trafalgar: HMS Neptune and HMS Prince with the sinking Santisima Trinidad, 1805’ by John Lashbrook Tudgay (1798-1874). The painting – one the artist's finest large-scale works...

This interesting British 19th century coastal landscape oil painting is by noted Suffolk School artist Edward Robert Smythe. Painted circa 1850 it is a busy coastal landscape with fi...

Henry John Boddington. 19th century English landscape with figures by a riverside. Simply one of the finest quality English landscape Ive ever had the pleasure of owning . This i...

Fine quality mid 19th century period oil on canvas painting; American School depicting a schooner in full sail at sea; resembling the popular yacht, and first America's Cup winner "T...

‘A Day in the Country’ by William Frederick Witherington R.A. (1785-1865). The painting – which depicts a group of Victorian figures on a summer’s day before an extensive landscape ...

W. S. Forest English, circa 1850 Study of Two Horses and Goats Before Farmland Oil on canvas Signed lower right Presented in its original richly carved and gilded frame A finely o...

Henry Brittian Willis English plough team at rest during harvest Summertime. A painting by Henry Brittiam Willis capturing a 19th-century English plough team, complete with horses,...

19th century English forest landscape with figures by a fireside, mid-afternoon. A very well painted classic Victorian English landscape with figures. Wonderful observation by the p...

US buyers pay no import tariffs on this item. This charming mid-19th-century oil painting by Dutch artist Johannes Philippus Galjaard (1812-1867) depicts several figures on a rural ...

➡️ Beautiful study Landscape⬅️ Title: Sur les bords du Loing (Seine et Marne France) Jean Baptiste Camille Corot Medium: Oil on canvas Period: Likely mid-19th century Framing: A wid...

19th century English Folk Art Landscape with Cottage. This charming English Victorian 19th-century folk art landscape is a delightful portrayal of pastoral life, blending a quaint t...

‘After Trafalgar: HMS Neptune and HMS Prince with the sinking Santisima Trinidad, 1805’ by John Lashbrook Tudgay (1798-1874). The painting – one the artist's finest large-scale works...

Louis-Alexandre CABIÉ (Dol-de-Bretagne 1853 - Bordeaux 1939) Landes at Pessac, near Bordeaux - Gironde Oil on canvas H. 126 cm; W. 201 cm Signed lower left Louis Cabié, a renowned a...

Wonderful English 19th century Fall landscape, with a figure on a pathway passing sone Elm or Oak trees. This piece is signed lower right and is framed in a Vintage American Gold Le...

This picturesque mid-19th-century oil painting by English artist Frederick Waters Watts (1801-1870) depicts the Menai Strait in North Wales. It presents a sweeping view along the str...

Antique American sunset seascape oil painting. Oil on board. Signed. Framed. Measuring: 18 by 24 inches overall, and 12.25 by 18 painting alone.. In excellent original condition. Ha...

This wonderfully evocative work aligns with one of the most significant movements in 19th-century European landscape painting, reflecting a major shift toward Naturalism and the dire...

George Shalders (1826–1873) England A Mill in Cambridgeshire, 1858 signed and dated lower left “G. Shalders 58” oil on canvas unframed 30.5 × 51 cm (...

Émile Louis Vernier (1829-1887), a beachcomber, oil on canvas Signed to the bottom left corner. Frame: 77 x 103 cm Émile Louis Vernier (1829–1887) was a French painter and lithog...

Wonderful German mid 19th century Mountain lake landscape with figures harvesting the corn. J.Klee was a landscape painter during the middle of the 19th century in Germany. He mostly painted rural scenes often with people going about their daily work. This is one such example! He was very skilled in painting great light in his paintings and along with a well-choisen composition he was able to paint a very desirable painting. This piece is framed in its original German hand...

This stunning large 19th century landscape oil painting is attributed to follower of Joseph Turner, possible George William Mote. Painted circa 1850 it is a panoramic landscape loo...

English 19th century portrait of the Clipper ship Crescent in full sail. Acquiring a 19th-century English portrait of a clipper ship is more than just adding a painting to your coll...

Josef Carl Berthold Püttner (Planá, 26 luglio 1821 – Bad Vöslau, 29 luglio 1881), noto pittore paesaggista e marino austriaco. Biografia Püttner iniziò ufficialmente la sua carrier...

A highly idyllic and unique Barbizon painting, depicting the women of a region all at the water's edge doing the wash. In 19th century France this was an everyday occurrence but this...

Henry Shayer (1787–1844) & Charles Shayer (1826–1914) Figures by a River in a Woodland Landscape, circa 1860 Oil on canvas Signed centre bottom ⸻ A beautifully executed mid-19th-c...

Vincent Clare (British, 1855–1930) Still Life of Fruit on a Mossy Bank Oil on canvas, signed lower right Circa 1870 Presented in a richly carved and gilded 19th-century style frame ...

Loch Awe and Kilchurn Castle is a landscape oil painting on board by 19th century artist Edward Train (1801 -1866). Train was a British artist, painting mostly landscapes in northern England and, like this one, in Scotland. The painting is signed E. Train (lower left) and dated 1850 or 1856, the last number being too faint to be certain. From 1850 to 1880 Train flourished as an artist. His work was exhibited from the 1830s. Born in Gateshead, Tyneside, Train left to take an apprenticeship with a London engraver. In the 1830s Train traveled with an expedition to the Hebrides and Shetland Islands. Here he became fascinated with the Scottish scenery that would become part of his repertoire of landscape art. Loch Awe lies in the west of Scotland in Argyll and Bute. Kilchurn Castle, built in the 16th century, lies on a peninsula inside the Loch, on the water's edge. Train would have traveled to the Highlands and painted the dramatic scene from the east banks of Loch Awe, across from the Castle. This painting captures the Highland mountains, loch and castle that was very much the ouevre of this artist's work. Train painted the Highlands decades before other renowned landscape artists of the 19th century, such as Alfred de Breanski, Louis Bosworth Hurt, Douglas and Duncan Cameron...

Painting, oil on canvas, measuring 102 x 142 cm (canvas only) and 115 x 158 cm (with frame) depicting a landscape with fishermen by the painter Henri Place (Paris 1812-1860), signed ...

John Casilear (1811–1893) "Mountain Lake" The painting is not signed in front but with the Casilear Estate Stamp Verso 11.25 x 21 inches Sight Size 18.5 x 29.50 inches Overall Size ...

French Romantic school of the 19th Century The artist's inspiration Oil on canvas transferred on wood It is in good condition, but the material has irregularities due to the canvas...

The Travelling Herd, Impressionist Landscape, Oil Painting, Signed English School, mid 19th century Oil painting on canvas, framed Framed size: 14.5 x 18.5 inches Majestic scenic oi...

Edmund Darch Lewis (1835-1910) Mount Washington, New Hampshire 50 x 58 inches, signed & dated 1859 Description The area near Mount Washington in New Hampshire was visited by m...

Late 19th century French School, unsigned and painted circa 1860. Oil on artist prepared panel. A late 19th century oil landscape, painted in the style of Jean-François Millet, show...

Julius Montalant (1823 - 1898) Harbour of Rio Janeiro, 1843-1850 Oil on canvas 17 x 24 inches Signed and dated lower right; conservator's inscription on the reverse Born in Virginia, probably Norfolk, Julius Montalant is known for his drawings and paintings inspired by his travels on board navy ships. Attached to the USS St. Louis around 1844-45, he sketched ports of call he visited, including Brazil, Chile, New Zealand, Australia, and China. Many of his works are held in the Museum of the U.S. Naval Academy. Navy records indicate his rank as 'C. Clerk', which may mean that he held a civilian position. During the 1850s he lived in Philadelphia, and in 1851-61 he exhibited at the Philadelphia Art Union and the Pennsylvania Academy of the Fine Arts. Included were paintings of North America, Greece...

Sought by collectors worldwide, art and artifacts showing an early western presence in the Orient boomed with the opening of the China Trade by way of the sailing ship. The surviving paintings which capture the important Chinese harbors...

This lovely British Victorian landscape oil painting is by noted artist Frederick Waters Watts. Painted circa 1850 the composition is of three carthorses watering in a small pool whi...

Henri Joseph Harpignies (France 1819 – 1916) Oil paint on Canvas Titled: “Bords de l’allier” Impressionist Barbizon landscape painting. Signed lower left H J Harpignies. Sight Size...

Large Scale 19th Century American Impressionism Garden and Lighthouse Landscape Wonderfully large American Impressionist landscape of garden overl...

This lovely British Old Master landscape oil painting is by noted Birmingham School artist Thomas Creswick. Painted circa 1855 the composition is a horseback Drover taking cattle ove...

French School mid 19th Century Animated dune landscape, oil on cardboard panel 12.4 x 29.8 cm bears a small inscription "Escoublac" on the lower right, not visible under the actual ...

Jean-Georges PASQUET (Périgueux 1851 - 1936) Pointe de Suzac at Saint Georges de Didonne Oil on canvas H. 59 cm; W. 85 cm Signed and dated 1885 lower left Provenance: Private collec...

Barbizon School, French circa 1850 Fontainebleau landscape with walkers Oil on canvas 21.5 x 31 cm Framed : 32 x 41.5 cm In good condition, some minor lacks of paintings due to a former frame abrasion mainly on the right border and in the lower border (see photographs please) A view of the Forest of Fontainebleau enlivened by strolling figures, most likely depicting the sandstone quarries that drew Barbizon painters and their followers to the site. The handling is brisk and economical, capturing the rugged mineral character of the terrain — rocky outcrops and cliff faces dominating the composition — while the barely sketched silhouettes...

This is beautiful little 19th century oil painting on panel. Painted in the barbizon school style. It is a lovely example of pastoral artwork, depicting a sweet little country scen...

John Rogers Herbert RA 1810- 1890 Oil on canvas, dated '1850' lower right on sword strap Image size: 33 ½ x 23 ½ inches Gilt Watts frame This striking painting, depicts David as a y...

This mid 19th Century, 25" x 30", oil on canvas, Folk Art hunting scene was painted in 1852, and signed and dated by an illegible artist. It is framed in a reproduction wood frame.

Antoine-Claude PONTHUS-CINIER (Lyon, 1812 - Lyon, 1885) Maritime Pines in the Mediterranean Oil on paper laid down on cardboard H. 36 cm; W. 51 cm Signed lower right Provenance: -...

Moonlit Anchorage, Dutch Oil painting on canvas By Schiedges Peter Paul Title: Moonlit Anchorage Medium: oil on canvas Signature: signed lower right Provenance: Private collection ...

MANUEL BARRÓN Spanish, 1814 - 1844 VISTA DE SEVILLA signed, located and dated "Manuel Barrón / Sevilla. 1854" (lower right) oil on canvas 30-1/8 x 49 inches (76.5 x 124.5 cm.) framed...

Vid Stäke is a richly observed study of forest vegetation painted on location at Stäket, a area north of Stockholm. The composition centers on a fallen tree trunk surrounded by mossy...

This stunning, large British mid 19th century exhibited river Trent landscape oil on canvas painting by noted artist Henry Dawson was described as 'one of the Principle Pictures of ...

Oil Painting, Landscape "Winter Skating Scene" by Anton Doll (1826-1877) ...

This remarkable mid-19th-century landscape painting by English artist Edward Williams (1781-1855) presents the Thames as he knew it during the final decade of his life - peaceful and...

Antique American painting from the mid 19th century. Framework oil on canvas, on the first canvas, depicting a countryside landscape with a co...

This signed and dated winter scene from 1859 constitutes an important and revealing example of the artistic practice of Gustaf Adolf Schuknecht, a Swedish painter whose work survives...

Egide Linnig (1821–1860) was a Belgian painter known for his landscape and genre paintings. He was born in Antwerp, Belgium, and studied at the Royal Academy of Fine Arts in Antwerp....

Edwin Henry Boddington Canvas Size: 20 x 32" (51 x 81cm) Outside Frame Size: 29 x 41" (74 x 104cm) A very good and typical example of his work which has been relined for preservation only. He lived 1836 - 1905 Landscape and River Scene Painter. Son of Henry John Boddington, he painted mainly scenes of the Thames. He developed a very personal and recognisable style. His river scenes are usually painted in a pale evening light, using a range of very dark greens and browns. Address: Lonsdale Villa, Barnes, London 6 Upper Ranalagh Place, Pimlico, London Exhibited 1853 – 1869 Exhibited at:- British Institution, London Portland Gallery, London Royal Academy Royal Society of British Artists The following works were exhibited at the Royal Academy: On the River Lodden 1854 On the Welsh Hills...

Beautiful oil on fiberboard painting of a view of Switzerland done by the American artist, John William Casilear. Signed with monogram lower left. Condition is excellent. Circa 1857/1858. The painting is housed in a contemporary frame. Overall framed measurements are 6 5/8 by 8 5/8 inches. lProvenance: Long Island, New York collector. Biography John William Casilear was born in New York City on June 25, 1811. Like his fellow Hudson River School landscapists Asher B. Durand and John F. Kensett, he worked as an engraver before turning to painting. In 1826 Casilear was apprenticed to the engraver Peter Maverick (1780-1831), and at first he primarily executed bank notes. Durand encouraged him to attempt other subjects, however, and during the 1830s he madeengravings after some of the most prominent paintings of the day, including Daniel Huntington's The Sybil (New-York Historical Society). In 1832 he began submitting engravings to the National Academy of Design exhibition and he first showed paintings there in 1836. In 1833 Casilear was elected an Associate of the Academy; he was elevated to full Academician status in 1851. In 1840 Casilear accompanied Durand, Kensett, and another painter, Thomas P. Rossiter (1818-1871), on a trip to Europe. There the artists studied and copied paintings...

Here for your consideration is a wonderfully detailed miniature painting of the Matterhorn. Signed and titled verso. Attributed to the artist William Archibald Wall. Dated 6/50 verso...