Late 19th Century Landscape Paintings

ALBERT LEBOURG (1849-1928) La Seine en face d'Ivry. Soleil Couchant signed and inscribed 'A. Lebourg. Paris.' (lower right); inscribed 'Usines d'Ivry. Soleil.' (on the turnover); i...

Provenance: Family of the artist, studio sale. Framing options available upon request. Free US CONTINENTAL Shipping, incl Europe and Asia. Born in Paris, the French painter Paul Lec...

Signed and dated lower left: Theo Wendel 84

Couples morning stroll in a woodland park is a beautiful painting by the Danish artist Axel Thorsen Schovelin (1827-1893) The painting is called "Parti af Sorgenfri. Formiddagsstemni...

Here is a fine, early American Impressionist painting of a Venetian Canal. The painting is oil on canvass measuring 36" x 28". Overall framed dimensions are 44" x 35". The painting i...

ARTHUR LEMON (1850-1912) New Forest Inscribed with title and Goupil Gallery details on the reverse Oil on panel 15 by 22 cm., 6 by 8 ½ in. (frame size 24 by 31 cm., 9 ½ by 12 ¼ in...

Hand signed by the artist lower left. Realized a year after Sartorio’s journey to Paris with Michetti, it is a beautiful, early example of the sepulchral and pre-raphaelite style wh...

William Crothers Fitler: 1857-1915. Well listed American painter with auction results over $8600. He studied at PAFA and was widely exhibited ...

Alexandre Louis Jacobs FRENCH, 1876-1972 “Misty Morning” Oil on canvas 14 ½ x 20 ½ in. unframed Signed lower right Alexandre Jacob was born in Paris in 1876. He undertook his form...

Albert Besnard entered the École des Beaux-Arts in 1866, studying with Alexandre Cabanel before making his debut at the Salon in 1868. Six years later he won the Prix de Rome with a ...

Nakken Willem Carel The Hague 1835 – 1926 Rijswijk Dutch Painter 'Girl with Grapes' Signature: signed lower right 'W. K. Nakken' Medium: oil on panel Dimensions: frame size 25,5 x...

An exceptional impressionist landscape of a farm in the mist in Giverny, France by American artist Theodore Earl Butler (1891-1936). Butler was born in Co...

Autumnal San Francisco Cove and Surf with Whalers Shack circa 1900 Early California Tonalist painting of the San Francisco Coast and a Whalers Cabin. Possibly by D.A. Fisher (American, 1867-1940). Nocturnal paintings in the late 19th century were very popular in the United States. Condition is stellar and excellent with a period frame having a bit of age yellowing to the finish and the gold leaf filets are beaming. Image, 16"H x 22"D Frame, 22"H x 28"W x 2.5"D Fisher appears to have spent most of his career in Portland, Maine. He was an itinerant artist who painted in the San Francisco Bay area in 1891 and at Mount Shasta...

Arvid Mauritz Lindström (1849–1923) – Fall Landscape The painting presents a vast autumn landscape illuminated by the soft glow of a setting sun. At the center, a stream winds its wa...

Luminist painter Francis Augustus Silva often traveled along the Hudson River, observing the interplay of light and creating sketches to refine later in his New York studio. Catskill...

Charles MALFROY French 19th - 20th Century Canvas Size: 23 x 37" (58 x 94cm) Outside Frame Size: 33 x 47" (84 x 120cm) A large Venetian painting...

Paul-Louis MARTIN des AMOIGNES (Saint Benin d’Azy 1850 – Nevers 1925) The Bohemians Oil on panel H. 37 cm; W. 23 cm Monogrammed lower left "PLM" Circa 1886 Provenance: Private colle...

French school from the end of the 19th century Attributed to Paul Désiré TROUILLEBERT (Paris, 1831, Paris, 1900) Landscape with a boat on the river near a bridge Oil on canvas 40 x 3...

Sir Alexander Von BENSA Panel Size: 18 x 25" Outside Frame Size: 26 x 34" Oil on panel in very good condition and has benefited from a light clean only. Original frame Austrian Sc...

European painter (19th century) - Still life of fish. 63 x 76 cm. Antique oil painting on canvas, without frame (not signed). Condition report: Original canvas. Good state of cons...

Signed Lower Right Known for his Tonalist-style landscape paintings, John Francis Murphy was referred to as the "American Corot" because of his similarity to the painting style of Camille Corot (1796-1875), one of the original Barbizon...

Soren Emil Carlsen (1848 - 1932) A Man in His Garden, 1893 Oil on canvas 28 3/4 x 35 1/2 inches Signed and dated lower right Provenance: The artist [1848-1932] Macbeth Gallery, New York Grand Central Art Galleries, New York Luella May (Ruby) Carlsen (the artist's wife), New York Dines Carlsen (the artist's son), Falls Village, Connecticut Private Collection, Miami, Florida Exhibited: New York, Macbeth Gallery, Summer Exhibition: Painting by American Artists, July - August, 1926, no. 31 (as The Man in the Garden). Houston, Texas, Museum of Fine Arts, Exhibition of Contemporary American Art by Members of the Grand Central Art Galleries, January 13 - 27, 1929 (as The Man in the Garden). Miami Antique...

This superb Scottish Victorian landscape oil painting is by noted Scottish artist John Blake MacDonald. It was painted in 1876 and exhibited at th...

Conditions : Excellent overall Condition. Framed under glass original. Free US CONTINENTAL shipping, incl Europe and Asia. The Clare family, Victorian artists, specialised and becam...

William Frederick Hulk 1852 - 1906 Dutch painter of pastoral scenes, son of Abraham Hulk senior. Regular exhibitor at the Royal Academy and Royal Society. Signed Oil on Board 18 x 1...

Swans in the Park Volcker Hans Pyrzyce, Poland 1865 – 1944 Wiesbaden, Germany German Painter Signature: Signed bottom left and dated 98 Medium: Oil on canvas Dimensions: Image size 72 x 111,50 cm, frame size 84 x 120 cm Biography: Volcker Hans was born on October 12, 1865 in Pyrzyce, Poland. Hans was the son of a pastor, orphaned at a young age and raised by his grandfather. Hans Volcker was a painter of landscapes, seascapes, still lives and portraits. He also painted in watercolour and fresco techniques. In 1885, Volcker was a student of famed Norwegian realist painter Hans Fredrik Gude (1825 – 1903) at the Berlin Academy. His teacher encouraged him to travel to Scandinavia. During his study trips, he made landscape paintings of Scandinavian mountain and lakes, that brought him later great recognition. In 1891, he led his own plein air painting school. The most famous pupils were german sculptor and painter Margarethe Haeffner (1884 – 1977) and the painter Oskar Moll (1875 – 1947). With his Berlin friend painter Walter Leistikow (1865 – 1908), who was also a pupil of Gude, he shared an admiration for Max Liebermann (1847 – 1935). His acquaintance with Liebermann’s paintings furthered his stylistic development to an Impressionism. In 1894 he lived in Munich and moved to Wiesbaden in 1899, where he was active as a contemporary artist and as a member of the Art Societies, presenting Max Liebermann, Fritz Overbeck or Lovis Corinth, among others. Today, particular importance is attached to the “Dutch Secession” exhibition, featuring paintings by Vincent van Gogh and Jan Toorop. In 1912, the society showed paintings by Alexei Jawlensky...

OLD MASTER W . THORNLEY OIL PAINTING High Quality 19th CENTURY Gold Gilt Frame OLD MASTER LARGE OIL PAINTING 19th Century NEW COLLECTION Of RARE PIECES OF ENGLISH HISTORY “Very ...

Joseph Jacobus Heppener was a Dutch painter who lived and worked in the heart of the Victorian era, painting in a straight Academic style with a...

James Paterson Signed and dated 1895 On the reverse signed James Paterson 176 Bath Street, Glasgow Killniess, Moniaive, Scotland on the reverse Canvas Size: 21 x 26" (52 x 66cm) Ou...

Antique landscape watercolor painting of a country road in San Rafael, California, circa 1880. Unsigned and unframed. Presented in mat. Im...

KARL KAUFMANN Austrian, 1843 - 1901 VIEW OF VENICE signed & dated "K. Kaufmann 1894" (lower right) oil on canvas 38-3/4 x 56-1/8 inches (98 x 142 cm.) framed: 41-1/2 x 59-1/4 inches ...

A fine & important, large 19th century oil on canvas Orientalist painting by the talented painter Clarence Henry Roe, (1850-1909), the painting depicting the historic city of Palmyra...

Ritratto di figura fanciullo dai tratti estremamente delicati rivolta a destra, con sguardo sognante, in un'ambientazione idilliaca da cui si nota il colore del cielo e la presenza d...

Conditions : Excellent, original period frame. Louis Coignard, (September 4, 1812, Mayenne - November 20, 1880, Paris), French painter. He was the son of Élisabeth Sigoigne, younges...

➡️Landscape Barbizon⬅️ ⏩Anonymous⏪ It is very similar to A Laurent painting from Barbizon School ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with brushwork ⭐Size:⭐54....

Well presented in a wood frame with gilt detail. Inscribed and dated to the reverse. Signed. On board.

Thomas Ralph Spence’s "A Thunder Shower on Lago Maggiore, North Italy" captures a dramatic moment of nature’s power over the serene landscape of Lago Maggiore. Known for his architec...

William Hart (1823 - 1894) Pastoral Landscape, 1877 Oil on canvas 9 1/2 x 14 1/2 inches Signed and dated lower left Born in Paisley, Scotland, William Ha...

William Keith Western Wilderness Interior Signed lower left Watercolor on paper laid on artist board 14 1/2 x 19 inches A native of Scotland, William Keith became in the late 19th ...

French school end of 19th century Landscape by the river oil on paper 29 x 49,5 cm In good condition In a modern frame : 33,5 x 53.5 cm

Important watercolor painting representing a beautiful view of Rome with the Tiber, Castel Sant'Angelo and the dome of St. Peter's in the background. A typical work in the vein of th...

Silvio Poma Landscape With Shepherds oil on canvas painting depicts a dirt road in the middle of a tree-lined countryside with farmers grazing a flock of sheep. On the left side of t...

An exceptional tonalist landscape of Mount Tamalpais in Marin County, California by Scottish American artist William Keith (1838-1911). Keith was born in Aberdeenshire, Scotland and came to New York with his family and apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he was determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm...

This artwork might be one of two versions, the other one being in the Museum in les Invalides Paris. Note. This version has a more accomplished academic style. Dimensions with original gold frame 107 x 87 cm Conditions Excellent overall, supported by an original frame withan antique glass. EDOUARD DETAILLE The emperor is accompanied by his aide-de-camp, Colonel Castelnau, and Marshal Canrobert. In a gilded wooden frame, under a Marie Louise blue background. Life and time Born in 1848 into a close-knit bourgeois family, Édouard Detaille, the eldest of eight children, displayed early talent in drawing. “He was a prodigy,” notes François Robichon. By the age of thirteen, he exhibited an astonishing surety of hand and a phenomenal sense of composition. His father, connected to Horace Vernet, encouraged him. At seventeen, after passing his baccalaureate, he entered Meissonier’s studio. This relationship, which developed into mutual affection, spared Detaille the academic detour through the École des Beaux-Arts. Rather than dictating an official art style, Meissonier, at the peak of his fame, traveled with his students, introducing them to the nuances of Titian, Rembrandt, and Rubens in Brussels and Lille. In 1867, the Paris of “free trade” dominated the world through the technological revolutions of the Universal Exhibition, and the amiable young man, striking in appearance, discovered the salon of Princess Mathilde and the theater of Dumas fils. He even approached the Empress, noting in his journals, “Not bad, the Empress.” This observation encapsulated Detaille: he had no doubts about his talent, cultivated panache, enjoyed the company of beautiful women, and aimed to conquer the circles of power without sacrificing his freedom. From childhood, he listened to his calling: “Before I could read, I could guess the subjects of battles, the names of famous generals, the weapons of officers and soldiers from the images I admired in the books of Norvins and Laurent de l'Ardèche.” He mingled with collectors and regularly attended military reviews on the Champs-Élysées. His first painting exhibited at the Salon in 1868, “La Halte de tambours,” was praised by critics who immediately recognized “a remarkable truth of observation and simplicity of effect.” The purchase of this work by Princess Mathilde, cousin of Emperor Louis-Napoleon, made Detaille, at twenty, an envied celebrity known to Sainte-Beuve, Théophile Gautier, the Goncourt brothers, and Flaubert. The young artist’s humanistic vision contrasted with the compositions of his predecessors, depicting soldiers in maneuvers, contemplative and resigned as war loomed. **The Combatant’s Vision** The Siege of Paris, where he nearly lost his life in 1870, and the deaths of two brothers in that defeat darkened his outlook. From 1871 onward, Detaille no longer concealed the cruelties of war: German riflemen mowed down by machine gun fire, cavalrymen and panicked horses caught in ambushes, fields plowed by shells strewn with dead animals. The unvarnished tragedy: “It is an absolute fact that no painter has ever rendered a battlefield covered with corpses as it is,” commented Jules Claretie. The fallen bodies still bear the appearance of life in their frozen rigidity. Detaille’s testimony of the devastating defeat and the catastrophic effects of the first total war in history was not a celebration of heroism but a lament, a “lesson in darkness.” “From war, once considered the supreme effort of human genius, we now see only melancholy and horrors,” judged one writer in response to his canvases. “Detaille experienced the reality of combat at a young age during a war that foreshadowed the two world conflicts of the 20th century,” explains François Robichon. With great realism, Detaille painted war from the perspective of the combatant. He introduced a humanity and a critical lucidity regarding the evolution of warfare. His works intensely captured the violence and firepower of new weapons like machine guns. Before he turned thirty, Detaille had become a chronicler of these painful years. He exhibited, as a critic noted, a “striking portrait of modern war” that both French civilians and soldiers had experienced firsthand. He embodied a youth humiliated and eager for revenge. Yet this scrupulous artist also remembered, in his expansive landscapes—from the chalky plateaus of Île-de-France to the Russian plains—the lessons of Corot and Courbet. Manet was not far off. “I wouldn’t want my art to be reduced to mere patriotic art,” he asserted. “A system I often employ and love is to first execute the landscape, very effective, very tight, based on nature…” Echoing Meissonier’s advice: “Always nature, always nature!” Detaille remained close to this father figure, constructing a grand townhouse next to his mentor’s studio at 129 boulevard Malesherbes at the age of 26, having purchased 425 m² of land from the Pereire brothers. He even chose the same architect as Meissonier: Paul Boesvilwald. A bachelor and incorrigible seducer, the painter welcomed his conquests, including Valtesse de la Bigne, amidst his collections, having built his studio in the courtyard. Diplomatic Actor As Detaille’s fame grew, his Malesherbes townhouse quickly became a gathering place for foreign princes, politicians, and heads of state, where Juliette Adam, Léon Gambetta’s muse, offered him valuable advice. The Prince of Wales, the future Edward VII, developed a genuine friendship with the painter. “This fervent patriot, friend of Déroulède, was extraordinarily open to the world,” recounts François Robichon. In just a few years, he gained considerable social, cultural, and international stature. Received at Windsor, at the English court, he was close to Tsar Alexander III and a great friend of Félix Faure. In this capacity, Detaille played a decisive role in the Entente Cordiale, signed in 1904 between England and France, and in the Franco-Russian alliance of 1894, thereby contributing to the Triple Entente among the three powers. An engaged witness of his time—associated with the birth of the “Ligue des Patriotes” alongside Alphonse de Neuville...

North Wales by Charles Leslie (1835-1890) signed & dated 1882 oil on canvas framed: 16 x 28 inches canvas: 12 x 24 inches Provenance: private collection, UK Condition: very good con...

Gorgeous nocturnal period oil painting landscape of a cabin in the San Rafael, California countryside surrounded by the blue mountains of Mt Tamalpais by Abbie (Adelaide) Crocker (American b-1834-1909), c.1886. Faint signature on verso in lead pencil. Unframed. Image, 18"H x 26"W. An early and significant Oakland artist whom studied with Thaddeus Welch...

Antique American impressionist beach dune oil painting by Franklin B. De Haven (1856 - 1934). Oil on canvas, circa 1889. Signed. Displayed in a period gil...

A beautiful late 19th century impressionist painting by Louis Aimé Japy (1840-1916), depicting a serene pastoral scene with cattle grazing peacefully beneath a prominent over-arching...

Signed and dated to the lower left. Presented in a gilt frame. On paper.

Watercolor on paper, signed lower right Agustus Knoller and dated 1884. Inscribed on the reverse in pencil "This trotting came off Aug 15th 1884 at Belmont Park...

Signed by Émile Tabary. Lively scene in in a parisian park, pictured moment of city life of the late 19th century. In this painting, some irony and humor are very subtly felt. One of...

Under a softly luminous night sky, an elderly peasant gathers a bundle of brushwood amid the quiet fields of rural France. This tranquil nocturne is the subject of Alfred Wahlberg’s ...

Berne-Bellecour Étienne-Prosper Boulogne 1838 – 1910 Paris French Painter Battle Scene Signature: Signed middel lower left Medium: Oil on panel Dimensions: Image size 22 x 27 cm Biography: Berne-Bellecour Étienne-Prosper was born in Boulogne, France on June 29, 1838. He was a French painter illustrator and printmaker. He also practiced as a sculptor and an etcher. He studied under master teachers and artists Picot François-Édouard and Barrias Félix- Joseph. He also studied at the École des Beaux-Arts in Paris and competed in 1859 for the Prix de Rome. He also worked in photography to support himself while he studied. In 1867 he won a prize for photography at the Universal Exposition. French painter Vibert Jehan Georges...

Afternoon ride is a pair of, 13 x 9 inches each, equestrian paintings by Pennsylvania painter James N Hess. One is signed in the lower left, one is signed in the lower right. Animal...

"Poppies in the Forest," painted by Willard Metcalf, is a vibrant and captivating depiction of nature's splendor. Metcalf, a prominent American artist associated with the Impressioni...

Ernest Charles Walbourn. 1872 - 1927. Painter of rural and highland landscapes who exhibited at the Royal Academy and Royal Society. Signed with Studio Stamp from artist's son. Orig...

Original oil on canvas laid down to old fiberboard by the well known American artist, Edward Burrill Jr. The painting shows two figures standing in front of an old double chimney ho...

Signed oil on canvas landscape circa 1890 by French post impressionist painter Albert Charles Lebourg. The work depicts a view of a road to Hondouville, a commune in nothern France, ...

A walk in the forest. Cardboard, oil. 8x6.2 cm

STEIN Georges (1864-1917) Paris street Views - Porte St Denis Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 70 X 92 cm - Dim ...