Mid-20th Century Landscape Paintings

Oil on canvas laid on board measures 14 3/4 x 9 7/8; frame dimensions measure 22 3/8 x 17 x 3 1/4. Artist's signature, lower left. A fragment of a gallery brochure entitled, Peintures de Botkin is included with the painting. A partial title for the painting is listed under Number 3 in the exhibition. On the verso of the brochure is a label from Frank Rehn...

A painting by Irving Norman. "Bacchanal" is a macabre social surrealism painting, oil on canvas in a dark palette of reds, blues, and blacks by artist Irving Norman. The artwork is u...

Spring (Primrose Gathering) by Orovida Pissarro (1893-1968) Oil on board 101.5 x 76.4 cm (40 x 30 inches) Signed and dated lower centre Orovida 1956 Provenance Estate of Orovida Pis...

An artist staunchly independent from prevailing modes of expression and a complex personality, Edwin Dickinson seems to have explored a wide range of styles based on his own intuitio...

A painting by Gregory Sumida. “Exposed, Uprooted” is a landscape painting, watercolor on paper in an earth-tone palette by American artist Gregory Sumida. The artwork is signed in th...

John Koch is a beloved American realist painter who depicted people in their everyday lives. Here we see a slightly different approach where he has put a painter out in a rural town...

Medium: Acrylic on Board Signature: Signed Lower Left Framed 25.00" x 21.00." Saturday Evening Post Cover, December 17th, 1966

A Vibrant, Expressive, Mid-Century Modern Painting of a Mountain Village by Noted Chicago Artist, Rudolph Pen. An open and expansive European landscape painting depicting a hilltop ...

A vibrant 1930s American Scene painting of a sunlit Victorian house by noted American Modern painter Francis Chapin (Am. 1899-1965). Very reminiscent of Edward Hopper's artwork, the...

This exuberantly-painted Parisian street scene is typical of Lersy's colorful and energetic style. His work combines mid-century Modern abstraction with subjects beloved by the Impre...

Autumnal scene of a fence-lined road winding down from the mountains. Oil on board measures 14 x 18, housed in a rustic wooden frame with a white linen liner, 18 3/4 x 22 7/8 x 1 3/4...

Svetovar M. Franciscovich 1913-1955 Russian Lac de Montagne en Bolivie (Mountain Lake in Bolivia) Oil on canvas Signed lower right Canvas: 39 1/2" high x 56 1/2" wide Frame: 55 ...

Medium: Oil Painting Signature: Signed Lower Left Contact for exact dimensions. Saturday Evening Post Cover, November 22, 1947

Oil on canvas

Lloyd Goff studied at the Art Students League, and has work in the collections of the Smithsonian American Art Museum, Whitney Museum of American Art, and T...

A Pair of 1940s "Thumb Box", oil on paper paintings depicting stone wall menders in Thetford, Vermont. Image size: 4 1/2" x 6 each. Framed size: 6 1/2" x 7 3/4" each. Estate st...

Romantic landscape, oil on panel. A saw mill is viewed from across a rapid river in this delightful scene near Woodbridge, Ontario, by Bernice Martin. Title, date on verso. This painting is unframed. Woodbridge, Ontario, is a settlement named in 1855 after a wooden bridge that crossed the Humber River as an entry point into the town. Martin's work is rooted in the post-Impressionist, atmospheric landscape style made well known by J.W. Beatty a forerunner to the Group of Seven. “I look back on my life and my painting hours were the happiest. I’d spend long hours and forget time…my time was always measured by the passage of light.” —Bernice Fenwick Martin Born in Shelburne, Ontario, Bernice Martin studied at the Ontario College of Art under noted Canadian artists J.W. Beatty and Franklin Carmichael. After the death of Beatty in 1941, she found friendship in Peter Clapham Sheppard with whom she studied and worked with until his death in 1965. Working in oil, watercolor and woodcut, Martin focused on local scenes such as the Toronto harbor, small towns in Ontario and Northern landscapes including Muskoka, Haliburton, and Algonquin Park regions of Ontario. Martin’s works were showcased at the Royal Canadian Academy from 1945-1947 and displayed in solo exhibitions in Toronto galleries throughout her career at T. Eaton Co...

A fantastic Mid-Century painting of a car driving through a mountain pass by artist & Photographer A. George Miller. Artwork size: 15" x 22". Framed size: 21" x 28". Handsomely...

Saturday Morning has translucent jewel tones and is beautifully painted. Done during the early 1960's it was a favorite subject for the artist to depict boats coming into harbor as ...

Southhampton 8:45 PM Signed Gray lower right Titled on verso in black paint Oil on canvas, 28 x 40 inches Exhibited: Jacques Seligman Galleries (label) twice, original price $450. (...

Guy C. Wiggins paints an idyllic winter scene of a horse and buggy moving along a wintry road flanked by barns in his artwork entitled, “Winter on Killingworth Hills.”

Freeman Baldridge's landscape painting, "Portrait of a Rock." The painting featured a rock on the slope of a hillside covered in wildflowers; the eye...

Jersey Shore III Casein on Masonite, 1967 Signed lower right (see photo) Initialed, dated and titled verso Provenance: Estate of the artist Virginia Dehn (the artist's widow) Dehn Quests Created on location on the Jersey Shore. The Jersey Shore was the main playground for thousand to escape the summer heat of New York. This small painting shows Dehn's mastery of patterning color to depict movement and recreation. Part of a suite of paintings done on this theme. Within a year of it's creation, Dehn dies from a heart attack. Casein on Masonite Condition: Excellent Image: 6 x 11" Frame: 9 3/8 x 14 1/2" Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...

Freeman Baldridge's depiction of a shrine at a sandy beach and lake. Oil on canvas measures 20 x 16; frame dimensions measure 24 1/2 x 20 1/2 x 1 1/2...

A Charming 1950s painting titled "Oak Bluffs, Mass." (Martha's Vineyard) by notable artist Francis Chapin. artwork size: 8" x 10". Framed size: 12 3/4" x 15". Provenance: Estat...

A lovely 1930s watercolor on paper of a summer nocturne moonrise by artist Francis Chapin. Artwork size: 11" x 14". Archivally 8-ply matted to to 14” x 18”. Estate stamped on rev...

Signed lower left: Purdy A very cool example of mid-century 50"s abstraction. Harbor is done in a style that was being experimented with particularly in the New York and California ...

Jerusalem by Ludwig Blum Oil on canvas 18 x 28.7 inches / 45.7 x 73cm Signed Painted circa 1955

Park Scene (Chelsea, Manhattan) Oil on artist's board, c. 1947-49 Signed lower right (see photo) Provenance: Estate of the artist Dehn Heirs Condition: Good, needs a light cleaning Original wormy chestnut frame Painting size: 9 1/4 x 12 inches Frame size: 14 1/4 x 17 inches One of the earliest know Virginia Dehn paintings after her marriage to Adolf in 1947. The lived in Chelsea at 433 West 21st St. Inscription by artist verso: Virginia Dehn 443 W. 21 St. New York City V.70 Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

A serene 1940s Vermont Landscape, depicting evergreen trees and a lake by artist Harold Haydon. Image size: 16" x 20". Framed size: 20" x 24". In a rustic brown wood frame. Es...

A wonderful 1950s oil on Masonite painting of a truck in a Martha's Vineyard dockyard by notable artist Francis Chapin in a grey, painted wood frame. Estate stamped on reverse. Art...

Long Light Notre Dame Oil on canvas, 1931 Note: the painting is NOT framed Signed and dated lower right Condition: Excellent Conservation by Monica Radecki, South Bend Canvas size: ...

Sherry, William Grant (American, 1914-2003). ROCKPORT, MAINE, 1960. Oil on Canvas, signed lower right, and also signed, titled, dated, and inscribed on the verso "To my friends Shirl...

Artist Harold Haydon called his tiny paintings "Thumb Box" paintings. This 1943 oil on paper painting depicts the Racine Ravine (Wisconsin Lakefront Beach). This is the perfect ser...

A charming & diminutive landscape, oil on paper painting, dated 1939 & titled "Alabama" by artist Harold Haydon. The painting is framed in a rustic, wood frame. Image size: 4 1/2"...

A "Thumb Box" (diminutive) painting of the Gospel Hall in Calais, VT by artist Harold Haydon. Image size: 4 1/2" x 6". Framed size: 9 3/4" x 10 3/4"....

An atmospheric, tonal farm scene by artist Joseph Lane. Image size: 25" x 30". Framed size: 29" x 34". Joseph Lane was born in Austin, Texas in 1900. ...

A small, colorful Modernist landscape painting by Harold Haydon, depicting "View NW from Sun Deck, Aspen, Colo, Ajax Mt.", dated 1955. This painting com...

Arctic Light-Orange Sun Unsigned Gouache on Japanese fibrous paper Series: Tundra Paintings Exhibited: Karl Zerbe, Gouaches of the Artic Nordness Gallery, (Madison Avenue, NY) Feb 3 through Feb 23, 1958 Cat. No. 12 (label with work, see photo...

Samuel Grunvald excelled at watercolors and was a native New Yorker who portrayed his city as such as he depicted its skyline, architecture and particular character with love and ent...

untitled (French Townscape with Clouds and Mountains) Oil on masonite Signed with the estate stamp verso (see photo) Hand painted frame by the artist. (see photos) Image eize: 24 x 2...

Medium: Oil on Board Signature: Signed Lower Left Cover illustration for the book Many Rivers to Cross by Steve Frazee (Fawcett Gold Medal #935, October 1959) - (#S1371, December 1963)

Jerusalem by Ludwig Blum Oil on canvas 25.6 x 32 inches / 65 x 81cm Signed Painted circa 1940

Medium: Mixed Media on Paper Laid Down on Board Signature: Signed "J. Clymer" Lower Left This illustration was used in a 1943 advertisement for the Pennsylvania Railroad...

Kunkel, George (American 1922-1984). COREA SPRING. Acrylic on torn and collaged papers. Signed. 15 9/16 x 23 1/2 inches, framed to 16 1/4 x 24 1/4 inches inches. With Kunkel's label ...

Signature: Signed Center Right: John Clymer Ballantine Beer advertisement, 1953

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE La Fiancée de Notre Dame by Theo Tobiasse (1927-2012) Oil on canvas 81 x 65 ...

Signed and dated lower right: DALE NICHOLS 1953; on stretcher bar: “STARS” by Dale Nichols

La Plage aux Andelys by Georges Manzana Pissarro (1871 - 1961) Oil on board 23.7 x 32.9 cm (9 ⅓ x 13 inches) Signed lower left, Manzana Pissarro Executed circa 1930 Provenance Priva...

Toits Rouges à Menton by Georges Manzana Pissarro (1871-1961) Oil on board 40 x 56.5 cm (15 ¾ x 21 ⅞ inches) Signed and dated lower left, Manzana Pissarro 1953 The last years of his...

Henry Martin Gasser paints a coastal harbor town blanketed in white snow in his artwork entitled, “Harbor in Winter.”

"Green Landscape" is a landscape painting by Philadelphia born Expressionist painter Bernard Harmon from 1955. The 18" x 24" oil on canvas features a spring or summer landscape, pain...

Original Holiday Greeting Card Christmas Illustration featuring a snowy scene with dogs chasing a horse-drawn sleigh Medium: Egg Tempera on Illustration Board Signature: Unsigned Charlotte Joan Sternberg was born in Meriden, Connecticut in 1920. Early on, she became interested in art, and her parents encouraged her efforts. She attended public schools in the area, as well as taking art classes at the technical school. Afterwards, she attended the Yale School of Art. Her fellow classmates included Rudolph Zallinger, who executed the dinosaur mural at the Peabody Museum in New Haven; Jean Day Zallinger, renowned book illustrator; and Edward Paier, founder of the Paier College of Art. It was there that she became interested in egg tempera, and most of her well-known artwork was done in this medium. She was one of a number of Yale artists who revived this medium.(She did not work professionally in oils, although she sometimes used gouache or watercolor.) She went on to a long career in commercial illustration. She worked extensively for J.Walter Thompson, doing advertising art for such companies as Esso (later Exxon), Textron, and Lederle pharmaceuticals. While she did a variety of subjects, she was best known for her Americana themes, particularly snow scenes of historic New England. Many of these pieces were published as Christmas cards for American Artists Group. She also taught for many years at the Paier College of Art. She also did a number of limited edition prints for Greenwich Workshop. Her art is used on such items as tapestry pillows, puzzles, and decorative flags. She was commissioned to do several portraits, including those of Gov.John Lodge...

Date: circa 1957 Medium: Gouache on Board Dimensions: 25.50" x 17.75" Signature: Signed Left Original illustration for a poster for the Grace Line Travel c...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Paysage d'Annay-sur-Serein by Michel Kikoïne (1892-1968) Oil on canvas 54 x ...

Medium: Oil on Panel Size: 20.00" x 40.00" This illustration "Route 1, Bridgewater Conn." by American artist John Ford Clymer (1907-1989) was used in magazine advertisements. John Clymer was born in Ellensburg, Washington. His art education was acquired at the Vancouver School of Fine Art, the Ontario College of Art in Port Hope...

On verso: H GASSER

A painting by Gregory Sumida. “Tree Study, Whittier, CA” is a landscape painting, watercolor on watercolor board in an earth-tone palette by American artist...