Modern Landscape Paintings

BRIATICO Size: 59 x 54 cm (including frame) Oil on Canvas A captivating and vibrant coastal landscape painting of Briatico in Italy, executed in oil onto canvas and dated 1967. Th...

This painting is part of our exhibition Charles Goeller: A Wistful Loneliness. Oil on canvas, 15 ¾ x 24 inches, Signed and titled verso on stretcher Exhibited: [Solo Exhibition] Cha...

This painting is part of our exhibition Charles Goeller: A Wistful Loneliness. Oil on canvas, 13 x 9 inches, Signed lower left

This painting is part of our exhibition Charles Goeller: A Wistful Loneliness. Oil on canvas, 16 x 12 inches, Signed lower right Exhibited: 1) [Solo E...

This painting is part of our exhibition Charles Goeller: A Wistful Loneliness. Oil on canvas, 20 x 15 inches, Signed lower right Exhibited: 1) Portrai...

Cannes, South of France French School, late 20th century signed oil on canvas, framed framed: 25 x 29 inches canvas: 20 x 24 inches provenance: private collection, France condition: ...

Ernest HUBER Vienna, 1895 – Vienna, 1960 Oil on wood panel 25 x 34 cm (31 x 44 cm with frame) Signed lower left “E. HUBER” Inscription on the back “Jerusalem / Mount of Olives / Mosque of ..ar” Ernst Huber...

The recent paintings of Atlanta artist David Kidd continue an evolving series of images inspired by and based upon natural forms, specifically the shadows cast by trees and other veg...

Vintage American modernist landscape oil painting. Oil on canvas. Framed.

Germaine REY (20th century) Oil on panel 35.5 x 66 cm (53 x 83.5 cm with frame) Signed lower right “GRey” and dated on the reverse “1933” Inscription on the back “Bab Delkaken Gate ...

Le Transformateur is an oil on canvas painting with a canvas size of 8.75 x 10.5 inches, signed 'Picasso' lower right and dated upper left '10 juin 53'. Framed in a custom, closed-c...

GREEN GROVE Size: 36.5 x 40.5 cm (including frame) Oil on canvas A beautifully textured modernist landscape painting, executed in oil onto canvas and dated 1975. A large green tree...

A landscape painting featuring a white horse, dating from 1941, by artist Harold Haydon. Harold Emerson Haydon was born in Fort William, Ontario, Canada in 1909. Haydon came to Ch...

Oil on board Image size: 12 x 15 inches (30.5 x 38 cm) Contemporary style frame

Bill Shields "Biplane" 1975 Oil on masonite Artist's wood frame 24.5"x2"x24.5" Signed and dated in paint lower right Excellent Condition - Minor wear consistent with age and history. CV EDUCATION: Chicago Academy Of Fine Art San Antonio Art Institute MAJOR FIELDS OF PROFESSIONAL ENDEAVOR: Freelance graphic design and illustration Instructor of painting and illustration Landscape, figurative and abstract painting ART RELATED EMPLOYMENT: (Professor of Art) California College of Arts and Crafts, Oakland, CA Academy of Art College, San Francisco, CA San Francisco Art Institute San Jose State University AWARDS FOR ILLUSTRATION, Gold Medals: New York Society of Illustrators Los Angeles Society of Illustrators San Francisco Society of Illustrators Dallas-Fort Worth Art Director's Club Houston Artist's Guild BIBLIOGRAPHY: Feature articles in: American Artist, Communication Arts, Print, North Light. Architectural design featured in: Better Homes and Gardens, American Home, Sunset Magazine, Architectural Digest. ILLUSTRATION CLIENTS: Oil Companies: Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil and Refining Company. Industrial: Hughes Tool Company, General Electric, United States Steel, Phelps Dodge, Sylvania Television, Texas Gulf Sulphur, Litton Industries, Houston Lighting and Power Company, International Business Machines. Institutional: National Aeronautics and Space Administration, United States Air Force, United States Department of the Interior, American Petroleum Institute, New York Stock Exchange, National Broadcasting Company, American Iron and Steel Institute, CBS Broadcasting Company, Vanguard Recording Company, Diners Club, Stanford Research Institute, Victoria Station, Neiman Marcus, Bank of America, Automobile Club of Southern California, Airlines: TWA, British West Indies Airlines, Pan American Airlines...

Patrick Vale ES III acrylic and ink on paper 28h x 20w in 71.12h x 50.80w cm PKV003 Artist Patrick Vale garnered international attention in 2012 when a t...

André DES GACHONS Ardennes (Indre), 1871 - Chaussée-sur-Marne (Marne), 1951 Watercolor 39.5 x 63 cm (47 x 70.5 cm with the frame) Signed lower left and dated "André des Gachons / 194...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

The Railway Station, c. 1934, oil on canvas, signed lower right, titled verso and noted "34"; illustrated Kaufman, Jeffrey, Brush with Life: The Art of Being Edward Biberman...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Margaret Souttar...

Sunrise, 1981 By. Jim Palmer (American, b. 1941) Signed and Dated Lower Right Unframed: 24" x 36" Framed: 30" x 42" Born in 1941 in Columbia, South Carolina, Jim Palmer attended the University of South Carolina in 1960 before going on to study at the Atlanta School of Art in 1964. In 1966 he and his wife moved to Hilton Head Island, the second artist to do so during the Island's early years. Since living here, he designed the cover of the Chamber of Commerce' Islander Magazine, has been a contributing artist to the Island Events Magazine, and has painted many Low Country scenes that grace homes and businesses throughout the country. Palmer was the illustrator for two books written by local authors: A Corner of South Carolina and Moonshadows. His work has been included in exhibits at the Hunter Museum in Chattanooga, TN; Mint Museum, Charlotte, NC; Southeastern Artists Exhibition, Atlanta, GA; Greenville County Art Museum, Greenville, SC; Callaway Gardens, Pine Mountain, GA; and Bay Hills Club, Orlando, FL. His paintings are part of the private collections of C&S National Banks in Columbia and Hilton Head Island; Banker's Trust Tower, Columbia, SC; Palmetto State Bank, Bluffton, SC, among others. Several paintings are also included in the collections of former Presidents Jimmy Carter and Dwight Eisenhower, former South Carolina Governor Robert McNair and singer John Denver.

Seagulls (Birds in Flight), 1982 By. Jim Palmer (American, b. 1941) Signed and Dated Lower Right Unframed: 32" x 36" Framed: 37" x 42.5" Born in 1941 in Columbia, South Carolina, Jim Palmer attended the University of South Carolina in 1960 before going on to study at the Atlanta School of Art in 1964. In 1966 he and his wife moved to Hilton Head Island, the second artist to do so during the Island's early years. Since living here, he designed the cover of the Chamber of Commerce' Islander Magazine, has been a contributing artist to the Island Events Magazine, and has painted many Low Country scenes that grace homes and businesses throughout the country. Palmer was the illustrator for two books written by local authors: A Corner of South Carolina and Moonshadows. His work has been included in exhibits at the Hunter Museum in Chattanooga, TN; Mint Museum, Charlotte, NC; Southeastern Artists Exhibition, Atlanta, GA; Greenville County Art Museum, Greenville, SC; Callaway Gardens, Pine Mountain, GA; and Bay Hills Club, Orlando, FL. His paintings are part of the private collections of C&S National Banks in Columbia and Hilton Head Island; Banker's Trust Tower, Columbia, SC; Palmetto State Bank, Bluffton, SC, among others. Several paintings are also included in the collections of former Presidents Jimmy Carter and Dwight Eisenhower, former South Carolina Governor Robert McNair and singer John Denver.

By Yuri Ivanovich Zorkin 10" x 13.5" Oil on Board

Work on watercolor paper Golden wooden frame with glass pane 50.5 x 55.5 x 2.5 cm

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly changing world. Inspired by her upbringing in a small neighborhood in Korea and her experiences with Habitat for Humanity, she seeks to immortalize disappearing places by creating works of art that connect and preserve memories. Her three-dimensional compositions are created using newspaper...

Presenting a just completed original oil painting by American/Azerbaijan artist Fidan Kim. Fidan’s attention to detail subject and pallet are quickly gaining her recognition as one of the great emerging artist’s of the day. Many of her paintings take more than a year to complete due to the complex detail and methods she uses to create her paintings. “The Unseen Love”, is an original oil on canvas, signed, completed in 2022, suitably framed it has just arrived at our West Hollywood gallery...

Cubist composition French school, c. 1960's oil painting on canvas with cut out magazine shapes 15 x 18 inches provenance: France The painting is in good and presentable condition.

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused ...

The Western Plain By Gray Smith (Australian, 1919-1990) Signed Lower Left Without Frame: 20" x 30" With Frame: 24" x 34" Gray Smith was an Australian artist, poet and jeweler who was part of the Heide Circle. While best known as the Australian artist Joy Hester's spouse, his most productive artistic period came later while married to Joan Upward in the '60s and '70s. Smith's modernist paintings often featured isolated figures in Australian outback...

Amish Farmscape #3, 1984, oil on canvas, 40 x 30 inches, signed and dated lower right; signed, dated, and titled verso About the Painting Amish Farmscape #3 is part of a multi-painting series of barns completed in the early 1980s for an exhibition at New York’s prestigious Sid Deutsch Gallery. Lewandowski painted this work at an important point in his career. It was the first major project undertaken by Lewandowski after his retirement from serving as the Chairman of Winthrop University’s Art Department, the last academic position he held after teaching for nearly thirty years. Lewandowski had been inspired to work on the series by a visit to Lancaster County, Pennsylvania. Like his friend and mentor, Charles Sheeler, Lewandowski had always been fascinated by vernacular architecture and the Amish barns of Pennsylvania brought back memories of rural scenes Lewandowski had painted in the Midwest much earlier in his career. Amish Farmscape #3 is a strong example of Lewandowski’s late precisionist work. The complexity of the composition and Lewandowski’s technical acumen are on full display. Being relieved of the burdens of teaching and administering a university art department likely allowed Lewandowski greater freedom and most importantly more time to complete the Amish Farmscape series. Although Lewandowski’s brand of precisionism changed throughout the years, he never deviated from the core tenets of the Immaculate School artists. In this work, we see simplified and flattened forms, the use of ray-lines to define light and space, the elimination of extraneous details, a polished almost machine-like finish, and the complete lack of visible brushstrokes, all hallmarks of the precisionist painters. Lewandowski was the last of the 20th century precisionists and in Amish Farmscape #3, we see just how successfully he continued to work in this style until his death in 1998. About the Artist Edmund Lewandowski was among the best of the second-generation precisionist painters. He was born and raised in Milwaukee, Wisconsin and studied at the Layton School of Art with Garrett Sinclair. Lewandowski achieved early success when in 1936 two of his watercolors were shown at the Phillips Collection as part of a Federal Art Project exhibition. Then, in 1937, his work was first exhibited at Edith Halpert’s Downtown Gallery which represented Lewandowski into the 1950s. Under Halpert’s guidance, Lewandowski continued to explore watercolor as his main medium during the 1930s and 1940s, since the gallery already represented Charles Sheeler, who worked primarily in oils. Sheeler became Lewandowski’s major influence as the primary leader of the ill-defined, but very recognizable Immaculate School artists, which included other Downtown Gallery painters, Niles Spencer, George Ault, and Ralston Crawford, as well as Charles Demuth and Preston Dickinson, both of whom died at a young age and had been represented by the Charles Daniel Gallery. Sheeler is credited with giving Lewandowski technical advice on how to make his paintings more precise and tightly rendered and by all accounts, Sheeler was a fan of Lewandowski’s work. Through the Downtown Gallery, Lewandowski’s paintings were accepted into major national and international exhibitions and purchased by significant museums and collectors. Franklin and Eleanor Roosevelt and Nelson Rockefeller acquired works by Lewandowski. He was included in the Museum of Modern Art’s important 1943 exhibition, American Realists and Magic Realists as well as juried exhibitions at the Whitney Museum of American Art, the Pennsylvania Academy of Fine Arts, and the Art Institute of Chicago. Lewandowski also completed commissions for magazines during the 1940s and 1950s, including several covers for Fortune. Throughout his career, Lewandowski explored urban and rural architecture, industry, machinery, and nautical themes. Looking back on his career, Lewandowski wrote, “My overwhelming desire as an artist through the years has been to record the beauty of man-made objects and energy of American industry on canvas. For as far back as I can recall, the cityscapes, farms and depictions of industrial power and technological efficiency has had a great attraction for me. I try to treat these observations with personal honesty and distill these impressions to a visual order.” Lewandowski is credited with extending precisionism to the Midwest and successfully continuing the style into the 1990s, three decades after Sheeler’s death and six decades after Demuth’s passing. Late in his career, Lewandowski enjoyed a resurgence of popularity as he was represented during the 1980s by New York’s Sid Deutsch and Allison Galleries...

Modern geometric abstract night scene by Houston, TX artist David Adickes. The work features a blue-toned serene cityscape by the sea. Unsigned. Framed in a thick silver painted framed and blue matting. Dimensions Without Frame: H 29.5 in. x W 39.5 in. Artist Biography: Born (1927) and raised in Huntsville, TX, David Adickes is an artist whose art and heart are closely aligned with Paris, France. After studying art at the Atelier F. Leger in the late 40s, Adickes burst onto the art scene in Houston and elsewhere in the early 50s and has been a prominent member of Houston’s art community ever since. While his most visible works are his giant sculptures...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to P...

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly ...

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly ...

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly ...

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly changing world. Inspired by her upbringing in a small neighborhood in Korea and her experiences with Habitat for Humanity, she seeks to immortalize disappearing places by creating works of art that connect and preserve memories. Her three-dimensional compositions are created using newspaper...

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly changing world. Inspired by her upbringing in a small neighborhood in Korea and her experiences with Habitat for Humanity, she seeks to immortalize disappearing places by creating works of art that connect and preserve memories. Her three-dimensional compositions are created using newspaper...

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly changing world. Inspired by her upbringing in a small neighborhood in Korea and her experiences with Habitat for Humanity, she seeks to immortalize disappearing places by creating works of art that connect and preserve memories. Her three-dimensional compositions are created using newspaper...

Provenance: Leicester Galleries, London, 1956 Austin Desmond Fine Art, London

With a rich impasto and organic colour palette you can see Wilf Roberts takes great inspiration from Sir Kyffin Williams – a fellow Welsh landscape painte...

'A 10 point stag' By John Taylor (Modern British) - Majestic Study oil on board, framed signed lower right size: 31 x 31 inches condition: very good and ready to be enjoyed provenan...

Harry Leith-Ross (American, 1886 - 1973) Red House (Hoffman House) Oil on canvas, weathered wood 20th century frame 35” x 30” Signed lower right, ‘Leith-Ross’ Exhibition sticker v...

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly changing world. Inspired ...

Signed lower right. From the later 1950s, Vaughan painted landscapes without figures that verged towards complete abstraction: works in which colour is tessellated into compositions ...

Modern abstract village landscape by Houston, TX artist David Adickes. This large-scale painting depicts an elevated town by an ocean. The warm-toned color palette suggests a sunrise...

Signed and dated Reynolds 55 lower left. Also signed, dated and titled in pencil verso. Reynolds’ intense study of nature led him to create sketchbooks filled with botanical studies, pressed leaves, grasses, seedpods and feathers – forms upon which he based abstract landscapes during the first, figurative stage of his career. Among the most significant sequence of paintings derived from these studies was ‘The Four Seasons’, showing landscape transformed across the cycle of the year. Legend in December (1955) relates to this series, showing a winter landscape in which the moon hangs low over the horizon. Bushes cast pallid shadows, and whitened seed heads appear like fireworks against the sky. On the roof of a chapel, haloed, is a cross mirrored...

Signed lower right in ink, titled verso. In 1943 Piper received a commission to document a slate quarry inside the mountain of Manod Mawr, north Wales, where the collections of the N...

Tempera and volcanic ash on board. Signed lower left; also signed, titled and dated 1973 verso.

A painting by Georgia O'Keeffe . "Cottonwood Tree (Near Abiquiu), New Mexico" is a modern art oil on canvas by American female artist Georgia O'Keeffe. Georgia O’Keeffe was among the most influential figures in Modernism, best known for her large-format paintings of natural forms, especially flowers and bones, and for her depictions of New York City skyscrapers and architectural and landscape forms unique to northern New Mexico. Provenance: An American Place, New York Mr. and Mrs. Max Ascoli, New York, 1944 Descended in family Harold Diamond, New York, c. 1975 Gerald Peters...

This is a one of a kind modernist acrylic painting on wood panel. Its dimensions are 8x10. It unmounted and unframed and requires hardware if you wish to hang. A certificate of authe...

Oil on board, signed verso. Reynolds made numerous paintings on the theme of ‘moth barn’, in addition to a lithograph dating from 1956. Moth Barn Interior 3 (1952) is a diminutive va...

Exterior Stairway, c. 1970s, oil on masonite, signed upper right, 12 x 24 inches; illustrated (film) Kaufman, Jeffrey, Brush with Life: The Art of Being Edward Biberman...

Yvonne Jacquette (American, b. 1935) Tokyo Diptych, 1985 Pastel on paper Overall 17 1/4 x 28 1/2 inches Signed lower center Provenance: Carey Ellis Company, Houston, Texas Brooke Alexander, New York Collection of an American Corporation Exhibited: New York, Brooke Alexander, Yvonne Jacquette: Tokyo Nightviews, April 5 - May 3, 1986, n.p., illustrated; this exhibition later traveled to Brunswick, Maine, Bowdoin College Museum of Art, Yvonne Jacquette: Tokyo Nightviews, June 27 - August 24, 1986. Yvonne Jacquette has a preference for high places, a circling plane, a penthouse window, an aerie from which to watch the world. Her work has often depicted the city and man-made landscape from the vantage of angels. It is a privileged perspective, long loved by photographers, who were perhaps the first to recognize the geometric grandeur of the city below. That grandeur structures Jacquette's images but is not its full content. Her work attempts to resolve the visual and emotional pardoxes of the modern metropolis. Only from the tower is there the possibility of order and context. And unlaced beauty. Jacquette first visited Japan in 1982. Nighttime Tokyo, its cars and crowds and canyons of loud Vegas neon, made a vivid and bewildering impression on her. The neon signs, pulsing, scaling the walls of high rises, fascinated the artist, "like Times Square spread over miles." Her fascination was equal parts marvel, confusion, and curiosity—the sparks of art. She returned to Tokyo in May of 1985, choosing hotel rooms with expansive vistas. From these views Jacquette excerpted images for a series of pastel night scenes. The basic forms and colors of each drawing were blocked in during night sessions by the window. She worked in the dark, selecting colors by flashlight. In daylight, she sharpened the geometry and corrected ambiguous passages. She refined the drawings further in the studio until the images read clearly. Photographic correctness was not important. The finished drawings are complete statements, not simply preparatory sketches for paintings. They have the authority of expert witness. In clear, discreet jots of pastel they record the performance of seeing, each touch of color attesting to a moment's close scrutiny. Yvonne Jacquette was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford, Connecticut. She attended the Rhode Island School of Design, Providence from 1952 to 1955, when she moved to New York City. Her late husband was photographer Rudy Burckhardt, and the couple were part of a circle of artist friends that included Fairfield Porter, Alex Katz, Red Grooms, and Mimi Gross. She continues to live and work in New York City, as well as in Searsmont, Maine. A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that has developed into a defining element of her art. Her first nocturnal painting...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to P...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Claude Gaveau Still Life with Violin and Piano Original oil on canvas Signed in the lower left corner Signed again on the back On canvas 73 x...