Victorian Landscape Paintings

The Highland Valley by F. E. Jamieson (British 1895-1950) oil painting on canvas, framed framed: 21 x 31 inches canvas: 20 x 30 inches provenance: private collection, England condit...

Wonderful and outstanding example by one of England's known and much-loved 18th and 19th-century painters. Morland was an English painter who became one of the most popular artists o...

Victorian Marine Oil Painting of Sunset Scene with Shipping and Row Boats returning to Shore at the end of the day. A beautiful small framed Oil on Panel that is framed in a handmad...

English School 18th/ 19th century signed oil on canvas, framed framed: 35 x 40 inches canvas: 28 x 36 inches provenance: private collection, England condition: the painting requires ...

The Fishing Lesson by John Dawson Watson (1832-1892) oil painting on canvas: 33" x 22" (83.8 x 55.8cm) gilt framed condition: excellent provenance: ...

Two delightful watercolours, with wonderful details by the highly collectable Charles Robertson. They depict two different aspects of Victorian life, the first captures two boys fis...

"In Full Pursuit" English School, late 20th century oil painting on canvas, unframed painting: 24 x 20 inches Superb oil painting on canvas depicting this characterful spaniel hunt...

Horses Standing in Landscape French School, 20th century oil on canvas, framed framed: 25 x 34 inches canvas: 19.5 x 30 inches provenance: private collection, France condition: very ...

This late 19th-century oil painting by British painter George William Mote (1832-1909) depicts a shepherd and his flock before an extensive view across the Surrey countryside near Gu...

This gorgeous Scottish Victorian landscape oil painting is by noted artist Robert McGown Coventry, also known as Robert Coventry. Painted circa 1890 it is a spring Highland landscape...

"Borrowdale" * see notes below British School, early 20th century oil on board, unframed board: 7 x 10 inches provenance: private collection condition: minor rubbing to outer edges a...

Shipping off the coast by English artist Thomas Luny. Oil on canvas signed and dated 35' in the lower left. Nice period and possibly original frame. Thomas Luny (1759–1837), born in Cornwall, probably at St Ewe, was an English artist and painter, mostly of seascapes and other marine-based works. At the age of eleven, Luny left Cornwall to live in London. There he became the apprentice of Francis Holman, a marine painter who would have a great and long lasting artistic influence on Luny: Luny remained until 1780 in Holman's London studio, which, was first situated in Broad Street, St. George's, and later relocated to Old Gravel Lane. Examples of his work are exhibited at the National Maritime Museum at Greenwich, in the Royal Albert Memorial Museum in Exeter, and at The Mariners' Museum in Newport...

Artist/ School: Norman A.Olley dated 1994 and inscribed verso Title: By The Thames At Hampton Middlesex Medium: gouache/watercolour/ pencil on artist paper, unframed Painting : ...

The English Country Churchyard by James Rudd (English 1821-1906) signed & dated 1889 oil on canvas, framed framed: 28.5 x 41 inches painting: 24 x 36 inches provenance: private colle...

William Watson Jnr British, (1847-1921) Up Glen Goil, West Highlands Oil on canvas, signed & dated 1892, further inscribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 36.25 inches x 48.25 inches This highly atmospheric and well executed painting by William Watson Jnr depicts Highland Cattle watering at Glen Goil. Glen Goil is a valley area of Argyll and Bute in the West Highlands. It is situated at the junction of Hell’s Glen and Gleann Mor and has the river Goil flowing through. Located around 2 miles from Lochgoilhead, it is well known as an area of outstanding natural beauty. Watson made several trips to the Highlands and produced a number of paintings of the locality, many of which included highland cattle such as this fine example. Another painting by him of Glen Goil is held by the Walker Art Gallery, Liverpool. William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s. As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists. Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen Watson (1871-1947), William Robert Charles Watson (1873-1928) and Walter James Watson...

Artist/ School: French School, early 19th century Title: Cattle being Driven through the town. Medium: oil painting on canvas, unframed Size: canvas: 21 x 25.5 inches Provenanc...

BENJAMIN WILLIAMS LEADER Benjamin W Leader is one of the most sought after Victorian landscape painters and a must for any collector. With some paintings realising over £100 000 in ...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

Oil on canvas, signed and dated in the lower left corner. A tranquil painting featuring a European city on a lake or river at sunrise or sunset. Char...

Lauritz Holst Exhibited 1878 - 1926 Picture Size: 16.5 x 29" (41.25 x 72.5cm) Outside Frame Size: 22.5 x 35" (56.25 x 87.5cm) He was born in Bogense, Denmark in 1848 Holst was a m...

LESLIE E.B. SMYTHE 19th-century English rural landscapes, with goats by a river and people. Smythe was an English painter who was active in paintings in both Scotland and England. ...

HENRY H. PARKER A wonderful statement piece ideal for any prominent position that you have. The colours and the quality are superb and the piece is titled and signed on the reverse ...

This superb very large British Victorian landscape oil painting is by much sought after landscape artist John Brandon Smith. Painted circa 1870 the composition is a rocky Scottish Hi...

The Highland Stag by Charles W. Middleton, British, signed and dated 1896 signed oil painting on board, unframed dated 1896 board: 8 x 11 inches condition: overall very good

Robin Hood and His Merry Men English School, 19th century oil painting on canvas, framed framed: 34 x 39 inches canvas: 25 x 30 inches condition: very good condition and well framed ...

Sunset over the Loch by F. E. Jamieson (British 1895-1950) signed lower corner oil painting on canvas, unframed canvas: 16 x 24 inches Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting captures this beautifully romantic view of the Scottish Highlands, with an extensive view over the loch waters. F. E. Jamieson (1895-1950) We are extremely fortunate to have been handling the works of the enigmatic British artist, F. E. Jamieson since the year we began art dealing, 1989. Over this time, coupled with our love of the Scottish landscape, we have bought and sold many hundreds of his paintings, in all their various guises and subjects and are considered by many to be a leading authority on the artist and his work. We are also in the early stages of publishing the Catalogue Raisonne for this artist, of which this painting will be featured. Mr. Jamieson was largely a painter of Scottish landscapes and loch scenes. Born in 1895, Jamieson lived on the south coast of England and was contracted to a large department store to supply them with his paintings. He was an ambitious man and keen to sell more works than through just one shop. In order to do this, he started to sign his works with pseudonyms other than his own name, in order that he could sell his work to a wider audience. It worked and it is considered that Jamieson at least 15 different pseudonym names on his paintings. In addition to selling through furniture shops, Jamieson would travel door to door offering his paintings to housewives and private buyers. In our years of researching the artist, we heard one story related to us by an old customer who remembers that Jamieson started selling door...

Sunset in the Scottish Highlands by F. E. Jamieson (British 1895-1950) oil painting on canvas, unframed canvas : 20 x 30 inches provenance: private collection, UK condition: very goo...

The Harvest French School, 19th century oil painting on canvas, framed canvas: 16 x 21.5 inches framed: 20 x 25.5 inches condition: the painting is in very good and presentable cond...

Artist/ School: F. E. Jamieson, British 1895-1950, signed with the artists pseudonym 'A. Pienne' Title: Salmon Fishing in the Highlands Medium: oil on canvas, framed Framed: 23 x ...

D. GRIFFIN This is a pseudonym of George Armfield. Picture Size: 14 x 18" (36 x 46cm Outside Frame Size: 21 x 25" (54 x 64cm) Signed and dated bottom left Free Shipping He was bor...

19th century English landscape with trees, a Harvest Field during Summertime. A wonderful classic English landscape dating from the middle of the 19th century. This style of paintin...

Oil on canvas, signed lower left. Measures 32.25" x 37.5" including the frame. Know for his paintings of scenes in the highlands of Scotland, John Barker, British 1811 to 1886.

Carl BRENNIR A classic opportunity to buy a premier piece painted by Carl Brennir. It is oil on canvas and the canvas is in very good condition. It is not relined and is titled and ...

Henry Stacy Marks, English ( 1829 - 1898) was a leading London painter of life and historical scenes. He was a member of Royal Academy and St Johns wood clique. The painting measure...

"Western Travellers" by Rudolf Stone, British late 19th Century signed by the artist on the lower left hand corner oil painting on wood panel, framed framed size: 8 x 14 inches Won...

Castle ruins in a windswept landscape Late 19th Century German School oil on panel, framed framed: 31 x 38 inches panel : 24 x 32 inches the painting is in overall very good and soun...

Artist/ School: Kathleen Crow (British, contemporary), signed with monogram Title: The Secret Garden Path Medium: oil on canvas, unframed Canvas : 20...

Very fine original oil painting by the highly regarded Suffolk School artist, Edward Robert Smythe (1810-1899). The painting is signed to the lower left and is a very fine example of this important artists work. Painted in oils on canvas, the artist has captured a traveller resting beside her camp, with a small fire burning to the right and her horse standing to the left. With the frame, the painting measures 16 by 18 inches. The painting comes to us from a private collection of Suffolk School paintings, housed in Suffolk, England, where we understand it has resided for many years. Born at Berners Street, Ipswich in 1810, son of James Smyth (1780-1863) and his wife Sarah Harriet née Skitter; James, who was an accountant with the bank Bacon, Cobbold, Durningham & Cobbold in Tavern Street, Ipswich added a final 'e' to his surname. Edward attended the school of Robert Burcham Clamp and had a liking for a military career but his love of art took his fancy. Elected a member of the Ipswich Society of Professional and Amateur Artists on 1 March 1832 and attended his first meeting on 18 November the same year and was probably working under Henry Davy [q.v.] and where he met many local artist members. In his younger days he had a studio in the Old Shire Hall, Ipswich where he painted with such artists as Samuel Read [q.v.], Walter Hagreen [q.v.], Frederick Russel [q.v.] and Robert Burrows [q.v.]. About 1840 he moved to Norwich to study the Norwich School of painting where he became acquainted with Robert Ladbrooke’s son, Frederick [q.v.] and is said to have worked with John Sell Cotman [1782-1842] but returned to Ipswich some five years later, taking a house in Bramford Road. He married at Ipswich in 1848, Ellen Bowman of Ipswich and where his first child Edward Robert, jun. was born the following year. In 1851, giving his age as 32, is living at Elmswell, Suffolk with his 24 year old wife Ellen and son but later that year moved to 3 Angel Hill, Bury St Edmund’s, where he kept company with his friend Fred Ladbrooke. By 1861, still at Angel Hill, they had further children born at Bury St Edmund’s, Francis (Frank) Rowland 1852, Ellen Kate 1854 and Mary Emily 1856, their daughter Louisa Jane, died at Angel Hill, Bury St Edmund’s on 7 April 1861, aged 3 years and 7 months. He exhibited at the Suffolk Fine Arts Association at the New Lecture Hall of the Mechanics' Institution, Ipswich in August 1850 several oil paintings including 'Chapel Viaduct, Colne Valley', 'A Group of Animals', 'A Sketch Ploughing', 'Ponies and a Dog' and 'A Landscape' and a watercolour 'The Ruling Passion strong in Death' and was also a member and exhibitor at the Ipswich Art Club 1886-1898. He also exhibited five works at the Royal Academey including 'View in the Colne Valley at Chappel, Essex' and exhibited five works at the British Institution including 'Pony and Boy' and 'The Village Blacksmith'. In 1865 Edward was living at 98 Risbygate Street, Bury St Edmund’s, and his wife died at 69 Risbygate Street, Bury St Edmund’s in 1879, aged 52. By 1891 he had moved in with his married daughter Ellen Kate, who had married at St Matthew’s church Ipswich on 10 May 1886, George Robert Chilvers, a tobacco manufacturer, at Burlington Lodge, 30 Burlington Road, Ipswich where he died on 5 July 1899, aged 88, and buried in Ipswich cemetery three days later. Five of his painting were on show at the Centenary exhibition of the Ipswich Art Club in 1974 a pastel 'Crossing the Stream...

19th century English landscape with Oak trees, a stream and sheep on a pathway. A wonderful classic English landscape dating from the middle of the 19th century. This style of paint...

This lovely British Victorian oil painting is by Edward Charles Williams of the Williams Family of artists and related to George Morland. The painting is a figurative landscape entitled the Woodman's family and entails five figures and a dog gathered around a tree that the Woodman is tackling with his axe. The painting is signed and indistinctly dated (only visible with ultra violent light) lower left, the date being 1869. For me, the highlight of the painting is the artistry and attention to detail with which Williams has portrayed the light on the trees above and the exquisite colouring of the leaves. There are even two birds finely depicted in the tree foliage. Signed and indistinctly dated 1869 lower left (only visible under ultraviolet light). Provenance. Berkshire estate. Condition. Oil on canvas, image size is 40 inches by 36 inches and in good condition. Housed in a complementary frame. Framed size is 48 inches by 44 inches and in good condition. Edward Charles Williams (London 10 July 1807 – 25 July 1881) was an English landscape painter during the Victorian Era, and a member of the Williams family of painters. He was the eldest son of the painter Edward Williams (1781–1855) and Ann Hildebrandt (c.1780–1851), and a member of the Williams family of painters, who were related to such famous artists as James Ward RA and George Morland. His father was a well-known landscape artist, who taught him how to paint; otherwise he received no formal instruction. He adopted much of his father's style and technique, and like the other painters of his family, he devoted himself to landscapes, producing rich and tranquil views of Barnes, Cumberland, Kent, Surrey and the Thames. His paintings are now highly sought after. Williams married his first wife Mary Ann Challenger on 11 December 1839 in Westminster. Mary Ann died in 1857 in London, and his only child Alice Williams was born shortly afterwards to Sarah Susannah Horley, who had been Mary Ann's nurse – Edward and Sarah did not marry for another 10 years until 3 October 3, 1868, when they wed at the St. Pancras Old Church in Camden, London. He largely stopped painting after the 1859 death of his second wife, adding value to the small number of paintings that he did produce from 1859 on − Springer in the Bracken, The Lap Dog, The Ploughman's walk home, The Ducks at Tilbury and Primrose at St Mary's (Primrose was the Verger's Cat). Some suggest that he suffered a breakdown after his wife's death, given his choice of subjects in these later years. The location of three of these post-1859 works are unknown, and they are assumed lost during two world wars. He signed some of his work as E Williams, which leads to confusion with his father, who painted in a similar style, and at times he signed as C Williams to purposely avoid such confusion. Because many of the paintings of both father and son are unsigned, it can be difficult to correctly attribute their work. Edward Charles also collaborated on several paintings with William Shayer, where Williams would paint the landscape, and Shayer would add in figures and animals; his Near Wantage, Berkshire is a good example. He died 25 July 1881 at Shepherds Bush in London and is buried with Sarah Horley and their daughter Alice in Hammersmith Old Cemetery, close to other family graves. Edward Charles Williams was born into an artist family that is sometimes referred to as the Barnes School. His father and five surviving brothers were all noted landscape painters during the Victorian era. Three of the sons of Edward Williams changed their last names to protect the identity of their art. Edward Williams (father) Henry John Boddington, George Augustus Williams, Arthur Gilbert, Sidney Richard Percy, Alfred Walter Williams.

HENRY H. PARKER - 1858 - 1930 Canvas Size: 12 x 24" (30 x 60cm) Outside Frame Size: 19 x 31" (48 x 78cm) A traditional image that Parker often painted. The piece is fully signed in...

William R Stone British, (1839-1889) River Thames at Isleworth with All Saints Church & The London Apprentice Pub Oil on canvas, signed with monogram I...

John Stewart was a Scottish painter of rustic subjects and landscapes. HE exhibited 20 works at the Suffolk Street Exhibition location in London and 4 wor...

Edward Niemann Junior A superb example of Edward Niemann's work. The piece is housed in its original detail and is of a quality that would be more akin...

The Village Lane British artist, early 20th century oil on board, framed framed: 7 x 8.5 inches board: 6 x 7.5 inches provenance: private collection, England condition: very good an...

Charles Napier Hemy. English ( b.1841 – d.1917 ). Making The Run For Home, Cornish Coast, 1915. Oil On Canvas. Monogram & Dated 1915 Lower Right. Image size 19.5 inches x 29.5 inches...

Owning a 19th century English Victorian landscape by John Duvall, particularly one featuring sheep resting circa 1880, offers a unique opportunity to own...

George Paice (1854-1925 A horse-drawn buggy on a track, a hunt beyond signed and dated lower left Oil on canvas Canvas size 23 x 60 in Framed size 27 x 65 in Provenance The Collecti...

Daniel Sherrin Picture Size: 20 x 30" (50 x 76cm) Outside Frame Size: 29 x 39" (72 x 98cm) An original, antique framed painting in oil' It is in excellent, age-appropriate condition ...

Artist/ School: Abraham Hulk jnr 1851 - 1922, signed Title: Fishing boat off a jetty in a blow. Medium: signed oil painting on board, framed. Size: framed: 9.5 x 13.5 inche...

Francis Moltino Italian, (1818-1888) The Port of Hull Oil on canvas Image size: 22 inches x 35 inches Size including frame: 27.25 inches x 40.25 inches Provenance: Stacy-Marks A wo...

Very pretty English 19th century River landscape with sailboats, a Paddle Steamer, and a crew rowing. Possibly a view on the Thames in London, this piece ...

Artist/ School: Norman A.Olley ( British, 20th Century ) dated 1993 Title: Feeding the ducks on a Kentish Farm Pond Medium: gouache on artist paper, unframed Painting : 10 x 14 i...

Alexis De Leeuw Belgian, (1822-1900) A Winter’s Day Oil on panel, signed Image size: 10.25 inches x 14.25 inches Size including frame: 18 inches x 22 inches Provenance: Cooling Gall...

The Post Office deliver Colin Impey (20th Century), British signed oil on canvas, unframed dated 2018 canvas: 16 x 20.5 the painting is in overall very good and sound condition

Edwin Henry Boddington Canvas Size: 20 x 32" (51 x 81cm) Outside Frame Size: 29 x 41" (74 x 104cm) A very good and typical example of his work which has been relined for preservation only. He lived 1836 - 1905 Landscape and River Scene Painter. Son of Henry John Boddington, he painted mainly scenes of the Thames. He developed a very personal and recognisable style. His river scenes are usually painted in a pale evening light, using a range of very dark greens and browns. Address: Lonsdale Villa, Barnes, London 6 Upper Ranalagh Place, Pimlico, London Exhibited 1853 – 1869 Exhibited at:- British Institution, London Portland Gallery, London Royal Academy Royal Society of British Artists The following works were exhibited at the Royal Academy: On the River Lodden 1854 On the Welsh Hills...

Fine 19th century oil painting of a bustling Austrian/Germanic village with horse, rider and various figures outside an Inn, attributed to Arthur Georg Ramberg (1819-1879), well known for figurative genre paintings. The rider is carrying a bugle, apparently announcing news to the people; men are sitting by the table drinking, one with a raised stein. Women walking by stop to listen, a man carrying a sack has stopped to watch the rider, people are in the Inn doorway, and one is looking out the window. Children pause their playing. The scene is under a large tree beside the Inn; a whole community waiting for news. There is a great deal of detail in the scene, tree and Inn house...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

Wright BARKER Exhibited 1885 - 1935 Canvas Size: 20 x 26" (50 x 65cm) Outside Frame Size: 29 x 35" (72.5 x 87.5) He was a figure and animal painter who was based originally in Bradford, where he lived until 1885, when he moved to Edwinstowe, near Mansfield, Nottingham. In 1901 he moved to Hampstead and then back north to Harrogate where he stayed until his death. In his later years he became a picture dealer, but in his will he referred to himself as ‘animal painter’. Barker became a member of the Royal Society of British Artists in 1896. Although he called himself an animal painter he is also known to have painted ‘Roman Maidens...

The Fisherfolk English School, 19th centurysigned oil on canvas, framed framed: 17 x 23 inches painting: 12 x 18 inches provenance: private collection, England condition: very good ...