Fabric Paintings

Oil Painting Portrait of Ashcan Artist John Sloan. Signed I. Holtz. The youngest of four children, Holtz was born and spent his early childhood in Skierniewice, Poland, a small town near Warsaw. His father was a hat maker and a furrier. In 1935, prior to World War II, when Holtz was ten years old, his family moved to Jerusalem, Israel, where they settled in the Geula neighborhood near Meah Shearim. Itzhak Holtz's passion for art began early. When he was five years old, in Poland, his father first drew a picture of a horse and sled in the snow for him. The young Holtz looked at the drawing and studied it in wonderment. From that moment on, Holtz remembers, he constantly begged his father to draw for him. His enthusiasm for art grew and Holtz longed to study art. In 1945, he enrolled at the Bezalel Academy of Art and Design in Jerusalem, where he primarily studied lettering and poster work in a program geared toward commercial art Holtz became interested in painting, prompting him to move to New York City in 1950 to study at the Art Students League of New York under Robert Brackman and Harry Sternberg, and then at the National Academy of Design under Robert Philipp. Holtz has stated that his artwork, which primarily but not exclusively, depict scenes of Jewish spirituality and tradition, is driven by his Orthodox Jewish beliefs: "You have to live that religious life to fully capture it on canvas." He has been classified in the school of genre painting, often depicting street scenes of ordinary people in everyday Jewish life in the back alleys and markets of Jerusalem neighborhoods such as Me'ah Shearim and Geula; and in New York neighborhoods and hamlets such as Monsey, Boro Park and Williamsburg. Along with street scenes, his work includes portraits of scribes, tailors, cobblers and fishmongers, and images such as shtetls, lighthouses, and wedding scenes. He started out painting mostly portraits in order to support his family, before expanding to include street scenes. His beloved subject matter is painting scenes of Jewish life, his childhood memories when his mother took him along shopping for the Sabbath to the markets of Meah Shearim, has left a deep impression on him and influenced many of his works. Holtz has experimented in the abstract, but then reverted to representational and figurative art to which he devoted himself exclusively. His Israeli street scenes are said to combine “an affectionate recollection of the past with the brilliance of the color of modern Israel.” Holtz has stated that he struggled at first when he arrived to the USA because of financial reasons and because he only knew Polish, Yiddish and Hebrew, but then made good ties with his instructor who greatly influenced him Robert Philipp who helped him make friends and referred him to paint portraits. Examples of Holtz's work throughout the years include: Yerusalem Wedding (2010), depicting a Chuppa in Jerusalem on early evening, oil on canvas; The Funeral(1966), depicting five stoic Hasidim carrying a body on a bier over to a gravesite, with the people behind them crying, in charcoal on paper and oil on canvas; Rejoicing (1974), an image of religious men dancing, in felt pen and marker on paper; and the oil painting Shamash Learning in Shul (2003), a portrait of a pious Jew studying the Talmud inside a claustrophobic synagogue scene. Throughout the years Holtz has created hundreds of works in many art mediums, including, genre scenes, portraits, still lifes and landscape scenery, his works are sought after by art collectors worldwide, and he has been called the greatest living Jewish artist. It is said that no artist ever explored the Jewish subject like Holtz. Today some of his oil paintings have been commanding over $100,000. Holtz creates his scenes after researching locations, and often uses locals as models. He paints slowly and with great care, but with a swift Impressionistic style. The people in his portraits and scenes are generally more cheerful and optimistic than standard portraits of Hassidic individuals. He paints oils and watercolors, and also does felt pen, pastel, marker, ink and charcoal drawings, as well as woodcuts. His oil paintings typically have a brown hue, while his work with felt pen is often in sepia tones, and on some of his works he used very bright colors, with a strong emphasis on the interplay of light and shadow. He is heavily influenced by the ancient staircases and alleyways of Jerusalem, with its modest religious population, which has made a strong impression on him in his youth, the streets of Tzfat, and the works of Rembrandt, Johannes Vermeer and Peter Bruegel, as well as Jewish artists Moritz Daniel Oppenheim...

Really impressive and well painted street scene by Mildred Bunting Miller (1892 - 1964). Titled Burlington City. Housed in a great giltwood frame. Has the feel of a Hopper!! Oil ...

Interesting and well done American modernist painting. Oil on board. Framed. Signed.

Oil on canvasboard. Framed. Image size, 16H x 20L. Signed.

Vintage American school modernist abstract painting. Oil on canvas. Housed in a great period modernist silver leaf frame.

Antique French town view with a young handsome butcher. Amazingly framed. Oil on canvas. Framed. Signed.

Medium: Oil on Canvas Signature: Unsigned Preliminary study for Life magazine, Circa 1941. Features a study of the work titled; "The Postman Always Drinks...

Eugenie Schein was both a dancer and an artist. Her artwork subjects revolved primarily around dancers and dancing, though she also captured everyday scenes in New York. Both Midto...

Beautiful desert canyon landscape of Black Canyon, Arizona featuring Adobe home in foreground by Claire McAnear (American, 1989 - 1986), 1945. Presented in aged gilt-toned wood fram...

Finely painted vintage American modernist still life. Cubist composition with great color. Oil on board. Framed. Signed.

Against The Tide - Oil On Linen Oil painting of the California coastline at sunset in the style of Edgar Alwin Payne (American, 1883-1947). Deep grey clouds pose in the top corners with hues of pink light shining through. Choppy waves crash against deep red and brown rocks, as the whites of the wave hurl upward. The ocean shows tones of green, blue and yellow as the sunlight shines from above. Condition: professionally restored, previous reline onto Masonite with edge and corner wear. New UV resisting, non yellowing varnish applied. Unsigned. Unframed. Oil on linen on masonite. Image: 16"H x 30"W Edgar Alwin Payne was an American painter known for his landscapes, seascapes and western paintings. He was born in Washburn, Missouri on March 1, 1882, and began painting at the age of 14. He began his career by designing and painting scenery for the stage, and murals for homes and theaters. Primarily a self taught artist, he did though study briefly at the Art Institute in Chicago. Recognized as one of California's leading landscape artists, Payne earned the respect of his peers and art critics for his Impressionistic landscapes painted in the plein-air style. Possessing a reverence for nature, he especially loved the mountains. Frequently he took pack horses in the Sierra Nevada Mountain Range to the upper lakes to sketch and paint, there he glorified the areas majestic peaks and cobalt blue lakes. Payne Lake was named in his memory. Drawn to Europe, Payne trekked to and painted the elevated heights of the Swiss Alps, the colorful fishing boats of Concarneau Harbor and Brittany, France and the picturesque sailing vessels of Chioggia, Venice, Italy. He spent time capturing on canvas Arizona's Canyon De Chelly and Navajo horsemen traversing the region's arid tablelands. He painted California...

Antique American modernist abstract signed oil painting. Oil on canvas. Signed illegibly. Framed. Image size, 36L x 16H.

"Swinging Harmony," is an oil painting on canvas by Edgar O'Kiechle. It transports viewers into a lively dance scene featuring a couple of black dancers swinging at the heart of the...

Oil on canvas by Louis BERTHOMME SAINT-ANDRE, France, 1940s. Young Red-haired Woman. with frame: 74x63 cm - 29.1x24.8 inches ; without frame: 61x50 cm - 24x19.7 inches. Format 12F. ...

Jordi Freixas Cortés (1917-1984) - Banyoles - Oil on canvas Oil measures 46x65 cm. Frameless. Jordi Freixas Cortés (1917-1984) Jordi Freixas Cortés is a Catalan painter with a colo...

Antique American modernist flower still life painting. Signed lower right. Framed.

Winter's Snowy Tatra Mountains with Pines and Stream Beautiful post-war winter snowy scene with mountains and pine by Laszlo Neogrady (Hungarian, 1896-1962), circa 1940. Lovely textu...

China Camp Fishing Village - San Rafael California - Abstract Impressionist Wonderfully vivid nocturnal of coastal town by Roger Holt (American 1905-1979). Signed faintly lower right (see enhanced image of signature). Condition: good; professionally cleaned; edge wear consistent with age professionally restored; craquelure throughout, New UV-resistant, non yellowing varnish applied. Unframed. Image size: 14.25"H x 17.25"W. Signed indistinctly lower right. China Camp State Park is a 1,514-acre park in San Rafael, California. The park is known for its scenic views, hiking and mountain biking trails, and open spaces. It also features a historic Chinese American shrimp-fishing village and a salt marsh. By the mid-1880s, Chinese Americans had established a settlement of about 500 people in a village they called China Camp. Many of these villagers were originally from Canton, China, and supported themselves and their families here by shrimp fishing in San Francisco Bay. The village had three general stores, a barbershop, and a marine supply shop at its peak. China Camp was one of about twenty-six other shrimp-fishing villages along the coast that supported Chinese American immigrants fleeing San Francisco due to racial prejudice and persecution. Following the 1906 San Francisco earthquake, the population of China Camp ballooned as nearly 10,000 residents of San Francisco’s Chinatown fled the destruction and mayhem. Roger Holt was born in New Haven, Connecticut. After attending Rollins College and St. Paul's School of Art in Minnesota, he traveled extensively through the United States and Europe, forming his educational background. Hold was the recipient of five major awards, Mr. Holt exhibited in thirteen museums, including the Metropolitan Museum of Art, the Corcoran Gallery, Carnegie Institute and the United Nations Building. Settling in Jerome, Arizona in 1954, Roger assisted his wife, Shan Holt, in the operation of the Verde Valley Artist's Gallery and concentrated on his work, experimenting with different painting surfaces such as masonite, canvas board and stiff cardboard. His early work identified with the Expressionist school, while his later work tends toward increasing abstraction. Roger Holt's paintings are included in the collections of Abraham Ribicoff, Vincent Price, John McCloy, Artie Shaw, Burl Ives and numerous universities across the country including the Ogden Museum of Southern Art at the University of New Orleans. Arizona painter...

Antique American modernist regional cow farm landscape. Really nicely framed and a very impressive painting in person. Signed illegibly.

Antique American modernist nocturnal view of the Brooklyn Bridge. Oil on board. Signed verso. Framed.

1940s New York Interior -- An Evening Scene of Artist and His Wife Wonderful moody 1940s New York interior and figurative oil painting in Ashcan Schoo...

Step back in time to the bustling streets of 1940s New York City, where artistry and urban vitality converged in a dazzling display of creativity. This exceptional original oil paint...

A Calm Landscape Painting with Ducks Flying Towards Small Boat at Sunset Circa 1940's 25 x 40 unframed, 29.5 x 44 framed

These artworks by Carl Holty are only sold as a pair. Each painting measures 9" x 11" and framed 18" x 20.25" x 2.5" The red and gold work is signed "Carl Holty" in the lower right. About this artists: Carl Holty was awakened to his interest in art as a child through visits to the Layton Art Gallery of Milwaukee, and began painting lessons with Friedrich Wilhelm Heine at a young age. Though born in Freiburg, Germany, in 1900, he was raised in Wisconsin and enrolled at Marquette University. Before long, Holty abandoned his pre-medical studies in order to pursue art. He spent a summer at the School of the Chicago Art Institute in Saugatuck, Michigan, and set off for New York in 1920. He then studied at the National Academy of Design under Francis Coates Jones...

Jimmy Ernst Personal Equation, 1950 Signed and dated lower right Oil on canvas 41 x 39 1/2 inches Provenance: Laurel Gallery, New York Grace Borgenicht Gallery, New York Collection ...

Wonderful 1940s figurative of paper boy reading the comics by Louise Miller Clark (American, 20th Century). Signed "Louise Miller" lower right. Unframed. Im...

Vintage modernist oil painting of a woman stretching. Oil on canvas. Framed. Signed.

This is a possible self portrait by the famed female surrealist artist. It is also strikingly similar in style with it's exaggerated eyes to her portrait of Jean Genet, ( Leonor F...

Signed and dated nude figure in interior oil on canvas by French post impressionist painter Pierre De Belay. This work depicts a painting of Pierre De Belay's wife - Helene. Here she...

Henri Ernest Clément DUPONT-CRESPIN (Notre Dame de Bondeville 1882 – Paris 1953) View of the rooftops of Paris Oil on canvas H. 65 cm; L. 92 cm Signed and dated lower right “3-1948” Exhibition: 60th exhibition of the Salon des Indépendants from April 22 to May 15, 1949 at the Musée des Beaux-Arts de la ville de Paris under number 893 Henri Dupont was born in Normandy near Rouen, and to stand out from his very, even too classic, name, he adopted that of his mother as a complement, which would become his unique artist name. He was a drawing teacher at the Épinal high school and also worked at the town museum, lending his eye to the identification of several old paintings. From 1928 and until the day before his death, Dupont-Crespin exhibited at the Salon des Indépendants. The vast majority of his works are landscapes, but there are also portraits of his colleagues, friends and relatives. In 1940 he published a collection of engravings...

One of Johann Berthelsen's iconic nocturne views of New York City across the Hudson River. Bridge Nocturne (c.1945) Oil on canvas, 22" x 28" 29 ½" x 36" x 2" framed Signed "Johann ...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Richard Wedderspoon (1889 - 1976). Richard Wedderspoon was an important member of the New Hope Art Colony as both an Impressionist and Modernist painter. Wedderspoon was not only a respected painter, but also a teacher who spent summers at his Bucks County home and the school year at Syracuse University where he was Professor of painting. He was born in Red Bank, New Jersey and first studied art at the Carnegie Institute in Pittsburgh. He continued his studies at the Corcoran School of Art in Washington, and at age twenty four, he enrolled at the Pennsylvania Academy of the Fine Arts studying with Henry McCarter and Daniel Garber. While there his roommates were Charles Garner and Lloyd Ney. Wedderspoon began friendships with fellow artists, Charles Hargens, Clarence Johnson and Stanley Reckless...

White and Purple Dahlias - Floral Still Life in Oil on Illustration Board Delicate still life of dahlias in a green vase by Gertrud Stimming ...

This oil painting is signed by the artist "Feininger" in the lower right corner. It was executed in 1940. It is also inscribed ‘Lyonel Feininger 1940 Architectural Composition I New ...

Signed lower right, "O Connor" and painted circa 1945. A panoramic view of an autumn landscape with leafless trees in front of a mountain lake and an olive green sky scattered with ...

This oil painting is hand signed by the artist "Kremegne" in the lower right corner. The work was painted in circa 1948. Provenance: The Issachar Ber Frydman collection. Acquired i...

Antique American modernist cityscape oil painting. Oil on board. Framed.

Bouquet of Flowers Louis Marchand des Raux was born 1902-2000 in Touraine in the tiny village of Tourettes in France, where he grew up in such pov...

Mid Century California Mountaintops Forest Landscape by Joseph Frey Beautiful and serene mid-century landscape of snowy California mountaintops by listed California artist Joseph Fr...

John Garth (1889-1971) Mountain landscape painting with lake and Travelers Oil on canvas 1940 22 x 28.5 unframed, 27.75 x 31.75 framed

Subjective Farm Landscape 1940 Oil on canvas, 24" x 30" 37.5" x 31" x 2" framed - frame is original to this artwork Signed recto lower right: "rosenborg 40" & arrow box cypher. Signe...

This early 20th-century oil painting by Spanish artist César Fernández Ardavín (1883-1974) depicts a cheerful young woman before a mirror. Buoyant and playful, she sits casually on ...

A stunning oil on canvas urban landscape by sought after French post-impressionist painter Jacques Martin-Ferrieres. The piece depicts a very rare view of the Manhattan skyline - pai...

BUCKLEY MACGURRIN "ALEXANDRIA" OIL ON CANVAS, SIGNED, TITLED AMERICAN, DATED 1949 EXHIBITED: DALZELL-HATFIELD GALLERY 14 X 20 INCHES Buckley MacGurrin 1896 –1971 Buckley MacG...

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...

Antique American impressionist beach scene oil painting. Oil on canvasboard. Framed. No signature found.

Presenting a charming and decorative composition painted in 1943 by Danish artist Evan Wulff. This stilleben painting unveils a rustic table adorned simply with a wine bottle and two...

Vintage American school signed french bulldog pastel painting. Pastel on paper. Framed. Signed illegibly.

Lovely landscape by Tarmo Pasto. Signed and dated "1948" on the bottom right. Unframed. Image size: 25"H x 30"W. Dr. Tarmo Pasto was born on July 27, 1906 in Monessen, Pennsylvania, of Finnish descent. Tarmo Pasto was a psychologist and artist, who taught psychology and art through the 1970s at California State College at Sacramento since the schools inception. He also authored a book on art, The Space-Frame Experience in Art, published in 1964. He, however, was mainly known to the world for introducing the works of one of his psychology patients, Martin Ramirez...

Early original oil on canvas painting of sailboats in stormy seas by the American artist, Nahum Tschacbasov. Artist signed lower right and dated 1945. Condition is very good. Prese...

Seated Nude Woman American Figurative School 1940s Mid-century American impressionist painting of a woman by American artist Frederick "Fred" Yost (American/Swiss, 1888-1968). He studied: at Mt. Union Col., Alliance, OH; American Students League, New York, and with Homer Boss, John Sloan, Robert Henri, R. Lahey. The painting gleans much form his studies with John Sloan and Robert Henri in the French post-impressionist style. Image 24"H x 18"W Frame, 30"H x 24"W x 1.5"D Signed "Yost" lower right Painter, lithographer, teacher, lecturer About Fred's life: by Hal Fry of the Herald “Fred Does Whatever He Likes” was a title given to a biography written about Fred Yost by Hal Fry of the Herald. The following is taken directly from this column: “Fred Yost’s living style is like his painting style. He has fun with it. Fred John Yost was born in Switzerland, he’ sure, on November 6, 1889, he thinks. His father John brought the family to his country when Fred was about a year old—first to New York and later to Canton, Sebring and finally Alliance, where Yost Sr. loaded freight for a railroad. Fred like drawing and painting so far back he can’t remember how or when it started—it was always that way. But through the public schools in Alliance he didn’t think of this as a career possibility. He wanted to be a newspaperman. He worked his way through Mt. Union College, finishing, he thinks, about 1912. Then he beat it for New York and after kicking around for a time got a job as a proofreader for the Wall Street Journal. He combined this and art school until World War I took him into the Army. In infantry, field artillery and ordnance duties he served with the 27th New York Division through St. Mihiel and the Argonne and the rest—in the process getting his hearing clobbered by blasts from his outfit’s own guns. Coming out a Sergeant in 1919, he went back to the Wall Street Journal briefly—then caught on as a staff artist for the (New York) Herald. For several years, when he felt like it, Yost would take a bus to the Mexican border and switch to a Mexican bus to carry him way down south, then make it any way he could to the places he wanted to see. On these trips he virtually becomes a peon, disappearing totally from those who know him—living with, like and clearly thoroughly liked by the people among whom he moves.” Yost was a graduate of the Art Students League and past president of the Ohio Watercolor Society. Fred Yost, a man who eminently loved the Mexican landscape, Exhibited: S. Indp. A., 1928, 1930-33; MMA, 1945; AIC; Butler AI, 1947-1951; Ohio WC Soc.; PAFA, 1948-1950; Akron AI, 1947-1951, 1958; Fla. Southern Col., 1952; Ohio Univ., 1950; Columbus Gal. FA, 1947-50; AWCS, 1958; Salons of Am.; 3 solo: Canton AI; Akron AI, Springfield Mus. A. Contributor to Ford Times, 1958-59. Awards: prizes, Massilon Museum, 1944; Ohio Watercolor Society, 1944, 1948; Indianapolis, Ind., 1944; Tri-State Pr. M., 1945, 1946; Butler AI, 1946; Youngstown Pub. Schools, 1946 (prize); Ohio Univ., 1950; Ethel Printz award, 1950; Fla. Southern Col., 1952; Akron AI, 1952, 1956-1958; Canton AI, 1961, 1963; medal, Phila. Pa., 1950 Member: Ohio Watercolor Society (president) Work: Massillon Mus.; Youngstown Pub. Sch. Coll.; Butler AI; Akron AI; Kennedy & Co., NY; Beaver Col., Beaver Falls, Pa.; Block Gal., Indianapolis; Prospect Park, NY; murals, Sioux City Steak House; Sioux City A. Center; City Hall, Sioux City; Akron AI; Evangelical Church, Akron; Rockefeller Center; Radio City, NY; Brooklyn Zoological Park. Affiliated with NYC Park Dept. Mural Projects. Comments: Came to U. S. in 1889. Position: teacher, Butler AI; Akron AI; instr., Akron AI, Akron, Ohio; cur. Historical House of Refuge...

Step into the enigmatic world of abstract art with this captivating original oil painting from 1945. This masterpiece, signed with a mysterious monogram by an unknown artist, embodie...

Antique American modernist landscape oil painting. Oil on canvas. Signed illegibly. Framed. Image size, 12L x 8H.

Monumental antique American modernist abstract cityscape oil painting. Oil on canvas. Framed. No signature found. Very impressive painting in person here.

This is a modernist Judaic painting of a Jewish scene of the Kiddush Levanah prayer. The monthly hebrew blessing on the new moon. It is not dated but I am estimating it to the 1940s...

American Soldiers Landing Boats with Warships Firing in the Distance Landing party during WWll with Navy ships lay down covering fire in the background, attributed to Linna Annetta F...

Vintage 1930s - 1940s oil painting of an adobe church in New Mexico with a brilliant blue sky and clouds (likely Rancho de Taos), circa 1940. Painted by Denver modernist, Paul K...

Antique American modernist signed abstract landscape oil painting. Oil on canvas. Signed. Framed.