Oil Paintings

Lorenzo Gramiccia (1702–1795) – 18th-Century Interior Scene Medium: Oil on canvas Dimensions: Framed: 56 x 68 cm Flat: 50 x 59 cm Signature: Present Backside: Inscription with 2 s...

Tall ships in a rocky bay, with figures in Eastern costume in boats and on the shoreline 19th Century School oil on canvas, framed framed: 39.5 x 3...

This gorgeous large Scottish Victorian Impressionist oil painting is by noted artist Robert McGowan Coventry RSA, also known as Robert Coventry. Painted circa 1890 the composition is...

Work on canvas Black wooden frame 37 x 45 x 3 cm

'The Cavalier's Pets' by Sir Edwin Henry Landseer was exhibited in 1845, and is now in the collection of the Tate Museum of Art in London. This is a fine oil painting copy of the famous Landseer painting. This is a well executed work with all the hallmarks of a Victorian 19th century painting...

"On the Eder" by William Herny Mander (British, 1850 - 1922) *see notes below signed and dated 91' titled verso oil on canvas, framed in ornate swept gilt frame framed: 26 x 36 inche...

Portrait of a Lady by Theodor Recknagl (1865-1945) German signed oil on board, unframed board : 7.5 x 6 inches Attached provenance documents Provenance: private collection, England C...

Jacques Alfred Brielman (1836-1892) French. A Landscape with Cattle and a Dog in a Rural Lane, Oil on Canvas, Signed, Unframed 15" x 23" (38 x 58.5cm) condition: overall very good,...

English School, circa 1800 Napoleonic Wars Marine Scene oil on canvas, framed framed: 10.5 x 13 inches canvas: 8 x 10 inches private collection, England condition: The painting is i...

‘The River Thames at Leigh by Moonlight’ by Henry Pether (1800-1880). The painting is signed by the artist and dated 1851 and is presented in a bespoke gold metal leaf frame. • Vi...

This atmospheric exhibited Scottish Impressionist Victorian landscape oil painting is by noted Glasgow Boy artist Robert Macaulay Stevenson. Painted circa 1899 the theme is one close...

Italian artist, 19th century Still Life with Hunting Dogs indistinctly signed oil on canvas, unframed Canvas: 14.25 x 24 inches Provenance: private collection, UK Condition: very goo...

The Artists Model French School, late 19th century oil on canvas, unframed canvas: 20 x 17.5 inches provenance: private collection, France condition: very good and sound condition

Signed indistinctly 'E. H.' to the lower left. On canvas.

King Henry V Of England, The Battle Of Agincourt 1415, 19th Century by WALTER STANLEY PAGET (1861-1908) Large 19th Century scene of King Henry V at the Battle Of Agincourt 1415, oi...

The Highland Pathway by ​​Harry Sticks (British, 1867-1938) signed oil on canvas, framed in elaborate gilt swept frame dated (18)96 framed: 18 x 14 inches canvas: 15 x 11 inches Prov...

We are pleased to offer this exquisite mid-19th century French painting, a serene landscape that beautifully captures the tranquility of rural life. This piece is signed "Ph ..." (th...

A beautiful late 19th century English impressionist oil on board depicting an extensive landscape at sunset. Excellent quality work by an accomplished artist. Indistinctly signed lo...

A nicely detailed American School oil on canvas portrait of a New England manufacturer banker sitting at a desk signing bank notes with a mill in the background, unsigned, and housed...

José WEISS Neuilly-sur-Seine, 1859 - Houghton (England), 1919 Oil on wooden panel Signed lower left “José Weiss” 40 x 61.5 cm (54 x 75 cm with the frame) Joseph Vincent Nicholas Fr...

This evocative painting depicts a solitary young boy in tattered clothing traversing a snow-covered rural path, framed by a wooden fence and distant trees against a muted winter sky....

Profusion of Flowers Classical Still Life Dutch School, 19th century oil on canvas, unframed canvas : 32 x 21 inches provenance: private collection condition: very good and sound con...

French impressionist landscape, Barbizon forest, with river and cows at Sunset Boyle was a pioneering 19th-century British artist inspired by European Impressionist painters. The i...

Octavius Thomas CLARK Oil on canvas Picture Size: 24 x 42" (60 x 105cm) Outside Frame Size: 32 x 50" (80 x 125cm) Signed bottom left An impressive example of O. T. Clark's work. Su...

A charming late 19th century oil by John McColvin (1864-1920), depicting a lady tending to a garden in bloom. Signed to the lower left. Presented in a beautifully ornate gilt frame w...

This charming domestic scene depicts an elderly lady and her grandchild set within the warm, shadowy interior of their humble home. The artist employs rich tones and careful attentio...

A charming study of a gentleman in his finery. Signed illegibly and dated '1882' to the lower right. On canvas.

Manner of Abraham Hulk Junior (1851-1922). An idyllic alpine landscape with rustic wooden chalets nestled among lush woodland trees. The composition draws the viewer's eye along a wi...

Henry Calvert (1798-1869) The 15th (The King's) Hussars: two chargers, one with an officer up, in a landscape, a camp beyond Oil on canvas Canvas Size - 32 x 36 in Framed Size - 37 x...

Victorian Oil Painting of a Blacksmith Forge with Figures and a Horse in a Smithy Interior. Small Oil on Panel in its original gilt frame in excellent condition. A real find, depic...

Charles Henry Miller (American, 1842-1922) Untitled (Cows and Trees), c, 1885 Oil on canvas 18 x 24 in. Signed lower left: Chas. H. Miller, N.A. Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

Terrace on the Sea is an original painting realized in the 19th century by an anonymous artist. The artwork is a colored oil panting on panel. Signed on the ...

This tranquil landscape captures a sunlit autumn morning along a quiet stream. Delicate mist softens the background, while a weathered split-rail fence leads the eye through a grove ...

Cette huile sur carton de l’école française, aux dimensions de 60 x 46 cm (84 x 40 cm avec cadre), séduit par la sobriété maîtrisée de sa composition et l’atmosphère silencieuse qu’e...

Here for your consideration is a late 19th century still life with fruit by the well known British artist, Henry George Todd. Signed lower left a...

An original American impressionist oil painting of a country road in Maine by Emile Gruppe's cousin, American artist Haley B. Nell. Not much else is known about Nell, although the a...

Portrait of a Bavarian Gentleman with Pipe by Theodor Recknagl (1865-1945) German signed oil on board, framed board : 7 x 5.5 inches Provenance: private collection, UK Condition: som...

French oil painting on canvas " Little White Dog " dated 1881 Pierre Dupuis, born in Orléans in 1833 and died on the Île-de-Bréhat in 1915, was a French painter. He was the brother ...

The Queen by Diogène Ulysse Napoléon Maillart (French, 1840 – 1926) *see notes below oil painting on canvas, framed canvas: 42 x 30 inches framed: 45 x 33 inches condition: overall v...

In the Park by Louis Abel-Truchet (French 1857-1918) *see below signed oil on canvas, unframed canvas: 16 x 13 inches provenance: private collection, France condition: overall good a...

A very tranquil scene of fishing boats moored in harbour with a sunlit sea beyond. Painted with a most attractive palette of blues and greens and with a pleasing composition that le...

'The Lover's Duet' by Adrien Ferdinand de Braekeleer, 1854. Dutch Interior Scene, Bach Trinity, Violin, Romance, Guitar ---- Signed lower right, 'De Braekeleer' for Adrien Ferdinand...

A very dramatic marine scene with the translucency of the waves captured with incredible skill and vision. Attributed to Miles Edmund Cotman (1810-1858) Shipping in rough seas Oil on board 7 x 10 inches The eldest son of John Sell Cotman...

Work on wood Golden wooden frame 25 x 31 x 3,5 cm

This intimate 19th-century Dutch interior scene portrays a mother and son in the kitchen. As the boy reels in a kite, his mother sits quietly beside him, occupied, whilst the family ...

Alfred Stevens Brussels 1823 – 1906 Paris Belgian Painter 'Moonlight on the Sea' Signature: signed lower right and dated 1892 ‘A Stevens 92' Medium: oil on canvas Dimensions: image size 81 x 65 cm, frame size 97,5 x 81,5 cm Biography: Alfred Stevens was born in Brussels, into a family deeply connected with the visual arts. His older brother Joseph (1816–1892) and his son Léopold (1866–1935) were both painters, while his other brother Arthur (1825–1899) was an art dealer and critic. His father, a veteran of the Napoleonic wars under the army of William I of the Netherlands, was an art collector with a notable collection of watercolors by Eugène Delacroix and other esteemed artists. Stevens’s upbringing was influenced by the environment of Café de l’Amitié, run by his maternal grandparents in Brussels, which served as a meeting place for prominent figures from the political, literary, and artistic spheres. Following the death of his father in 1837, Stevens left middle school to enroll at the Académie Royale des Beaux-Arts in Brussels. There, he came under the tutelage of François Navez, a Neo-Classical painter and former student of Jacques-Louis David, who was both the director of the academy and an old acquaintance of Stevens’s grandfather. Following a traditional curriculum, he initially drew from casts of classical sculptures and later transitioned to drawing from live models. In 1843, Stevens journeyed to Paris to join his already established brother, Joseph. He gained admission to the École des Beaux-Arts, the preeminent art school in Paris, although claims of him being a student of the director, Jean Auguste Dominique Ingres, are likely unfounded. One of his early works, The Pardon or Absolution (Hermitage, St. Petersburg), signed and dated 1849, showcased his mastery of a conventional naturalistic style influenced by 17th-century Dutch genre painting. Stevens’s work was first publicly exhibited in 1851, when three of his paintings were featured at the Brussels Salon. He received a third-class medal at the Paris Salon in 1853, followed by a second-class medal at the Universal Exposition in Paris in 1855. His painting Ce qu’on appelle le vagabondage (Musée d’Orsay, Paris) garnered attention from Napoleon III, leading to a change in policy regarding the use of soldiers to remove the poor from the streets. Two other paintings displayed at the Salon in Antwerp in the same year, Chez soi or At Home and The Painter and his Model, introduced subjects from “la vie moderne” that became characteristic of his oeuvre: elegant young women dressed in contemporary fashion and artists in their studios. In 1857, Stevens made his first significant sale to a private collector when Consolation was purchased for a rumored 6,000 francs by the Berlin collector and dealer Ravéné. He and his brother also became part of the artistic milieu in Paris, frequenting salons hosted by Princess Mathilde and popular cafes, where they mingled with the likes of the Goncourt brothers, Théophile Gautier, and Alexandre Dumas. Stevens married Fanny Juliette Albertine Marie Hortense Blanc (1836-1891), a member of a wealthy Belgian family and a long-time acquaintance of the Stevens family, in 1858. The wedding was witnessed by the renowned painter Eugène Delacroix. The couple had four children: Leopold, Jean, Catherine, and Pierre. Stevens depicted his wife in numerous portraits, including Regrets and Memories. After her passing, he expressed enduring grief at her loss. During the 1860s, Stevens rose...

Cows Grazing At The Riverbank On the River Trent, near Hoveringham, Nottinghamshire inscribed to the label verso, dated 1853 Oil on Canvas, framed Framed: 21.5 x 24.5 inches Canvas: ...

Cows & Bull In Landscape Dutch School, 19th century oil on canvas, framed framed: 13 x 11 inches painting: 10 x 8 inches provenance: private UK collection. The painting is in good a...

Hjalmar Sandberg (1847-1888) Sweden Harvest Time, 1876 oil on canvas canvas size 14.96 x 18.11 inches (38 x 46 cm) frame 18.70 x 25.59 inches (47.5 ...

Signed illegibly and inscribed with location. Monograph to the reverse on the canvas with initials V. M. G. Presented in a gilt frame with a cotton slip. On canvas.

This is an original antique 19th-century large oil painting on canvas painting depicting a portrait of a Lady in a long black dress, standing near a bright red curtain. The painting...

Incredible signed early American dog portrait painting. Oil on board. Signed. Housed in a period gold giltwood frame.

The label on the back has faded with time, but it appears to read “His Great Grandmother’s Portrait presented to George Michael Beauridge on his 18th birthday by his Aunt (?) July 10...

Three Sisters in the Cascade Range, Oregon Landscape scene depicting three snowcapped mountains, also known as "The Three Sisters," surrounded by evergreen trees by John Englehart...

This atmospheric painting depicts a bustling medieval European town, dominated by a soaring Gothic cathedral spire at its centre. The composition skilfully balances the intricate arc...

This tender scene by German artist Georg Buchner captures a quiet, intimate moment: a young girl carefully watering a potted plant on a windowsill. The warm light gently illuminates ...

The Amphitheatre of Loch Lomond from the Water Mill at Ross-Ben Lomond by John Wilson Ewbank, RSA (1799-1847) signed and inscribed with title verso oil on millboard, 24.5 x 35cms, plus frame provenance: private collection, Scottish borders Very fine and beautiful antique oil painting of this important view in Scotland, depicting the ever beautiful Loch Lomond. The painting is by the very well listed John Wilson Ewbank (1799-1847). John Wilson Ewbank (English, 4 May 1799–28 November 1847), was an English-born landscape and marine painter who was renowned for his naturalistic landscapes and seascapes of the Scottish borders and the North East coast of England. Ewbank was born at Darlington on 4 May 1799, the son of Michael Ewbank, an innkeeper. He was adopted as a child by a wealthy uncle who lived at Wycliffe, on the banks of the River Tees, in the North Riding of Yorkshire. Intended for the Roman Catholic priesthood, he was sent to Ushaw College, from which he absconded. In 1813 Ewbank was apprenticed to Thomas Coulson, an ornamental painter in Newcastle. In around 1816 he moved with Coulson to Edinburgh, where he was also taught by Alexander Nasmyth (1758-1840), a popular painter amongst the Scottish and English nobility. Ewbank found work both as a painter and a teacher. He was nominated in 1830 one of the foundation members of the Royal Scottish Academy. In 1833 he is listed as living at 7 Union Street on the eastern fringe of the New Town in Edinburgh. Sadly after the death of his wife he descended into depression and was stripped of his status as an academician in 1838 and died in poverty of typhus in Sunderland in 1847. Ewbank’s calm seascapes were strongly influenced by 17th Century Dutch artists, particularly Willem and Adriaen Van de Velde. Although his best work dates from his early years, Ewbank became a popular and wealthy art teacher in the capital where made a reputation with cabinet pictures of banks of rivers, coast scenes, and marine subjects. Ewbank’s sketches from nature were especially admired, and a series of 51 drawings of Edinburgh by him were engraved by W. H. Lizars for James Browne's Picturesque Views of Edinburgh (1825). He was also noted as a painter of landscapes and seascapes as exemplified in this painting. The busy port of South Shields is located on the south side of the mouth of the River Tyne, Northumberland. The settlement was founded by the Romans in AD80 when Agricola built a fort on the Lawe Top. The Romans used it as a supply base for Hadrian’s Wall and by the 5th Century, South Shields was a major Roman military stronghold and commercial centre. By 1500, South Shields had become an important seaport, trading primarily in timber, lead, coal and salt. The first shipbuilding yard was established by Robert Wallis in about 1720, he was soon followed by others, including Thomas Marshall...

Cornelis Van Leemputten Werchter 1841 – 1902 Schaerbeek Belgian Painter 'The Shepherd with his Flock – Le berger et son troupeau' Signature: signed lower right 'Corn. Van Leemputte...

An original landscape painting by the Dutch artist Edward de Looz-Block. Leeboard barges on a broad river, probably the Schelde. Signed to the lower right. Well presented in a decora...

A very beautiful late 19th century French impressionist oil on panel depicting a view across the Seine in Paris, by Marie Cazin. Superb quality work work by this important female im...