Oil Paintings

Benasque 2 (Snow series) is a painting by Spanish contemporary artist Calo Carratalá. Oil on canvas, 160 x 200 cm. This work of art represents a mountainous winter landscape in the P...

Well listed Hungarian artist Berkes Antal (1874 - 1938). Active in Paris, Munich and Budapest. "Spring in Paris" circa 1910s. Dimensions: 26"h x 38"w, oil...

Sailing from Leticia to Santa Rosa (Jungle series) is a large-scale oil painting by Spanish contemporary artist Calo Carratalá which is in the form of a tondo (diameter: 194 cm). Thi...

Wild (2015) by French contemporary artist Christophe Dupety. Oil on canvas, 100 x 100 cm. In this series simply entitled "Nus" (nudes), the artist is superimposing and juxtaposing tw...

Spring (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 80 cm W 120 cm. This series focuses on floral motifs: Poppies, Catalpa flowers or Spindles. Christoph...

Unleashed (2018) by French contemporary artist Christophe Dupety. Oil on canvas, 100 x 81 cm. In his Human Figures series, Christophe Dupety shows us some bodies which aspect reminds...

Summer in La Baule VI Sun Bathing Summer Scene: Women enjoying sunbathing in La Baule VI Technique: oil, acrylic, and ink on old book pages on wooden frame 30x30cm ■■ 11,8x11,8 inc...

Aïeul d'Inde (2000) by French contemporary artist Christophe Dupety. Oil on canvas, H 38.2 x W 51.2 in (97 x 130 cm). Unique work sold unframed with a certificate of authenticity. Th...

Georgina Klitgaard (1893 - 1976) Buttermilk Bay, Cape Cod, Massachusetts, 1933 Oil on canvas 18 x 30 inches Signed lower right Provenance: Frank K. M. Rehn Galleries, New York Harold Ordway Rugg Private Collection, Western New York Georgina Berrian was born in Spuyten Duyvil, New York in 1893. She was educated at Barnard College...

Untitled XLV is an abstract painting by French contemporary artist Ferle. Oil on free-standing canvas. W 200 cm x H 280 cm // W 6 ft 6 x H 9 ft. ”In her work, Ferle creates new spac...

Cogida (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 115 x W 75 cm // 45.2 in x 29.5 in. Christophe Dupety focuses on the portrayal of the animal, which ta...

"Untitled" is a painting by Rodolfo Morales. The painting is signed lower right, "Rodolfo Morales". The framed piece measures 37 3/4 x 39 7/8 x 2 1/4 in. Rodolfo Morales was a Mexican painter...

This magnificent grand-scale work, offered by Titan Fine Art, formed part of a collection of family pictures and heirlooms of the Rivers Baronets and their descendants for over 325 years, before it was dispersed by the last in the line in 1988. The work was painted by the most technically proficient painter in England after the death of Van Dyck, and the dominant court painter to Charles II and James, Duke of York, Sir Peter Lely. It is no surprise that for years Lely had no serious rivals, was enormously influential and successful, and one of the country’s most important painters – and his work influenced countless artists over generations. The exquisite carved and gilded auricular frame is an astounding work of art in itself. The sitters in this exquisite double portrait are Sir John Rivers, who succeeded as the 3rd Baronet Chafford in 1657 (c.1638 - c. 1679), and his wife, Lady Anne Hewitt (c.1640-c.1689). They are seated in an outdoor setting beside a fountain modelled as a female figure with water issuing into a scallop-shell. The water, the elaborate sculpted fountain with its scallop-edged bowl, and the open shell in her hand are symbols of fertility - as such they make an appropriate allusion to Lady Anne’s potential as wife and mother, recalling Proverbs, chapter 5, verse 18: “Let thye fountain be blessed, and rejoice in the wife of thye youth”. This reference was realised, as Sir John and Lady Anne produced at least six children; their son George (1665-1734) became 4th Baronet of Chafford. The composition, thus, represents a celebration of marriage and was likely commissioned around the time of the betrothal (the marriage took place 26th Feb 1662 or 1663). The statues in the left margin are 'Youth and 'Old Age' and are a typical form of Memento Mori reminding virile young man that even they will lose their youth and grow old. The Rivers family, originally of Kent, traces its history to Sir Bartholomew Rivers, in the reign of Edward IV. The family included several prominent members including several knights, a Commander in the King's Army, a steward of a ducal estate, a Lord-Mayor of London, and an M.P. John Rivers (c.1659-c.1651) was made 1st Baronet of Chafford in 1622 by King James I. The Chafford estate was the family seat and it remained so until the early 1700s with the death of Sir George Rivers, 4th Baronet (1665–1734), whose sons had all died. The Chafford estate was left to his daughters while the baronetcy passed to nephew John Rivers, 5th Baronet (c. 1718–1743), and then Sir John’s brother, Sir Peter Rivers-Gay, 6th Baronet (c. 1721–1790). Upon Sir Peter Rivers Gay's death the estate passed to his eldest son, Sir Thomas Rivers Gay, 7th Baronet (c. 1770–1805). Sir Thomas, dying in 1805 with no children, bequeathed the estate to his mother Dame Martha Rivers Gay, who managed the estate until 1834 when she settled it on the then Sir Henry Rivers, 9th Baronet (c. 1779–1851) her younger son, before dying shortly thereafter in 1835. Sir Henry had married in 1812 to Charlotte Eales, with whom he had 6 sons and 8 daughters. Upon his death in 1851 the estate passed to his eldest surviving son Sir James Francis Rivers, 10th Baronet (1822–1869). Sir James married Catherine Eastcott in 1867 but died childless in 1869, and the estate passed to his only surviving brother Sir Henry Chandos Rivers, 11th Baronet (1834–1870) but he died a year later in 1870 also childless; with no male heir the Baronetcy was therefore extinguished. The estate was bequeathed, in trust, by Sir Henry Chandos Rivers to Thomas Frederick Inman, a solicitor of Bath, who then managed the estate as a trustee on behalf of Sir Henry Chandos Rivers' sister Katherine Rivers (c.1826-1895). It then passed to Katherine River’s daughter, Katherine Wall (born c.1855), who had also inherited Worthy Park House from her father, George Alfred Ellis Wall (1825-1875). Until 1958 our portrait is known to have hung at Worthy Park House. Upon Katherine Wall’s death, the Rivers estate passed to her daughter, Katherine Eleonora Rivers Fryer (1889-1963), who married Colonel James Alexander Butchart 1877-1853. In 1958 the family sold Worthy Park House but our portrait was loaned to Southampton Museum and Art Gallery. After the death of Katherine and Colonel James, the estate was left to their only son, Charles Bruce Rivers Butchart (1917-2005) and upon Charles’ retirement to a nursing home in 1988, and without heirs, our portrait, along with the residual assets of the Rivers estate were sold, thus ending over 325 years of continual family ownership. Lady Anne Rivers is thought to have been born circa 1640. She was the fourth child of the second marriage of Sir Thomas Hewitt (or Hewett) (1606-1662), 1st Baronet of Pishobury, Herts, and his wife Margaret Lytton (died 1689). Sir Thomas was an English landowner and M.P. for Windsor and upon the English Restoration...

Large early oil painting by noted Mexican abstract artist Leonardo Nierman (1932 - ), signed lower right. Systema Solar Leonardo Nierman, Me...

Artist: Pál Fried (Hungarian, 1893-1976) Title: "Intermission (Ballerina)" *Signed by Fried lower left Circa: 1940 Medium: Original Oil Painting on Canvas Framing: Recently framed in a gold Louis XV style frame Framed size: 39" x 33" Canvas size: 30" x 24" Condition: In excellent condition Notes: Provenance: private collection - Port Orange, FL; acquired from Herbert Arnot Gallery, New York, NY in the early 1970's. Titled by Fried on verso. The artist's copyright stamp and various reference number on verso. Biography: Pál Fried was born in Budapest in 1893. He received his art education at the Académie hongroise des arts (Hungarian Academy of Arts) where he was a pupil of Hugo Pohl who became one of his major influences. While under Pohl's direction, he executed many portraits of female nudes and Orientalist works. Later he studied in Paris at the Académie Julian, where he was the pupil of Claude Monet and Lucien Simone. In Paris, he was greatly influenced by the French Impressionists, especially Pierre-Auguste Renoir and Edgar Degas. This inspired him to prepare many paintings of ballerinas...

"Our Little Garden 2" Abstract Oil Painting 51" x 51" in by Sanjar Djabbarov ABOUT Sanjar Djabbarov was born in Gulistan, the capital of the Sirdaria Province in eastern Uzbekista...

"Bukhara (Family)" Abstract Oil Painting 59" x 59" in by Muzaffar Abdullaev ABOUT: He was born in 1953 in Bukhara, where he lives and works. Boasting forty years of experience, th...

In this lovely abstract painting, the sky often represented in Noreen Taylor’s work, is a collage of colours—pink, orange, mauve, blue, and white. Taylor...

Jaipur (2004) by French contemporary artist Christophe Dupety. Oil on canvas, H 51.2 x W 76.8 in (130 x 195 cm). Unique work sold unframed with a certificate of authenticity. The art...

Oil on vinyl mounted on Alu-Dibond, diameter: 60 cm. In this last series Sound and Vision, the line remains the only motif of the compositions, but it is illustrated on a new medium ...

Oil on vinyl, diameter: 30 cm. In this last series Sound and Vision, the line remains the only motif of the compositions, but it is illustrated on a new medium which is none other th...

Luigi Lucioni Vermont Landscape with Birch Trees, 1936 Signed and dated lower left and inscribed indistinctly verso Oil on board 20 x 15 7/8 inche...

Orrin White California Mountain Landscape Signed lower right Oil on board 8 x 10 inches A nationally known landscape painter, who spent the prime of his career in California, Orrin White was born in Hanover, Illinois. He was artistically inclined at an early age but did not pursue an art career until he was in his thirties. After receiving a Bachelor of Arts degree from Notre Dame University...

Elysium II (2020), by contemporary artist Joachim van der Vlugt. Oil on canvas, 130 cm × 180 cm. Challenging the boundaries between figuration and abstraction, the artist creates...

Côte de Beaune (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 31.5 x W 31.5 in (80 x 80 cm). Unique work sold unframed with a ...

Artist: Frederick Goodall (English, 1822-1904) Title: "Susannah (Without the Elders)" *Monogram signed and dated by Goodall lower left Year: 1885 Med...

"Alternation of Spring and Winter" Oil Painting 59" x 55" in by Sanjar Djabbarov ABOUT Sanjar Djabbarov was born in Gulistan, the capital of the Sirdaria Province in eastern Uzbek...

Untitled LXIII is a unique oil on free-standing canvas painting by contemporary artist Ferle, dimensions are 200 cm × 140 cm (78.7 × 55.1 in). The artwork is signed, sold unframed an...

Côte de Nuits (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 28.7 x W 35.4 in (73 x 90 cm). Unique work sold unframed with a certificate of authenticity. Th...

Pamplona is a unique oil on canvas painting by contemporary artist Christophe Dupety, dimensions are 100 × 100 cm (39.7 × 39.7 in). The artwork is signed, sold unframed and comes wit...

Oil on canvas. Signed lower right, signed, dated, and titled verso. 59 x 62.75 in. 60.75 x 64.5 in. (framed) Custom framed in a matte white hardwood floater, with gilded metallic front. Roger Mühl was born on December 20, 1929 in Strausbourg, France, where he attended the National School of Decorative Arts. He spent most of his life living and working in Provence, while regularly exhibiting in London, Paris, Geneva, Tokyo, and New York. Mühl is best known for his brightly colored, heavily textured landscape renderings of the south of France. His bucolic paintings...

"Abstract Visage VII" Oil Painting 24" x 20" inch by Ashraf Zamzami ABOUT A characteristically bold and optimistic palette does not belie the inescapably pensive nature and at time...

"Iva" Oil Painting 39" x 39" inch by Andrey Remnev ARTIST BIO: "My birth place is Yakhroma town, in the vicinity of Moscow. It is situated on high hills, from where broad Bruegelian vistas are open. The uneven terrain with significant differences of high and low; a canal between the Moskva river and the Volga; small rivers, woods and villages; a nearby ancient town of Dmitrov, which is equal to Moscow in age; ships cruising the canal and trains outdistancing them – all this I saw from my window since my early years. It was a view that embraced all the diversity of the world. This is why I can say that the impressions of my childhood and youth – beautiful nature and remarkable people – are the most important ones. In the museum of Moscow's St. Andronic Monastery I copied the best examples of the old Russian painting...

"Twins" Oil Painting 35" x 24" inch by Sergey Dolmatov

Untitled XXII is a unique oil on free-standing canvas painting by contemporary artist Ferle, dimensions are 100 cm x 70 cm (39.4 × 27.6 in). The artwork is signed, sold unframed and ...

Oil on canvas painting by Croatian artist Zoran Šimunović from the series GROWING UP. The artwork is sold framed. Dimensions of the frame...

San Fermín (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 115 x W 75 cm // 45.2 in x 29.5 in. Christophe Dupety focuses on the portrayal of the animal, whic...

Murcielago (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 130 x W 81 cm // 51.2 in x 31.9 in. With this series, the artist is addressing the subject of bull...

Born in Russia, the son of Friede (1878 – 1956) and Benjamin Hoffman (1878 – a. 1942). Benjamin was a dealer in mineral and seltzer water and the family resided on Snediker Avenue in Brooklyn, New York, just down the streetfrom the home where George Gershwin (1898 – 1937) was born. This area of Brooklyn, known as Brownsville, “witnessed the development of one of the largest communities of Eastern European Jewish immigrants during the last decade of the 19th century and the first two decades of the 20 th century.” Today, little remains of this once thriving Jewish section of Brooklyn, which today houses many commercial and repair businesses. Hoffman studied at the Art Students League of New York, the National Academy of Design and in the art program at Cooper Union. His work at the National Academy received praise, and in 1921 he was awarded the 2nd prize and an honorable mention from the John Armstrong Chaloner Paris Prize Foundation at the National Academy, which allowed the recipient to study in Paris, France for as long as five years. The following year he was awarded the 1 st prize in the competition (with The Reform Advocate running the headline “Young Jew Wins Art Prize”) as well as the Suydam Bronze Medal for his achievements in the Academy’s Men’s Night Class. In 1923 he was residing in Long Branch, New Jersey, when he was awarded 4th place in the Chaloner competition. Early on, Hoffman exhibited his work throughout the city, including in 1925 with the recently organized Society of Independent Artists. He also received several solo exhibitions during the first part of his career, including one at Ferargil Galleries in 1929. In the spring of 1930 a solo exhibition of his portraits, including paintings and drawings, was held at at Babcock Galleries, where a reviewer noted: “Portraiture is obviously Mr. Hoffman’s specialty… his best work is characterized by a sensitive appreciation of character set down in a vigorous decisive statement. Later that same year, in August, he participated in Babcock’s summer exhibition where reviewer Jerome Klein, writing for The Baltimore Sun, felt Hoffman’s and other artists work was already becoming old fashioned, remarking “…if an effort toward accomplishment is to be made, it must be in the language of today. It is for that reason that such contemporaries as Eugene Higgins and Nathan Hoffman, in this show, seem artists of a bygone era…” The onset of the Great Depression appears to have slowed his success, as was the case for many up-and-coming artists. By 1939 Hoffman had become a gallerist in addition to being a painter, operating the collective exhibition space “Sutton Gallery,” which was originally located at 358 East 57th Street. There Hoffman exhibited his own works as well as those created by other prominent New York artists including David Burliuk (1882 – 1967), Charles C. Curran (1861 – 1942), Louis Eilshemius (1864 – 1941), Ann Goldthwaite (1869 – 1944), Maurice Kish (1895 – 1987), Lawrence Lebduska (1894 – 1966), Bradford Perin and Ellis Wilson...

Balconies of the sky II is a unique oil on canvas painting by contemporary artist Joachim van der Vlugt, dimensions are 100 × 130 cm (39.4 × 51.2 in). The artwork is signed, sold unf...

A beautiful large oil on canvas still life painting depicting two vases filled with lovely flowers in vibrant colors with a green background. The painting is finely presented in a cu...

Harrison Bird Brown (1831 - 1915) Birch Tree in Maine, New England, 19th Century Oil on canvas 25 x 13 1/8 inches Initialed lower left Provenance: Portland International Galleries, Maine Mr. and Mrs. Walter M. Jeffords, Jr., Saratoga Springs, New York and Lexington, Kentucky (President of Brooklyn Borough Gas Company) Private Collection, Chicago Exhibited: Portland Maine, Portland Museum of Art, 58 Maine Paintings 1820-1920: Selections from the Collection of Mr. and Mrs. Walter M. Jeffords, Jr., May 20 - June 20, 1976, cat. no. 11. The above catalogue listing this vertical landscape will be included with your purchase. "Mr. Brown has succeeded fully in accomplishing that which Mr. John Ruskin, in speaking of J. M. W. Turner's sea views, said no painter had yet accomplished; that is, the representation of the creamy foam which the storm lashes up from the waves along a rocky shore." Harrison Bird Brown was born in 1831 in Portland, Maine, and is best known for his White Mountain landscapes and marine paintings of Maine...

Landscape mixed media on canvas 50x50 cm Original Art Ready to Hang her painting tells of the relationship between man, nature and time, the landscape, the sign and the trace, thr...

Lilac, garden, flowers, violet,Ukraine Very important work Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic studies in Dneprodzerzinsk and later he attended the School of Fine Arts in Kiev. 1956-62: he attended the Academy of Fine Art of Saint Petersburg. 1960: he began his activity taking part in many exhibitions in Russia and abroad. 1973: member of the Union of the Artists. 1980: exhibitions in Austria, Hungary, Japan...

"Abstract Visage II" Oil Painting 24" x 20" inch by Ashraf Zamzami ABOUT A characteristically bold and optimistic palette does not belie the inescapably pensive nature and at times,...

Benasque 1 is a unique oil on canvas painting by Spanish contemporary artist Calo Carratalá, dimensions are 156 × 214 cm (61.4 × 84.3 in). The artwork is signed, sold unframed and c...

Set of 4 paintings from the 'Marinas' series by Spanish contemporary artist Calo Carratalá. Oil paintings on wood panel, 22 cm × 35 cm each. Dimensi...

Inspired by nature, Jessica Pisano’s interest in art began at a young age. It was the beautiful landscape of her hometown of Martha's Vineyard that served as her muse. She later purs...

Abstract painting, created during the pandemic, blends human and animal figures in a palette of ochre and yellow tones. Dimensions are 23" x 35" inches. To ensure the preservation a...

Oil on canvas painting by Croatian artist Zoran Šimunović from the series GROWING UP. The artwork is sold framed. Dimensions of the framed artwork: 182...

"Reverie I" Abstract Oil Painting 38" x 60" inch by Ashraf Zamzami Ashraf El Zamzami was a graduate of the Academy of Fine Arts in Minya, and he fast made a name for himself in the ...

ROBERT WILLIAM WOOD(1889-1979) Robert William Wood was an American landscape painter. He was born in England, emigrated to the United States and ros...

Lake Manyara N°2 is a unique oil painting by Spanish contemporary artist Calo Carratalá, dimensions are 150 × 300 cm (59.1 × 118.1 in). The artwork is signed, sold unframed and comes...

Oil on canvas painting by Croatian artist Zoran Šimunović from the series DO ASTRONAUTS NEED ART? The artwork is sold framed. Dimensions of the fram...

Indistinctly signed and dated In the first quarter of the 17th century a new form of flower painting was developed in Flemish painting, which, recreated by a large group of artists and workshops, would achieve considerable success throughout the century in much of Europe: the garland of flowers surrounding a central figure. Brueghel de Velurs was the initiator of this type of composition, however, it was his pupil, Daniel Seghers, who was the dominant figure in this specialised production and the creator of a prototype that would serve as a model for the numerous artists who followed in his wake. It seems undeniable that the artist of the present painting had seen the Garlands of Flowers Surrounding a Medallion Depicting the Triumph of Love by Daniel Seghers and Domenico Zampieri (now in the Musée du Louvre in Paris). In our painting, the present floral wreath encircles a carved cartouche within which sits Saint Dorothy of Caesarea and the attribute which often accompanies her in art, a basket of roses. The extremely delicate flowers have been rendered in meticulous detail, so that every species can be identified from exotic tulips to roses, irises and forget-me-nots; this obvious attention to naturalism is inherited from the Flemish manner. Each flower is so precise and refined that they are an individual study in their own right. The still-lifes are from the hand of Jan Anton van den Baren, with the central figures by another accomplished hand. Van den Baren’s arrangement of flowers would have delighted connoisseurs in both Flanders and in Vienna, where the impossibility of their all blooming at the same time of year would have been understood as a further statement of the wonder and beauty of the divine. Van den Baren worked first in Brussels, where he collaborated with Erasmus Quellinus II for the figures in his works, before moving with Archduke Leopold Wilhelm, his patron, to Vienna in 1656, where he instead worked with fellow Flemish émigré painter Nikolaus van Hoy. The iconography relates to an eighth century legend where she was presented a basket of roses by a child. In addition to the brilliance of his handling of still-lifes Van den Baren played an important art historical role as Director of Archduke Leopold Wilhelm’s Picture Gallery in Vienna, then one of the greatest collections in the world and the core of what was to become the present collection of the Kunsthistorisches Museum, Vienna. Van der Baren compiled an inventory of the collection in 1659, and his predecessor as Director of the Archduke’s Picture Gallery (when it was still housed in Flanders), David Teniers, depicted van der Baren (third from right) in his celebrated Archduke Leopold Willem in his gallery at Brussels, conserved at the Kunsthistorisches Museum. It is a shining example of the Flemish Baroque and is a very rare object indeed, considering there are only 14 paintings accepted as authentic works by this artist. We are grateful to Fred Meijer for confirming the attribution to Johannes Antonius van der Baren. A feature of this painting is its outstanding carved and gilded frame with a plethora of flowers and foliage. Titan Fine Art

Oil on canvas painting by Croatian artist Zoran Šimunović from the series DO DOLLS HAVE EMOTIONS? The artwork is sold framed. Dimensions of the framed ...

Victoria Novak's "Broken Hearts" is a striking example of contemporary still life painting, brought to life through her masterful use of oil on canvas. ...

Wonderful Surreal Latin American painting. Painting is oil on masonite board with original frame. Appears to be unsigned. Condition is excelle...