Panel Paintings

ANJA VAN HERLE "Fly High Butterfly" Acrylic & Swarovski Crystal on Panel 36 x 36 inches Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her artw...

At first glance, this is a peaceful and serene landscape done with exacting precision. However with a closer view, a single figure is in the background biking along the path that le...

Andy Moses is an artist who lives and works in Venice, California. He was born in Los Angeles in 1962 and attended California Institute of the Arts from 1979 to 1981. At CalArts he f...

Jennifer Bricker-Pugh Tangerine Materials: Mixed Media on Panel Date : 2019 Dimensions : 12"x1.5"x12 Signed by hand COA provided Description: In my opinion, color is an artists most ...

'Bouquet Ten' 2014 by Seattle based abstract painter, Liz Tran. Mixed media on panel, 48 x 36 in. The painting features Tran's version of a traditional still life with an abstract tw...

In 'Flower Dancer,' Robert Richter presents the viewer with a closely cropped image of a canna lily. Whereas many of his paintings use deep and richly saturated color, here he treats...

"Bewitching" by Marwan Nahle, acrylic on panel (yellow painted edges) 8 x 8 x 1.5 inches, $950 Marwan Nahlé is a citizen of the world. As a free spirit ...

About the Artist: Spending most of his life in Tennessee, Charles Ivey has created art in nearly every medium—from welding steel to taking photos. Ivey cu...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern Art when I visited the annex to get a cocktail. There was one other guy at the small bar table in an otherwise empty room, waiting for his coffee to be handed to him. He turned and dumped half of it down my front. I immediately recognized him as none other than Brice Marden. He apologized profusely, but I stopped him and said: 'No problem: how often is it that Brice Marden dumps coffee on your pants? They're worth more now.' We both had a good laugh. At any rate - I was certainly channeling his early work when I began work on this series. They are made with oil and beeswax on wood panels...

Summer Evening [2021] original Acrylic painting on Panel Image size: H:60 cm x W:80 cm Complete Size of Unframed Work: H:60 cm x W:80 cm x D:5cm Sold Unframed Please note that insit...

Signed and dated impressionist oil on panel of figures in a landscape by French painter Henri Duhem. This beautiful piece depicts a view of a village on a summer's day. A mother and ...

Neutral toned abstract painting of green plant leaves on a light beige cream colored encaustic background "Snowflowers 8," by Hudson Valley artist, Allyson Levy, made in 2020 spurge ...

Vibrant portrait of a Filipino girl playing a harp by an unknown artist (20th Century). This piece is done in the style of traditional Filipino art, with ...

Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco. Nancy Talero is an artist and designer whose multi-panel works ch...

ABSTRACTION Mid-Century Abstract Non-Objective Color Field oil American Modern James Daugherty (1887 – 1974) "Unidentified Flying Object," 12 x 16 inc...

mixed media on canvas In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surfa...

This is a large, vertical acrylic painting of an imaginary, dream-like landscape with naturalistic flowers and abstract ocean references. Blues predominate. It is signed along lower ...

John Ferry Mid-Century Modern X2 #2 Medium: Oil on Panel Year: 2020 Size: 5x16.5 in Signed, dated and inscribed by hand COA provided Re.: JF-20-03 “Ferry’s...

This is a one of a kind original oil and acrylic painting on wood panel depicting Moses by Southern California artist, Gina Palmerin. Its dimensions are 60x360. It is unframed. A certificate of authenticity will follow its delivery. The collection of paintings in Palmerin’s “Legends” is inspired by classical art paintings...

Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...

A beautiful oil on panel by French post impressionist painter Pierre de Belay. The work depicts families relaxing on the beach at Villerville under a clear bl...

This is a large, vertical acrylic painting of an imaginary, dream-like landscape with naturalistic flowers and abstract ocean references. Blues predominate. It is signed along lower ...

This is a one of a kind original oil and acrylic portrait of Salvador Dalí by Southern California artist, Gina Palmerin. Its dimensions are 2...

"My work is about Place. There has always existed within me an urgency to define myself through place that stems from an upbringing full of uprooting and re homing. In the absence o...

Nicholas Berger Biography American, b. 1949 Nicholas Berger’s career as an artist spans three decades and has brought him national and international acclaim for his paintings. A lis...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern Art when I visited the annex to get a cocktail. There was one other guy at the small bar table in an otherwise empty room, waiting for his coffee to be handed to him. He turned and dumped half of it down my front. I immediately recognized him as none other than Brice Marden. He apologized profusely, but I stopped him and said: 'No problem: how often is it that Brice Marden dumps coffee on your pants? They're worth more now.' We both had a good laugh. At any rate - I was certainly channeling his early work when I began work on this series. They are made with oil and beeswax on wood panels. While they look Minimalist at first glance, there are subtle shifts in color and texture that distinguish them from hard-edged abstraction. For me, it has always been about the surface, and the materials. Wax has a character unlike anything else. I use wax both hot (encaustic) and in a cold mixture with turpentine, blended with oil. The complementary underpainting, setting the stage for the wax and oil later...

In TODDLER TANTRUM, Sue Fox tests the meditative limit of her artistic work. Intuitively collaging smaller pieces of bright pinks, purples, and yellows, she expresses the thoroughly ...

Pink Flush is an elegant, large pink rose with splashes of purple and white. This 60" x 60" piece comes to life and brings the beauty of nature directly into an interior space. As part of the Rose Series, this piece was featured in the Visual-O show at Mash Gallery...

LUCIEN BOULIER "NUDE WITH RED HAIR" OIL ON PANEL, SIGNED FRANCE, C.1930 26 X 20 INCHES Lucien Boulier 1882-1963 Lucian Boulier was born Verdun...

Eric Blum Untitled no. 957, 2022 ink, silk & beeswax on panel 60 x 54 in. (blum073) In Eric Blum’s mostly monochromatic paintings, ink permeates silk in soft gradients, which abrupt...

This is a one of a kind acrylic and mixed media painting on wood panel by San Diego artist, Peter Geise. It is unframed. Its dimensions are 10"x10" A certi...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern...

Collage of detergent bottle cutouts on redwood

This work is the result of a deep dive I did into researching stingrays, specifically the blue-spotted stingray.

Represented by George Billis Gallery, Los Angeles -- Artist Statement Nothing But Neon, 2021 I see beauty in old neon signs. I have always been fascinated by the glow inside the h...

Wonderful oil on panel circa 1920 by French impressionist painter Andre Devambez. The work depicts a soldier leading his horse along a dirt track during...

Christy Stallop's (US based) "Fry Crusher" is an oil painting that depicts a Crow wearing a red and blue wrestling mask.

This is a one of a kind acrylic and mixed media painting on wood panel by San Diego artist, Peter Geise. It is unframed. Its dimensions are 12"x12" A certi...

San Rafael Reef #2, acrylic on panel, 11 x 37 1/2 inches, $2,200 “It is my feeling that the desert country of the American West is too large, too wild, too gorgeous to be encompassed by traditional landscape painting. Our inherited aesthetic defines beauty in landscape as green and arable land or grand, breathtaking places. I feel the need to expand that definition. I want to portray the desert as it is right now; to dispense with the limitations of what has come before, to quietly point out the beauty of places that are harsh and forbidding to habitation but express an aesthetic of the wild. I strive to go beyond the sentimentality that often defines our images of the West. The scale of many of my pieces (an extreme horizontal) is a compositional strategy to capture the vastness of these places.” – M. Knudsen Mark Knudsen...

Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco. Nancy Talero is an artist and designer whose multi-panel works ch...

Isola d'Ischia (Ischia Island) is a beautiful original oil painting on panel, realized in 1960 by the artist, Luigi de Angelis (1883 - 1966). Signed and dated in pencil on lower ma...

Serene depiction of Loch Na Keal, Iona, Scotland by William Mervyn Glass, Royal Scottish Academy and Scottish Academy of Artists (PSSA,SSA) (Scott...

"Bicycling in the Bywater" is a painting by David Lambert. The piece is 9 inches high, 3.5 inches wide, and .5 inches in depth. It is acrylic on panel and it was completed in 2020.

Linear momentum (Abstract painting) Pigmented beeswax, oil and Collage on wood panel. Unframed. This work was created and exhibited at the same time as the series (r) evolution, and was conceived using a similar process: many layers of encaustic are applied, then hand cut squares of Japanese paper which have been dipped in encaustic are mounted on the panel. Finally, each square is covered with clear encaustic medium, then painted with oil to create spatial depth. It was inspired by the artist’s ongoing interest in music and music theory. It is about pattern, rhythm, and intervals of notes as exemplified by the choice and placement of color. Adams has been intrigued by math and serial systems since her days of graduate school at New England Conservatory (Boston, Massachusetts) when John Cage was composer in residence at Harvard University. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

"Mixed Marriage" by Maureen O'Hara Ure, mixed media on panel, 16 x 24 inches. Relying on sturdy panel to hold up to months, sometimes years, of revisions, O'Hara Ure slowly builds up an image, obsessively laying down marks in thin, sanded layers of paint, ink, and pencil to create a uniquely smooth, almost polished texture distinctive to her style. When a panel returns to her studio from a show, she may begin to tinker with the image, perhaps first sanding out or painting over just a section. "Often as not, I keep going and start all over, using gesso to erase any memory I have of the painting." "For over fifteen years, all of my major projects have begun with my drawing overseas in museums and at historical sites. I returned to my studio and set about using some of the raw ideas in my travel sketchbooks to begin developing new work, taking liberties with the art-historical material I had collected. The exhibit of new paintings on panel at Phillips Gallery...

GEOMETRIC ILLUSION. Mixed media textured and acrylic paint on Wood. Separate LED box light. 24H x 24Wx 3D This series of artwork evokes a novel effect. Light becomes intertwined in t...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern...

Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb created this abstract painting with bold brush stokes creating strong visual zest and appeal on a small scale. The artist often creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'Light at the End of the Tunnel...

Provenance: Babcock Galleries (bears their label verso.) signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

Artist Commentary: Inspired by a visit to a family member's farm in the Philippines. A short rain shower passed overhead and the sun was briefly obscured b...

Looking Up Mini Quadtych by Emily Finch [2021] original Oil on wood panel Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:5cm Sold Unframed Pleas...

Nature-Inspired Minimalist Abstract Color Field Painting on three panels in light brown and beige Acrylic on 3 wood panels Each panel is 24 x 18 x 2 inches Suggested installation is ...

Portrait Of A Nude Male Holding A Crucifix, 19th Century attributed to William Etty (1787-1849) Large 19th century classical portrait of a nude male holding a crucifix, oil on pa...

This piece has a lacquered shine, and it is an oil painting on enamel on wood panel. Alexis Portilla obtained his Masters of Fine Arts at Colum...

Semi Precious (Abstract Painting) Acrylic on wood panel - Unframed. This artwork is exclusive to IdeelArt. The works of San Francisco Bay Area-based a...

"Poinsettia" is an oil painting of the signature red plant blossomed against a light backdrop, in a minimalist pot, a cement cube. Painting dimensions: 16 x 12 inches Framed dimensions: 18.5 x 14.5 inches Matthew Weigle...

Nude Lipstick 2 and You Have Given Me the Moon diptych Overall size cm : H60 x W60 Nude Lipstick 2 by Maria Pierides [2021] original Oil and oil stick on deep edge cradled panel Im...

"Snow on Crocus" is an encaustic with oil paint and beeswax over watercolor, on a cradled panel measuring 10" high by 8" wide. The painting is framed. From Regina Quinn...