Wood Panel Paintings

A lively, impressionistic depiction of a anniversary day captures a vibrant and romantic depiction of a couple dancing gracefully in an elegant outdoor setting, rendered in a bold im...

Untitled 3 (JF 24) (Abstract Painting) Gesso wash, pencil, and oil on wood panel — Unframed. Feinberg works with a variety of techniques and mediums, including painting, paper colla...

Marilla Palmer The Impermanence of Light, 2025 Pressed foliage, , Durabrite prints, 12K gold leaf, acrylic on Ampersand panel 16 x 12 in. (pal258) Marilla Palmer lives and works in ...

Hyun Ae Kang is a famous Korean Artist, born in Seoul, South Korea. Today she lives and works in California, USA. In her work Hyun combines traditional Korean spirit and Western ab...

"Late Summer Light on Cornwall Cove" by the acclaimed Cornish artist Jon Doran is an enchanting oil painting that offers a glimpse into the serenity of a Cornish cove bathed in the g...

David Shingler's (NC based) "Mt. Evans and Bierstadt, Colorado" is an oil painting that depicts a green grassy plain dotted with Pine trees leading to the snow capped mountains in th...

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Dancing is a metaphor for living. As long as you keep dancing, you're alive. I remember seeing something like "I'm dancing as fast as I can" or "I'm running as fast as I can" Ther...

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Marilla Palmer The Ecstasy of Maria Sibylla Merian, 2025 Pressed foliage, millinery velvet, Durabrite prints, 12K gold leaf, acrylic on Ampersand panel 16 x 12 in. (pal261) Marilla ...

A magnificent mature pine tree stands tall in this serene landscape by Peter Hoffer. The rich green of the pine boughs contrast with the deep turquoise blue of the sky and the pastor...

Marisa Mallol was born in Alcoy, Alicante, Spain in 1942. At the age of thirteen, Mallol began her first studies of painting at La Escuela de Artes y Oficios in Alcoy. After completi...

Beautifully vibrant piece with neon message of magic. Background painted in artists' signature style. About the artist: Punk Me Tender (b. 1982) is a French street artist whose ...

Beautiful landscape by American artist, David Shevlino (b.1962). Oil on wood panel measures 14 x 15.5 inches. Signed and dated lower right. Signed, titled and dated en verso.

Amber in electric blue with yellow by David Shevlino whose female figures beautifully link traditional representation with abstraction. Through Shevlino’s sensuous application of pai...

Miesmer began painting in the open air during the summers in Nantucket.  Using a pad of Arches paper as an easel and working out of the back of his pickup truck, the quietude and pea...

Carl Smith explores the area between Pop Art and Surrealism and expresses it in one-of-a-kind original works on canvas, paper or wood. With the use of found images he tells slightly ...

'Jicky', elaborately and exquisitely painted by Adrienne Sherman in oil on panel with a lacquer-like luster. The original painting is rich and reflective, and depicts the artist's do...

Patron of the arts and sciences Ann Getty (1941–2020) brought the same bounteousness to her interiors as she did to her philanthropy, most notably at the 191...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

"Morning Star" 2020 by Alexis Kandra is an original oil painting with black foil measuring 11" H x 14" W x 1" D. figurative, animals, landscape, aurora borealis

Marilla Palmer Nectar, 2025 Pressed foliage, , Durabrite prints, 12K gold leaf, beads, acrylic on Ampersand panel 16 x 12 in. (pal260) Marilla Palmer lives and works in Brooklyn, NY...

Woman Reading by JOZEF ISRAËLS (1824-1911) Oil on Panel 21 x 12.5 cm (8 1/4 x 4 15/16 inches) Signed lower right Executed circa 1870 Artist biography D...

​Frances Mabel Hollams (1877-1964) Jill, a West Highland terrier signed and dated 'FM Hollams 38' (lower right) and inscribed 'JILL' (lower left) oil on panel 13 ½ x 18 in. (34.3 x ...

Mountain Reflections "Ben Venue" by John Copland a Kirkcudbright Scotland painter (Scottish, 1854-1929). Painting of Loch Achray and Mt. Ben Venue in Scotl...

A single neon-red bloom pops from the background in this lively still life by Jernnifer Hornyak. Known for her non-traditional florals and her inspired palette— Hornyak’s flowers sit...

Johan Peter von Wildenradt (1861-1904) Title: Sea View from Menton, Côte d'Azur, France Wildenradt was born 1861 in Helsingør, Denmark. He studies art at the School of Fine Arts in Copenhagen under Laurits Tuxen...

"Anyone, Someone, No one" Portrait Oil Painting 12" x 12" in by Casey Baugh Medium: oil on wooden panel ABOUT THE ARTIST: Baugh's work can be described as narrative impressionisti...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

"In A TranceAtlantic Crossing" is a wonderful, whimsical, surrealist mixed media painting. Acrylic, Sakura Markers, Caran d’Ache & Pencil on a Birchwood Cradled Panel 36 x 30 inches 2024 Artist’s Statement "My soul serves as the compass that guides me towards pieces that resonate deeply within me." Kate Cohen...

Edward Antoon Portielje (1861 - 1949), C.H. Hermans, possibly his second wife Rosa Hermans Dutch riverlandscape with windmill Signed upperleft corner 'Edward Portielje' and lowerright corner C.H. Hermans 1880 Oil on panel Dimensions excl. frame: 17 x 26 cm. Dimensions incl. frame: 34 x 43 cm. Edward Antoon Portielje (8 February 1861, Antwerp – 18 December 1949, Antwerp) was a Belgian genre painter. He was born to the painter Jan Portielje and his wife Eulalie (née Lemaire, 1828–1903). His older brother, Gerard, was also a genre painter. His first art lessons came from his father. Then he attended the Royal Atheneum and, from 1873, took after-school classes at the Royal Academy of Fine Arts with Edward Dujardin. From 1877 to 1881, he was a full-time student at the Academy under the tutelage of Polydore Beaufaux, Charles Verlat and Nicaise de Keyser...

Judd Mercer's (US based) "The Loch" (2022) is an original handmade oil painting depicting a lake in an evergreen forest at the bottom on a snowy mountain. Artist bio/statement Judd...

Francois (Frans) Van Severdonck (1809-1889) Belgian Sheep Resting in a Meadow signed Franc..? Van Severdonck and dated 1861 oil on panel panel size 16 x 23 cm frame 25.5 x 32 cm ...

Untitled 04, 2015 - 2016 Mixed technique: oil paint, adhesive on OSB (Signed on reverse) 8 15/32 H x 5.9 W in 21.5 H x 15 W cm Zsolt Berszán’s work speaks of repulsion and fascinati...

Set in the iconic Haji Lane—one of Singapore’s most eclectic and culturally rich neighborhoods—Night Scene, Haji Lane captures a fleeting night time moment as the cafes begin to clea...

This piece titled "Home Plate 3" is an original artwork made from oil paint and acrylic on panel by Lauren Rinaldi. This piece is freestanding and measures ...

This 46.5" x 36.5" oil on wood panel portrait was painted by Oklahoma artist, Kevin Stark. This painting employs a striking use of chiaroscuro, with the figure emerging from a deep b...

A staccato of geometric shapes in orange, indigo, blue and more dance on a ground of turquoise in this lively composition by Burton Kramer. Like 20th century European painter Wassi...

Rather than re-creating a literal landscape on canvas or paper, I aim to express its essence in a rich and complex form of delicately painted organic subjects that float and trail ac...

This abstract painting by Roger Mudre features a warm red and orange palette, with light, imperfect circle shapes layered over one another throughout the composition. The painting is...

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. Wit...

"Village Près de la Mer en Italie" Jacques Martin-Ferrières (1893-1972) 1950s Oil on panel 18 x 14 1/2 (22 x 18.5 frame) inches Published "Intimité & Horizons" by Marie-Anne Destreb...

Judd Mercer's (US based) "Emanation" (2024) is an original handmade oil painting depicting a waterfall going down a mountain, all covered by shade except for the mountain peak which ...

Waiting for a Nightingale II is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments and silver leaf on Japanese paper mounted on panels, dimens...

Dana Frankfort In the middle of the road, 2017 oil on canvas over panel 48 x 48 x 1.75 inches For over two decades, Dana Frankfort has explored the vexing periphery between language and sight by painting words. Rather than laying claim to the paintings, controlling their semiotic pulse, her words serve as the formal armature; they prop up, ventilate, and allow the many layers of paint to breathe. Imperatives, allusions, evocations—the words dissolve into a palimpsest of obscured serifs and stems, into color and form. The title of the work is a phrase from a poem by Carlos Drummond de Andrade’s “In the Middle of Road.” Here it is, translated from the Portuguese by Elizabeth Bishop...

Katheryn Holt (American, born 1951) "Reflection" 2024 Oil paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. "Reflection" by Katheryn Holt is a stunnin...

Acrylic on wooden panel Lee Yu Min is a Korean artist born in 1987 who lives and works in Daejeon, South Korea. She is specialized in Korean painting, comp...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...

Big Little #146 (Small, Square Abstract Painting with Linear Patterns) by Vincent Pomilio acrylic, pigmented plaster, and wax on wood panel 12 x 12 inches, unframed signed, verso Th...

Oil on panel realized by Sirio Pellegrini in 1965. Hand signed and dated. Includes a wooden frame realized by the Artist. cm. 74.5x64.5. Sirio Pellegrini, born in Rome on March 1,...

Judd Mercer's (US based) "Sentinel" (2022) is an original handmade oil painting depicting a large lone tree on a mountainside. Artist bio/statement Judd Mercer is a contemporary la...

Francine Tint (b. 1943) Another Time Thick acrylic impasto on board, 1999, Hand signed 'Francine Tint' titled, dated Inscribed 'To Piri, Enjoy Much Love' on the reverse. 14 x 15 1/...

Carrie Goller's (US based) "Earth Sky Sea" (2024) is an original, mixed media using encaustic on wood panel that depicts an abstracted transition from earth, water, and sky. Born an...

This piece titled "Fuzzy Slippers" is an original piece by Branche Coverdale and is made from acrylic gouache on wood panel. This piece measures 36"h...

Lindsey Kustusch's "The Red Helen on Shades of Lemon & Cherry" is an original, handcrafted oil on wood panel artwork, measuring 12 x 12 x 1.50 inches. This contemporary 2023 piece ar...

Rather than re-creating a literal landscape on canvas or paper, I aim to express its essence in a rich and complex form of delicately painted organic subjects that float and trail ac...

Vivid oranges, violets, blue and golden yellow tones are created through Joanne Ungar's unique poured wax process in this multi-panel wall installation. 48"x59"x 1" pigmented wax, board, photograph, installed on welded metal backing brace (included) signed on reverse by artist, with a COA. This wall piece is composed of 24 cast wax panels, created in high quality archival materials. The abstracted image imbedded in the work is the open and unfolded form of a Johnnie Walker...

Vivid emerald green, vibrant orange, and violet blue tones are created in Joanne Ungar's unique poured wax process, to create this multi-panel wall installation. 37"x54"x 1" pigmented wax, board, photograph, installed on welded metal backing brace (included) signed on reverse by artist, and COA. This wall piece is composed of 24 cast wax panels. The abstracted image imbedded in the work is a photograph of the packing for Botox treatments. Vivid emerald green, vibrant orange, and violet blue tones are created in Joanne Ungar's unique poured wax process. This large scale wax painting is a beautiful statement piece that is signed on reverse by the artist. In addition to the cosmetic applications of Botox, it is also used as a pain relief medication for migraine sufferers. The geometric abstract composition is created through the imagery of the folds from the boxed packaging. The grid is created and installed on a heavy duty welded metal back brace...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

This contemporary abstract painting by Jill haas features a contemporary style, often exploring themes of introspection and emotion through abstract forms and thoughtful color palett...