Men Nude Paintings

Oil on Canvas 46cm × 37cm (57cm × 49cm framed) Until the 1930s, this painting was considered to be by Théodore Géricault. Indeed, since its creation c.1810, it has been sold twice a...

Lisa Martin - Woman Dressing, Year: circa 1996, Medium: Oil on Canvas, Size: 49.25 x 39.25 in. (125.1 x 99.7 cm)

JD Raenbeau Full Moon 2024 Signed Oil on panel 12 x 16 inches

Luis Frangella (1944-1990) was a figurative, postmodern painterand sculptor. He earned a Masters in architecture at the University of Buenos Aires in 1972 and then attended the Massa...

ARTIST: MAREK OKRASSA. Born in 1975, he studied painting in the studio of professor M. Swieszewski and drawing in the studio of Maria Targonska. Okrassa was twice awarded a grant fro...

For Pierre-Auguste Renoir, Impressionism's pre-eminent figure painter, depicting the nude was an exercise in bringing the canvas to life. He once said, “I look at a nude, I see myriads of minuscule shades. I have to find those which will make the flesh on my canvas come to life and resonate.” This compelling portrait by Renoir entitled Après le bain presents the nude figure of a woman in a serene, private moment, absorbed in the task of drying herself after a bath. The artist’s mastery of light and shading is incredible, achieving a sense of vitality in this otherwise ordinary scene. Renoir is celebrated for his figural work, especially his Rubenesque female nudes, however, it was not until the artist was in his forties that he depicted the nude with any frequency. In 1881, Renoir traveled to Italy, where he studied the works of the Renaissance masters and the ancient art of Pompeii and Rome. Upon his return to France, the nude became his favored subject, and he used the motif to combine the spontaneity of Impressionism with the solid modeling of classical painting. Renoir’s medium here, sanguine, a reddish-brown chalk, was used extensively in the Renaissance by Leonardo (who employed it in his sketches for the Last Supper), Michelangelo and Raphael. Its warm hue lends itself well to depicting flesh, and the chalk drawing allows for a greater focus on line, form and texture in a departure from the aspects of color and light that so often preoccupied the Impressionists. Après le bain conveys the impression of arrested motion with perfect naturalness, deftly capturing the moment before the elegant lines of the sitter's form change position. The sitter is almost certainly Gabrielle Renard, the nanny to Renoir’s children and a frequent model for the artist. Gabrielle was the cousin of Renoir’s wife, Aline, and came to Montmartre to work for the family at the age of 16. She developed a strong bond with the family and became a favorite subject for Renoir, appearing in several of his most important works, including his 1911 Gabrielle with a Rose (Musée d'Orsay). When Renoir began to suffer from severe rheumatoid arthritis that would eventually leave him unable to walk and scarcely able to grasp a paintbrush, it was Gabrielle that would assist the artist by positioning the paintbrush between his crippled fingers. Born in Limoges, France in 1841, Renoir began his career as an apprentice to a painter of porcelain wares. He later moved to Paris at the age of 21, enrolling at the prestigious École des Beaux-Arts. It was here, while studying under Charles Gleyre, that Renoir attained a tremendous appreciation for the academic style of painting, a quality that would last throughout his career. This was also when he met Claude Monet and several other classmates, with whom he would later form the Impressionists. Working closely with Monet, Renoir began experimenting with the portrayal of light and its effect on his canvases. The youngest member of the Impressionist movement, an astute Renoir recognized how a subject was constantly changing due to the dynamic effects of light on color. Relying heavily upon his academic training that focused on composition, lines and descriptive details, Renoir distinguished himself among his contemporaries. His intuitive use of color and expansive brushstroke, along with acute attention to his subject, have placed him among the finest painters in history. This work is accompanied by a certificate of authenticity and will be included in the forthcoming catalogue raisonné of the work of Pierre-Auguste Renoir from the Wildenstein Plattner Institute. Circa 1898 Canvas: 43 1/2" high x 35 1/2" wide Frame: 57 3/4" high x 49 1/4" wide Provenance: Galerie Durand-Ruel, Paris (acquired from the artist on January 25, 1899) J. Pereire Collection, France (1966) Sam Salz, New York (before 1981) Claus Virch, Paris French Compagny, Inc., New York Larry Silverstein, New York (circa January 1987) Le Clos de Sierne Gallery, Geneva Galerie Heyram, Paris (October 1987) Francis Gross M.S. Rau, New Orleans Literature: B. Schneider, Renoir, Berlin, 1957, p. 95 (illustrated in color, p. 83) M. Gauthier, Renoir, Paris, 1958, p. 83 (illustrated in color; erroneously dated '1916' and titled 'Woman in her toilet') F. Fosca, Renoir, L'homme et son obra, Paris, 1961, p. 280 (illustrated, p. 95; erroneously dated 'about 1890' and titled 'After the Bath...

Seated Nude by George Grosz (1893-1959) Oil on canvas 9 ½ x 5 ½ inches unframed (24.13 x 13.97 cm) 15 x 12 inches framed (38.1 x 30.48 cm) Signed on bottom...

This graphite on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a n...

This acrylic and graphite on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject i...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject ...

This charcoal on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude mal...

Female figure, seated, floral pattern; acrylic ink, flashe and pastel on 300g Arches hot press paper; custom frame, shallow shadow box frame. Mustard yellow flower with pastel colors...

This watercolor and graphite on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude male sitting with his hand...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a large...

This extraordinary Italian gouache and oil on canvas brings two of the most popular characters from Greek mythology vividly the life - the nymph and the satyr. Both creatures are famed for their carefree natures and lascivious temperaments, and tales abound of satyrs pursing nubile nymphs in order to rape or seduce them, usually with little success. One such narrative humorously unfolds in the present piece, which depicts an indignant satyr captured by three nymphs with a golden net. The relationship between these two mythological creatures was a popular one for artists throughout the 18th and 19th centuries, though its origins stretch back to antiquity. Both satyrs and nymphs...

"Wise Virgin" is part of a series of paintings and sculptures Artis Lane completed in which she explores the metaphysical and spiritual dimensions of humans as they reach toward a mo...

The hero at this painting is a human. His eyes are a lenses that artist using. At all time they are together, a man and a woman. Duality of differences, two views, different accents, but in one wholeness. Fomin is a fairy-tale artist, a romance teller, who is choosing never ending life stories for a viewer. He is telling these stories with realistic language of the artist, citing the language of Bruegel sentimental sincerity of Chagall, but also a precise coloristic scheme, that was a signature of French Art in the second half of XX century. The fantastic World of the artist is perfectly detailed that makes it truthful. This artistic language principle defined the style of the artist long before he entered the Art World market...

A lush verdant painting of three nude bathers in a French river. It speaks of summer days spent wild swimming, picnics filled with cheese & wine and hear...

Presenting an exceptional oil painting by Polish/American artist Alexander Rosenfeld 1905-1995. The Garden, is an original oil on canvas, signed, dated 1950, with an image dimension of 38 x 29.5 inches, just arrived from an outstanding West Coast collection, the painting is in excellent original condition, beautifully framed. Please contact our West Hollywood gallery...

The hero at this painting is a human. His eyes are a lenses that artist using. At all time they are together, a man and a woman. Duality of differences, two views, different accents,...

The themes in Tran Huy Hoan’s work are contradictions within themselves. His work is both innocent and erotic. Each subject is attractive yet affecting. Hoan’s precise technical styl...

"Backstage", is a large theatrical Art Deco painting by French artist Paul Alex Deschmacker. The painting depicts two theater performers, one se...

An original oil on canvas by prolific French artist Helene Perdriat. Perdriat specialized in figurative, genre subjects of the 1920's and 1930's French...

A rare, early original self portrait by American artist Robert McIntosh(1916-2010) Robert McIntosh was extremely prolific and exhibited throughout his lifetime, including first prize awarded at the Los Angeles County Museum in 1948. "Before the...

An exceptional early oil on canvas by American artist Karen Kiefer. Karen Kiefer continues to paint and teach fine art in Hawaii, the focus of her pain...