1930s Paintings

Portrait of the artist's daughter Sasha at 8 years old by the Russian/American artist, Nahum Tschacbasov. Oil on masonite on a wooden stretcher backing. Signed lower right and dated 1938. Sasha later was to become the second wife of the the writer, Saul Bellow. Condition is good with some wear to top left of painting. In original, unrestored condition. Unframed. Nahum Tschacbasov lived in New York City for most of his adult life, arriving in the United States as a young boy in 1907. His numerous one man shows included ACA gallery, Perls Gallery and John Heller...

FRANCISCO BORES Spanish, 1898 - 1972 LES FUMEURS signed & dated "Borès 35" (lower right) titled in pencil "Les Fumeurs", unfinished sketch (head), signed & dated "Bores 36" (on the reverse) oil on cardboard 10-5/8 x 13-3/4 inches (27 x 35 cm.) framed: 15-1/2 x 18-1/2 inches (39.5 x 47 cm.) NOTE: THIS WORK IS ACCOMPANIED BY A CERTIFICATE OF AUTHENTICITY ISSUED BY “ARCHIVO FRANCISCO BORES”. BIBLIOGRAPHY: Francisco Bores, Reasoned Catalogue, Volume I - Painting 1917-1944, Museo Nacional Centro de Arte Reina Sofia, Madrid, 2003, n° 1935 / 49, reproduced in color p. 281 PROVENANCE Carmen Bores Collection, Francisco Bores daughter Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris. His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz...

Painting size 12 ½" x 14 ½", framed 18" x 20 ¼" x 2" Signed "Friedman" lower right Inscribed verso: "Title: Autumn Day Drive. Associated impressions of two drives Hudson River and F...

This original 1930s watercolor painting by Charles Ragland Bunnell beautifully captures the majestic landscape of Cameron’s Cone near Colorado Springs...

Bumpei Usui Backyard, Staten Island, 1933 Signed lower right Oil on canvas 20 x 24 inches Provenance: The artist's estate Salander O'Reilly Galleries, New...

Original Painting. Fortune Mag Cover Published 1938. American Scene Modern WPA Antonio Petruccelli (1907 - 1994) Fortune cover published, January ...

Signed lower right: Hayley Lever

William Baziotes (1912 - 1963) Untitled, circa 1935-1940 Oil on board 14 x 19 3/4 inches Illegible Inscription present to the verso Provenance: Previously from the estate of Consta...

Brilliant 1930's landscape of the sunrise over the horizon illuminating a verdant scene around a body of water by listed artist Eloisa Schwab (American,1894-1990). Signed "Eloisa Schwab" lower left. Unframed. Image, 20"H x 24"W. Born in Havana, Cuba, Schwab studied at the Academy Julian in Paris and the Art Students League in New York with George Bridgman and Kenneth Hayes Miller and exhibited extensively from the mid 1920s to 1960s at venues including the Society of Independent Artists, the Salons of America, and the Pennsylvania Art...

This is a Letter of Thanks Signed by the Italian artist Alberto Gerardi to the Countess Pecci-Blunt. Rome, April 6th. Around 1938. One page, single-sinded. In Italian. Excellent con...

Woman in pink is an original artwork realized by the Italian artist Antonio Feltrinelli in the 1930s. Original oil on plywood. Beautiful and representative work of a female figure...

A dramatic, Cubist oil on canvas painting in beautiful burled walnut frame with gilt-wood inset. Signature lower left.

Hook Creek Hungarian American European Modernism WPA 1935 Long Island Canal Boat Oil on canvas board 12” x 15". The framed size is 18 x 21. In addition to this painting, we will include and etching of this scene.. The Print measures 3 1/2 x 6 inches and the sheet, 6 1/2 x 8 1/2 inches. It is signed: S. Csoka, 1943. Stephen (Istvan) Csoka was born in Gárdony, Hungary on January 2, 1897 and died in New York in 1989. He is best remembered as a painter and etcher of portraits, nudes, landscapes, genre, and horses. Csoka studied at the Budapest Royal Academy of Art and his memberships include Associate of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the Society of Brooklyn Artists; and the Hungarian Etchers Association. Csoka's exhibitions and awards include a medal at the Barcelona International Exhibition in 1929; a prize at the City of Budapest Exhibit in 1930; prizes at the Society of American Etchers in 1942 and 1945; prizes at the Library of Congress in 1944 and 1946; a prize at the Society of Brooklyn Artists in 1944; a prize at the Philadelphia Watercolor Club in 1945; the Corcoran Gallery of Art in 1945; the Carnegie Institute in 1943, 1944, and 1945; the Art Institute of Chicago in 1944; the Los Angeles Museum of Art in 1945; the National Academy of Design from 1940 through 1945; one-artist shows at the Contemporary Artists in 1940, 1943, and 1945; and the Minneapolis State Fair in 1943. *Stephen continued to recieve awards and exhibit his work throughout his life. In 1997, Hofstra Museum sponsored a Retrospective/Centennial exhibition in honor of his birth. Collections representing Csoka's work are the Metropolitan Museum of Art, New York, NY; the Brooklyn Museum, Brooklyn, NY; the Museum of Fine Arts, Boston, MA; the British Museum, London, England; the Bezalel National Museum, Jerusalem, Israel; the Butler Institute of American Art, Youngstown, Ohio; Whistler House Museum of Art, Lowell, MA; the Cleveland Museum of Art, Cleveland, OH; Columbus Museum of Art, Columbus, OH; the Sheldon Swope Art Museum, Terre Haute, IN; the Mobile Museum of Art, Mobile, AL; the Frederick R. Weisman Art Museum, Minneapolis, MN; the Museum of New Mexico, Santa Fe, NM; the Budapest Museum of Fine Arts, Budapest, Hungary; Hungarian National Gallery, Budapest, Hungary, the Museum of the City of Budapest, Budapest, Hungary; the Library of Congress, Washington, DC; Carnegie Museums of Pittsburgh, Pittsburgh, PA; the Chrysler Museum of Art, Norfolk, VA; Georgia Museum of Art, Athens, GA; Hofstra Museum, Hofstra University, Hempstead, NY; Holocaust Museum, Glen Cove, NY; National Academy of Art, New York, NY; New Orleans Museum of Art, New Orleans, LA; New York Historical Society, New York, NY;New York Public Library, New York, NY; National Gallery of Art, Washington, DC; Peabody Museum, Cambridge, MA; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Reading Public Museum, Reading, PA; Livingston Arts Center, Mount Morris, NY; Ball State Teachers College, Muncie, IN; City College, New York, NY; Fashion Institute of Technology, New York, NY; Hungarian Consulate, New York, NY; Hungarian Heritage, New Brunswick, NJ; Hunter College, New York, NY; IBM Collections; Princeton Print Club...

MOÏSE KISLING French-Polish, 1891 - 1953 BOUQUET OF FLOWERS WITH MIMOSA signed & dedicated "à Edith Mara", Kisling (lower left) oil on canvas 13 X 88-1/2 inches (33 X 22.5 cm.) frame...

Boris Lacroix (born in Paris in 1902, where he died in 1984) was a French Art Deco architect and designer. Boris Lacroix served as the artistic director of the Vionnet fashion house ...

Canvas measures 24" x 30" and framed 30" x 36" x 3" About this artist: Anni Baldaugh was the daughter of Anthonius Hendricus Schade van Westrum. With a father who was a naval officer, the van Westrum family spent significant amounts of time in the Dutch East Indies. After returning to Europe, Baldaugh studied art with various teachers in Vienna, Munich and Paris. She and her husband ended up living in Los Angeles, though they suffered financial losses during World War I. While in Los Angeles, Baldaugh joined the California Watercolor Club, the California Society of Miniature Painters, the Bookplate Association International, the Laguna Beach Art Association, and the San Diego Fine Arts Society. She also became a member of the Connecticut Academy of Fine Arts. During the Great Depression...

Date: 1936 Medium: Oil on Board Dimensions: 33.00" x 28.50" Signature: Signed and Dated Lower Left "Caught in the Rain." Alternate cover for the August 29, 1936 issue of The Saturda...

Illustration for “Women America Remembers: Peggy O’Neil” by Arthur D. Howden Smith for The Red Book Magazine, published March 1930, illustrated pages 20-21. This painting by Mead Schaeffer depicts a romantic encounter between Peggy O'Neil and her first husband, John Timberlake. The accompanying caption reads: "It was inevitable that Peggy should fall in love—and she did, with John Timberlake, who had little besides his face to recommend him." It was created in 1930 for the third installment of The Red Book Magazine’s “Women America Remembers” series, which features stories of women famous for “personality, beauty, wit or audacity, or because of the tragedy left in their train.” Margaret ("Peggy") O'Neil Eaton remains a figure of historical intrigue, primarily for her central role in the "Petticoat Affair," a significant political scandal during Andrew Jackson's presidency. The circumstances surrounding Peggy’s marriage to John Eaton, occurring shortly after the death of her first husband, John Timberlake, and her family’s background as tavern-keepers, coupled with her perceived impudent personality, subjected her to intense social scrutiny in Washington D.C. Upon John Eaton's appointment as Secretary of War, Peggy faced social ostracism led by Floride Calhoun, wife of Vice President John Calhoun...

Eric Rebane (Russian, 1922-1999), "A Boy in the Field", Oil on Canvas, 1939, signed lower right, International Art Fund Certificate of Authenticity to verso, ebonized and giltwood fr...

This oil painting is signed by the artist "I Pailes" at the lower right corner. The work was painted in circa 1930's. Provenance: The Issachar Ber Frydman collection. Acquired in F...

Medium: Oil on Canvas Signature: Unsigned Sight Size 23.50" x 27.25", Framed 29.50" x 33.00" The present work is a study for Flowers for the President c...

"Snowcapped Mountain" is an original oil painting on board by Francesco Spicuzza. The artist signed it with his signature stamp in the lower left. This painting depicts a mountain pe...

Original frame which measures 43" x 22" x 1.5" Signed lower right "B. W. Smith" Signed, titled and listing original price verso in pencil on label 'Beatrice Wose Smith/"Reflections ...

Firmado por el artista en la parte inferior El estado de la pintura es bueno Se presenta enmarcada la obra Medidas obra: 108 cm. de altura x 84 cm. de ancho Medidas marco: 121 cm...

Janis Pupols (1886 – 1956) Graduated Landscape studio of V. Purvitis in Latvia Art academy (1927). He took part in exhibitions since 1925. Artist painted landscapes in different t...

Janis Pupols (1886 – 1956) Graduated Landscape studio of V. Purvitis in Latvia Art academy (1927). He took part in exhibitions since 1925. Artist painted landscapes in different t...

Daniel Content painted in the grand tradition of the Golden Age of Illustration, in the style of Dean Cornwell, N.C. Wyeth, J.C Leyendecker ...

Cover of Outdoor Life magazine, April 1933. Image of a man with fishing gear in front of a calendar. Joseph Francis Kernan was a sportsman all of his life and the majority of his subjects featured, as he described it, "the human side of outdoor sports, hunting, fishing and dogs." These were the ideal subjects for magazine covers and his work appeared on all of the major - and some minor- magazines, including The Saturday Evening Post, Collier's, Liberty, The Country Gentlemen, Capper's Farmer, The Elks, Outdoor Life, and The Associated Sunday Magazines. His work was also commissioned for calendars, and advertisers such as Fisk Tires, International Harvester...

Date: 1938 Medium: Oil on Canvas Dimensions: 37.00" x 29.00" Signature: Signed Lower Left Image of man and grandson.

Medium: Oil on Canvas Signature: Signed Upper Left Image of two men, one seated and one standing. From the book Head Tide by Joseph C. Lincoln

Jacques Martin-Ferrières (French, 1893-1972) Le marché de Raguse en Yougoslavie, avec la fontaine, circa 1938 Oil on canvas Measures: 22-3/4 x 29-1/4 inches (57.8 x 74.3 cm) Framed: ...

Provenance: The Artist. Menikoff collection (friends of the artist) About this artist: Born in Little Italy in 1907, Gregorio Prestopino first set out to become a sign painter as the son of New York City immigrants. Instead, his talent provided a life-changing scholarship to the National Academy of Design, and for five years he studied drawing under C. W. Hawthorne. He spent the summer of 1934 at the MacDowell Colony in Peterborough, New Hampshire. His deep involvement with the colony led him to later serve as its director in 1954. Much of Prestopino’s work was in the vein of social realism. During the 1940s and 1950s he became deeply invested in portraying everyday Manhattan and Harlem scenes. He first became interested in the Ashcan school at the National Academy of Design, and remained committed to an interest in working with urban scenes. His lively treatment of people and events revealed his affinity for sixteenth-century artist Pieter Breughel. Later in his career, he focused on producing images of nudes and picturesque New Hampshire landscapes, and investigated the relationship between color and form. Prestopino exhibited at several biennials at the Corcoran Gallery, at the Art Institute of Chicago, the Museum of Modern Art. His work was frequently shown at the Pennsylvania Academy of Fine Arts, where he was awarded the Temple Gold Medal in 1946 and an additional prize in 1952. He was awarded a National Institute of Arts and Letter Grant in 1961, and in 1972 the National Academy of Design awarded him the Altman Figure Painting Award. Prestopino’s artistic cache skyrocketed when Life magazine published his images from New York’s maximum security institution Green Haven as part of its “Prison Series” in 1957. That same year his paintings and sketches of urban life were featured in the short film Harlem Wednesday. Directed by John and Faith Hubley...

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘77’, in upper left corner, German copyright label on...

This is an original Oil Painting by the Ukrainian artist Elie Anatole Pavil. It is hand signed by the artist at the lower right corner. The reverse bears a label with the title and d...

Cover of The Elks Magazine May 1935 Caption: "With a hey and a ho, and a hey nonino,. Sweet lovers love the Spring -- Shakespeare." Walter Beach Humphrey specialize...

Following two decades of successful impressionistic landscape painting, Wilson Henry Irvine became known for a new experimental style in the 1930s. In 1930, Irvine began making prismatic paintings—landscapes and still-lifes rendered as though seen through a glass prism. The effect accentuated the play of light on the edges of objects. Irvine remained committed to this style of prismatic painting throughout the 1930s, winning the best-picture award in 1934 for a picture of a life-sized nude at the annual exhibition of the Lyme Art...

Watercolour and ink on paper, signed and dated '1939' bottom left and entitled on the reverse Image size: 18 x 9 inches (45.75 x 23 cm) Original frame This is a wonderfully moving w...

Stunning portrait with a killer smile by Golden Age of Illustration female Illustrator Zoë Mozert. Signed lower right. Framed under glass, silk matted and i...

Signed on Corner Story: “ Wolf Pass” by William Byron Red Book Magazine May 1930 # 1774 in the Catalogue Raisonne 2009

This small portrait, oil on panel 24 x 17 cm, is signed and dated in the upper right corner in openna cursive "Valentino Ghiglia 1934." It depicts a maiden with cropped hair and a so...

Published by The Sporting Gallery New York and Frost & Reed London Printed in Germany Pencil Signed (LR) Blind Stamp (LL) Art Sz: 16"H x 24 1/4"W Frame Sz: 29 5/8"H x 36 1/2"W

Medium: Oil on Canvas Sight Size 29.00" x 21.00", Framed 34.00" x 27.00" Signature: Signed Lower Left Valentines Day, Saturday Evening Post cover, February 16, 1935

Medium: Oil on Board Signature: Unsigned Edmund F. Ward estate stamp on verso

Signed Lower Right Film Fun magazine cover, July 1934

Maurice Asselin (1882-1947) Les Anémones, a bouquet of anemones signed upper right oil on canvas 38 x 46 cm Label of the exhibition Maurice Asselin at the Galerie Schmit in february...

Medium: Oil on Canvas Signature: Signed Lower Right Ladies Home Journal Story Illustration, April 1931 "The Easter Candle" by Dagvar

Medium: Oil Painting Signature: Signed Lower Center

Jim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...

Signed lower left: Seymour Ball Inscribed upper left: To Morris E Weiss with best wishes Seymour Ball" Matted not framed

Original cover for Liberty magazine, published October 17, 1931. As Lil’s Aunt Ruby, a “social gadabout” and “blithe widow of many years’ standing” arrives at the Jenkins family home for a visit, Sandy tries to hide his irritation once he sees the massive amount of luggage she had in tow. Aunt Ruby shows off an enormous new diamond ring and coyly announces she is to be married that fall and that her new fiance would be arriving shortly. As Lil scrambles up some hors d’oeuvres and cocktails, Sandy hears a car pull up to the house and is shocked to discover that Aunt Ruby’s future husband is none other than Sandy’s boss! (Liberty magazine, October 17, 1931, p. 37) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

Medium: Oil on Canvas Signature: Signed Lower Left Now a 3, General Electric All-Steel Refrigerator ad illustration, 1930 Caption: "Many modern models, unmatched for beauty and con...

This oil painting is signed by the artist "I Pailes" at the lower left corner. The work was painted in circa 1930's. Provenance: The Issachar Ber Frydman collection. Acquired in Fr...

Signed Lower Right by Artist Saturday Evening Post Cover, October 6, 1934

Magazine illustration for "Home for Lunch," published in Ladies' Home Journal, March 1940. Oil on canvas. 27 x 32 inches. Signed "Sundblom" in lower left image. Medium: Oil on Canva...

Signed Lower Left by Artist

Signature: Signed & Dated Lower Left:

Original cover for Liberty magazine, published May 23, 1931. Lil and Sandy have their friends Mr. and Mrs. Saunders Shanks over to their house for a game of cards. After settling do...

Date: 1926 Medium: Oil on Canvas Dimensions: 28.00" x 30.00" Framed Dimensions: 35⅛ x 39⅛ in. Signature: Signed Lower Left Magazine story illustration for "The Dead Ride Hard," for ...

Signed Lower Right by Artist Film Fun, May 1930, illustrated on the front cover. C. Martignette, L.K. Meisel, The Great American Pin-Up, Köln, 1996, p. 121, fig. 153, illustrated. The present playful Art Deco image of a jester by Enoch Bolles is illustrated on the cover of the May 1930 issue of Film Fun magazine. Marian Nixon (1904-1983), popular Hollywood film actress of the 1920s and 1930s, posed for the cover. Nixon began her career in silent film, appearing in such notable films as Riders of the Purple Sage...

'Crows-Nest Mountain' in 1931 by New York City artist Arthur Frischke. Oil on canvas, 22 x 26 in. / Frame 30 x 32.25 in. This landscape view features Crows-Nest Mountain, located in ...