1980s Paintings

This Walter Valentini art work is made in cast lost wax bronze: "sun city" represent the dream of the man, a postive future for all. Signed by the artist.

Watercolor on paper, 1986, by Heinrich Neuy ( 1911 - 2003 ) Monogramed, titled and dated lower right. Framed. Measurements: sheet 9.84 x 8.27 in ( 25 x 21 cm ), framed: 14.57 x 12.8...

Original Oil on Canvas by Gianmarco Montesano. Very good conditions. Ref: - Cat. "Guardando il cielo", Galleria Monti, Roma, 1989 - Monography edited by Valerio Dehò, G. Politi Ed...

Hand Signed and dated overleaf. Certificate of Authenticity by Fondazione Pablo Echaurren.

Artwork size: 22 x 9 cm. Frame size 40 × 35 cm. Estate stamped on the verso. Archive number SF 84-871 Free shipment worldwide. Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire. Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre. The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings. The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking. Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work. Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art. He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia. He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994. Sam Francis’s first...

River,Flowers,Pink,Russian Art,Impressionist Nikolaj LATYSHENKO (Artjomovsk, Ucraina, 1937) Born in Ukraine in 1937, he first studied in Saratov and in 1957 he joined the Repin Ins...

Oil on canvas.

East Village Art: From 1978 for 8 years Berlin worked frenetically,at street level, his finger on the pulse of this great city creating The Manhattan Collection. Living & moving in ...

Perez Pétriarte Mother and Child Oil on Wood Board Perez Pétriarte grew up on the coast of SW France. This painting is one her rarer works appearing for sale from the 1980s She is a...

Snow ,winter landscape, LEONID VAICHLIA (St. Petersburg, 1922) Works by Leonid Vaichlia can be found in various private collections in Europe, Japan, United States and in the follo...

The House in Torremolinos, Spain British artist J.B. Holmes, 20th Century Oil painting on board, unframed Signed by the artist and dated Feb, 1982 on the back of the board Board siz...

Abstract Composition French School, late 20th Century Oil painting and collage on board, unframed Signed and dated '1987' Board size: 27.5 x 32 inches Marvellous large abstract pain...

Hassan Ertugrul Kahraman (1952-) Nude Woman Profile Acrylic paint on panel Signed bottom left and signed again on the back Dated 1989 Size : 40 x 30 cm (c. 16 x 12 in) Excellent co...

Femme en Bleu "L`Escalier" by Perez Pétriarte Oil on Canvas Perez Pétriarte grew up on the coast of SW France. This painting is one her rarer works appearing for sale from the 19...

Acrylic on canvas, signed lower left and right. Christoff, painter of the school of NICE

Roy Petley (born 3 April 1950 ) is a British painter. Petley paints en plein air to depict the wide expanse of English beaches and the gentle allure of Venetian landscapes. His work...

Rafael Duran Benet (1931-2015) - Cadaques - Oil on canvas on cardboard Oil measurements 41x33 cm. Frame 45x37 cm. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan ...

The artwork is in perfect condition.

The artwork is in perfect condition.

The artwork is in perfect condition.

Technique: Signed and Dated Acrylic and Ink on Canvas Additional Information: This is a unique acrylic and ink painting by the artist Andy Warhol. It is signed “Andy Warhol” in felt...

Rafael Duran Benet (1931-2015) - Barcelona - Oil on canvas on board Oil measurements 27x22 cm. Frame 29x24 cm. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan pai...

Well executed geometric abstract painting.  Really good interior designers piece. Excellent condition and well framed  John Hopwood 1942-2015. He had several paintings accepted for the Royal Academy...

Work on paper Silver wood frame with glass pane 34.5 x 39.5 x 2 cm

Keith Haring, Untitled, 1984 Ink on yellow wove paper Hand-signed and dated in ink in the lower portion of the right margin: K Haring 11.75 x 16.5 in (30 x...

Artist bio: Born in the vibrant metropolis of New York City in 1931, Joyce Weinstein embarked on her artistic journey with an impressive start, holding her very first solo exhibitio...

Signed and titled post impressionist figures in landscape circa 1980 by French painter Max Michel Agostini. The work depicts bathers on a sunny day sunbathing and playing on a golden...

20th Century Oil painting of an Impressionist scene of of an Impressionist landscape. Moroney was born on the 14th of February 1949 in South London. Of Anglo Irish parentage, his f...

Valentin Danilovitch Bernadski (1917-2011) Ukrainian Portrait of a Young Girl holding a Kitten, seated in a Summer Garden Oil on Canvas: 30 x 25 in. Frame 35 x 30 in. Signed in Cyr...

'Road to Eygalières', oil and pastel on carton, by Henri-André Martin (circa 1980s). Sitting only a few minutes' drive outside the vibrant town of Saint Rémy, Eygalières holds a spec...

Robert Motherwell Elegy Sketch 1980-ca. 1984 Acrylic on canvas board 15 x 29.5 cms (5 7/8 x 11 5/8 ins) RM-P80-2500 P1008 An early version of this work was photographed in 1980 (Sloman photo no. 1217). Studio photographs show that Motherwell modified the black forms and added the white lines sometime around 1984, without changing the overall composition. Exhibited: Solomon R. Guggenheim Museum, New York, Robert Motherwell, 1984, no. 106. Manny Silverman Gallery...

Robert Motherwell Shem the Penman #18 1983 Acrylic and charcoal on canvas 25.4 x 35.5 cms (10 x 13 3/4 ins) RM10044 P1068 Signed upper left and on reverse. Provenance: Dedalus Foun...

Robert Motherwell Open Untitled (Yellow) 1981 Acrylic and charcoal on canvas 30.5 x 40.6 cms (12 x 16 ins) RM10045 P1019 Recto upper left: RM Verso not signed,not dated Artist's stu...

Robert Motherwell Shem the Penman #19 1983 Acrylic and charcoal on canvas 25.4 x 35.6 cms (10 x 14 ins) RM13642 P1069 Recto, upper left: RM Verso: R. Motherwell \ 1983 Verso (on b...

Robert Motherwell The Studio 1987 Acrylic and charcoal on canvas 152.4 x 182.9 cms (60 x 72 ins) RM13966 P1140 When Motherwell made The Studio, in 1987, he was nearing the end of an...

Robert Motherwell Elegy to the Spanish Republic No. 163 1979-82 Acrylic and Conte crayon on board 59.1 x 74.3 cms (23 1/4 x 29 1/4 ins) RM14159 P1061 Elegy to the Spanish Republic No. 163 is a fine example of Robert Motherwell’s most acclaimed body of work, the Elegies to the Spanish Republic. As important as Barnett Newman’s zips and Jackson Pollock’s drips for their revolutionary contribution to art history, the Elegies are Motherwell’s most extensive series; he executed over 140 paintings using this motif, beginning in 1948 until his death in 1991. Nearly every major museum collection, including the Metropolitan Museum of Art, New York, Museum of Modern Art, New York, Solomon R. Guggenheim Museum of Art, New York, and San Francisco Museum of Modern Art, have in their permanent collection an Elegy to the Spanish Republic. Intended to be read as a lamentation or funeral song after the Spanish Civil War (1936-39), Motherwell’s Elegies to the Spanish Republic are a lyrical and poetic memorial to the immense human loss and suffering endured during these harrowing years. Motherwell was a young student of twenty-one when the horrors of the Spanish Civil War commenced in 1936, and he would later reflect that it was the most “moving political event” of his youth. In 1939, the Spanish Civil War concluded with the fall of Spain’s democratically elected socialist government, which was deposed by a fascist coalition led by dictator Francisco Franco, whose dictatorship would persist until 1975. In 1948 nearly a decade after the end of the Spanish Civil War, Motherwell created his first Elegy with a small drawing to accompany a poem by Harold Rosenberg. Over the next four decades, Motherwell would pursue this same structural and thematic motif relentlessly; taken as a whole, the Elegies confirm the resounding impact that this war had on the young artist, and indeed stand as a powerful monument to the overwhelming loss during and in the aftermath of the Spanish Civil War. Motherwell stated: “I meant the word 'elegy' in the title. I was twenty-one in 1936, when the Spanish Civil War began…The Spanish Civil War was even more to my generation than Vietnam was to be thirty years later to its generation, and should not be forgotten, even though la guerre est finie.” (David Craven in Joan M...

Robert Motherwell Homage to Catalonia 1985 Acrylic on canvas 61 x 91.4 cms (24 x 36 ins) RM14749 P1116 This painting was begun in 1985 as a work from the Hollow Men series. By 1986 ...

George Dannatt (1915-2009) Henge-Line 1985 Oil on card Image: 5 1/4 x 4" 13.3 x 10.2 cm Frame: 9 7/8 x 8 5/8" 25.0 x 22.0 cm George Dannatt’s long career as a pai...

Reference number F358 Framed with a natural oak floated frame 38 x 46 cm frame included (33 x 41 cm without frame) This work is painted with oil on a canvas. IStamp of the signature ...

Oil Painting of Great Gable & the Buttermere Fells in English Lake District by 20th Century Modern British Landscape Artist, Arthur Terry Blamires (b. 1930) Art measures 30 x 20 inc...

Still Life with pumpkins. 1981, cardboard, oil, 82x101 cm Edgars Vērpe was born in 1958 in Riga. In 1976 he graduated from J. Rozentāls Riga Art High Sch...

The artwork is handsigned "Emblema 1980" on the back of the canvas by the artist.

William Tillyer Untitled (The Westwood Paintings) 1989 Acrylic on canvas 61 x 71.1 cms (24 x 28 ins) WT9778

Frame size 73x86 cm. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his artistic training at the age of nine, Gil Sala entered the School of Fine Arts in Barcelona, ​​where he had as teachers Felix Mestres and Vicente Borrás. Already in 1930, being still almost an apprentice, he obtained the bronze medal of the School, and in 1936 he won by contest a scholarship to make a study trip through Spain. Those were the difficult moments of the outbreak of the Civil War and thanks to the help of the sculptor Mariano Benlliure, he was able to complete his artistic training. Throughout his life Ignacio Gil dedicated himself to travel both in the Peninsula and in different Islamic and Latin American countries. He exhibited his work in Spain, France, the Philippines, Switzerland, the United States, Canada and Colombia, among many other countries. Extraordinary draftsman, agile handling pencil and charcoal, Ignacio Gil immortalized landscapes of all Spain...

Signed in oil verso

Pierre Duc (born in 1945) is a French painter, printmaker and sculptor A former student of the sculptor Georges Oudot (who created among others the academician swords of Edgar Faure...

Acrylic and mixed media on canvas, 1989, 25.4 x 120.02 cm. (10 x 47 ½ in.)

Sochi. Cardboard, tempera, 31x19 cm Summer landscape with palms Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, trans...

children, pink, russia,little girl GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collections in Europe, Japan, United S...

Untitled (Capricci Series) is a mixed colored artwork realized by the contemporary Italian artist Pier Paolo Calzolari in 1982. Oil and tempera on board. Photo-certificate by Fonda...

Acrylic on canvas, 1984, signed and dated on the verso, 34.4 x 23.5 cm. (13 ½ x 9 ¼ in.)

Oil on canvas, circa 1986-87

Geert van Fastenhout works in a long, respectable Dutch tradition of painting, that of geometric abstraction. He paints rectangular surfaces and beams in black and in heavy, covered...

Artwork size: 207 x 150 cm. Frame size: 215 x 158 cm. Free shipment worldwide. Signed, titled and dated on the back. Acquired directly from the artist. Vladimir Velickovic was born ...

Technique: Terre colorée sur toile de jute. Delivered with the certificate of authenticity from the archives of Roberto Matta. Artwork size: 100 x 100 cm. Frame size: 114 x 112 cm. Free shipment worldwide. Acquired directly from the artist. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...