1980s Paintings

Somnath Hore - Untitled Pen & Ink on Paper, 7 x 10 inches ; 1980 Inclusive of shipment mounted not framed, Should you wish to receive the same framed and shipped kindly contact us. ...

Oil painting by Lowell Nesbitt (1933 - 1993). Titled "Rose Iris" and dated 1982. Wonderful vibrant painting in excellent condition. In 1958...

Chuta KIMURA (also "Tchuta" or "Tshuta") is an allusive landscape painter and pastellist. His name - composed of the words Ki (tree) and Mura (village) -...

Chuta KIMURA (also "Tchuta" or "Tshuta") is an allusive landscape painter and pastellist. His name - composed of the words Ki (tree) and Mura (village) -...

Chuta KIMURA (also "Tchuta" or "Tshuta") is an allusive landscape painter and pastellist. His name - composed of the words Ki (tree) and Mura (village) -...

Signed lower right, 'Lightfoot' for Jon Lightfoot (Native American, 1939-2018) and dated 1986. Jon Lightfoot was born in Kansas City, Missouri to a Cher...

Francesc Sillue (1936) - Through the looking glass - Oil on canvas Oil measures 60x73 cm. Frameless.

Antique American modernist signed still life oil painting. Oil on board. Signed. Framed.

Isaac Monteiro (1938-2008) Female, 1985 Oil on canvas 36 x 48 in. Framed: 37 x 49 x 1 1/4 in. Signed lower left: I Monteiro Inscribed verso: Female, I M...

Bruno Côté, Canadian, 1940-2010 "Quebec landscape", 1986 Oil on masonite 12 x 16 in Signed and dated ’86 lower left; Signed and titled verso framed

Face After Picasso - Tropical Storm Two Sided Abstract Watercolor Acrylic Paper Bold Face after Picasso with a storm of bold abstract colors on verso, by California-based artist Ric...

Joe Bergeron (American) Saturn From Titan, 1980 Oil on canvas Framed: 40 x 30 x 1 1/2 in. Signed lower right: Bergeron 80 Inscribed verso Joe Bergeron grew up in the twin hamlets of Endicott and Endwell in upstate New York. As a boy he taught himself the constellations using a cardboard star wheel, watching in awe as stars he had never before identified rose according to prediction. Later he began a more thorough examination of the heavens using various small telescopes. A devoted hiker, Joe prowled his surroundings at all hours of the day and night, often discovering semi-abandoned sites of human activity which his imagination invested with the mystery of ancient ruins. Joe was known as a "class artist" in high school, mostly by virtue of superhero drawings done in ballpoint pen. His early efforts at painting were clumsy at best and disastrous at worst, leading him to be intimidated by the brush. Finally, called upon to produce planetarium shows during a summer job, Joe taught himself to paint so he could create visuals for the shows. Soon he was selling paintings and drawings at science fiction art...

Antique American modernist signed abstract oil painting. Mixed media on board. Signed. Framed.

Modernist abstract "Manan du Terre" by LT Milton 1987 Abstract landscape on paper by Milton (American, 20th century). Bright colors in Gouache and Acrylic paints. A bold green mount...

5-3161 Acrylic nude on paper in a custom wood frame

4091 Graffiti art acrylic on artist board displayed in a custom -made wood frame. Signed by S.Mooney 1987. Image size 12H x12W

5-3207a Acrylic on artist board set in a white wood frame

Jerusalem Israeli landscape cityscape with the Har Habayit, The Western Wall plazas. Kotel Hamaaravi. Size includes frame. canvas is 14 X 11 Edward Ben Avram (born 1941) is an India...

Jerusalem Israeli landscape cityscape with the Har Habayit, The Western Wall plazas. Kotel Hamaaravi. Size includes frame. canvas is 9 X 11 Edward Ben Avram (born 1941) is an Indian...

José Luis Florit Rodero (1909-2000) - goyesque scene - watercolor Watercolor measures 42x30 cm. Frame mesures 53x42 cm. José Luis Florit Roder...

'Portrait of a Young Woman', oil on board, by Peter Robert Keil (1983). A wide-eyed woman gazes out to the viewer with an inquisitive gaze. The artist's use of exuberant colours beli...

5-3596 Oil on artist board Set in a custom hand painted wood frame Image size 18x13.5"

Isaac Monteiro (1938-2008) Untitled (Abstract Landscape), 1989 Oil on canvas 22 x 28 in. Signed verso: I Monteiro 89 Isaac Monteiro was born in Antwerp...

Katherine Porter Tempest, 1989 Oil painting on gessoed India rag paper with deckled edges 29 1/4 × 25 inches signed and dated in graphite on the lower front Unframed (accompanied by ...

"Rosemary" Berkeley Figurative School by Patricia Gren Hayes 1980 A large scale portrait of a blond woman by Patricia Gren Hayes (b. 1932). The model is in front of a window, with h...

Jean Dassonval (French, 1939-2012) Untitled, 1989 Acrylic and mixed media on canvas 19 3/4 x 25 3/4 in. Signed lower right: Dassonval Stamped verso: Jean Dassonval Inscribed in Fren...

The couple is a work of art realized by Giovanna Picciau (1977, Turin) in 1987. Oil on Canvas. Cm. 90x100. Very good conditions.

Luminosa natura morta,Cachi,Banane e vaso blu Maya KOPITZEVA (Gagra, Georgia 1924 – San Pietroburgo 2005) Maya Kuzminichna Kopitzeva nasce nel 1924 in Georgi...

Gabino Rey Santiago (1928-2006) - Oil on canvas - Port of Barcelona Oil measures 54x65 cm. Frameless.

Early work was impressionistic and hard abstract. Carola later developed a more mature way of working in a colourful exploration of the subject. Colour was her main interest and she...

Purvis Young (1943 - 2010) Collage 1989, 1989 Oil enamels on wood with wood collage 86 x 31 in

Ben Wilson Ozymandias, 1989 Oil on masonite board Boldly signed by Ben Wilson on the back 36 × 48 inches Unframed Provenance: acquired from the Estate of Ben Wilson This work is titled "Ozymandias" after the famous sonnet written by Percy Bysshe Shelley (1792-1822). Shelley's poem is one of the most poignant meditations on the fleeting nature of human power and the inevitability of decline. The poem serves as a reminder that time erodes even the most imposing empires and leaders and that the pursuit of lasting fame and control is ultimately futile. Depending on how one views Ben Wilson's Abstract Expressionist painting of "Ozymandias" -- some of the imagery might reveal the head of an angry king and a sickle. Shelley's poem Ozymandias reads: I met a traveler from an antique land...

3772 Acrylic surreal figural painting on artist board by Brunelli

Joyce Kozloff Topkapi Pullman, 1985 Watercolor and acrylic on paper (bears original gallery labels: Barbara Gladstone Gallery, Gallery Camino Real, Boston University Art Gallery) Sig...

Menashe Kadishman was an Israeli sculptor, painter, and graphic artist best known for his colorful paintings of sheep and large-scale metal sculptures. In the painting, Theodor Herzl...

Still Life of Pink Flowers in a Blue Vase by Édouard Righetti (1924-2001) Signed lower front and back dated 1984 In its original wooden frame oil painting on canvas, beautifully painted with thick impasto oil and bold colors. very good condition framed: 26 x 20 inches canvas: 25..5 inches x 19.5 inches provenance: all the paintings we have for sale by this artist have come from the artists estate in France. Biography Edouard Righetti : Born July 14, 1924 in Menton (Alpes-Maritimes). Died in Paris in December 2001. 20th century. French. Engraver, painter and draftsman of compositions with characters, figures, landscapes, urban landscapes, seascapes, interiors, still lifes, animals, flowers. Édouard Righetti began by taking courses at the École des Beaux-Arts in Montpellier. He then continued his training at the School of Decorative Arts in Nice. In 1949, he met the engraver Edouard Goerg and was admitted to the Ecole des Beaux-Arts in Paris in his studio until 1954. There he learned to work with copper, aquatint, etching. at the waist, the drypoint. In 1953 he made a trip to Rome, Florence and Pisa. In 1956 he obtained a two-year scholarship to Casa Velasquez (Madrid). He participates in group exhibitions, among which: 1953, 40,000 years of Modern Art, Paris; 1958,1959, 1961, 1962, 1963, 1964, 1965, Salon Le Trait; 1959, Galerie Greuze, Paris; 1964, Musée des Beaux-Arts, Tours, as well as at the Salon Pointe et Burin and at the Biennale de Paris. He shows his works in personal exhibitions, including: 1951, Menton; 1953, Galerie Eliane Norbert, Paris; 1961, Galerie Bonaparte, Paris; 1963, 1964, Le Nouvel...

Ben WIlson Lightness, ca. 1980 Oil on masonite board 21 × 25 × 3/10 inches Stamped by artist's estate, Hand signed by the artist on the front AND stamped by the artist's estate on the back Unframed Hand signed by the artist on the front and stamped by the artist's estate on the back. Acquired from the Estate of Ben Wilson. This poignant painting is done by the second generation Abstract Expressionist artist Ben Wilson - one of the youngest artists to be given a show at prestigious ACA Gallery in 1940. Ben Wilson was born in Philadelphia in 1913 to Jewish parents who had emigrated from Kiev and settled in New York City. He was educated in Manhattan public schools and graduated from City College in 1935. To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance. Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his first one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, filled with what he called “the grief of the intolerable” and reflecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identified strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting. When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specific imagery persisted but became more psychological and mythic in orientation. Influenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early figurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.” By 1960, influenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson filled notebook after notebook with drawings that he amplified in his paintings. Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn...

Incised lower right, 'Gavin' for Boyd Gavin (American, 20th century) and dated 1986; additionally titled, verso, on old exhibition label, 'Painted Trunks...

Ben Wilson Concert, ca. 1989 Oil on masonite board (Hand Signed by the artist; also bears the Estate Stamp) Boldly signed front and back, titled and dated on the back by Ben Wilson and also stamped on the back by the estate of Ben Wilson 42 × 48 inches Unframed This stunning painting is done by the second generation Abstract Expressionist artist Ben Wilson - one of the youngest artists to be given a show at prestigious ACA Gallery in 1940. This work "Concert" - depicting instruments, in a light, lyrically abstract painting. Exquisite colors and subtle imagery. In 2017, he was the subject of a retrospective at the George Segal Gallery at Montclair State University from September 6 to November 4 and it was accompanied by a catalogue. About Ben Wilson: Ben Wilson was born in Philadelphia in 1913 to Jewish parents who had emigrated from Kiev and settled in New York City. He was educated in Manhattan public schools and graduated from City College in 1935. To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance. Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his first one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, filled with what he called “the grief of the intolerable” and reflecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identified strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting. When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specific imagery persisted but became more psychological and mythic in orientation. Influenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early figurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.” By 1960, influenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson filled notebook after notebook with drawings that he amplified in his paintings. Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn Wilson...

"Descanso, Peru (Woman)" by Ernesto Gutierrez, 1986, oil on jute canvas, signed lower right. 25" x 30" art 35" x 40" frame Artist Bio: Ernesto Gutierrez was born in Lima, Peru in ...

Shipra Bhattacharya - Fisherman-3 Oil on Canvas 35 x 40 inches (unframed size) , 1989 ( Framed & Delivered ) Style : Shipra , is a leading contemporary mid career artist of India....

General Idea was formed in 1967 in Toronto and over the next nearly 30 years, the trio made a remarkable contribution to post-modern art. With their subversive approach and intere...

Interesting Latin American art collage/assemblage of images. bears elements of Arte Povera. it is mounted onto a wood construction. Signed verso and bears label from Stux Gallery. Well Known Brazilian political artist and collector. Showed at Stux Gallery (they showed Doug Anderson and then Mike and Doug...

5-3546 Acrylic on artist board Set in a vintage white frame Image size 14x11"

Artist: Dobroslav Halata, Czech (1943 - ) Title: Two Nude Seated Figures Year: 1983 Medium: Oil on Canvas, signed Size: 45.5 x 59 in. (115.57 x 149.86 cm) Frame Size: 46.5 x 60 inches

Stone Faces - Abstract Portrait in Acrylic on Textured Paper Abstract portrait by California-based artist Ricardo de Silva (Brazilian, 20th Century). Two faces are merged, overlappi...

#5-3517 Black and White still life ,acrylic on black paper, signed by Anna Stathys,displayed in a mat-glass and gilt wood frame.Image size 11.75 H x 8.5 W

Larry Rivers LARRY RIVERS (hand signed and inscribed first edition book), 1989 Hardback monograph with a dust jacket (hand signed and inscribed "Enjoy the Matisse" Signed, dated and inscribed by Larry Rivers in red marker on the title page 11 3/5 × 9 4/5 inches Lavishly illustrated hardback monograph with dust jacket on the occasion of the artist's career retrospective. Text is by the distinguished art historian and Princeton professor Sam Hunter. Hand signed, dated and dedicated in red marker on the title page. Inscription reads: To Joanne and Ira Enjoy the Matisse Larry Rivers, April 2, 1992 About the book: Hunter, Sam. LARRY RIVERS. 358 pp. with 400 illustrations, including 155 plates in color. Folio, cloth. New York, Rizzoli, 1989. New York: Rizzoli, 1989. First edition. Hardcover. 358 pages. Retrospective monograph on Larry Rivers. Features text by Sam Hunter. Includes 400 illustrations of which 155 are in color. Publisher's Blurb: Rivers' public persona as an artist combines that of bohemian outsider, sensualist and entertainer. His best-known images of the 1960s--Dutch Masters cigars, French money, cigarette packs--became Pop icons. Eschewing abstraction, he came up with startling, disquieting figures, such as his obese, sagging mother-in-law depicted in the nude with brutal honesty ( Double Portrait of Berdie ). Yet there is more to Rivers than the hipster, as this lavishly illustrated monograph by a former Princeton art historian shows. Hunter makes a case for Rivers as a social realist: witness his powerful construction piece Ghetto Stoop or recent works that include searching portraits of Primo Levi...

Milly Ristvedt loves jazz. Several of her paintings have been created to the beat of a jazz tune. In this abstract piece, on a vertical velvet green backdrop, expansive gestural brus...

City landscape is an artwork realized by Lello Barresi in 1980s. Oil on Canvas 67 x 47 cm ; 100 x 80 cm. Good conditions

Signed Lower Right by Artist Paperback Cover of 'Beguiling Ways' written by Lynda Trent. Silhouette Special Edition #457, May 1, 1988

Portrait of a Woman with Curly Brown Hair in Oil on Canvas (Marie Osmond) Elegant portrait of a woman (Marie Osmond) with a perm by Cindy Gin (Cindy Lin) (American, 20th Century). A...

Daugava river near Kraslava. 1986, canvas, oil, 66x81 cm

Pierre Coquet – Abstract Composition Reference number A268 Framed with a natural oak floated frame 55 x 70 cm frame included (50 x 65 cm without frame) This work is painted with oil on a paper that is mounted on a board and placed in a made to measure wood strectcher. It is signed in the bottom right. Stamp of the signature in the bottom right Pierre was very sensitive to abstract paintings. He did a lot of abstract works melting colors and shapes in different atmosphere and style. Nevertheless he could come back to figuration and again to abstraction with no precise period of time. Abstract paintings by Pierre Coquet represent a large part of his production. The constant search for balance between shapes and colors as well as his passion for Nicolas de Staël, André Lanskoy, Alfred Mannessier… takes him on different paths from what we know of him. His way of painting is strong and thoughtful, the lines stretch out and the harmonious touches, applied with sobriety, reveal a great sense of color. Provenance : Workshop of the artist (stamped and numbered on the back) Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin. He won a prize in 1945 and joined a movement that wanted to be outside of any school whose name ends with “ism”, (like impressionism, cubism…) between figuration and the renaissance of Abstract Art, bringing together young generations under thirty and eager not to submit to any technique. The “Sanzism” (literally without « ism ») will bring together, among others, painters: James Bansac, Roger Bravard, André Chaix, Jean Mélinand, Paul Clair, André Cottavoz, Pierre Doye, Jean Fusaro, Jacques Truphémus, André Lauran...

#5-3339 Figurative Surreal on canvas applied to a board, signed by Martino, set in a black wood frame.Image size 13.75 H x 10.50 W

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, ...

Pauline Paquin, Canadian, b. 1952 A l'entrée du sous bois Oil on masonite 10 x 8 in signed lower right signed, titled and dated verso framed

Untitled, c. 1980s Oil on canvas 43 1/2 x 55 1/2 in.