1980s Paintings

Walk. Paper, watercolor, 102x73 cm Dzemma Lia Skulme (born 1925 20 IX - 2019) Skulme graduated from the Academy of Arts of Latvia, Department of Monumental Painting with diploma wo...

A wonderful, museum caliber painting by Craig Kauffman. Initialed "CK" and dated "82" in the lower right corner. PROVENANCE: Asher Faure Gallery Luther Vandross Luther Vandross Estate Private Collection, New York Private Collection, San Diego, CA EXHIBITED: Asher Faure Gallery, Los Angeles, California, CRAIG KAUFFMAN: NEW PAINTINGS April 23 through May 21,1983 CATALOGUE: Craig Kauffman Estate Archive Number CR No: P.1982.2 The following is from The New York Times, May 15, 2010, By Douglas Martin Craig Kauffman, who in the 1960s helped put Los Angeles on the art map with audacious experiments in molding industrial plastic to create ethereal wall-mounted sculptures — some resembling giant pieces of jelly candy — died Sunday in Angeles City in the Philippines. He was 78. The cause was complications of pneumonia following a recent stroke, said Frank Lloyd, his friend and dealer. Mr. Kauffman was eminent in an eclectic group of artists who reveled in the light, space and energy of postwar Southern California to forge new Minimalist, often glossy artistic approaches. Richard Armstrong, director of the Guggenheim Museum said that these Californians, sometimes called the Cool School — along with Chicago Imagists and Washington, D.C., painters called the Color School — were counterpoints to the Abstract Expressionists who ruled New York. "California was never ashamed of being a new society," Mr. Armstrong said in an interview on Thursday, "it all fit together nicely." Los Angeles was then ascending to the status of a metropolis, with a growing number of major-league sports teams, fresh industries and a surging population. There were new quarters for public galleries and the burgeoning of commercial ones. At the center of the action was the Ferus Gallery, which staged the first solo exhibition of Andy's Warhol's pop art and the first American retrospective of Marcel Duchamp. Mr. Kauffman was a featured artist at the gallery's inaugural exhibition in 1957, "Objects on the New Landscape Demanding of the Eye." Peter Plagens, in his book Sunshine Muse: Art on the West Coast, 1945-1970, (1974, 1999), wrote, "'Culture' meant 'art' and 'art' implied 'new,' and 'new,' as everybody was informed, meant California — particularly Los Angeles." The artists who seized this historic opportunity included Billy Al Bengston, Ken Price and Robert Irwin, among others. In an interview on Wednesday, Arne Glimcher, founder and chairman of Pace Gallery, which had Mr. Kauffman's first New York show in 1967, called the California scene in the late '50s and early '60s "a pressure cooker of ideas." Referring to artistic styles, he said, "It was California perfection against New York messiness." Mr. Kauffman's early paintings were critical in defining this new style. Mr. Plagens called them "the first evidence of a Los Angeles sensibility." Mr. Kauffman's later work blazed splashier trails, as he experimented with the effects of light on works that were painterly yet three-dimensional. "The true power of what he did was his incorporation and then redirection of light inside sculpture," said Mr. Armstrong, who was the curator of a show of Mr. Kauffman's work at the Whitney Museum of American Art in 1987. "Many of them glowed," he said. "Others were translucent. Even the supposedly opaque had a noteworthy shimmering quality to them." What Mr. Kauffman made reflected a wide range of inspirations. In a 2008 video interview in conjunction with a show at the Armory Center for the Arts in Pasadena California, he said that the famed lingerie store Frederick's of Hollywood provided artistic nurture. With a smile, he confessed to a "shoe fetish" that had influenced some of his art. Robert Craig Kauffman was born on March 31, 1932, in Los Angeles. He started painting regularly at age 7 and went to theUniversity of Southern California to study architecture in 1950. But art soon won out over architecture, and he transferred to the University of California Los Angeles, to study painting. He earned Bachelor's and Master's degrees there. A breakthrough came in the early 1960s when he experimented with painting on glass, but found it too fragile. He then painted on flat acrylic plastic. His next inspiration came from the plastic packaging increasingly used to wrap merchandise. He sought out craftsmen at commercial factories to learn the technique, Time magazine reported in 1968. The results were several series of three-dimensional wall hangings. Some were inspired by large plastic fruit clusters on the wall of a doughnut shop he frequented in Los Angeles. These lozenge-shaped reliefs were sometimes called "bubbles." Barbara Rose, in a catalog essay for an exhibition at the Washington Gallery of Modern Art in 1967, wrote, "Shaping the brittle sheet plastic into a series of voluptuous curves, Kauffman achieves a kind of abstract eroticism that is purely visual." Mr. Kauffman's work was shown in countless exhibitions and many one-man shows. It has been acquired by the Museum of Modern Art in New York, the Tate Modern in London, the Art Institute of Chicago and the Los Angeles County Museum of Art, among others. In 2006, one of Mr. Kauffman's reliefs fell from a wall of the Georges Pompidou Center in Paris, where it was part of an exhibition titled "Los Angeles: Birth of an Art Capital, 1955-1985." It shattered. After storms of publicity, the Pompidou provided technical help and money to make a new version. Mr. Kauffman was married several times. He is survived by his daughters from his marriage to Dana Kauffman, from whom he was separated: Wilhelmina, Vida Rose and Georgia Kauffman. When they started in the 1960s, Mr. Kauffman and his artistic compatriots did not foresee a legacy, much less earning an income, Larry Bell, a prominent artist in the group, said in an interview on Wednesday. "The troops sort of banded together to be our own audience," he said. "Every once in a while, we'd sell...

Oil Pastel and Pencil Liquor Still Life Oil pastel and pencil still life depicting a line up of Dutch liquor bottles and drinking glasses by Erin Pearce (American, 20th C). Liquor ...

Artist: Jenik Cook, American (1940 - ) Title: Abstract Composition II Year: 2011 Medium: Oil on Canvas, signed and dated l.l. and verso Size: 24 x 36 in. (60.96 x 91.44 cm)

Pierre PALUÉ (1920-2005), Still life with cherries, oil on canvas signed lower right, 44.5 x 59 cm, 65 x 80 cm with the frame. Pierre Palué was born in Bordeaux on May 13, 1920. In ...

Bouquet ,Flowers,Orange,Russian MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya Kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundation for the...

In the heyday of summer. 1988, oil on canvas and cardboard, 50x63,5 cm Summer landscape with blooming meadow Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional educatio...

Black Cat,Cat,yellow Gleb SAVINOV (Kharkiv prov., Ua 1915 – St. Petersburg 2000) Gleb Alexandrovich Savinov was born in Ukraine and spent part of his childhood in Saratov. His father, Alexander Ivanovich Savinov (1881–1942), a talented painter, draftsman and teacher, was a professor at the Academy of Fine Arts. In 1922 they moved from Saratov to Petrograd. In 1928-1930 Savinov started working in the studio of his father while still attending school. In 1934, after graduating from high school he enrolled at the painting department of the Leningrad Institute of Painting, Sculpture and Architecture, where he studied with, among many others, Alexander Osmerkin. In 1940 Savinov graduated and married his classmate and talented artist Olga Bogaevskaya. This happy family and creative union lasted sixty years. Since that year Gleb Savinov participated in art exhibitions with portraits, historical and genre paintings, landscapes, interior scenes, still lives. He served during the Great War and in 1944 he was admitted to the Leningrad Union of Soviet Artists. In 1945-1947 he taught in the Repin Institute, then from 1949 to 1979 in the Vera Mukhina...

Artist: Juhachiro Takada Title: Untitled III Medium: Encaustic, Sand on Canvas, Signed in pencl Paper Size: 10.5 x 12.5 inches Frame Size: 19.5 x 20.5 inches

Artist: Gary L. Shaffer (American, 1936-2001) Title: Arial Landscape (Black Blocks with Red) Year: 1989 Medium: Oil on canvas Size: 54 x 48 inches. Signature: Signed, titled, dated...

Artist: Ian Hornak (1944-2002) Title: Waiting for the Barbarians Year: 1985 Medium: Acrylic on double layered Masonite Size: 37 x 31 inches Condition: Good Provenance: Estate of Ian ...

Forest edge at winter. 1983. Oil on cardboard, 40x50 cm Winter landscape Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at stud...

Artist: Lowell Nesbitt (1933-1993) Title: Impossible Series Year: 1987 Medium: Oil on canvas, triptych Size: 66 x 54 inches, each; 66 x 162, overall Inscription: Signed, dated by the...

Jacques Henri GUYOT (1946) Jazz Musicians Oil on Wood with modern black wood frame Size panel : 100 X 78 cm Size frame : 120 X 98 cm Certificate fr...

Signed lower left, 'Curtis Fields' (American, 1921-2008) and dated 1980. Provenance: Austin Hills estate, San Francisco. After graduating from Yale Art School, Fields served in the ...

Acrylic on canvas painting by Joe Shannon (b.1933). Titled "That Day in Pompeii". Signed and dated in lower left. Gallery label on reverse. New York Time...

This 1980s oil on board painting, titled "Masks", was created by renowned Colorado artist Edward Marecak (1919-1993). The piece features a striking mosaic-style composition with bold...

Rocky seashore. 1980, cardboard, oil, 48x66 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place in his creativity takes city landscapes. As a ten-year-old boy...

signed 'Gillian Ayres 88' (lower left)

Near the shop. 1987, pastel on cardboard, 67x79 cm The artwork was published in the catalog - "Jānis Zemītis Glezniecība. Painting." Publisher: Al ...

Composition with split bowl. (Bilateral) Watercolor on paper, 73x54 cm Jekabs Arturs Springis (1907– 2004) Painter, Latvia 1924 – 1927 – he learned at Aizpute Secondary School 1...

Poppies and peonies. 1985. Oil on canvas, 70x80 cm Bright colorful artwork view on the garden with flowers Valiahmetov Amir Hasnulovitch (1927 07 01 Kazan - 2014 Moscow) He graduat...

mixed media cardboard painting CUIXART I TÀPIES, Modest (Barcelona, 1925 - Palafrugell, Girona, 2007). He cuixart initially studied medicine, but soon abandoned his studies to devot...

Signed lower right, 'V. Papkov' for Victor Papkov (Russian-American, 20th century); inscribed verso with artist name, dated 1989-1990 and titled, 'San Francisco Bay'. A dramatic Impressionist oil seascape showing late sunset off the San Francisco coast...

Artist: Ian Hornak (1944-2002) Title: Light from the Past, 1st version Year: 1985 Medium: Acrylic on double layered Masonite Size: 21.5 x 18 inches Condition: Good Provenance: Estate...

Investing in a late 20th-century Victorian-style portrait of two terrier dogs in a landscape is an opportunity to bring a touch of nostalgic charm and timeless elegance into your liv...

"Equestrienne" is an original painting on canvas measuring 40 x 30 inches by Erik Freyman. The artist is best known for his 80's style which draws heavily on Art Deco and Cubism. ...

Colorful abstract modern pastel drawing of a cowboy by Texas artist Robert Sandman. The work features a man dressed in vibrant clothes holding a cowboy ...

Artist: Nick Wallis, American Title: More Afterthoughts 2 Year: circa 1980 Medium: Oil on Canvas, Signed l.r. Size: 60 x 60 in. (152.4 x 152.4 cm)

Includes a Certificate of Authenticity

18.50" x 23.50" sight size Debra Yoo received a degree in Fine Art and the Humanities from the University of Chicago, strongest influences were painting professor Vera Klement and the proximity of the Art Institute of Chicago. Her undergraduate work was primarily abstract, deeply influenced by Matisse, Russian icon painting, Robert Motherwell, and Barnett Newman. After graduation she decided to pursue a growing interest in painterly realism. At that time Minimalism and Conceptualism were dominant, but there was (as there is still) a core of distinguished American artists who practiced the kind of contemporary realism based on modernism. Matisse continued to be a guiding light, but she also became interested in the work of Larry Rivers, Louisa Matthiasdottir...

Andy Miller (American, b. 1950), Abstract Composition, Oil on Canvas, 1983, impasto details, warm green with ochre highlights, dated to verso, with artist's studio stamp to verso, ap...

Flowers,Red,Pink,white,Jasmine ,Russian post Impressionism GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collections in...

Veranda, window, summer,flowers GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collections in Europe, Japan, United States and in the following museums: Moscow, Tret’jakov Gallery Moscow, The Ministry of Culture Collection Moscow, Central Museum of the Revolution St. Petersburg, Russian State Museum St. Petersburg, History Museum Tblisi, Fine Arts Museum Tambov, Fine Arts Museum Irkutsk, Fine Arts Museum London, National Gallery Manchester, Fine Arts Museum Dresden, National Gallery Bratislava, National Gallery Tokyo, Contemporary Art Gallery Osaka, Soviet Art...

An abstract acrylic on canvas executed in bright, primary red, blue and yellow by Post War artist Jack Roth. Signed, dated and titled verso, "ROTH81 "NEW SYNTHESIS - 15".

"Pajaro Caballo (Bird House)" is an original acrylic painting on canvas by Miguel-Casto Lenero. Abstract representations of animals are rendered in thick acrylic paint in dark pastel...

Kishio Suga Parallel Universe, 1989 White paint overt plywood. 40 x 24 x 15 cm 15.75 x 9.5 x 6 in

Artist: David Rucli, Italian (1944 - ) Title: French Night Club Year: circa 1989 Medium: Oil on Canvas, signed u.r. Size: 52 in. x 78 in. (132.08 cm x 198.1...

River in winter. 1987, oil on board, 40x50 cm Winter landscape by the river Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paint...

"Dusseldorf, Germany" 1993, oil on canvas, hand signed and dated lower left, Canvas (unframed):18 X 48. framed: 19.5 X 49.5 Provenance: directly from the artist. Exhibited at Phyllis Kind Gallery in NYC in 1987. Archie Rand (American, born 1949) is an artist from Brooklyn, New York. Rand's work as a painter and muralist is held in the collections of the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Victoria and Albert Museum in London, the Bibliothèque Nationale de France in Paris, and the Tel Aviv Museum of Art. His graphic works and books are held by the Metropolitan Museum Of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Art Institute Of Chicago, The Brooklyn Museum, the Baltimore Museum of Art, the Smithsonian Institution, and The New York Public Library; and are owned by Harvard, Yale, Columbia, Brown, and Johns Hopkins universities. Born in Brooklyn, Rand received a Bachelor of Fine Arts in cinegraphics from the Pratt Institute, having studied previously at the Art Students League of New York. His first exhibition was in 1966, at the Tibor de Nagy Gallery in New York. He has since had over 100 solo exhibitions, and his work has been included in over 200 group exhibitions. He is currently Presidential Professor of Art at Brooklyn College which granted him the Award for Excellence in Creative Achievement in 2016. Before joining Brooklyn College, Rand was the chair of the Department of Visual Arts at Columbia University. The Italian Academy For Advanced Studies in America at Columbia University presented him with The Siena Prize in 1995. He was awarded a Guggenheim Foundation Foundation Fellowship in 1999 and was made a Laureate of the National Foundation for Jewish Culture, which awarded him the Achievement Medal for Contributions in the Visual Arts. In 2002 he received the Presidential Award for Excellence in Teaching from Columbia University. In 2002 he became the artistic advisor to film director Ang Lee for his production of The Hulk, and was asked by Milestone Films to provide a commentary track for the DVD release of Henri-Georges Clouzot’s classic 1955 film The Mystery of Picasso. Archie Rand’s earliest major works are “The Letter Paintings” (or “The Jazz Paintings”) (1968–71), a radically positioned series of technically inventive, mural-sized canvases. The Letter Paintings, by incorporating the names of mainly male and female African-American musicians, undermined prevailing aesthetic categories by conflating many contemporary movements including Conceptual Art, Color Field, Pattern and Decoration, diary entry and social commentary. In 1974 Rand received a commission from Congregation B’nai Yosef in Brooklyn. Rand was asked to paint thematic murals on the complete 16,000-square-foot (1,500 m2) interior surfaces of the synagogue. The work took three years, and completing this commission made Rand the author of the only narratively painted synagogue in the world and the only one we know of since the 2nd Century Dura-Europos. The religious legal controversy raised by placing wall paintings in a traditionally iconoclastic space was resolved by the verdict of Rabbi Moshe Feinstein, then considered to be the world’s leading Talmudic scholar, who declared the paintings to be in conformity with the law. His subsequent turn to figuration may have been influenced by his friendship with Philip Guston, whose own work was transformed in the late 1960s. Like Guston, Rand "chafed at the limitations of purely abstract forms." A near-cult figure who started out as a child prodigy and whose admirers range from John Ashbery to Julian Schnabel. Rand’s paintings display a vast and savvy menu of inventive and finely executed approaches. He has completed many series after the works of Paul Celan, Moyshe-Leyb Halpern, Eugenio Montale, Yehuda Amichai, Rainer Maria Rilke, Samuel Beckett/Paul Eluard and Jack Spicer. Working often with poets, he has produced books and continues to engage in publishing collaborative projects. He maintained a correspondence with the American British Jewish painter R.B. Kitaj. In 2008, on a warehouse wall, Rand mounted the painting, “The 613”, which at 1700 square feet (17’ x 100’) is nearly twice the size of James Rosenquist’s F-111. It is one of the largest freestanding paintings ever made. Reminiscent of “The Segments” paintings it is intimidatingly enormous. Paradoxically, despite the raucous cartoony bytes that shoot colorful flashes from the manic surface, “The 613” glows warmly. Its overall effect is strangely calming and majestic. In an article on a 2011 exhibition of Rand's "Had Gadya" series, David Kaufmann wrote: Rand displayed his work in 15 solo exhibitions between 2008 and 2017, many of them showcasing paintings done after Scripture, or his workings with poets: Including “Had Gadya, 2005”, Borowsky Gallery, Philadelphia, PA (2011); “Gods Change, Prayers Are Here To Stay (after Yehuda Amichai), 2000", Katz Gallery, Atlanta, GA (2014); “Psalm 68, 1994”, Derfner Museum, Riverdale, NY (2014); “The Chapter Paintings”, Tribeca Gallery, NY (2015); “Men Who Turn Back (after Eugenio Montale), 1995", SRO Gallery, Brooklyn, NY (2016); “Sixty Paintings From the Bible” & “The Book of Judith, 2012”, Cleveland State University Galleries, Cleveland, OH (2016) & The American Jewish Museum, Pittsburgh, PA (2017); “Archie Rand: Early Works With Poetry: Jack Spicer, 1991 and Samuel Beckett/Paul Eluard, 1993”, St. Francis College, Brooklyn, NY (2017). "The 613" In 2015 Blue Rider/Penguin/Random House published The 613, allotting one color plate per page for each of the 614 units in the painting. The Wall Street Journal labeled The 613 as “dynamic…remarkable…thrilling” The New York Times selected the book as “Editors' Choice” and praised it in two separate reviews calling it “wonderfully garish” and declaring that “nothing prepared the art world for 'The 613.' Recent Activity In 2016 Rand showed two bodies of work that were done in Italy, “La Certosa Di Pontignano, 1995” and “Mount Etna, 2005,” at The Interchurch Center Galleries, New York. From 2016 to 2017 he served as the Curator and Juror for the Governor of Wyoming’s Capitol Arts Exhibition at The Wyoming State Museum, Cheyenne, WY. A 2017 exhibition, “Archie Rand: Early Works With Poetry”, featured two series of work from 1991 and 1993 after poems by Jack Spicer and Samuel Beckett/Paul Eluard. This painting was exhibited in the Phyllis Kind Gallery in NY in 1987. (Phyllis Kind was an American art dealer active in Chicago and New York. She promoted the work of the Chicago Imagists, The Monster Roster and The Hairy Who and outsider artists. Kind opened a gallery in Chicago in 1967. Called Pro Grafica Arte, the gallery dealt in master prints and drawings. In 1975, she opened a gallery on Spring Street in New York's SoHo district. She gave some of the artists in the movement their first solo shows: Jim Nutt and Gladys Nilsson...

Artist: Ian Hornak (1944-2002) Title: Childhood of Hephaestus, Variation V Year: 1985 Medium: Acrylic on Canvas, with Artist Painted Frame Size: 47 x 59 in...

Sunny day at Paris. Oil on canvas, 46x38 cm

Robert Kushner Pears, 1985 Acrylic & Collage on Paper; Framed with Holly Solomon Gallery Label & Reader's Digest Art Collection Label Signed and titled by the artist on the front Thi...

Gladys Nilsson A Small Error (INV# NP3714) watercolor on paper Approx: 5 x 5.12" Frame: 10.12 x 10.12" 1987 Annotated on mat verso with title, artist...

Artist: Ian Hornak (1944-2002) Title: (Hudson River Landscape) Untitled Year: 1985 Medium: Acrylic on illustration board Size: 12.5 x 10 inches Condition: Good Provenance: Estate of ...

Garden,Green,Flowers,Impressionist Framed 61 x 73 cm. No frame cm.40 x 50 Boris Lavrenko (Rostov, 1920 – St. Petersburg, 2001) Works by Boris Lavrenko can be found in various priva...

Here we have a Surreal Male Nude by a famous Cuban artist Carlos Macia (1951-1994). *** please excuse the photos, it is under glass and there are reflections of a yellow light. I’v...

Artwork size: 67 x 51 cm. Frame size: 112 x 97 cm. Free shipment worldwide. Archive number SF 89-153 in the Sam Francis Foundation. Stamped with the Sam Francis Estate logo and stamped signature on verso. Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire. Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre. The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings. The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking. Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work. Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art. He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia. He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994. Sam Francis’s first...

This 20" x 24" oil on canvas painting by David Crown dates to 1985. The focal point of this painting are three animal figures in the foreground rendered in...

Sunset. Cardboard, oil, 50x70 cm

This is an early work from Sue Coe's oeuvre. Prior to being a fine art artist Coe was an illustrator . Signed lower right. Inscribed on lower margin, "The Money Maze To Dawn Love ...

Aaron Bohrod Golden Girls, 1987 Signed lower right Oil on gesso panel 9 x 12 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

Artist: Red Hammond Title: Brooklyn Bridge Celebration Year: 1989 Medium: Oil on Canvas Diptych, signed and titled verso Size: 56 x 50 in. (142.24 x 127 cm)

"Florentine Expressions: A Portrait Series XXIV", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an int...

Winter landscape. 1980. Oil on cardboard, 24x32.5 cm

Ivan Chai, Russia,Green,Pink LEONID VAICHLIA (St. Petersburg, 1922) Works by Leonid Vaichlia can be found in various private collections in Europe, Japan, United States and in the...

Large-scale watercolor painting of calla lilies. Signed "Ewing" lower left. Displayed in a rustic wood frame with gray stain. Shipped without glass. Mat board has some light foxing a...

"Early [Newspaper] Edition," an original mixed media on canvas by Linnea Pergola, is a piece for the true collector. Pergola's style is whimsical and she is most well-known for her cityscapes, landscapes, and vivid works on silk. Many artists have copied her cityscape style, but she has been creating these works since the 1980s and was one of Martin Lawrence Galleries...

Artist: Nick Wallis Title: More Afterthoughts 4 Year: circa 1980 Medium: Acrylic on Canvas,signed Size: 60 x 60 inches (152.4 x 152.4 cm)

Tomoe Todd Boppel, American (1934–2000) Date: 1985 Oil on Canvas, signed verso Size: 66 x 44 inches Frame Size: 67 x 45 inches