19th Century Paintings

Oil on canvas Canvas size: 12 x 18 inches Framed size: 18 x 24 inces Signed lower right

Ward Heys was a Manchester Artist who was active in the latter part of the nineteenth century. He was proficient in both oils and watercolours and exhibited at the Walker Art Galler...

Сollaboration work by two Norwegian artists: Morten Müller (1828-1911) and Olaf Christopher Dahl (1842-1895). Painted approximately in late 19th century (ca. 1870 - 1880). And this rare and awesome work of art should be considered for museum collection as well. Both painters presented in National Museum Oslo, Norway. Contrast picture of light and shadow, calm pastoral below and sky drama above. Oil painting on canvas, framed. Size app.: 46 x 69 cm (roughly 18.1 x 27.2 in), with frame 60 x 84 cm cm (roughly 23.6 x 33.1 in). Good condition with wear, tiny losses to paint in minor areas and craquelure. So it needs minor care and conservation. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 4.4 kg is going to measure some 6 kg volume weight packed for shipment. Morten Müller - was born by the Christianiafjord at Holmestrand, in Vestfold County, Norway. Morten Müller began his art studies with Adolph Tidemand and Hans Gude in Düsseldorf, Germany, from 1847 to 1848. From 1850 he was again a student at the Kunstakademie Düsseldorf, with Johann Wilhelm Schirmer as a teacher. From 1850 to 1851, Müller painted with the Swedish landscape painter Marcus...

English artists, circa 1870 oil painting on canvas, framed framed: 36 x 31 inches canvas : 30 x 25 inches provenance: private collection, England condition: overall very good and pr...

Val Duchesse Castle (Dutch: Kasteel Hertoginnedal) is located in the municipality of Auderghem, in the south of Brussels (Belgium), on the edge of the Soignes Forest. The Val Duchess...

Signed and inscribed lower right: Charles Sprague Pearce / Paris.

Gerardine Van de Sande Bakhuyzen Dutch, 1826 – The Hague – 1895 An outstanding opportunity to purchase one of Holland's most outstanding and no...

Artist/ School: Robert Falcucci (French 1900-1989), signed lower corner Title: Bright Floral Still Life of Flowers Medium: oil painting on canvas, unframed, signed canvas: 21.5 x ...

The Deathbed Of King James I, 19th Century FORD MADDOX BROWN (1821-1893) Large 19th Century Pre-Raphaelite interior scene of the deathbed of King James I,...

A stunning oil landscape by Arthur H. Davis, depicting a local shepherd herding his sheep to market. Davis has set the rural scene with soft and delicate tree, accompanied by wild wo...

Oil Painting by Henry Archibald Major "Black and White Grapes" 1829- 1902 Shropshire and London painter of still life, animals and portraits . He exhibited at the Royal Academy Brit...

19th century British oil, Ship in a rough sea. The style of the painting is very similar to the work of Bernard Benedict Hemy a well known Briti...

19th century American school; unsigned and painted circa 1860. Displayed in a substantial and period, carved wood and gilt-gesso frame Frame dime...

August Laux (German/American, 1853-1921) Signed: August Laux (Lower, Right) " Hide and Seek ", circa 1880 Oil on Canvas 16" x 20" Housed in a 3" Period Ornamented Frame with a 1...

Charles FRÉCHOU (Paris 1820 – Paris 1900) Portrait of a child with a cat Oil on canvas H. 41 cm; L. 33 cm Signed lower left and dated 1849 Apart from participation in the Salon betw...

Oscar Regan Coast was an American landscape painter. This artist was trained and studied in both Paris and Rome. After his studies, he moved back to the United States and spent a maj...

Signed Lower Right by Artist Illustrated for the cover of The Girls of Canby Hall, Trouble Maker" By Emily Chase. Published by Scholastic in June 1987.

Émile Renard French, (1850-1930) Cordonnier à Jouy, Eure-et-Loir (Cobbler of Jouy) Oil on canvas, signed & dated 1883 Image size: 12.75 inches x 17.5 inches Size including frame: 23.5 inches x 28.25 inches A realist painting of a cobbler in his workshop by Émile Renard. The composition features an elderly shoemaker seated on a rickety chair next to a bench. The light from a window illuminates his work. Émile Henry...

LESLIE E.B. SMYTHE 19th-century English rural landscapes, with goats by a river and people. Smythe was an English painter who was active in paintings in both Scotland and England. ...

Oil Painting after William Lara "Traveller's outside the Inn" exhibited 1862 - 1871 William Lara was one of the pseudonyms of Georgiana Lara who exhibited at the Royal Society of Br...

This exceptionally large painting is by queen Victoria's favourite artist James Sant. Claude Ponsonby, Boy Fishing Oil on Canvas Signed and Dated 39 x 58 inches Canvas 49 x 68 inches...

Up for sale is an original approximately 19th century oil painting on wood, depicting a dancing Spanish woman and a musician. Very impressive. Dimensions (frame): 25.5” x 18.5” D...

A turn-of-the-century landscape featuring a figure sat fishing in a pond. Presented in a wooden frame. Signed to the lower-right edge. On canvas on stretchers.

View Of Whampoa Anchorage, 19th Century Rare Chinese Export Trade Landscape Large 19th century view of Whampoa Anchorage, oil on canvas. Excellent quality and condition extensive v...

Children In A Garden Landscape, 19th Century Qing Dynasty Chinese School Large 19th Century Chinese School garden landscape with children, oil on canvas. Excellent quality and cond...

Sanford Robinson Gifford (American 1823-1880) A Rare Portrait Of Mrs. Sanford Robinson Gifford (Mary Cecelia Gifford) "The Artist's Wife" Oil on Paper mounted on canvas, painted in 1878, 2 years before his death. In original giltwood frame. Painting: 8 1/4" high by 7 1/4" wide Frame: 15" high x 13.5" wide Provenance: Private Collection (acquired by descent directly from the artist in 1878) Alexander Gallery, New York (acquired from the above) Acquired from the above in 1986 by the present owner The Art Institute of Chicago (Reference Number 1986.184) New York, Private Collection Literature: Ila Weiss, The Poetic Landscape: The Art and Experience of Sanford R. Gifford, Newark, 1987, no. 10, p. 309, illustrated The Art Institute of Chicago, letter from Milo Naeve to Mr. and Mrs. William Y...

Cottage by a River Scottish School, late 19th century signed by F. Mclvor oil on canvas, framed framed: 17.5 x 22 inches canvas: 15 x 20 inches provenance: private collection, UK con...

Winter Scene English School, 19th century oil on board, framed framed: 13.5 x 19 inches board: 6 x 12 inches provenance: private collection, England condition: good and sound conditi...

Oil on canvas Image size: 10 x 30 1/4 inches (25.5 x 77 cm) Original gilt Watts frame This is a head and shoulders portrait of William Ewart Gladstone painted after a photograph tak...

Francis Dodd R.A. 1874-1949, was a British landscape and portrait painter and printmaker. After extensive travels in Europe he returned to settle in Manchester before moving to Black...

Artist/ School: Abraham Hulk jnr 1851 - 1922, signed Title: Fishing boat off a jetty in a blow. Medium: signed oil painting on board, framed. Size: framed: 9.5 x 13.5 inche...

A charming late 19th Century oil, showing an old woman in a red head scarf with a kindly smile. The painting is unsigned and presented in a gilt ...

Henry H Parker British, (1858-1930) Doeford Bridge, Clitheroe Oil on canvas, signed & further inscribed in pencil to stretcher Image size: 11.5 inches x 17.5 inches Size including frame: 16.5 inches x 22.5 inches Provenance: MacConnal-Mason Ltd, Duke Street, London This attractive scene featuring Doeford Bridge near Clitheroe is by Henry H Parker. Two figures can be seen on the bridge overlooking the river Hodder. Doeford Bridge is located in Bowland Forest Low, Lancashire, 9 miles north-west of Clitheroe between Chipping Village and Whitewell. It spans over the river Hodder, near the confluence of the rivers Hodder and Loud. The bridge was built around 1770 and was constructed with squared sandstone blocks formed into 2 segmented arches with a central triangular cutwater. It was made a grade II listed building by Historic England in 1952. Henry Parker was born in the St Pancras area of London on 27 June, 1860 and was christened Henry Deacon...

William Henry Davis British, (1783-1865) The Brewery Yard Oil on canvas, signed & dated 1839 Image size: 27 inches x 35 inches Size including fram...

Signed and dated figures in seascape oil on panel by Belgian impressionist painter Alfred Emile Leopold Stevens. The work depicts an elega...

"Shared Rest" - an absolutely charming, fabulously painted, oil-on-canvas painting of three, Jack Russel Terriers nestled together on a bench or sofa, swathed in green fabric. Framed...

Artist/ School: Scottish School, 19th century Title: Scottish Highland Landscape, with cattle watering on the loch Medium: oil on canvas, framed Framed: 39 x 46 inches Painting: 2...

Charles Harry Eaton Summer Landscape Signed lower right Watercolor on paper 9 1/2 x 13 1/2 inches Inspired by the Barbizon style of painting and devoted to the Detroit landscape...

FRANCISCO DOMINGO MARQUÉS Spain, 1842 - 1920 REST IN THE TAVERN signed, located & dated “Domingo / PARIS / 1890” (lower left) oil on wood panel 9-1/2 x 10-1/4 inches (24 x 26 cm.) Francisco Domingo Marqués was a Spanish painter born in Valencia in 1842. He was a self-taught artist who began his career as a decorative painter before turning to portraiture, genre scenes, and landscapes. Marqués gained recognition for his realistic depictions of everyday life and his ability to capture the essence of his subjects. In 1864, Marqués moved to Madrid and joined the Royal Academy of Fine Arts of San Fernando, where he studied under Federico de Madrazo. He quickly became a prominent member of the Madrid art scene and exhibited his works at numerous prestigious exhibitions, including the National Exhibition of Fine Arts and the Paris Salon. Marqués was known for his use of vibrant colors and his masterful handling of light and shadow. He painted a wide range of subjects, including religious scenes, still lifes, and landscapes, but he is perhaps best known for his portraits of Spanish royalty...

Artist/ School: Italian School, early 1800's Title: Ancient Buildings in Italianate Landscape Medium: oil painting on board, framed. framed: 18.25 x 20.75 inches canvas: 11 x 13.7...

Pair of large Baroque style floral still life oil paintings Continental, 19th Century Canvas: Height 144cm, width 104cm Frame: Height 170cm, width 112cm, depth 4cm This dazzling d...

The Death Of Saint Sebastian, 19th Century by Jean-Jacques Henner (1829-1905) Large 19th Century scene of the Death Of Saint Sebastian, oil on canvas by Jean Jacques Henner. Good q...

Jan Hillebrand Wijsmuller (1855 Amsterdam - 1925 ibid.), Late Summer River Landscape, oil on canvas, relined, 34 x 56 cm (inside measurement), 43 x 64 cm (frame), signed J[an] H[illebrand] Wijsmuller at lower right. - in good condition, the frame with isolated bumped spots - Realistic Impression - About the artwork The panoramic landscape format shows a river landscape, with the course of the river, which curves to the right, leading the eye into the depths of the picture and tempting it to continue the landscape in the imagination beyond the visible area. At the same time, however, the fact that the landscape is not visible through the bend in the river focuses our gaze on the entirety of the landscape depicted, without prompting us to focus on distant details. Accordingly, the brushstroke is not designed to render details with realistic precision. In the front left area of the river there is even a completely free brushwork, trained by Impressionism, which nevertheless remains committed to representational and convincingly suggests the movement of the water. Regardless of the distance of the observer, the entire picture is painted with the same broad brushstroke, so that the landscape is given as an impression. And yet this impression is not ephemeral, as in the case of French Impressionism, to put it exaggeratedly, but reveals to us the essence of the landscape in all its richness. This is why the Dutch variant of Impressionism is always also a realism, although the pictures appear less progressive, but still contain a dimension of landscape painting that is lost with progress. In the impression, the reality of the landscape is revealed, and this happens as we experience the landscape in the visual impression. Wijsmuller does not depict houses or people in order to allow the experience of the landscape to fully unfold. The experience is determined first and foremost by the river, which does not flow into the picture from our point of view, but towards us. Where the river begins to bend, the water is churned by a rapids. Toward us, the riverbed widens and the water comes to rest, covering the entire width of the foreground like a mirror. The stillness of the water corresponds to the evening mood of the late summer landscape, in which the warm tones of the evening light blend with the yellow and brown tones of the plants. A gentle, almost idyllic reality, carried by the brushstroke, yet animated by a liveliness that is also made visible by the brushstroke. The broad, dynamically placed brushstrokes evoke the movement of the treetops and animate even the immobile reeds, while the trunks on the right bank, executed in virtuoso white strokes that seem like markings, make the sunlight shine. On the other bank, a carpet of light also spreads out, its energetic effect again expressed in the brushstroke. The dynamic of the landscape is further enhanced by the complementary color contrasts between the greens, yellows, and browns on the one hand and the blue of the all-encompassing sky on the other. A contrast that is intensified by the reflection in the water. The evening coming to rest of the landscape is thus at the same time an all-encompassing contrasting and yet in itself harmonious movement. This reality becomes accessible to us as an experience in the impression of the landscape. About the artist Jan Hillebrand Wijsmuller entered the Royal Academy of Arts in Amsterdam in 1876 and studied under the innovative Professor August Allebé, who was famous for the Amsterdam Impressionism, also known as the Allebé School. In 1877, Wijsmuller transferred to the Hague Academy of Art, and thus to the Hague School, and then completed his studies at the Brussels Academy of Art. Returning to the Netherlands, Wijsmuller opened his own studio in Amsterdam. In 1883 he won the prestigious Young Artist Award, donated by Willink van Collen, which made Wijsmuller a well-known and sought-after artist. Wijsmuller was a member of the Societät Arti et Amicitiae Amsterdam and the Pulchri Studio in The Hague. Wijsmuller belongs to the second generation of the Hague School. While Vincent van Gogh described the protagonists of the first generation to his brother Theo as "the great gray people," the second generation, and Wijsmuller in particular, used a much more colorful palette. His oeuvre makes him a major player in Dutch Impressionism...

Beautifully rendered, 19th century, oil-on-board, French, Barbizon-school painting of figures in a landscape - signed, “M. Donat”, lower left, and inscribed by the artist on the reve...

LESLIE E.B. SMYTHE 19th century English rural landscapes, with goats by a river and people. Smythe was an English painter who was active paintings in both Scotland and England. He ...

Hermanus Koekkoek the Younger was a member of the renowned Koekkoek artist family. He was the grandson of Johannes Hermanus Koekkoek, the nephew of the landscape painter Barend Cornelis Koekkoek...

Oil Painting by William Langley "The Beach View" 1868 - 1941 William Langley is thought to be one of the pseudonyms of Daniel Sherrin. A painter of atmospheric landscapes and coastal...

Watercolour on paper, each signed, entitled and dated '1873' on mount Image size: 8 1/4 x 5 1/2 inches (21 x 14 cm) Period frames £330 each Please note that there is a slight variat...

Moonlit Cathedral River Landscape, 19th Century Henry Pether (1800-1880) Large 19th Century Moonlit river cathedral landscape, oil on canvas attr...

Oil on canvas Canvas size: 28 x 36 inches Framed size: 35.25 x 43.5 inches Signed lower left

Artist/School: 19th century English Provincial School Title: The River Landscape Medium: oil on board, framed Size: 11.5 x 15 inches, frame 14.5 x 18 inches Condition: Very Good ...

François-Joseph KINSON (Bruges 1770 – Bruges 1839) Portrait of a young woman near a spring, accompanied by her dog Oil on canvas H. 73 cm; L. 60 cm circa 1815-1817 We owe this elegant portrait to François-Joseph Kinson from Bruges, which is still linked to the art of the First Empire. We find in this artist this type of pose that is a bit rigid, sometimes with a countryside in the background, and this way of treating costumes and faces. Thus the full-length portrait of Jenny...

Jean Baptiste Olive This premiere piece shows his work and influence which he had with Antoine Vollon. It is in its museum quality gold leaf frame. The piece has been exhibited in many shows with the exhibition labels on the reverse testimony. Artwork Size: 22 x 18" (56 x 46cm) Artwork Size with Frame: 31 x 27" (79 x 69cm) Free Shipping French, 1848-1936 Jean-Baptiste Olive was undoubtedly one of the greatest masters of the Marseille school at the end of the 19th century, along with Paul Guigou...

William Edward Powell (English, 1878/85 - 1955) Signed: W. E. Powell (Lower, Left) " Contemplation ", circa 1910- 1920 Watercolor on Paper 22 1/2" x 18 1/2" Housed in its origin...

Walter Richard Sickert 1860-1942, was a German born British painter and print maker. He was an influential painter on the Avant guard of the lat...

Amedee ROSIER (1831 - 1898) This is a classic example of Rosier's work featuring the Doge's Palace in Venice, Italy. Venice is a reoccurring theme in hi...

Oil on board, signed 'W.H. Jones' bottom right Image size: 8 1/2 x 11 1/2 inches (21.5 x 29.25 cm) Framed Inscribed on reverse 'The Old Quay, which ceased to exist after the coming ...

Copyright 2023 Michael F. Meyer All rights Reserved. This painting, signed RSD on right side, has been verified by the late expert on Robert S. Duncanson, Joseph Ketner and comes with an authentication letter. This painting has exhibited and is published in Robert S. Duncanson and His Courageous Southern Travels. This painting is one of the many beautiful southern landscape scenes that Robert S. Duncanson painted in his courageous travels south. "Robert S. Duncanson born in 1819, was an African American Hudson River School artist who painted the south before the Civil War, until his death in 1872. Although widely famous during his lifetime, this forgotten artist’s courageous journey through the antebellum south has never before been exhibited or researched until now. His brilliance was in creating captivating landscape paintings that come alive to the viewer, by focusing on the minute details of nature and of the stories he wished to communicate. Robert Duncanson...