Paint Portrait Paintings

Inspired by the concepts of beauty, adolescence, and time passing, Zolotnotsky’s personal and intimate oil paintings probe deeply into the mystery of the medium, itself. She seeks to...

'Poems in paint' Flip Gaasendam tells with his paintings where he likes, there, in those places, he paints. His recognizable loose touch, carefully chosen colors, spherical landscapes, interiors and portraits have been part of the permanent collection of Galerie Bonnard for years. We read somewhere that Flip Gaasendam has a 'Flip Gaasendam veil' on his subjects. That is, we believe, a good description of the works of this highly esteemed artist. "Poetry in paintings" is also a statement that fits with the work and can be read in the numerous descriptions that can be found about the artist. The artist himself says that he wants to put life to a halt in his work. He says the following about his way of working:  'Because I am an aquarellist from home, I learned how to paint transparently in tone and tone. I also use that in my oil paints. My work is classified as post-impressionistic. When I paint, however, I forget everything about art history. I like a lot of things, from Alma Tadema to Andrew Wyeth, but I am a painter of today. It therefore goes too far to say that I consciously go back to the past. I work unorthodox. I do not apply the paint with a fixed method. I brush with wipes, use the palette knife, work with my hands, etc. That my palette is heavily controlled by the color green, is because I often make a painting blond with cobalt and ocher. My themes are often nostalgic and romantic. as a child, I thought the morning mist was beautiful, and with the light effect in the Groninger station restoration it is just as well. ' The modest artist can rightly be called one of the forerunners of the new...

Subtle and moody portrait of a Pensive man by Joan Tidwell (American, 1930-2002). The sitter in the portrait is a middle-aged man looking slightly downwards, wearing a collared shirt. This piece is completed in a tan and green palette, creating a somber feeling. Of particular note are the confident, thick brushstrokes - each one is well-placed in the modernist style. Similar in some ways to Picasso's portraits. Signed "Joan Tidwell" on verso Unframed. Canvas size: 30"H x 22"W oan Gay Tidwell (American, 1930-2002) was born and raised in Hollywood, CA, where she had some success as a child actor. Later, she graduated Magna Cum Laude from the University of Washington with a Master's Degree in English Literature and Drama. Tidwell moved to the Bay...

Sometimes I wonder, was it even there - that past life? If there are no photos, there is no evidence. In this artwork, I've captured a moment suspended in time, where nostalgia meets...

This recently rediscovered portrait of Santi di Tito depicts a Florentine senator, with a letter in his hand indicating that the painting was executed in 1574 when the sitter was 66 years old. On the basis of these clues, it is tempting to view it as a portrait of Bartolomeo Panciatichi, who was painted some thirty years before by Bronzino (1503 - 1572). While the treatment of the hands recalls the Florentine tradition of Mannerist portraits, the comparison with Bronzino's portrait illustrates Santi di Tito's search for greater realism, despite the stereotyped composition. 1. Santi di Tito, Counter-Reformation painter and portraitist Santi di Tito was the great painter of the Florentine Counter-Reformation. He proposed a new artistic language that broke away from Mannerism. Little is known about his training in Florence (perhaps alongside Bronzino or Baccio Bandinelli), but this period of training enabled him to join the Company of Saint Luke, the guild of Florentine painters, in 1554. Between 1560 and 1564, Santi di Tito spent time in Rome, where he frequented the workshop of Taddeo Zuccari. This stay had a fundamental influence on his work, thanks to the discovery of the late work of Raphael, but also his encounters with the painters Francesco Salviati and Federico Barocci. Around 1565, Santi di Tito returned to Florence, where he remained until the end of his life, dividing his talents between the creation of important religious paintings and countless portraits. He became one of the city's leading painters, distinguishing himself, in particular, in the creation of large religious compositions in which the spirit of the Counter-Reformation was reflected. In 1568, Santi di Tito became a member of the Confraternity of Saint Thomas Aquinas...

Ballet Duet by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 15 x 18 inches condition: overall very good, minor surface scuffs from...

Alexander Sharpe Ross - or Alex Ross. This work is a perfect artistic statement with every formal element in perfect harmony. It's a masterf...

These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the future Charles X) and his family in Edinburgh in 1796-1797. Given by the sitters to Lord Adam Gordon, the Governor of Edinburgh, and kept by family descent to this day, these two portraits provide us with a vivid and spontaneous image of the Duc d’Angoulême and his brother the Duc de Berry. Danloux, who had emigrated to London a few years before, demonstrate his full assimilation of the art of British portrait painters in the brilliant execution of these portraits. 1. Henri-Pierre Danloux, a portraitist in the revolutionary turmoil Born in Paris in 1753, Henri-Pierre Danloux was first a pupil of the painter Nicolas-Bernard Lépicié (1735 - 1784) and then, in 1773, of Joseph-Marie Vien (1716 - 1809), whom he followed to Rome when, at the end of 1775, Vien became Director of the Académie de France. In Rome he became friends with the painter Jacques-Louis David (1748 - 1825). Returning to France around 1782, he settled in Lyon for a few years before returning to Paris in 1785. One of his first portraits was commissioned by the Baroness d'Etigny, the widow of the former Intendant of the Provinces of Gascony, Bearn and Navarre Antoine Mégret d'Etigny (1719 – 1767). He then became close to his two sons, Mégret de Sérilly and Mégret d'Etigny, who in turn became his patrons. In 1787, this close relationship with the d'Etigny family was further strengthened by his marriage to Antoinette de Saint-Redan, a relative of Madame d'Etigny. After his marriage, he left for Rome and did not return to France until 1789. It was during the winter of 1790-1791 that he painted one of his masterpieces, the portrait of Baron de Besenval. Set in a twilight atmosphere, this portrait of an aristocrat who knows that his death is imminent symbolizes the disappearance of an erudite and refined society which would be swept away by the French Revolution. The Jacobin excesses led Danloux to emigrate to England in 1792; many members of his family-in-law who remained in France were guillotined on 10 May 1794. Danloux enjoyed great success as a portrait painter in England before returning to France in 1801. During his stay in England, Danloux was deeply under the influence of English portraitists: his colors became warmer (as shown by the portrait of the Duc d'Angoulême that we are presenting), and his execution broader. 2. Description of the two portraits and biographical details of the sitters The Duc d'Angoulême (1775-1844) was the eldest son of the Comte d'Artois, the younger brother of King Louis XVI (the future King Charles X), and his wife Marie-Thérèse of Savoie. He is shown here, in the freshness of his youth, wearing the uniform of colonel-general of the "Angoulême-Dragons" regiment. He is wearing the blue cordon of the Order of the Holy Spirit, which was awarded to him in 1787, and two decorations: the Cross of Saint-Louis and the Maltese Cross, as he was also Grand Prior of the Order of Malta. Born on 16 August 1775 in Versailles, Louis-Antoine d'Artois followed his parents into emigration on 16 July 1789. In 1792, he joined the émigrés’ army led by the Prince de Condé. After his stay in Edinburgh (which will be further discussed), he went to the court of the future King Louis XVIII, who was in exile at the time, and in 1799 married his first cousin Marie-Thérèse Charlotte of France, the daughter of Louis XVI and the sole survivor of the royal family. The couple had no descendants. He became Dauphin of France in 1824, upon the accession to the throne of his father but played only a minor political role, preferring his military position as Grand Admiral. Enlisted in Spain on the side of Ferdinand VII, he returned home crowned with glory after his victory at Trocadero in 1823. He reigned for a very short time at the abdication of Charles X in 1830, before relinquishing his rights in favor of his nephew Henri d'Artois, the Duc de Bordeaux. He then followed his father into exile and died on 3 June 1844 in Gorizia (now in Italy). His younger brother, the Duc de Berry, is shown in the uniform of the noble cavalry of the émigrés’ Army. He is wearing the blue cordon of the Order of the Holy Spirit, awarded to him in May 1789, and the Cross of Saint-Louis (partly hidden by his blue cordon). Born on 24 January 1778 in Versailles, Charles-Ferdinand d'Artois also followed his parents into emigration and joined the émigrés’ army in 1792. After his stay in Edinburgh, he remained in Great Britain, where he had an affair with Amy Brown...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. La Tarte aux fraises by Jean-Pierre Cassigneul (b. 1935) Oil on canvas 130 x 97 cm (51 ¹/₈ x 38 ¹/₄ inches) Signed lowe...

Fernand Blondin (1887-1967) was a Swiss painter and teacher, celebrated for his depictions of idyllic rural life, interiors, female nudes, portraits, still-lifes, religious subjects ...

The Robin Encounter by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 21.5 x 18 inches condition: overall very good, minor surface s...

Georges Croegaert Antwerp 1848 – 1923 Paris Belgian – French Painter 'Cardinal in His Thoughts' Signature: signed lower right and placed ‘Georges Croegaert Paris’ Medium: oil on pa...

Portrait of a Lady by Geza Somerset-Paddon (British 20th century) inscribed and dated verso (1978) oil painting on board, unframed board: 18 x 14 inches inscribed verso condition: ov...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

This stunning Scottish Victorian portrait oil painting is by noted artist Robert Fowler. Painted circa 1893 the composition is of a blonde haired maiden in the foreground, dressed in...

This superb Portrait oil painting is by noted Italian born artist Pilade Bertieri. Painted circa 1910, Bertieri had a London address in 1908 and exhibited five pictures at the Royal ...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

GIFC Title: Die Year: 2017 Medium: Gouache on Paper Size: 11 x 8.5 inches Signed and dated by the artist COA provided

Fine late 19th-century garden portrait in oil. Presented in a decorative gilt-effect frame. Unsigned. On canvas on stretchers.

Godfrey Kneller (Lübeck 1646 - London 1723) circle of Portrait of a Gentleman in a Garden Oil on canvas 67 x 47 cm. Framed 84 x 64 cm. The painting depicts a nobleman portrayed f...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Omoyeni Arogunmati...

This painting is part of our exhibition Charles Goeller: A Wistful Loneliness. Oil on canvas, 29 x 24 inches, Signed lower left Price Upon Request

Oil painting on wooden panel realized by Marco Fariello in 2025. Fortune, blind and unpredictable, has always had a central place in the collective imagination, especially in Neapol...

Francesc Sans Castaño (Barcelona 1868-1937). Maja con abanico y mantilla. Óleo sobre lienzo. Firmado en el ángulo inferior izquierdo. Medidas: 65 x 50 cm; 76 x 61 cm (marco) Precios...

Now I Wear Myself Original Painting by Bukola Orioye Nigeria, 2022 Oil and acrylic on Canvas Dimensions: 36in x 36in Description: Now I Wear Myself is a...

Impressionist Nudes, Three Figures, Oil Painting By French artist Claude Benard, (1926 - 2016) Signed by the artist on the top right hand corner of the painting Oil painting on canv...

Pair of genre portrait paintings by Italian artist Giovanni Bragolin Italian, 20th Century Frame: Height 85cm, width 65cm, depth 5cm Canvas: Height 7...

"At The Verde River" (2024) by Fikriye Oz is an original, handmade oil painting on wood that depicts a close up portrait of a woman with red hair. Fikriye Oz is a representational ...

Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2024 Style: Impressionism, Subject: Spring Woman Size: 23.5" x 19.5" x 0....

Inspired by her background in fashion, artist Lindsey McCord creates vibrant portraits that encapsulate the confidence that comes with the fun of being stylish and chic. Her figures ...

This artwork captures the charm of life’s small joys and unexpected moments. Set in a sunlit desert, a sleek black car gleams in the foreground, contrasted by a nostalgic white vehic...

Serge Marshennikov's "Sleeping Beauty," is an original, handmade hyper realistic oil painting on stretched canvas that depicts a feminine model in a...

"Aka ji oku" (Women as Custodians of Light) - Aka ji oku is an Igbo statement, which denotes "the hand that bears the light". Igbo's origin can be traced down to the Eastern Region o...

Christine van der Cingel (1966) paints mainly cityscapes, people and animals. In her portraits the emphasis is on movement. It is more about t...

Unsigned. Provenance: Studio Sale, George Weissbort, 2 June 2024. On board.

Portrait of a Lady English artist, circa 1870’s oil painting on canvas, framed framed: 36 x 31 inches canvas : 30 x 25 inches provenance: private collection, England condition: over...

"Daughter" (2024) by Adam Shaw is an original handmade oil painting that depicts a portrait of an astronaut with her face partially visible through her helmet. About the Artist: Fi...

This artwork throws three impeccably dressed figures into the middle of a vast, sun-drenched desert—because nothing says "existential crisis" like wearing all black under the scorchi...

Portrait Of Thomas Smythe (1514-1577), 16th Century School of Hans HOLBEIN (1497-1543) Fine huge 16th Century English Old Master portrait of Sir Thomas...

Luis Muntane Muns Portrait of a Woman 1899-1987 Oil on canvas, signed lower right Image size: 31 ¼ x 37 ½ inches (79.5 x 95.5 cm) Original frame The lady averts her eyes from the ga...

This absolutely lovely British Victorian oil painting is by noted Birmingham born artist James John Hill and has some excellent provenance below. The painting actually stayed in Birmingham for many years, hanging in Heathfield Hall, the former residence of inventor and engineer James Watt, but owned at that time by Thomas Pemberton. It then moved to Berwick House in Shropshire. Entitled The Gleaner and painted in1863, it is a charming half length portrait of a young woman with a sheaf of wheat under her arm. She is stood beneath trees and the wheat field is beyond. She is dressed in a lovely pink garment and wearing a brown felt hat, to shade her face from the sun, her dark hair cascading down her shoulder, The hat is decorated with a poppy. The soft tones and sympathetic rendering of the young woman make this a stunning 19th century oil painting with excellent provenance. The painting is housed in its original gilt frame with a beautiful oak leaf motif. Signed and dated 1863 lower left. Provenance. Thomas Pemberton, Heathfield Hall, Handsworth, Birmingham. (Heathfield Hall was the former residence of the inventor and engineer James Watt. Following his death the house had several occupiers including local luminaries Thomas Pemberton and George Tangye). His sale, Christie's, 30 April 1874, lot 95 (69gns to James Watson) Berwick House, Shropshire. (James Watson (1817-1895) was an English merchant, dairy herdsman and Conservative politician who sat in the House of Commons from 1885 to 1892) Condition. Oil on canvas, 34 inches by 28 inches unframed, in good condition. Frame. Housed in its original gilt frame with oak leaf motif, 42 inches by 36 inches and in good condition. James John Hill RBA (1811 – 27 January 1882), known also by his alias J. J. Hill, was an English landscape and portrait painter, known for his many rustic paintings and portraits of Lady Burdett-Coutts. James John Hill was born sometime in 1811 in Broad Street, Birmingham to Daniel Hill, plater, and Elizabeth Rowlinson, the daughter of a brass founder. He was educated at Hazelwood School, a school founded by the educational reformer Rowland Hill...

Oil on canvas Signed in red, u.r. 14 x 11 inches, canvas size 14.5 x 11.5 inches in distressed gold leaf frame This artwork is offered by ClampArt, located in New York City. “Bruc...

“Vision of Twilight” is a captivating and contemplative artwork that suspends us in the ethereal realm of the in-between. This enchanting title captures the essence of a fleeting mom...

This portrait depicts a senior Catholic bishop, seated and gazing directly at the viewer with a gentle expression. Unsigned.

Lisa Fricker's "A Life That Mattered" is an original, handmade oil painting that depicts a portrait of a woman looking down seemingly glancing away from the viewer. This painting mea...

This lovely 18th century Old Master portrait oil painting is by noted British artist Francis Cotes. It was painted circa 1760 when Cotes was preferring oil as a medium and comparison...

A distinctive Mid-Century Modern portrait of a man with red necktie by noted Chicago painter, Francis Chapin (Am. 1899-1965). Chapin's estate records list the sitter as named Joe Mu...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Adebayo Taiwo, ...

Portrait of Henry IV, King of England (1367-1413), 16th Century English School Portrait - Early Oil On Panel Large 16th Century court portrait of Henry IV, King Of England (1367-14...

Rainy Day by Josine Vignon (French 1922-2022) ink/watercolour/pencil drawing on thick paper, unframed signed J.V paper: 10 x 6.25 inches double sided very good condition provenance...

A depiction of a young woman wearing long pearls and a loose dress. A romantic air is felt throughout this piece with a dreamy atmosphere and lush colors. She has dark black hair, we...

This particular piece depicts an anonymous portrait of a beautiful woman. Inspired by the every day, JM Robert strives to create paintings that mimic the fla...

Unique circular artwork from Natasha Lelenco’s acclaimed Currencies series, featuring the right-facing profile of a young male figure set against a saturated purple background. His s...

Early Texas Cubist inspired painting by a well known Texas artist. The work features a trio of abstract figures in red and orange tones set against a blue background. Signed in the f...

In this artwork, I explored the human gaze using pastel, pencil, and colored pencils, blending realism with surreal touches. The eyes, a window to the soul, reflect deep emotions, pe...

Beautiful portrait of Anna Morell Blix Sjöberg painted by Astrid Kjellberg-Juel, 1899 Oil on masonite 15.5" W x 19.5" H Frame: 18.5" W x 22.75" H ASTRID KJELLBERG-JUEL (1877 - 1965) Kjellberg-Juel studied art for Julius Kronberg...

A masterful example of Italian Mannerist painting, this exceptional panel was composed by the renowned Florentine painter Domenico Puligo. Alongside Jacopo Pontormo and Rosso Fiorentino, Puligo is remembered as one of the foremost figures of the Mannerist movement that rose to prominence during the 16th century in Florence. This panel of the Virgin Mary with the Christ child and Saint John the Baptist is a characteristic example of his celebrated devotional images, which grace museums such as the Metropolitan Museum of Art (New York), Museo del Prado (Madrid), Palazzo Borghese (Rome), and Palazzo Pitti (Florence), among many others. Puligo’s skill with color is fully demonstrated in the beautifully preserved work. Considering its age, the vibrancy and the sheer range of color is remarkable. The Virgin Mary’s crimson dress...

Incredible early American modernist portrait by Stephen H Booker (1933 - 2016). Oil on canvas. Signed verso. Finely framed. Measuring 24 by 28 inches overall and 16 by 20 paintin...