People Portrait Paintings

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

Jean-Gabriel Domergue (1889-1962) French, Bordeaux, France - Paris, France Portrait of a Lady Oil on panel 21 ½ x 18 inches unframed (54.61 x 45.72 cm) 31 ¼ x 27 ¾ inches framed (79...

Portrait of a Lady French School, 19th century oil on canvas, framed framed: 34 x 29 inches canvas: 30 x 25 inches provenance: private collection, France condition: very good and sou...

Portrait of a lady by Dutch Golden Age painter Nicolaes Maes (1634-1693). Half-length, within a feigned oval, the lady wears a pearl necklace and earrings, an ivory silk gown adorned...

Portrait Of Thomas Smythe (1514-1577), 16th Century School of Hans HOLBEIN (1497-1543) Fine huge 16th Century English Old Master portrait of Sir Thomas...

Mattheus Terwesten (The Hague, 1670 - 1757) Portrait of a young woman with palette and brushes, as Allegory of the art of Painting Oil on canvas 160 x 91 cm. - In frame 178 x 107 cm...

Original painting by Daria Kusto. 2024y. ink , markers on watercolor paper. THE MAGIC FLOW REALITY...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. A sister is a gi...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Elie HATUNGIMAN...

Portrait of a woman. Oil on canvas. Cracks, small dirt, small paint losses on the edges of the canvas. 41 x 33 cm.

Intimate Kitchen Scene Josine Vignon (French 1922-2022) ...

Portrait of an Elegant Lady original pencil drawing on paper signed by Marjorie Schiele (1913-2008) *see notes below piece of paper is 12 x 8 inches In good condition, though with mi...

Kasia Mazur is a very young artist, she is still studying painting at the Academy of Fine Arts in Gdansk, where she also lives. She has already had exhibitions and I noticed her tale...

Artist/ School: French School, late 20th century, signed lower corner Title: Lady sitting on cliffs looking out to sea. Medium: oil painting on canvas Size: painting: 15.75 x...

KAMIL LISEK (born in 1980) Studied under the guidance of prof. Maciej Świeszewski at the faculty of painting at the Academy of Fine Arts in Gdansk. He graduated with distinction obta...

Male Portrait, oil on board. Unsigned. Presented in a decorative gilt effect frame with painted cove. (Provenance: Studio Sale, George Weissbort).

Ballerinas by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 16 x 13 inches condition: overall very good, minor surface scuffs from...

Country girl - Pietro Colonna Italia 2006 - Oil on canvas cm. 45x25 Gold gilded wooden frame available on request The painting by Pietro Colonna is a free interpretation of the paint...

Portrait Of Sir Joshua Reynolds (1723-1792), 18th Century English School Large 18th Century English portrait of painter Sir Joshua Reynolds, oil on canvas. Excellent quality and co...

Now I Wear Myself Original Painting by Bukola Orioye Nigeria, 2022 Oil and acrylic on Canvas Dimensions: 36in x 36in Description: Now I Wear Myself is a...

Portrait of a young boy, impressionist painting. Dimensions WITHOUT frame in cm 32 x 42

A finely detailed silhouette of a Victorian gentleman. Attributed Frederick Frith (1819-1871) The Reverend James Metze, bust length, turned to the left, wearing coat and cravat wate...

Sleeping Woman by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 13 x 18 inches condition: overall very good, minor surface scuffs f...

Antique painting depicting the Face of Christ as Salvator Mundi Flemish painter, 16th-17th century Oil on copper 22 x 18 cm./ framed 42 x ...

Mixed media on paper by artist Daria Kusto The magic flow reality... Shipped well protected, unframed.

Oil on Canvas "The girl in the Red Dress" by W Frank Calderon, RA (no58) Exhibit 1911. Calderon was influenced by the "Art Nouveau"period, this painting shows his beautiful detailed...

LEBAS Léonie (19th-20th) - Paris Belle Epoque Genre Scene - Oil on wood in pair - Copper leaf frames. Wood Dim (each) : 22 X 16 cm - Dim frame (eac...

Inspired by the concepts of beauty, adolescence, and time passing, Zolotnotsky’s personal and intimate oil paintings probe deeply into the mystery of the medium, itself. She seeks to...

Part of the Influencers de Taberna series, Fluorescent Husband (2020) captures a moment of surreal humor inspired by a real yet absurd conversation. The painting depicts a woman bath...

Nadezda's beautiful new oil on panel painting "Red Shoes" (2024) is a surrealist portrait of a young woman wearing a Russian dress, posed impossibly among a strange arrangement of objects at varying perspectives. Among these are living things like a spirit resting on the bed, and a small humanoid figure wearing a mask. Nadezda is a painter, sculptor, photographer, and concept artist. Her artwork is focused on narratives carefully gathered from the hidden chambers of her imagination as well as live theater-inspired work with actors, dancers, and models. Like a quilt stitched of poetic realities, Nadezda’s mysterious world defies the mundane. With a non-linear creative process flowing between different media, the artist explores various vantage points in her creations. This dynamic approach inspires her mind’s eye to focus on the worlds within and evoke an uninterrupted, creative transmission which is then channeled through her paintings, drawings, sculpture, photography, writing and film. SOLO EXHIBITIONS: September 2024 Once There Was, Once There Wasn’t // Modern Eden, San Francisco, CA, USA May 2024 Siren’s Heart // Haven Gallery, Long Island, NY, USA February 2022 Secret Hallway // Modern Eden, San Francisco, CA, USA July 2021 The Great Scale of Little Things // Galleria D’Arte Piero Della Francesca, Arezzo, Italy February 2021 A Place To Dream // SHOH Gallery, Berkley, CA, USA July 2019 Pins & Petals // Haven Gallery, Long Island, NY, USA August 2018 Lukomorye // Spoke Art, San Francisco, CA, USA February 2018 Nightmares & Lullabies // Haven Gallery, Long Island, NY, USA June 2017 Fly-By-Night // Haven Gallery, Long Island, NY, USA MUSEUM EXHIBITIONS: March 2024 Miradas Femeninas // group exhibition, Museu Europeu d’Art Modern (MEAM), Barcelona, Spain FAIRS: April 2020 Art Market San Francisco // SFADA x Modern Eden, San Francisco, CA, USA February 2020 LA Art Show // Abend Gallery, Los Angeles, CA July 2019 Art Market Hamptons // Haven Gallery at Bridgehampton Museum of Art, NY October 2018 Moniker Art Fair // Spoke Art, London, UK July 2017 Art Market Hamptons // Haven Gallery at Bridgehampton Museum of Art, NY SELECTED GROUP EXHIBITIONS: June 2024 Portrait Show XII: Myth // Modern Eden, San Francisco, USA March, 2024 BAA Teachers Show 2024 // BAA Gallery, Barcelona, Spain January, 2024 AKSK // Corey Helford Gallery, Los Angeles, USA September 2023 Reverie // Modern Eden, San Francisco, USA August 2023 Mass // Modern Eden, San Francisco, USA October 2023 Bacchus // Modern Eden, San Francisco, USA September 2023 Harvest // Modern Eden, San Francisco, March 2023 Secret Longings // Corey Helford Gallery x Beautiful Bizarre, Los Angeles, CA December 2022 Yule // Modern Eden, San Francisco, CA November 2022 Halcyon Days // Beautiful Bizarre x Modern Eden, San Francisco, CA October 2022 Danse Macabre // Modern Eden, San Francisco, CA September 2022 Totem // Modern Eden, San Francisco, CA August 2022 Mighty // Modern Eden, San Francisco, CA June 2022 X Annual Portrait Exhibition // Modern Eden, San Francisco, CA April 2022 100 Trees // Modern Eden, San Francisco, CA October 2021 Lore // Modern Eden, San Francisco, CA June 2021 Moleskine Project X // Spoke Art, San Francisco, CA June 2021 Portrait Show IX // Modern Eden, San Francisco, CA November 2020 Art Collector Starter Kit VII // Corey Helford Gallery, Los Angeles, CA October 2020 Midnight Garden // Beautiful Bizarre x Modern Eden, San Francisco, CA July 2020 The Art of Quarantine // SHOH Gallery, Berkley, CA May 2020 Unjust Contentment // Beinart Gallery, Brunswick, Australia March 2020 Contemporary Figuration // Abend Gallery, Denver, CO November 2019 Paintguide x Thinkspace Projects // Thinkspace Projects, Los Angeles, CA November 2019 Annual Holiday Miniatures Show // Abend Gallery, Denver, CO November 2019 Esprit De Corps // Modern Eden x Haven Gallery, CA and NY June 2019 Moleskine Project VIII // Spoke Art SF, CA June 2019 Muse, SHOH Gallery // Berkley CA June 2019 Small Works, Beinart Gallery // Australia May 2019 Gaia Reborn // Beautiful Bizarre at Museum of Urban Contemporary Art, Berlin, Germany March 2019 Femme, Spoke Art + Juxtapoz, NY January 2019 Music Box // Haven Gallery, Northport, NY December 2018 Solstice Blue...

Subtle and moody portrait of a Pensive man by Joan Tidwell (American, 1930-2002). The sitter in the portrait is a middle-aged man looking slightly downwards, wearing a collared shirt. This piece is completed in a tan and green palette, creating a somber feeling. Of particular note are the confident, thick brushstrokes - each one is well-placed in the modernist style. Similar in some ways to Picasso's portraits. Signed "Joan Tidwell" on verso Unframed. Canvas size: 30"H x 22"W oan Gay Tidwell (American, 1930-2002) was born and raised in Hollywood, CA, where she had some success as a child actor. Later, she graduated Magna Cum Laude from the University of Washington with a Master's Degree in English Literature and Drama. Tidwell moved to the Bay...

GIFC Title: Die Year: 2017 Medium: Gouache on Paper Size: 11 x 8.5 inches Signed and dated by the artist COA provided

"Breathe" (2024) by Adam Shaw is an original handmade oil painting that depicts a portrait of an astronaut in orbit above a planet, her face partially exposed by the sunlight reflect...

French School, Portrait of Queen Marie Antoinette of France, Pastel /oil Pastel on Paper, Rococo, 18th Century. The Pastel is made in the style...

Francesc Sans Castaño (Barcelona 1868-1937). Maja con abanico y mantilla. Óleo sobre lienzo. Firmado en el ángulo inferior izquierdo. Medidas: 65 x 50 cm; 76 x 61 cm (marco) Precios...

'Poems in paint' Flip Gaasendam tells with his paintings where he likes, there, in those places, he paints. His recognizable loose touch, carefully chosen colors, spherical landscapes, interiors and portraits have been part of the permanent collection of Galerie Bonnard for years. We read somewhere that Flip Gaasendam has a 'Flip Gaasendam veil' on his subjects. That is, we believe, a good description of the works of this highly esteemed artist. "Poetry in paintings" is also a statement that fits with the work and can be read in the numerous descriptions that can be found about the artist. The artist himself says that he wants to put life to a halt in his work. He says the following about his way of working:  'Because I am an aquarellist from home, I learned how to paint transparently in tone and tone. I also use that in my oil paints. My work is classified as post-impressionistic. When I paint, however, I forget everything about art history. I like a lot of things, from Alma Tadema to Andrew Wyeth, but I am a painter of today. It therefore goes too far to say that I consciously go back to the past. I work unorthodox. I do not apply the paint with a fixed method. I brush with wipes, use the palette knife, work with my hands, etc. That my palette is heavily controlled by the color green, is because I often make a painting blond with cobalt and ocher. My themes are often nostalgic and romantic. as a child, I thought the morning mist was beautiful, and with the light effect in the Groninger station restoration it is just as well. ' The modest artist can rightly be called one of the forerunners of the new...

Titre : Portrait de jeune femme à la coiffe noire Artiste : Entourage de Charles-André Van Loo (1705–1765) École : Française, XVIIIe siècle Technique : Huile sur panneau Dimensio...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Portrait of a young girl in a lilac dress with a black bow. Circa 1860. Signature below right, partially visible. Size with frame 59cm x 49cm Size without frame 33cm x 24cm The portrait depicts a young girl with an elegant hairstyle, her hair carefully tied back. Dressed in the fashion of the 1860s, her light lilac dress reflects the synthetic aniline colors, a novelty in fashion at the time. A black bow at the neck and slightly black straps accentuate her attire. Represented at mid-length, with a mysterious and melancholic gaze, suggesting a mourning endured over a year ago. The portrait, executed in pastels, chalks, and charcoals on paper, highlights the mastery and speed of the artist's execution. Framed in a vintage oval frame...

As an Antique sculpture, Dario Moschetta creates strength and movement in this artwork. Moreover, experimental technique brings an unique texture to the figure. Hair are waving alon...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. "Often, in old a...

Incredible early American modernist portrait by Stephen H Booker (1933 - 2016). Oil on canvas. Signed verso. Finely framed. Measuring 24 by 28 inches overall and 16 by 20 paintin...

Jean CLUSEAU-LANAUVE (Périgueux 1914 - Paris 1997) The Pianist Oil on canvas H. 46 cm; W. 38 cm Signed lower right. Countersigned, titled, and dated on the back - 1962 Provenance: E...

Portrait of a Pekingese Dog English artist, late 19th century Watercolour drawing on paper stuck on card card: 10 x 8 inches paper: 5.5 x 4 inches Provenance: Private collection, UK ...

In the time of my mother and the women before her in her generation line, women are not allowed to talk or have a genuine opinion on the crucial and critical matters of emergency in ...

Oil on canvas realized by Marco Fariello in 2023, depicting a dominican woman. Excellent condition. Certificate of authenticity by the Artist.

Birendra Pani - Re Vision - 66 x 42 inches (unframed size) Acrylic on Canvas , 2010 ** Will be delivered in rolled form. Should you want the work in ready to hand condition please contact gallery for freight calculation. In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha. The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue. The ten canvases on display in this exhibition, features the Gopitua dancers in different situations. The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition. Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times. Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society. “I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.” Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world. About the Artist and his work : BORN : 1969, Bhadrak, Odisha, India. FINE ARTS EDUCATION : 1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda. 1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal. 1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha. SOLO EXHIBITION IN INDIA AND ABROAD : 2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha. 2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi. 2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack. 2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda. 2011 “Re – Vision” at Aakriti Art Gallery, Kolkata. 2010 “Re – Vision” at Gallery Sumukha, Bengalore. 2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York. 2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi. 2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara. 2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi. 2005 “Echo” at Kaleidoscope Art...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Omoyeni Arogunmati...

Her Favourite Pet Young Lady wearing a straw hat and white dress with blue ribbons with her pet dog. Circle of Arthur John Elsley, British 19th Cen...

French School Portrait of a young woman in Louis XV period dress Pastel on paper mounted on oval canvas H. 68 cm; W. 54 cm (Frame: H. 102 cm; W. 71 cm) 18th century frame, anti-refle...

Portrait of a Lady, Black Dress and Pearl Necklace circa 1970's oil on canvas, unframed canvas: 36 x 24 inches provenance: private collection, England condition: good and sound condi...

Portrait of a Young Lady French Modernist artist, circa 1960's period signed oil on board, unframed Board: 21.5 x 15 inches Provenance: private collection, France Condition: very goo...

'Portrait of Woman with Irises', oil on cardstock paper (1976), by Raymond Debiève. Here the artist paints a young woman holding a bunch of enchantin...

Sometimes I wonder, was it even there - that past life? If there are no photos, there is no evidence. In this artwork, I've captured a moment suspended in time, where nostalgia meets...

Impressionist Nudes, Three Figures, Oil Painting By French artist Claude Benard, (1926 - 2016) Signed by the artist on the top right hand corner of the painting Oil painting on canv...

This recently rediscovered portrait of Santi di Tito depicts a Florentine senator, with a letter in his hand indicating that the painting was executed in 1574 when the sitter was 66 years old. On the basis of these clues, it is tempting to view it as a portrait of Bartolomeo Panciatichi, who was painted some thirty years before by Bronzino (1503 - 1572). While the treatment of the hands recalls the Florentine tradition of Mannerist portraits, the comparison with Bronzino's portrait illustrates Santi di Tito's search for greater realism, despite the stereotyped composition. 1. Santi di Tito, Counter-Reformation painter and portraitist Santi di Tito was the great painter of the Florentine Counter-Reformation. He proposed a new artistic language that broke away from Mannerism. Little is known about his training in Florence (perhaps alongside Bronzino or Baccio Bandinelli), but this period of training enabled him to join the Company of Saint Luke, the guild of Florentine painters, in 1554. Between 1560 and 1564, Santi di Tito spent time in Rome, where he frequented the workshop of Taddeo Zuccari. This stay had a fundamental influence on his work, thanks to the discovery of the late work of Raphael, but also his encounters with the painters Francesco Salviati and Federico Barocci. Around 1565, Santi di Tito returned to Florence, where he remained until the end of his life, dividing his talents between the creation of important religious paintings and countless portraits. He became one of the city's leading painters, distinguishing himself, in particular, in the creation of large religious compositions in which the spirit of the Counter-Reformation was reflected. In 1568, Santi di Tito became a member of the Confraternity of Saint Thomas Aquinas...

A characterful copy of Fred Barnard's illustration, Bill Sikes and Bullseye from the Charles Dickens novel 'The Adventures of Oliver Twist'. Much like Barnards character study, this ...

Oil on board realized by Sirio Pellegrini in 1974. Hand signed on top left side. It includes a beautiful wooden frame cm. 55x45 Very good condition. Sirio Pellegrini, born in Rom...

Unsigned. Provenance: Studio Sale, George Weissbort, 2 June 2024. On board.

These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the future Charles X) and his family in Edinburgh in 1796-1797. Given by the sitters to Lord Adam Gordon, the Governor of Edinburgh, and kept by family descent to this day, these two portraits provide us with a vivid and spontaneous image of the Duc d’Angoulême and his brother the Duc de Berry. Danloux, who had emigrated to London a few years before, demonstrate his full assimilation of the art of British portrait painters in the brilliant execution of these portraits. 1. Henri-Pierre Danloux, a portraitist in the revolutionary turmoil Born in Paris in 1753, Henri-Pierre Danloux was first a pupil of the painter Nicolas-Bernard Lépicié (1735 - 1784) and then, in 1773, of Joseph-Marie Vien (1716 - 1809), whom he followed to Rome when, at the end of 1775, Vien became Director of the Académie de France. In Rome he became friends with the painter Jacques-Louis David (1748 - 1825). Returning to France around 1782, he settled in Lyon for a few years before returning to Paris in 1785. One of his first portraits was commissioned by the Baroness d'Etigny, the widow of the former Intendant of the Provinces of Gascony, Bearn and Navarre Antoine Mégret d'Etigny (1719 – 1767). He then became close to his two sons, Mégret de Sérilly and Mégret d'Etigny, who in turn became his patrons. In 1787, this close relationship with the d'Etigny family was further strengthened by his marriage to Antoinette de Saint-Redan, a relative of Madame d'Etigny. After his marriage, he left for Rome and did not return to France until 1789. It was during the winter of 1790-1791 that he painted one of his masterpieces, the portrait of Baron de Besenval. Set in a twilight atmosphere, this portrait of an aristocrat who knows that his death is imminent symbolizes the disappearance of an erudite and refined society which would be swept away by the French Revolution. The Jacobin excesses led Danloux to emigrate to England in 1792; many members of his family-in-law who remained in France were guillotined on 10 May 1794. Danloux enjoyed great success as a portrait painter in England before returning to France in 1801. During his stay in England, Danloux was deeply under the influence of English portraitists: his colors became warmer (as shown by the portrait of the Duc d'Angoulême that we are presenting), and his execution broader. 2. Description of the two portraits and biographical details of the sitters The Duc d'Angoulême (1775-1844) was the eldest son of the Comte d'Artois, the younger brother of King Louis XVI (the future King Charles X), and his wife Marie-Thérèse of Savoie. He is shown here, in the freshness of his youth, wearing the uniform of colonel-general of the "Angoulême-Dragons" regiment. He is wearing the blue cordon of the Order of the Holy Spirit, which was awarded to him in 1787, and two decorations: the Cross of Saint-Louis and the Maltese Cross, as he was also Grand Prior of the Order of Malta. Born on 16 August 1775 in Versailles, Louis-Antoine d'Artois followed his parents into emigration on 16 July 1789. In 1792, he joined the émigrés’ army led by the Prince de Condé. After his stay in Edinburgh (which will be further discussed), he went to the court of the future King Louis XVIII, who was in exile at the time, and in 1799 married his first cousin Marie-Thérèse Charlotte of France, the daughter of Louis XVI and the sole survivor of the royal family. The couple had no descendants. He became Dauphin of France in 1824, upon the accession to the throne of his father but played only a minor political role, preferring his military position as Grand Admiral. Enlisted in Spain on the side of Ferdinand VII, he returned home crowned with glory after his victory at Trocadero in 1823. He reigned for a very short time at the abdication of Charles X in 1830, before relinquishing his rights in favor of his nephew Henri d'Artois, the Duc de Bordeaux. He then followed his father into exile and died on 3 June 1844 in Gorizia (now in Italy). His younger brother, the Duc de Berry, is shown in the uniform of the noble cavalry of the émigrés’ Army. He is wearing the blue cordon of the Order of the Holy Spirit, awarded to him in May 1789, and the Cross of Saint-Louis (partly hidden by his blue cordon). Born on 24 January 1778 in Versailles, Charles-Ferdinand d'Artois also followed his parents into emigration and joined the émigrés’ army in 1792. After his stay in Edinburgh, he remained in Great Britain, where he had an affair with Amy Brown...