People Portrait Paintings

Portrait of Hortense Mancini, Duchess of Mazarin (1746-1699), 17th Century by Jacob Ferdinand Voet (1639-1689) Large 17th Century Italian portrait o...

After Carlo Dolci (Italian, 1616-1686), "La Madonna del Dito" [Madonna of the Finger], Oil on Canvas, 19th century, unsigned, framed oval in carved gilwood frame. Image: 22" H x 18" ...

The Meditator 80 x 80 cm Acrylic on canvas Frame is included Framed the painting measures 90 x 90 cm The artist Mitzy Renooy in this painting shows what she likes to paint most. A child living in his own world, dancing on his own way. Mitzy Renooy, artist and mother of four daughters, has exhibited twice before at Galerie Bonnard...

An original oil on canvas painting by Belgian artist Louis Joseph Anthonissen depicting a doctor and his family in a garden setting. This painting comes housed in its original grand...

This intricately detailed composition is a late-Qing dynasty ancestor portrait depicting several generations of a family's male ancestry. Or...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

"Admiring Her Looks" by Auguste Toulmouche is a quintessential example of 19th-century academic art, emphasizing beauty and technique. Toulmouche's work often explores themes of femi...

A charming study of Anselm Feuerbach's Orpheus and Eurydice. Bears signature to the lower left. Presented in a substantial gilt frame. On board.

"Global Marine Oil Workers" Artist: Robert Lavin Medium: Oil on Canvas Size: 39" x 64" Framed In 1980, Charles Russel Luigs, CEO of Global Marine Inc. commissioned painter Robert La...

"Umber" Oil Painting 80" x 50" inch by Casey Baugh Medium: oil on canvas The artwork signed and dated by the artist. ABOUT THE ARTIST: Baugh's work can be described as narrative i...

Oil on canvas Karine Bartoli was born in 1971 in Ajaccio. She enrolled at the Ecole Nationale Superieure des Beaux Arts in Marseille where she graduated in 1997. Since then she has ...

Jean-Gabriel DOMERGUE (1889-1962) Maria, Nude on Blue Background, c. 1950 Oil on hardboard Signed lower left On hardboard, 55 x 46 cm (c. 22 x 18 in) Presented in a 74 x 64 cm (c. 3...

Rooted in introspection and emotional nuance, Xenia Gray’s figurative mixed media works capture the quiet tension between solitude and connection. Her paintings often depict the huma...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper signed lower corner and dated 1960 Image : 12 x 9.5 inches Superbly decorative 1960's Frenc...

19th Century Miniature Painting of Five Sisters by Vincenzo Castelli. Signed. Italian - 1789-1845 2.75 x 2.25 x 5.25

Signed in red, u.r. Oil on canvas mounted to Masonite 68 x 38 inches 74 x 44 inches, framed $8500.00 + $400.00 framing This artwork is offered by ClampArt, located in New York City...

ENOCH SEEMAN (circle of) PORTRAIT OF SIR FRANCIS SEYMOUR AS A BOY A very fine 18th century portrait of Sir Francis Seymour as a boy,oil on canvas housed in a gilt frame, circle of Enoch Seeman The size of the painting is 49 x 39.5cm (19¼ x 15½ in.) whilst overall the size is 65 cm x 56 cm The painting is in very good condition, the Canvas has been relined, and recently cleaned.(unsigned) Provenance: Anonymous sale, Christie's, 19 January 1945, lot 34 Anonymous sale, Crewkerne, Somerset, 24 April 2009, lot 1947 SIR FRANCIS SEYMOUR Francis Seymour, 1st Baron Seymour of Trowbridge (c. 1590 – 12 July 1664), of Marlborough Castle and Savernake Park in Wiltshire, was an English politician who sat in the House of Commons at various times between 1621 and 1641 when he was raised to the peerage as Baron Seymour of Trowbridge. He supported the Royalist cause during the English Civil War. In June 1611 he was accused of abetting the escape of his brother William Seymour and his wife Arabella Stuart, but protested his innocence. He was knighted by King James I at Royston on 23 October 1613. In 1612 was settled on him by his grandfather the manor of "Puriton with Downend" in Somerset, formerly one of the many possessions of his great-grandfather the 1st Duke of Somerset. In June 1642, Seymour signed the declaration that the king had no intention of war. He followed the King to York, offering to raise twenty horse in his cause, and Parliament accordingly declared him a delinquent. In autumn 1642 he went with his brother, the Marquis of Hertford, into the Westcountry to organise the royalist forces and suppress the parliamentary militia. He crossed the Bristol Channel...

George Weissbort (1928-2013) - Mid 20th Century Oil, The Artist At Work

6070 Oversized oil painting of a worrior King Set in an elaborate frame Image size 23x35" By Italian artist John Rocco Mastrangelo

This contemporary abstract expressionist woman's portrait "My force within" was created by French artist Natalya Mougenot and is part of her ongoing series dedicated to exploring wom...

Mitzy Renooy made this painting in the autumn of 2019. A child playing in the water. One of her favorite inspiration is the way children move and stay in their own world. This painting makes an impression due to the simplicity of the brushstrokes and the narrative that is told by artist Mitzy Renooy. Mitzy Renooy finds her inspiration, people in their environment, movement and the ryhthm of life, Cuba...

Oval Portrait is an artwork realized by an unknown, mid-20th Century. Oil on canvas mounted on board. 47 x 37 cm. Good conditions.

ARTIST: MARLENA NIZIO (1959-2021) Studied painting under prof. Jerzy Nowosielski at the Academy of Fine Arts in Cracow. She received her diploma in 19...

Acrylic paint on canvas 2019 Signed Unique work The world of William Bakaïmo is a great dreamlike bestiary where humans are not humans, where animals...

This bold and imaginative painting by Serg Graff, titled “Golden President Andrew Jackson,” is a rare and unique creation blending acrylic, oil, and mixed media on canvas in a naïve ...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper stamped Image : 25.5 x 19.5 inches Superbly decorative 1960's French portrait painting. I...

Portrait in bright colors and shapes

This is a painting from Karen Lynn’s ‘Crowd’ series of works. In this particular painting she gave the audience a 60’s retro look and chose very bright colours like reds pinks and o...

Koordinator is an artwork realized by Bernhard Gillesen (Düsseldorf 1952 - Trevi 2023) in 1976. Oil on Canvas cm. 120x100 cm. Hand signed, dated and titled on rear. Good condition...

From the estate of Jerry Opper & Ruth Friedman Opper Black Floor c. 1940-1950's Gouache on Paper 15" x 18" Unframed *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

Original acrylic painting on canvas. Hand signed on front by Peter Max. Canvas size 36 x 24 inches. Custom frame with hand painted filet. Frame size approx 46 x 33.75 inches. Stu...

Figure reclining in interior

Artist: James, Clarence Title: Mind Date: 2025 Medium: Acrylic, Aerosol, Oil Stick on Canvas Unframed Dimensions: 30" x 24" Signature: Signed Edition: Unique

Samuel S.Hoskins Statement on The Traveler : I hold a deep appreciation for the motif of the traveler. I prefer to perceive my life as a narrative in which I play the role of a traveler. Much like in life itself, this journey involves navigating through various elements and facing the challenges that life presents. At times, the journey may be characterized by sunny and pleasant moments, while at other times, it might resemble a chaotic storm. Nevertheless, there is a profound beauty woven in it all. The Traveler by Samuel Hoskins...

My girlfriend and Me liked to dress up "take it off and throw it away"). We were looked at on the street, some advised us to go to a madhouse, but we liked it.) Tanka lived on the fi...

Al Saralis – "Nothing Gold Can Stay II" Oil on Canvas 47.2 x 39.4 inches (120 x 100 cm) A poised woman in a flowing red dress sits quietly against a softly glowing, golden-toned ba...

'Prisms of Identity: A Portrait Series II', Florentine School (circa 1980s-90s). This new collection represents some of the most appealing works we have acquired to date from our Flo...

'Prisms of Identity: A Portrait Series I', Florentine School (circa 1980s-90s). This new collection represents some of the most appealing works we have acquired to date from our Flor...

Portrait of Man (16) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Canvas Size: 16 in. x 12 in. (40.64 cm x 30.48 cm)

Using layers of thick, expressive brushwork, solid colors and slightly flattened space, Jennifer Hornyak has created an elegant portrait of a man in black shirt and white sun hat. The simple, modern forms outlined in black on an indigo ground emphasizes the stillness of the oil portrait on canvas that is reminiscent of the work of Jean Paul Lemieux...

A beautiful oil study of a Turkish performer playing folk music on the Oud. The lady wears an elegant wrap skirt with floral motifs, matched with a colourful waistcoat and silk blous...

Pastel on board - Saturday Evening Post Cover, Evening Gown May 21st, 1938 - Reproduced version looks better because the Saturday Evening Post Art Director retouched the plates before printing and strengthened the colors to give it more newsstand appeal - Signed and inscribed lower left. Housed in an inexpensive period frame From Wiki : as an American illustrator and portrait painter who studied at The School of The Art Institute of Chicago and Art Students League of New York. She began her career as an illustrator and during World War I, she traveled across France entertaining military troops with Anita P...

A charming portrait of a well-dressed gentleman seated beneath autumn foliage, with his faithful dog at his feet. A church can be seen in the distance. Handsomely presented in a gilt...

Antique English oil on canvas portrait painting, circa 1900. A very handsome Impressionist portrait of a youthful lady in Edwardian dress. Oil on canvas, signed to the upper left "F ...

America Martin "Woman and Water Lilies" Acrylic on Linen 53.5 x 96.5 in. Framed Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration f...

Portrait of Lydia Clifton, aged 5 years, 6 months and dated January 31st 1841 watercolour on artist paper with wood panel backing, framed framed: 16 x 12 inches painting : 13.5 x 9.5...

Female figure, vase, foliage, florals; acrylic ink, flashe and pastel on 300g Arches hot press paper; custom framed, shallow shadow box frame. Deep blue, marigold yellow gold. Fra...

A beautiful portrait of a woman named Wilda Leiner, a pianist (1908-1994) by longtime Santa Cruz, CA resident Cor de Gavere. Signed "Cor de Gavere" lower right. Provenance listed on ...

Wonderful pulp art figurative portrait of a brunette woman in formal yellow evening gown with gloves by unknown California artist, circa 1960s. Unsigned. Acqu...

Kelly Carmody (b. 1977, Massachusetts) Rooted in realism, Carmody’s compositions start very traditional in subject and composition; however, she further transforms her skilled hand b...

Erling Roberts (American, 1902 - 1974) Signed: Erling Roberts 1939 (Left, Center) " Aljean Stewart Hunt ", 1939 Oil on Canvas 40" x 28" Housed in its original 3" Period Frame O...

Suzy Smith's "Lady in Red" is an original, handmade oil painting that depicts a feminine figure, in a formal red gown holding a cigarette. About the Artis...

This oil painting by Kris Knight is offered by CLAMP in New York City. Signed, titled, and dated, verso

Antique American modernist oil painting portrait. Oil on canvas board. Signed verso. Framed. Measuring 22 by 26 inches overall and 16 by 20 painting alone.

Jim’s of Lambertville is proud to offer this artwork: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Ben...

Hollis Dunlap's (US based) "Study of Morgan" is an original, handmade oil painting that depicts a nude woman, face downturned, with her long dark hair trailing down her porcelain fig...

The Consecrated Madonna, circa 1700 Eastern European School Large 17th 18th Century European School depiction of the Consecrated Madonna, oi...

Louis-Gabriel BLANCHET (Versailles, 1701 – Rome, 1772) Presumed self-portrait of the artist Oil on canvas H. 73 cm; W. 60 cm Circa 1730 Originally presented in a Restoration period frame with a "Mignard" cartouche, this beautiful painting initially appeared to us as a work from northern Italy. However, it exuded a rather French form of refinement, suggesting that its artist may have assimilated a dual influence from both sides of the Alps. We thank our colleague and friend Philippe Mendès for spontaneously and judiciously "bringing out" the name of Louis-Gabriel Blanchet, a Romanized French portraitist, whose spirit and stylistic characteristics we clearly recognize here. Blanchet's "French" years, before his final departure for Rome in 1728, following his winning of the second Grand Prix for painting after Subleyras in 1727, are extremely poorly documented. His father, Gabriel, was valet to Blouin, himself Louis XIV's first valet at the time. According to Thierry Lefrançois, Blanchet was one of the few students of Nicolas Bertin (1667-1736), whose studio he is said to have joined in the early 1720s. At a baptism on March 24, 1724, where he was godfather, he is mentioned as a painter in the picture store of the Duke of Antin, the director of buildings between 1708 and 1736. At this time, he was probably already married to Jeanne Quément, with whom he had a daughter also named Jeanne, who would marry Nicolas Aviet, the son of a valet in the queen's wardrobe, in Versailles in 1738. When Blanchet arrived in Rome in October 1728, he was accompanied by Subleyras, Trémolières, and Slodtz. He enjoyed the goodwill of Vleughels, the director of the Académie de France, which had been based at the Palazzo Mancini since 1725, even though the latter was not always kind to our resident. From 1732, he was under the protection of the Duke of Saint-Aignan when he took up his post as ambassador to Rome. Along with Slodtz and Subleyras, they formed a trio of friends, joined by Joseph Vernet shortly after his arrival in Rome in 1734. Slodtz and Blanchet, on the occasion of Subleyras's marriage in 1739, were there to attest that their friend was not bound by any marital commitment, and Blanchet was a witness at Vernet's wedding in 1745. It is most likely from these early years in Rome that our portrait of the artist dates, the expression and turn of his face irresistibly reminiscent of a self-portrait. The still relatively youthful features may correspond to Blanchet's thirty-something years, and the fluffy wig was still fashionable at this time. The painting fits well with the depiction of a young painter wanting to display both the beginnings of success and a certain simplicity or restraint. A slight smile expresses a form of assurance in this man with a gentle, sincere gaze and a face radiating a keen sense of wit. We find here the air of intimacy present in almost all of Blanchet's portraits, even those from the 1750s and 1760s, as well as an almost complicity with the viewer. The spirit of the painting is quite close to that of the presumed portrait of Bouchardon (painted around 1730) and the portrait of Pannini, painted in 1736, but it possesses a more natural quality, notably thanks to the absence of decorum. Our work exhibits the characteristics of Blanchet's paintings: elegance, luminosity (especially in the whites), vibrant and refined colors (here, the harmony of the garnet of the garment and the slate blue of the background, whose uniformity is tempered by a very sketched landscape and a grove of greenery), light complexions, rather rosy cheekbones, often full lips, and rather tight framing. According to the Academy's rules, Blanchet's stay should have ended in the spring of 1732, but, for reasons unknown, he remained in the Eternal City until his death, as did his friend Subleyras, with whom he shared accommodation until the late 1730s. The latter regularly called upon him to collaborate on his paintings, such as The Meal at Simon's. Through Saint-Aignan's intervention, Blanchet was employed in the late 1730s by the Stuart princely family, then exiled in Italy. He notably produced copies (now lost) after Liotard of the portraits of Charles Edward and Henry Benedict, the sons of James III Stuart. The latter also commissioned three other portraits (now in the National Portrait Gallery in London), whose more formal character contrasts with the intimate spirit of Blanchet's portraits. Blanchet frequented English painters, such as the landscape painter Richard Wilson, and studied with the Scottish portraitist Katherine Read...