Post-Impressionist Still-life Paintings

Signed lower left, 'Belle Golinko' (American, 20th century) and painted circa 1945. This Israeli-American woman Modernist exhibited widely and with success, including at the Dallas ...

Antique Fauvist Vanitas "Still Life with Flowers and Skull" Louis Mathieu Verdilhan (Provence, France, 1875-1928) Circa 1910 Oil on canvas on ...

Across numerous African nations, where vast stretches of sand dominate the landscape, pockets of human-made oases nurture the growth of lemon and orange trees. This serves as a testament to the Earth's generosity towards those who show kindness and stewardship towards it, offering vital moisture where it is scarce. In these nurturing environments, vibrant lemons thrive, their sunny hues and fragrant aromas a testament to the resilience and abundance found amidst the arid heat. This original painting by the Ukrainian artist Ksenia Tsyganyuk...

Original oil paint on heavy card stock of a lovely spring bouquet of pink flowers by the American impressionist artist, Bird Lefever. Signed lower left...

Artist/ School: French School, mid 20th century Title: Colorful Still Life of Flowers in Vase Medium: oil painting on board, framed. Size: framed: 31 x 26.5 inches painting:...

Boris Buchet (French, 1917 – 1999) A bottle of wine, kitchen pots, apples and oranges Oil on board Signed and dated ‘B.Buchet 72’ (lower left) 21.1/8 x 28.5/8 in. (53.6 x 73 cm.)

"Sunflowers In White Vase" is an beautiful large oil painted from life in the studio by Maria Bertran. This Contemporary Impressionist painting captures the brilliant gold and green...

This lovely Art Deco British Post-Impressionist floral oil painting is by noted and much exhibited female flower artist Theresa Norah Copnall. She studi...

Signed lower right, 'Lars Swane', dated 1986, and inscribed verso 'Tilhører Palle Nielsen'. A substantial, oil still-life showing variegated, red and yellow tulips informally arranged in a cobalt blue patterned vase, resting inside a cobalt and ivory bowl on a wooden table beside various books, with a view beyond through a window to a winter landscape. Son of the artists Sigurd Swane...

A beautiful 1950's French post-impressionist oil on board still life depicting a bottle of Pastis (an anise flavoured spirit and aperitif from France) with cigarette and other items ...

Artist/ School: French School, mid century, signed Habnot? Title: Beautiful interior scene with apples on the most lovely green tablecloth, thickly p...

Signed lower right 'H. Frank' for Harold Frank (American, 1917-1995), additionally stamped, verso, with certification of authenticity and painted circa 1975. An exuberant Post-Impre...

Waiting is a vibrant floral depicting a luxurious flower bouquet on a table. Comes unframed and ready to hang.

Artist/ School: Robert Sales, French second half 20th century, signed Title: Still Life Medium: oil painting on canvas, unframed Size: painting: 28.75 x 23.75 inches Provenance: ...

Maurice Brianchon (French 1899-1979) Interior scene (backstage at the theater) Watercolor and gouache on paper Signed lower right “Brianchon” Frame measures 16 X 17.5. Sight Size 8.5...

Dance in the Wind is a vibrant acrylic painting on canvas depicting a maple tree with fall-colored leaves during autumn season. Comes framed and ready to hang.

Albert van Holsbeeck was a Belgian artist, born in Brussels in 1877 and died in Etterbeek in 1948. He was a painter, draftsman, graphic artist, illustrator, miniaturist and designer ...

Japanese Iris Still Life - Watercolor and Ink on Paper Original watercolor and ink painting depicting blue and white Japanese Iris's in front of a patterned blue background. Signed...

Painting on canvas, not mounted on stretchers MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts ...

A stunning early 20th century British Post-Impressionist floral oil painting by noted "Modern British" artist Elliott Seabrooke. He was a very interesting painter, and this post-Impr...

flowers ,violet, violets MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya Kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundation for the Rus...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red and butterflies in blues, yellows, black and white. This work was executed by Dufy as a fabric design. Dimensions: Framed: 17"x27" Unframed: 10"x20" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

Signed upper right, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1935. Framed dimensions: 24 H x 1.5 D x 28.5 W inches. A vibrant Post-Impressionist still...

"Yellow Roses" is an beautiful oil painted from life in her studio in Provence by Maria Bertran. This Contemporary Impressionist painting captures the brilliant yellows of the flowe...

Lesley Anne Spowart (American, born 1957) "Flowers" 2016 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom right and back of the painting. In "Flowers", Lesley Anne Spo...

"Lush Red and Golden Roses" is an beautiful oil painted from life in the studio in Provence by Maria Bertran. This Contemporary Impressionist painting captures the soft pinks and wh...

"Tulips In The Glass Vase"" is an beautiful oil painted from life in her studio in Provence by Maria Bertran. This Contemporary Impressionist painting captures the brilliant reds a...

"Apples" On The Table II is an beautiful oil painted from life in her studio in Provence by Maria Bertran. This Contemporary Impressionist painting captures the brilliant red and go...

Sunflowers, Large Scale Modernist Floral Bouquet Still-Life by Tarmo Pasto. A stunning large-scale modernist oil on canvas still-life of sunflowers by Dr. Tarmo Pasto (American, 1906-1986). This modern floral bouquet still-life, painted by Pasto in 1973, harkens back to Van Gogh's world famous turn-of-the-century depiction of the same subject. Pasto uses a modern and fresh color palette of dark green, light yellow, lavender, and peach in this vibrant modern sunflower portrayal. Signed "Tarmo Pasto" and dated "73" lower right. Presented in a brown painted wood frame. Image size: 38"H x 30"L. Framed size: 44"H x 36"W x 2"D. Dr. Tarmo Pasto was a psychiatrist and artist, who taught psychology and art through the 1970s at California State College at Sacramento since the schools inception. He also authored a book on art...

Maurice Decamps French 1892 - 1953 Canvas Size: 18 x 22" (46 x 56cm) Outside Frame Size: 24 x 28" (61 x 71cm) This painting was exhibited at the Salon des Artistes Francais in 1937 w...

Signed and dated oil on panel landscape by sought after French post impressionist painter Jacques Martin-Ferrieres. This beautiful piece depicts a view of Auribeau-sur-Siagne, is a c...

Boris Buchet (French, 1917 – 1999) A carafe of wine, root vegetables and apples Oil on canvas Signed and dated ‘B.Buchet 72’ (upper left) 21.3/4 x 26. 5/8 in. (55.3 x 67.5 cm.)

Signed lower left, 'Ib Eisner' (Danish, 1925-2003) and dated, lower right, 1953. Displayed in a period, carved gilt-wood frame. Framed dimensions: 19 x 21.5 x 1.5 inches. A lyrical...

This painting depicts a beautiful still life of flowers in a pot sitting atop a table with a view from the town houses through a window opening. This piece has very earthy tonalities...

Early Twentieth Century Newlyn School Painting of Still Life with Lobster and Wine Glass set on a Table, Large Framed Oil Painting. This painting by Wolseley is a marvellous study i...

Initialed lower right, 'Kay' for Kay Christensen (Danish, 1899-1981), dated verso, "27 October 1948" and titled, 'Paris'. A serene, Parisian cityscape showing an aerial perspective of the Seine and the Île Saint-Louis viewed from above the Quai des Célestins, and looking towards the Île de la Cité and Notre Dame in the distance. This early Danish Post-Impressionist artist first studied with Marie Sandholt and Astrid Holm at the Copenhagen Art Academy and, subsequently, at the School of Graphics (1929-31). Christensen continued his studies while traveling widely in Europe, including to Germany and Austria (1913-14), Paris (1917-23) and to Budapest and Vienna (1934). In 1935, he was awarded the Michaelsen Scholarship which enabled him to remain in Paris during the late 1930's. During intense period of development and creativity, he moved away from the bold colors and defined forms of his earlier Fauve and Cubist periods and began to explore the creation of predominantly single-color works, often in blues or greens accented with subtle shades of white. After the Second World War, he returned frequently to paint in Paris. Kay Christensen, like his friend, Rainer Maria Rilke, followed a solitary artistic path in which his imagery was characterized by a personal aesthetic of sensuality combined with a spirited boldness and expressive force. He exhibited internationally with success and was the recipient of numerous prizes, medals and juried awards. Christensen's work is held in private and public collections including the State Art Museum of Denmark and Copenhagen's Metropolitan Museum, among others. We are pleased to offer this lyrical perspective of the Seine, the Pont Marie and the Île Saint-Louis painted...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Still Life with Pheasant and Owl Oil and pastel on canvas Signed...

Bellissima Natura morta con i primi fiori della primavera Colori tenui come viola ,verde,bianco e un tocco di arancione

Still Life Painting of a Poinsettia Plant on a Persian Rug by Contemporary British Artist Art measures 18 x 24 inches Frame measures 24 x 30 inches Angela Wakefield has twice bee...

Signed lower right, 'M. Bomund' for Marius Madsen Bomund (Danish, 1882-1963). Additionally inscribed, verso, 'Madsen Bomund', titled indistinctly, 'Studie fra ...' and dated 1915. M...

Stunning signed post impressionist oil on panel circa 1920 by French painter Emile Octave Denis Victor Guillonnet. The work depicts a summer garden filled with vibrant flowers in reds, pinks, yellows and whites, with green lawn and trees beyond. Signature: Signed lower left Dimensions: Framed: 28"x32" Unframed: 20"x24" Provenance: Private US collection Émile Guillonnet was a student of Lionel...

Signed lower left, 'Roger Derieux' (French, 1922-2015) and painted circa 1960. Born in Paris, Roger Derieux first studied at the Académie de la Grande Chaumière and, subsequently, ...

This stunning original Post-Impressionist oil painting features a vibrant vase of pink and blue wallflowers. Jean Dulac was born on Bourgoin but from the age of 5 became a lifelong...

Victor Simonin (Belgian, 1877-1946). An antique oil painting on board titled "Still Life of Flower and Fruit." This abstract still life work depicts a colorful botanical bouquet of f...

Bright, colorful Fauvist figurative painting of a woman with vase of flowers in a vibrant interior space, by an unknown Bay Area artist (American, 20th...

Signed lower right, 'Leah Schwartz' (American, born 1920) and painted circa 1965. A lyrical Modernist still-life showing three ripe peaches in a glazed earthenware bowl. An attracti...

Lemon trees stand as living vessels of warmth and the sun’s boundless love. They drink in its light and transform it into fruits brimming with the power to awaken. Their fresh, sharp...

The sharp, tangy taste of a lemon hits our taste buds with such intensity that it instantly awakens two conflicting desires: to soften its sourness with sweetness, yet to marvel at t...

"Pink Garden Roses" is an beautiful oil painted from life in the studio in Provence by Maria Bertran. This Contemporary Impressionist painting captures the soft pinks and white of t...

Maurice Asselin (1882-1947) A Bouquet of roses and nasturtiums Signed lower right Oil on cardboard canvas In good condition 39.5 x 31.5 cm Framed : 58.5 x 51.5 cm Maurice Asselin w...

Botanical gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work flowers in red and blues with green foliage against a yellow and white stripped background. Dimensions: Framed: 25"x20" Unframed: 18"x13" Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

William Malherbe 1884 – 1951 French-American Painter 'Bouquet de Fleurs' Signature: Signed lower right Medium: Oil on canvas Dimensions: Image size 62,5 x 51,5 cm, frame size 80 x 69,5 cm Notes: Between 1939 and 1948, William Malherbe resided in the United States. During this time, he created a vibrant piece inspired by the sunlight and scenery around him, using thick paint in jewel-toned colors reminiscent of Bellow’s landscapes. Starting exhibitions in Paris at 18, Malherbe explored various styles before developing his own unique style, recognized by Gustave Kahn as “particularly interesting.” He counted Renoir and Bonnard among his friends and inspirations. Biography: Malherbe William...

Here for your consideration is a very well executed oil on canvas painting of a bouquet of petunias by Samuel Mirsky. Signed lower right. Circa 1960. Condition is excellent. Overall framed measurements are 24.5 by 28.5 inches. Provenance: A New York collector. Samuel Mirsky (1883 - 1980) was active/lived in New York / Russian Federation. Samuel Mirsky is known for portrait, genre painting and still...

Still life , blue, yellow , orange ,Russian art,Lemon, Published in a monographic catalogue Maya kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foun...

Signed lower right, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1945. Precocious as a child, Victor Isbrand painted professionally from a young age and was...

Beautiful oil painting of a basket of Fuji apples with a plaid cloth hanging behind by Helen Gleiforst (American, 1903-1997). Signed "Gleiforst" lower right. Unframed. Image, 24"H x ...

Immerse yourself in the luscious world of color and form with this original oil painting on cradled wood by contemporary artist Alai Ganuza. Titled "Macedonia" and completed in 2025,...

Still Life With Ladybug and Butterfly Artist singed J. Sobel lower left, dated '07 canvas 20x24 Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy of Fine Arts in Lodz, Poland. There she studied with the famous abstract constructionists, Wladyslaw Strzeminski and Stefan Wegner from whom she learned the principles of Modern Art as laid down by the European Cubists. Sobel’s work was selected for the First Exhibit of Modern Art Museum Krakow in 1948-49. Judith Sobel emigrated to the newly found Israel where she lived for five years, becoming very active in Israel’s emerging art world. Her work was collected and exhibited by the major art museums of Israel including the Museum of Modern Art at Haifa; her art was regularly shown in the Israeli galleries. In 1956, Sobel came to New York on a scholarship, and before that she lived in France for two years. The same year she received the First Prize at the Exhibition in the Saks...

Here for your consideration is a very well done floral still life oil on canvas painting by the Yukoslavian/American artist, Marko Yukovic. Signed lower left. Circa 1960. Condition: Good. Overall measurements in original grey wash wood frame with faint gold highlights 18 by 22 inches. Biography Marko (Mark) Walker Vukovic From Yukoslavia, Marko Vukovic...

Signed still life oil on canvas circa 1910 by French post impressionist painter Jacques Martin-Ferrieres. The work depicts a black ceramic jar with w...